Sonnet

Give me my rein, my sais!' Give me my rein! 
    I have a need of it, an absolute need,
To climb upon that bounding back again
    And curb the bad, mad gambols of my steed.
'Tis strange we are thus parted—by no lust
    Of mine, but rather blind, unwearied force 
    That worked upon the sinews of my horse, 
And drove me from him, howling in the dust.

Now he is neither gentle, kind, nor quiet,
    And strives (though vainly) to outleap his girth, 
While right and left the armed hooves are hurled. 
    O Destrier! bethink thee that this riot
    Shall, in the end, bring neither rest nor mirth. . .
Only the heaviest bit in all the world!

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The Song of the Lathes

1 
 The fans and the beltings they roar round me.
 The power is shaking the floor round me
 Till the lathes pick up their duty and the midnight-shift takes over.
                 It is good for me to be here! 

     Guns in Flanders—Flanders guns!
     (I had a man that worked ’em once!)
     Shells for guns in Flanders, Flanders!
     Shells for guns in Flanders, Flanders!
     Shells for guns in Flanders! Feed the guns! 

2 
 The cranes and the carriers they boom over me,
 The bays and the galleries they loom over me,
 With their quarter-mile of pillars growing little in the distance—
                 It is good for me to be here! 
3 
 The Zeppelins and Gothas they raid over us.
 Our lights give warning, and fade over us.
 (Seven thousand women keeping quiet in the darkness!)
                 Oh, it’s good for me to be here! 
4 
 The roofs and the buildings they grow round me,
 Eating up the fields I used to know round me;
 And the shed that I began in is a sub-inspector’s office—
                 So long have I been here! 
5 
 I’ve seen six hundred mornings make our lamps grow dim,
 Through the bit that isn’t painted round our sky-light rim,
 And the sunshine through the window slope according to the seasons,
                 Twice since I’ve been here. 
6 
 The trains on the sidings they call to us
 With the hundred thousand blanks that they haul to us;
 And we send ’em what we’ve finished, and they take it where it’s wanted,
                 For that is why we are here! 
7 
 Man’s hate passes as his love will pass.
 God made woman what she always was.
 Them that bear the burden they will never grant forgiveness
                So long as they are here! 
8 
 Once I was a woman, but that’s by with me.
 All I loved and looked for, it must die with me;
 But the Lord has left me over for a servant of the judgment,
               And I serve His judgments here! 

     Guns in Flanders-Flanders guns!
     (I had a son that worked ’em once!)
     Shells for guns in Flanders, Flanders!
     Shells-for guns in Flanders, Flanders!
     Shells for guns in Flanders! Feed the guns! 

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The Song of the Exiles

1 
That long white barracks by the sea
  Stares blankly seaward still,
But other grimy paws make free
  With pignuts on 'The Hill'.  
2 
Fresh faces in the Gym appear, 
  New knives cut other names;
Fresh sinners carry on, I fear, 
  Our very same old games. 
3 
Terms come and go, scenes shift and fade,
  The young moustache progresses; 
In place of call-over, 'parade',
  Instead of dinner, 'messes'. 
4 
By some mysterious law of fate 
  I cannot understand,
Most College fledgelings gravitate 
  To 'India's coral strand'.  
5 
In steamy mists of moist Bombay, 
  Or dreary Dum-Dum 'lines'.
Or where Karachi dust-storms play,
  An O.U.S.C. pines. 
6 
Some watch the tender tea-plant grow 
  In gardens of Cachar;
Some wait at Quetta for the slow 
  Sure-coming Frontier war. 
7 
By Naga Hills our feet are set, 
  Or swamps of North Bengal;
Some spend their leave in far Tibet, 
  Some get no leave at all. 
8 
Some lead the R.A. guns afield 
  (At least upon parade),
Some watch lest kutcha dams may yield 
  To rifts the rains have made. 
9 
Some write voluminous reports 
  On 'forest land increase',
Some work at survey in the Ghats,  
  And some in the Police. 
10 
Some prance beside their gorah-log 
  On bony beasts and strange,
Some test, at Murree or Jutogh, 
  The flashing signal's range. 
11 
A scattered brotherhood, in truth,
  By mount, and stream, and sea,
We chase, with all the zeal of youth,
  Her Majesty's Rupee. 
12 
Exiles are we—yet, through our dreams
  Old scenes and faces glide,
So that the city's murmur seems
  The voice of Northam tide.

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Song of the Engines

We now, held in captivity,
  Spring to our bondage nor grieve—
See now, how it is blesseder,
  Brothers, to give than receive! 
Keep trust, wherefore we were made,
  Paying the debt that we owe;
For a clean thrust, and the shear of the blade, 
  Will carry us where we would go.

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The Song of the Dancer

1 
What! Eternal condemnation for each innocent gyration, 
  Plus pneumonia and bronchitis and a ragged dress as well? 
Keler-Bela, Strauss, Waldteufel, with immortal souls you trifle, 
  For it seems your sweetest music opes the shortest cut to Hades.
2 
If this isn't said but hinted in the poem that you printed
  On the thirtieth of August, and I've seen the thing before.
There's a certain form of tract (which is extremely inexact) which
  Says in prose what 'G' has chanted of the perils of the Floor.
3 
Does Dancing lead to Death then? Does one never stop for breath then?
  Do our wholesome English maidens deal in powder and in paint?
Do they fly where drinks are handy, to the 'simpkin' and the brandy?
  Are they all that 'G' has stated? I have met a few who ain't.
4 
There are venerable dancers—senile, snowy-headed prancers, 
  Who are better in the whist-room—better still at home in bed.
But they frolic round the ball-room, taking up already small room,
  Why should 'G' attack the youngsters? Why not preach to these instead?
5 
They were young long since, we know it. They are old, their faces show it.
  They have had their cakes and ginger; played the play and seen the show,
And we feel 'bonjour lunettes', should entail 'adieu fillettes', 
  But it doesn't, and they linger all unwilling yet to go. 
6 
'Ah! The insolence of Youth' they will make answer, but in sooth they 
  Have a hundred consolations—money, girth and social standing.
We are paupers, slim, neglected—they are portly, rich, respected—
  Let us drive our aged rivals from the ball-room to the landing!
7 
Now from evidence internal, the effusion in your journal
  Was the handwork of a lady (and exceeding well she sung)
Let her drop tractarian writing—join the great jihads we're fighting—
  Swell the war-whoop  of the Juniors—shout:—'The  Ball-Room for the Young!'

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The Song of an Outsider

1 
E'en now the heron treads the wet
  Slush swamps of Goosey pool,  
Now proses vex my Latin set
  That first set upper school.
2 
E'en now, across the summer air, 
  The call bell's clamour floats,
Down to the weed hung rock pools where 
  The Juniors sail their boats.
3 
E'en now the gorze is out in bloom
  Along the Torridge valley,
E'en now the sparrow meets his doom
  From catapult and 'Sally'.
4 
E'en now to Corey's bath they flock 
  Old comrades, after three.
E'en now the lower schoolboys 'rock'
  The Bideford bargee.
5 
For me no call bell rings alas!
  For me, no proses are,
No lounging on the playground grass
  No sails across the Bar.
6 
The hot winds blow, the punkah flaps 
  Incessant, to and fro.
Ah well for those most lucky chaps
  'Who lark at Westward Ho!
7 
The sunlight thro' the palm tree falls,
  Full on the whitewashed roof,
And worse than any college 'calls'
  Are printers' calls for proof.
8 
More dread than any sudden squall 
  A careless prose could raise,
Are people who drop in to call, 
  And take my busiest days.
9 
Grimmer than any 'thousand lines',
  The lines that I must read,
More crabbed than Euclid's worst designs
  A correspondent's screed.
10 
What wonder, while the punkah flaps,
  And hell like hot winds blow, 
I envy those too lucky chaps
  Who work at Westward Ho!

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Song for Two Voices

Follow and faint not, if the road be long
   The pathway desolate, 
No day so sad but reacheth even song
   Be still and wait.
Through good reports and ill, through joy and sorrow
Surely thy Lady comes to thee tomorrow— 

I followed tho' the day was long indeed
   The pathway desolate,
Night came not to me in my dire need
   Where lost, I sate.
Through good report and ill, through joy and sorrow
I waited, but there came not any morrow.
   Surely, who waits on woman waits on sorrow ....

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Solus cum Sola

We were alone on the beach,
   Facing the summer sea,
Watching the waves on the beach, 
  Watching the moon on the sea.

Words were not many, I ween; 
  Why should we want them, we?
Two hearts, and nothing between, 
  Facing the summer sea.

Silence! such silence is speech. 
  She, with her arm in mine,
Pacing the moonlit beach, 
  Makes it communion divine.

Voice of the world around? 
  Blatant bands on the pier?
We have not heard a sound,
  And yet you say they were near!

Well, we must go there once more, 
  Hear them play, you and I
Lo! the day's glory is o'er; 
  Until to-morrow, good-bye.

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Snarleyow

          (The Kipling Society presents here Kipling’s work as
          he wrote it, but wishes to alert readers that the text
          below contains some derogatory and/or offensive language)

1 
This 'appened in a battle to a batt'ry of the corps
Which is first among the women an' amazin' first in war;
An' what the bloomin' battle was I don't remember now,
But Two's off-lead 'e answered to the name o' Snarleyow.
       Down in the Infantry, nobody cares;
       Down in the Cavalry, Colonel 'e swears;
       But down in the lead with the wheel at the flog
       Turns the bold Bombardier to a little whipped dog!
2 
They was movin' into action, they was needed very sore,
To learn a little schoolin' to a native army corps,
They 'ad nipped against an uphill, they was tuckin' down the brow,
When a tricky, trundlin' roundshot give the knock to Snarleyow.
3 
They cut 'im loose an' left 'im– 'e was almost tore in two–
But he tried to follow after as a well-trained 'orse should do;
'E went an' fouled the limber, an' the Driver's Brother squeals:
"Pull up, pull up for Snarleyow– 'is head's between 'is 'eels!"
4 
The Driver 'umped 'is shoulder, for the wheels was goin' round,
An' there ain't no "Stop, conductor!" when a batt'ry's changin' ground;
Sez 'e: "I broke the beggar in, an' very sad I feels,
But I couldn't pull up, not for you–your 'ead between your 'eels!"
5 
'E 'adn't 'ardly spoke the word, before a droppin' shell
A little right the batt'ry an' between the sections fell;
An' when the smoke 'ad cleared away, before the limber wheels,
There lay the Driver's Brother with 'is 'ead between 'is 'eels.
6 
Then sez the Driver's Brother, an' 'is words was very plain,
"For Gawd's own sake get over me, an' put me out o' pain."
They saw 'is wounds was mortial, an' they judged that it was best,
So they took an' drove the limber straight across 'is back an' chest.
7 
The Driver 'e give nothin' 'cept a little coughin' grunt,
But 'e swung 'is 'orses 'andsome when it came to "Action Front!"
An' if one wheel was juicy, you may lay your Monday head
'Twas juicier for the niggers when the case begun to spread.
8 
The moril of this story, it is plainly to be seen:
You 'avn't got no families when servin' of the Queen–
You 'avn't got no brothers, fathers, sisters, wives, or sons–
If you want to win your battles take an' work your bloomin' guns!
       Down in the Infantry, nobody cares;
       Down in the Cavalry, Colonel 'e swears;
       But down in the lead with the wheel at the flog
       Turns the bold Bombardier to a little whipped dog!

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Sir Richard’s Song

1 
  I followed my Duke ere I was a lover,
   To take from England fief and fee;
  But now this game is the other way over -
   But now England hath taken me!
2 
  I had my horse, my shield and banner,
   And a boy's heart, so whole and free;
  But now I sing in another manner -
   But now England hath taken me!
3 
  As for my Father in his tower,
   Asking news of my ship at sea,
  He will remember his own hour -
   Tell him England hath taken me!
4 
  As for my Mother in her bower,
   That rules my Father so cunningly,
  She will remember a maiden's power -
   Tell her England hath taken me!
5 
  As for my Brother in Rouen City,
   A nimble and naughty page is he,
  But he will come to suffer and pity -
   Tell him England hath taken me!
6 
  As for my little Sister waiting
   In the pleasant orchards of Normandie,
  Tell her youth is the time for mating -
   Tell her England hath taken me!
7 
  As for my comrades in camp and highway,
   That lift their eyebrows scornfully,
  Tell them their way is not my way -
   Tell them England hath taken me!
8 
  Kings and Princes and Barons famed,
   Knights and Captains in your degree;
  Hear me a little before I am blamed -
   Seeing England hath taken me!
9 
  Howso great man's strength be reckoned,
   There are two things he cannot flee.
  Love is the first, and Death is the second -
   And Love in England hath taken me!

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