A Song at Cock-Crow

1 
The first time that Peter deniéd his Lord
He shrank from the cudgel, the scourge and the cord,
But followed far off to see what they would do,
Till the cock crew—till the cock crew—
After Gethsemane, till the cock crew! 
2 
The first time that Peter deniéd his Lord
’Twas only a maid in the palace who heard,
As he sat by the fire and warmed himself through.
Then the cock crew! Then the cock crew!
(“Thou also art one of them.”) Then the cock crew! 
3 
The first time that Peter deniéd his Lord
He had neither the Throne, nor the Keys nor the Sword—
A poor silly fisherman, what could he do,
When the cock crew—when the cock crew—
But weep for his wickedness when the cock crew?

          •          •          •          •           

4 
The next time that Peter deniéd his Lord
He was Fisher of Men, as foretold by the Word,
With the Crown on his brow and the Cross on his shoe,
When the cock crew—when the cock crew—
In Flanders and Picardy when the cock crew! 
5 
The next time that Peter deniéd his Lord
’Twas Mary the Mother in Heaven Who heard,
And She grieved for the maidens and wives that they slew
When the cock crew—when the cock crew—
Tirmonde and Aerschott when the cock crew! 
6 
The next time that Peter deniéd his Lord
The Babe in the Manger awakened and stirred,
And He stretched out His arms for the playmates He knew—
When the cock crew—when the cock crew—
But the waters had covered them when the cock crew! 
7 
The next time that Peter deniéd his Lord
’Twas Earth in her agony waited his word,
But he sat by the fire and naught would he do,
Though the cock crew—though the cock crew—
Over all Christendom, though the cock crew! 
8 
The last time that Peter deniéd his Lord,
The Father took from him the Keys and the Sword,
And the Mother and Babe brake his Kingdom in two,
When the cock crew—when the cock crew—
(Because of his wickedness) when the cock crew!

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A Smuggler’s Song

If you wake at midnight, and hear a horse's feet,
Don't go drawing back the blind, or looking in the street,
Them that ask no questions isn't told a lie.
Watch the wall, my darling, while the Gentlemen go by! 
     Five and twenty ponies, 
     Trotting through the dark–
     Brandy for the Parson, 
    'Baccy for the Clerk.
Laces for a lady; letters for a spy,
And watch the wall, my darling, while the Gentlemen go by! 

Running round the woodlump if you chance to find 
Little barrels, roped and tarred, all full of brandy-wine,
Don't you shout to come and look, nor use 'em for your play.
Put the brishwood back again - and they'll be gone next day! 

If you see the stable-door setting open wide;
If you see a tired horse lying down inside;
If your mother mends a coat cut about and tore;
If the lining's wet and warm - don't you ask no more! 

If you meet King George's men, dressed in blue and red,
You be careful what you say, and mindful what is said.
If they call you "pretty maid," and chuck you 'neath the chin,
Don't you tell where no one is, nor yet where no one's been! 

Knocks and footsteps round the house - whistles after dark–
You've no call for running out till the house-dogs bark.
Trusty's here, and Pincher's here, and see how dumb they lie–
They don't fret to follow when the Gentlemen go by! 

If you do as you've been told, 'likely there's a chance,
You'll be give a dainty doll, all the way from France,
With a cap of Valenciennes, and a velvet hood–
A present from the Gentlemen, along 'o being good! 
     Five and twenty ponies 
     Trotting through the dark–
     Brandy for the Parson, 
    'Baccy for the Clerk.
Them that asks no questions isn't told a lie–
Watch the wall, my darling, while the Gentlemen go by!

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A School Song

1
‘Let us now praise famous men’ –
Men of little showing–
For their work continueth,
And their work continueth,
Broad and deep continueth,
Greater than their knowing!

2
Western wind and open surge
Took us from our mothers–
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! )
‘Mid two hundred brothers.
3
There we met with famous men
Set in office o’er us;
And they beat on us with rods–
Faithfully with many rods–
Daily beat us on with rods,
For the love they bore us!
4
Out of Egypt unto Troy–
Over Himalaya–
Far and sure our bands have gone–
Hy-Brazil or Babylon,
Islands of the Southern Run,
And Cities of Cathaia!
5
And we all praise famous men–
Ancients of the College;
For they taught us common sense–
Tried to teach us common sense
Truth and God’s Own Common Sense,
Which is more than knowledge!
6
Each degree of Latitude
Strung about Creation
Seeth one or more of us
(Of one muster each of us),
Diligent in that he does,
Keen in his vocation.
7
This we learned from famous men,
Knowing not its uses,
When they showed, in daily work–
Man must finish off his work–
Right or wrong, his daily work–
And without excuses.
8
Servant of the Staff and chain,
Mine and fuse and grapnel–
Some, before the face of Kings,
Stand before the face of Kings;
Bearing gifts to divers Kings–
Gifts of case and shrapnel.
9
This we learned from famous men
Teaching in our borders,
Who declared it was best,
Safest, easiest, and best–
Expeditious, wise, and best–
To obey your orders.
10
Some beneath the further stars
Bear the greater burden:
Set to serve the lands they rule,
(Save he serve no man may rule),
Serve and love the lands they rule;
Seeking praise nor guerdon.
11
This we learned from famous men,
Knowing not we learned it.
Only, as the years went by–
Lonely, as the years went by–
Far from help as years went by,
Plainer we discerned it.
12
Wherefore praise we famous men
From whose bays we borrow–
They that put aside To-day–
All the joys of their To-day–
And with toil of their To-day
Bought for us To-morrow!
13
Bless and praise we famous men–
Men of little showing–
For their work continueth,
And their work continueth,
Broad and deep continueth,
Great beyond their knowing!

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A Ripple Song

1 
Once a ripple came to land
In the golden sunset burning
Lapped against a maiden's hand, 
By the ford returning.
2 
Dainty foot and gentle breast–
Here, across, be glad and rest. 
"Maiden, wait," the ripple saith; 
"Wait awhile, for I am Death!"
3 
"Where my lover calls I go– 
Shame it were to treat him coldly–
'Twas a fish that circled so, 
Turning over boldly."
4 
Dainty foot and tender heart, 
Wait the loaded ferry-cart. 
"Wait, ah, wait!" the ripple saith 
"Maiden, wait, for I am Death!" 
5 
"When my lover calls I haste 
Dame Disdain was never wedded" 
Ripple-ripple round her waist, 
Clear the current eddied.
6 
Foolish heart and faithful hand, 
Little feet that touched no land. 
Far away the ripple sped, 
Ripple-ripple running red!

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SINGING KIPLING 2025

 

picture credit: John Lockwood Kipling 1895

A Rector’s Memory

The Gods that are wiser than Learning
   But kinder than Life have made sure
 No mortal may boast in the Morning
   That Even will find him secure.
 With naught for fresh faith or new trial,
   With little unsoiled or unsold,
 Can the shadow go back on the dial,
   Or a new world be given for the old?
       
     But he knows not that time shall awaken,
       As he knows not what tide shall lay bare,
        The heart of a man to be taken—
          Taken and changed unaware. 

He shall see as he tenders his vows 
  The far, guarded City arise—
The power of the North ’twixt Her brows—
  The steel of the North in Her eyes;
 The sheer hosts of Heaven above—
   The grey warlock Ocean beside;
 And shall feel the full centuries move
  To Her purpose and pride.

 Though a stranger shall he understand,
   As though it were old in his blood,
 The lives that caught fire ’neath Her hand—
  The fires that were tamed to Her mood.
 And the roar of the wind shall refashion,
   And the wind-driven torches recall,
 The passing of Time and the passion
  Of Youth over all!

      And, by virtue of magic unspoken
        (What need She should utter Her power?)
      The frost at his heart shall be broken
         And his spirit be changed in that hour—
            Changed and renewed in that hour!


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A Recantation

1 
What boots it on the Gods to call?
  Since, answered or unheard,
 We perish with the Gods and all
  Things made—except the Word. 
2 
Ere certain Fate had touched a heart
  By fifty years made cold,
 I judged thee, Lyde, and thy art
  O’erblown and over-bold. 
3 
But he—but he, of whom bereft
   I suffer vacant days—
 He on his shield not meanly left—
  He cherished all thy lays. 
4 
Witness the magic coffer stocked
  With convoluted runes
 Wherein thy very voice was locked
  And linked to circling tunes. 
5 
Witness thy portrait, smoke-defiled,
  That decked his shelter-place.
 Life seemed more present, wrote the child
   Beneath thy well-known face. 
6 
And when the grudging days restored
   Him for a breath to home,
 He, with fresh crowds of youth, adored
  Thee making mirth in Rome. 
7 
Therefore, I humble, join the hosts,
  Loyal and loud, who bow
 To thee as Queen of Song—and ghosts,
  For I remember how
8 
Never more rampant rose the Hall
  At thy audacious line
 Than when the news came in from Gaul
  Thy son had—followed mine. 
9 
But thou didst hide it in thy breast
   And, capering, took the brunt
 Of blaze and blare, and launched the jest
  That swept next week the front. 
10 
Singer to children! Ours possessed
  Sleep before noon—but thee,
 Wakeful each midnight for the rest,
   No holocaust shall free! 
11 
Yet they who use the Word assigned,
  To hearten and make whole,
 Not less than Gods have served mankind,
  Though vultures rend their soul. 

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A Question

Bring me a message of hope O sea!
    I am weary of waiting—Goes it well
On the low sand dunes where my heart is set? 
I have asked of the winds and they cannot tell
If the Love that was all in all to me
    Passeth, or liveth yet.

Bring me a message of hope O sea!
    I am weary of waiting—the days are long
And there comes to me neither word nor sign
Or in the wind, or the breaker's song,
If the Love that was all in all to me
    Has passed or remaineth mine.

Bring me a message of hope O sea!
    I am weary of waiting, and winter is come 
But there comes to me nothing by land or sea 
The lake is frozen, the winds are dumb
And the Love that was all in all to me,
    Liveth it yet O sea?

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A Promise

Thy woe is mine — for thou hast held my heart
So long it is become one pulse with thine,
Thy woe is mine, though I be far apart
From thee and voice of thee thy woe is mine. 
I can but grieve with thee for who may move 
The fates above us, words are all too weak
To give the comfort that thy heart would seek.
Wait but a little and I come to thee, 
Wait but a little, woman of my Love,
And more shall be than barren words alone.
The comfort of a lover's sympathy
Where lip is set to lip with no word said, 
The comfort of my arm about thy head,
And thy heart beating up against mine own.

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A Prologue

So please you, Gentlefolk, a drama slight 
Awaits your verdict on our opening night. 
But, ere the call-bell rings, we pray you take 
In all good part the humble plea we make
For mercy at the hands of those who know 
Exactly how a comedy should go.
And they are many, and their cold grey eyes
Note every weakness from the curtain's rise. 
They scoff at halting bye-play and rejoice 
To hear the agonizing Prompter's voice;
Mark where the hare's foot trenches on the crow's 
And damn an actor for too red a nose;
Then, where the 'rickshaws block Peliti's door, 
Remark: 'We never saw such stuff before!'
To these stern critics we appeal for ruth, 
By virtue, not of excellence, but youth.
For we are young—behold, the paint still new 
Shows that but yesterday our playhouse grew. 
Forgive us then, if side-slips slide uncertain,
Or all too hasty falls the half-trained curtain, 
Or from your eyes by unrehearsed mishap, 
Our leading ladies vanish down a trap.
Such little accidents, it stands to reason,
Might mar the first performance of the season.

Thus, having met all possible detractors, 
We will not ask you to excuse our actors.
Some you know well; their art in bye-gone years
Has moved the Gaiety to mirth and tears, 
Brought as the 'act-drop' closed upon the scene, 
To English lips, the Moslem cry of Din!
We borrowed them—we glory in the crime— 
And hope to playgiarise a second time.
The others who portray poor Lucia's griefs,
Are all, in their respective lines,—the Chiefs! 
The Army List eluciadates this fact.
And now to tell you how we came to act.
Who said—'To please yourselves'?—No! I deny it.
Who ever acts for pleasure? Just you try it!
Men say, who simmer in the Plains below, 
That Simla people frivol. Be it so.
Let us admit that, as the Plains assert,
The Maidens of the Mountain sometimes ... flirt,
While Matrons dance, and others, wilder still 
Give picnics at the back of Summer Hill.
And bold, bad sportsmen on a lottery-night 
Sit up till morning dims the candle-light. 
But we are good. We scorn the flighty crew. 
We frivol with a serious end in view:
And here forgive me if my trifling rhyme
Take graver accents for a little time.

You know, who know the Army, first of those 
Strong lines that wall the Empire from her foes 
Stands—'to attention' ready for the sign—
One Thomas Atkins, Private of the Line. 
His business is—well, never mind the rest;
You men who lead him know his business best! 
But, 'ere that work begins, 'neath Indian skies 
Too oft alas! our faithful warder dies.
[The hot Sun wars above him and beneath
The steaming Earth reclaims the Dragon's Teeth], 
The chill of night, the fever of the town,
The sickness of the noon-day strikes him down. 
Nor him alone. The leaders and the led
Swell that great army of the untimely dead 
Who knew no battle save one hopeless fight 
With Death, beneath the punkah in the night.
Is this an idle story in your ears?
Look back! How reads the record of past years?
Think for a moment, while your memory traces 
The long procession of the dead lost faces. 
See! Year on year the dreary record runs—
Strong men and boys—friends, lovers, husbands, sons,
Cut down upon the threshold of Life's Gate
Who might have lived, but that help came too late.

Help came too late. The care sad comrades gave 
Was rough as ready, and unskilled to save.
And O! it asks the tenderest care to stay
The spirit poised between the Night and Day.
That care, if woman's skill and woman's toil
May from the Slayer wrench the destined spoil—
[By night-long watches in the dim-lit ward
Arrest the downward stroke of Azrael's sword—]
That care is theirs by right who freely give 
Their lives to guard the land wherein we live. 
Let be the Dead gone down beyond recall; 
Turn to the Living. Help them lest they fall! 
Fight Death with money—money that can buy
The soft, cool, soothing touch, the sleepless eye,
The woman's art that coaxes and commands
The fevered mouth and weak and trembling hands.
Buy these—for all the healing lore men know
Fails, lacking these, to bind the soul below.
Help us herein, who strive in some small measure 
To weave a purpose in the threads of Pleasure—
To meet both Simla's and the Soldier's needs
And make light Mirth the handmaid of Kind Deeds.

But here some justly wearied man may say:— 
'We didn't want a sermon. Where's your play?' 
So I, who trespass on your patience, cease. 
Ohe! Behind there! Psst! Ring on the piece!

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A Profession of Faith

Each day watched die together binds us fast, 
And each woe of that one black year and all 
The waiting and the watching of the past
Bind close and closer, since I first was thrall—
Surely old Love is sweeter far than new,
And old shared sin is lighter through the sharing,
And sin's pain borne together sweet through bearing:
How should I ever turn my heart from you 
O Mistress of so long? How should I go,
To some strange woman knowing not my pain
Or night long vigils, or long dumb delays
That were, or hope deferred, or schemings slow 
Or the quick lie and plottings of the brain,
That we two knew through those three hundred days?

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