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	<title>Stress &#8211; The Kipling Society</title>
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		<title>A Bank Fraud</title>
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		<pubDate>Thu, 15 Apr 2021 06:14:47 +0000</pubDate>
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					<description><![CDATA[He drank strong waters and his speech was coarse; He purchased raiment and forbore to pay; He stuck a trusting junior with a horse, And won Gymkhanas in a doubtful way. Then, ’twixt a vice ... <a title="A Bank Fraud" class="read-more" href="https://www.kiplingsociety.co.uk/tale/a-bank-fraud.htm" aria-label="Read more about A Bank Fraud">Read more</a>]]></description>
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<p style="text-align: center;">He drank strong waters and his speech was coarse;<br />
He purchased raiment and forbore to pay;<br />
He stuck a trusting junior with a horse,<br />
And won Gymkhanas in a doubtful way.<br />
Then, ’twixt a vice and folly, turned aside<br />
To do good deeds and straight to cloak them, lied.<br />
<i>(The Mess Room)</i></p>
<p style="text-align: center; color: red;"><em><strong>(a short tale)</strong></em></p>
<p><b>IF</b> Reggie Burke were in India now he would resent this tale being told; but as he is in Hongkong and won’t see it, the telling is safe. He was the man who worked the big fraud on the Sind and Sialkote Bank. He was manager of an up-country Branch, and a sound practical man with a large experience of native loan and insurance work. He could combine the frivolities of ordinary life with his work, and yet do well. Reggie Burke rode anything that would let him get up, danced as neatly as he rode, and was wanted for every sort of amusement in the Station.</p>
<p>As he said himself, and as many men found out rather to their surprise, there were two Burkes, both very much at your service. ‘Reggie Burke,’ between four and ten, ready for anything from a hot-weather gymkhana to a riding-picnic, and, between ten and four, ‘Mr. Reginald Burke, Manager of the Sind and Sialkote Branch Bank.’ You might play polo with him one afternoon and hear him express his opinions when a man crossed; and you might call on him next morning to raise a two-thousand rupee loan on a five hundred pound insurance policy, eighty pounds paid in premiums. He would recognise you, but you would have some trouble in recognising him.</p>
<p>The Directors of the Bank—it had its headquarters in Calcutta, and its General Manager’s word carried weight with the Government—picked their men well. They had tested Reggie up to a fairly severe breaking-strain. They trusted him just as much as Directors ever trust Managers. You must see for yourself whether their trust was misplaced.</p>
<p>Reggie’s Branch was in a big Station, and worked with the usual staff: one Manager, one Accountant, both English, a Cashier, and a horde of native clerks; besides the Police patrol at nights outside. The bulk of its work, for it was in a thriving district, was <i>hoondi</i> and accommodation of all kinds. A fool has no grip of this sort of business; and a clever man who does not go about among his clients, and know more than a little of their affairs, is worse than a fool. Reggie was young-looking, clean-shaved, with a twinkle in his eye, and a head that nothing short of a gallon of the Gunners’ Madeira could make any impression on.</p>
<p>One day, at a big dinner, he announced casually that the Directors had shifted on to him a Natural Curiosity, from England, in the Accountant line. He was perfectly correct. Mr. Silas Riley, Accountant, was a most curious animal—a long, gawky, rawboned Yorkshireman, full of the savage self-conceit that blossoms only in the best county in England. Arrogance was a mild word for the mental attitude of Mr. S. Riley. He had worked himself up, after seven years, to a Cashier’s position in a Huddersfield Bank; and all his experience lay among the factories of the North. Perhaps he would have done better on the Bombay side, where they are happy with one-half per cent profits, and money is cheap. He was useless for Upper India and a wheat Province, where a man wants a large head and a touch of imagination if he is to turn out a satisfactory balance-sheet.</p>
<p>He was wonderfully narrow-minded in business, and, being new to the country, had no notion that Indian banking is totally distinct from Home work. Like most clever self-made men, he had much simplicity in his nature; and, somehow or other, had construed the ordinarily polite terms of his letter of engagement into a belief that the Directors had chosen him on account of his special and brilliant talents, and that they set great store by him. This notion grew and crystallised; thus adding to his natural North-country conceit. Further, he was delicate, suffered from some trouble in his chest, and was short in his temper.</p>
<p>You will admit that Reggie had reason to call his new Accountant a Natural Curiosity. The two men failed to hit it off at all. Riley considered Reggie a wild, feather-headed idiot, given to Heaven only knew what dissipation in low places called ‘Messes,’ and totally unfit for the serious and solemn vocation of banking. He could never get over Reggie’s look of youth and ‘you-bedamned’ air; and he couldn’t understand Reggie’s friends—clean-built, careless men in the Army—who rode over to big Sunday breakfasts at the Bank, and told sultry stories till Riley got up and left the room. Riley was always showing Reggie how the business ought to be conducted, and Reggie had more than once to remind him that seven years’ limited experience between Huddersfield and Beverley did not qualify a man to steer a big up-country business. Then Riley sulked, and referred to himself as a pillar of the Bank and a cherished friend of the Directors, and Reggie tore his hair. If a man’s English subordinates fail him in India, he comes to a hard time indeed, for native help has strict limitations. In the winter Riley went sick for weeks at a time with his lung complaint, and this threw more work on Reggie. But he preferred it to the everlasting friction when Riley was well.</p>
<p>One of the Travelling Inspectors of the Bank discovered these collapses and reported them to the Directors. Now Riley had been foisted on the Bank by an M.P., who wanted the support of Riley’s father who, again, was anxious to get his son out to a warmer climate because of those lungs. The M.P. had an interest in the Bank; but one of the Directors wanted to advance a nominee of his own; and, after Riley’s father had died, he made the rest of the Board see that an Accountant who was sick for half the year had better give place to a healthy man. If Riley had known the real story of his appointment he might have behaved better; but, knowing nothing, his stretches of sickness alternated with restless, persistent, meddling irritation of Reggie, and all the hundred ways in which conceit in a subordinate situation can find play. Reggie used to call him striking and hair-curling names behind his back as a relief to his own feelings; but he never abused him to his face, because he said, ‘Riley is such a frail beast that half of his loathsome conceit is due to pains in the chest.’</p>
<p>Late one April, Riley went very sick indeed. The Doctor punched him and thumped him, and told him he would be better before long. Then the Doctor went to Reggie and said—‘Do you know how sick your Accountant is?’—‘No!’ said Reggie; ‘the worse the better, confound him! He’s a clacking nuisance when he’s well. I’ll let you take away the Bank Safe if you can drug him silent for this hot weather.’</p>
<p>But the Doctor did not laugh—‘Man, I’m not joking,’ he said. ‘I’ll give him another three months in his bed and a week or so more to die in. On my honour and reputation that’s all the grace he has in this world. Consumption has hold of him to the marrow.’</p>
<p>Reggie’s face changed at once into the face of ‘Mr. Reginald Burke,’ and he answered, ‘What can I do?’-‘Nothing,’ said the Doctor; ‘for all practical purposes the man is dead already. Keep him quiet and cheerful, and tell him he’s going to recover. That’s all. I’ll look after him to the end, of course.’</p>
<p>The Doctor went away, and Reggie sat down to open the evening mail. His first letter was one from the Directors, intimating for his information that Mr. Riley was to resign, under a month’s notice, by the terms of his agreement, telling Reggie that their letter to Riley would follow, and advising Reggie of the coming of a new Accountant, a man whom Reggie knew and liked.</p>
<p>Reggie lit a cheroot, and, before he had finished smoking, he had sketched the outline of a fraud. He put away—burked—the Directors’ letter, and went in to talk to Riley, who was as ungracious as usual, and fretting himself over the way the Bank would run during his illness. He never thought of the extra work on Reggie’s shoulders, but solely of the damage to his own prospects of advancement. Then Reggie assured him that everything would be well, and that he, Reggie, would confer with Riley daily on the management of the Bank. Riley was a little soothed, but he hinted in as many words that he did not think much of Reggie’s business capacity. Reggie was humble. And he had letters in his desk from the Directors that a Gilbarte or a Hardie might have been proud of!</p>
<p>The days passed in the big darkened house, and the Directors’ letter of dismissal to Riley came and was put away by Reggie, who, every evening, brought the books to Riley’s room, and showed him what had been going forward, while Riley snarled. Reggie did his best to make statements pleasing to Riley, but the Accountant was sure that the Bank was going to rack and ruin without him. In June, as the lying in bed told on his spirit, he asked whether his absence had been noted by the Directors, and Reggie said that they had written most sympathetic letters, hoping that he would be able to resume his valuable services before long. He showed Riley the letters; and Riley said that the Directors ought to have written to him direct. A few days later, Reggie opened Riley’s mail in the half-light of the room, and gave him the sheet—not the envelope—of a letter to Riley from the Directors. Riley said he would thank Reggie not to interfere with his private papers, specially as Reggie knew he was too weak to open his own letters. Reggie apologised.</p>
<p>Then Riley’s mood changed, and he lectured Reggie on his evil ways: his horses and his bad friends. ‘Of course lying here, on my back, Mr. Burke, I can&#8217;t keep you straight; but when I’m well, I do hope you’ll pay some heed to my words.’ Reggie, who had dropped polo, and dinners, and tennis and all, to attend to Riley, said that he was penitent, and settled Riley’s head on the pillow, and heard him fret and contradict in hard, dry, hacking whispers, without a sign of impatience. This, at the end of a heavy day’s office work, doing double duty, in the latter half of June.</p>
<p>When the new Accountant came, Reggie told him the facts of the case, and announced to Riley that he had a guest staying with him. Riley said that he might have had more consideration than to entertain his ‘doubtful friends’ at such a time. Reggie made Carron, the new Accountant, sleep at the Club in consequence. Carron’s arrival took some of the heavy work off his shoulders, and he had time to attend to Riley’s exactions—to explain, soothe, invent, and settle and re-settle the poor wretch in bed, and to forge complimentary letters from Calcutta. At the end of the first month Riley wished to send some money home to his mother. Reggie sent the draft. At the end of the second month Riley’s salary came in just the same. Reggie paid it out of his own pocket, and, with it, wrote Riley a beautiful letter from the Directors.</p>
<p>Riley was very ill indeed, but the flame of his life burnt unsteadily. Now and then he would be cheerful and confident about the future, sketching plans for going Home and seeing his mother. Reggie listened patiently when the office-work was over, and encouraged him.</p>
<p>At other times Riley insisted on Reggie reading the Bible and grim ‘Methody’ tracts to him. Out of these tracts he pointed morals directed at his Manager. But he always found time to worry Reggie about the working of the Bank, and to show him where the weak points lay.</p>
<p>This indoor, sickroom life and constant strain wore Reggie down a good deal, and shook his nerves, and lowered his billiard play by forty points. But the business of the Bank, and the business of the sickroom, had to go on, though the glass was 116º in the shade.</p>
<p>At the end of the third month Riley was sinking fast, and had begun to realise that he was very sick. But the conceit that made him worry Reggie kept him from believing the worst. ‘He wants some sort of mental stimulant if he is to drag on,’ said the Doctor. ‘Keep him interested in life if you care about his living.’ So Riley, contrary to all the laws of business and finance, received a 25-per-cent rise of salary from the Directors. The ‘mental stimulant’ succeeded beautifully. Riley was happy and cheerful, and, as is often the case in consumption, healthiest in mind when the body was weakest. He lingered for a full month, snarling and fretting about the Bank, talking of the future, hearing the Bible read, lecturing Reggie on sin, and wondering when he would be able to move abroad.</p>
<p>But at the end of September, one mercilessly hot evening, he rose up in his bed with a little gasp, and said quickly to Reggie—‘Mr. Burke, I am going to die. I know it in myself. My chest is all hollow inside, and there’s nothing to breathe with. To the best of my knowledge I have done nowt’—he was returning to the talk of his boyhood—‘to lie heavy on my conscience. God be thanked, I have been preserved from the grosser forms of sin; and I counsel <i>you</i>, Mr. Burke . . .’</p>
<p>Here his voice died down, and Reggie stooped over him.</p>
<p>‘Send my salary for September to my Mother . . . done great things with the Bank if I had been spared . . . mistaken policy . . . no fault of mine . . . .’</p>
<p>Then he turned his face to the wall and died.</p>
<p>Reggie drew the sheet over Its face, and went out into the verandah, with his last ‘mental stimulant’—a letter of condolence and sympathy from the Directors—unused in his pocket.</p>
<p>‘If I’d been only ten minutes earlier,’ thought Reggie, ‘I might have heartened him up to pull through another day.’</p>
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		<title>An Habitation Enforced</title>
		<link>https://www.kiplingsociety.co.uk/tale/an-habitation-enforced.htm</link>
		
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		<pubDate>Sat, 01 May 2021 08:35:34 +0000</pubDate>
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					<description><![CDATA[<em>(The Kipling Society presents here Kipling’s work as he wrote it, but wishes to alert readers that the text below contains some derogatory and/or offensive language)</em> <strong>page 1 of 12</strong> <b>IT CAME</b> without warning, at ... <a title="An Habitation Enforced" class="read-more" href="https://www.kiplingsociety.co.uk/tale/an-habitation-enforced.htm" aria-label="Read more about An Habitation Enforced">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: 14px; font-family: times new roman, times, georgia, serif;"><em>(The Kipling Society presents here Kipling’s work as he<br />
wrote it, but wishes to alert readers that the text below<br />
contains some derogatory and/or offensive language)</em></span></p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 12</strong></p>
<p><b>IT CAME</b> without warning, at the very hour his hand was outstretched to crumple the Holz and Gunsberg Combine. The New York doctors called it overwork, and he lay in a darkened room, one ankle crossed above the other, tongue pressed into palate, wondering whether the next brain-surge of prickly fires would drive his soul from all anchorages. At last they gave judgment. With care he might in two years return to the arena, but for the present he must go across the water and do no work whatever. He accepted the terms. It was capitulation; but the Combine that had shivered beneath his knife gave him all the honours of war: Gunsberg himself, full of condolences, came to the steamer and filled the Chapins’ suite of cabins with overwhelming flower-works.“Smilax,” said George Chapin when he saw them. “Fitz is right. I’m dead; only I don’t see why he left out the ‘In Memoriam’ on the ribbons!”“Nonsense!” his wife answered, and poured him his tincture. “You’ll be back before you can think.”</p>
<p>He looked at himself in the mirror, surprised that his face had not been branded by the hells of the past three months. The noise of the decks worried him, and he lay down, his tongue only a little pressed against his palate.</p>
<p>An hour later he said: “Sophie, I feel sorry about taking you away from everything like this. I—I suppose we’re the two loneliest people on God’s earth to-night.”</p>
<p>Said Sophie his wife, and kissed him: “Isn’t it something to you that we’re going together?”</p>
<p>They drifted about Europe for months—sometimes alone, sometimes with chance met gipsies of their own land. From the North Cape to the Blue Grotto at Capri they wandered, because the next steamer headed that way, or because some one had set them on the road. The doctors had warned Sophie that Chapin was not to take interest even in other men’s interests; but a familiar sensation at the back of the neck after one hour’s keen talk with a Nauheimed railway magnate saved her any trouble. He nearly wept.</p>
<p>“And I’m over thirty,” he cried. “With all I meant to do!”</p>
<p>“Let’s call it a honeymoon,” said Sophie. “D’ you know, in all the six years we’ve been married, you’ve never told me what you meant to do with your life?”</p>
<p>“With my life? What’s the use? It’s finished now.” Sophie looked up quickly from the Bay of Naples. “As far as my business goes, I shall have to live on my rents like that architect at San Moritz.”</p>
<p>“You’ll get better if you don’t worry; and even if it takes time, there are worse things than—How much have you?”</p>
<p>“Between four and five million. But it isn’t the money. You know it isn’t. It’s the principle. How could you respect me? You never did, the first year after we married, till I went to work like the others. Our tradition and upbringing are against it. We can’t accept those ideals.”</p>
<p>“Well, I suppose I married you for some sort of ideal,” she answered, and they returned to their forty-third hotel.</p>
<p>In England they missed the alien tongues of Continental streets that reminded them of their own polyglot cities. In England all men spoke one tongue, speciously like American to the ear, but on cross-examination unintelligible.,</p>
<p>“Ah, but you have not seen England,” said a lady with iron-grey hair. They had met her in Vienna, Bayreuth, and Florence, and were grateful to find her again at Claridge’s, for she commanded situations, and knew where prescriptions are most carefully made up. “You ought to take an interest in the home of our ancestors as I do.”</p>
<p>“I’ve tried for a week, Mrs. Shonts,” said Sophie, “but I never get any further than tipping German waiters.”</p>
<p>“These men are not the true type,” Mrs. Shonts went on. “I know where you should go.”</p>
<p>Chapin pricked up his ears, anxious to run anywhere from the streets on which quick men, something of his kidney, did the business denied to him.</p>
<p>“We hear and we obey, Mrs. Shonts,” said Sophie, feeling his unrest as he drank the loathed British tea.</p>
<p>Mrs. Shonts smiled, and took them in hand. She wrote widely and telegraphed far on their behalf till, armed with her letter of introduction, she drove them into that wilderness which is reached from an ash-barrel of a station called Charing Cross. They were to go to Rockett’s—the farm of one Cloke, in the southern counties—where, she assured them, they would meet the genuine England of folklore and song.</p>
<p>Rocketts they found after some hours, four miles from a station, and, so far as they could, judge in the bumpy darkness, twice as many from a road. Trees, kine, and the outlines of barns showed shadowy about them when they alighted, and Mr. and Mrs. Cloke, at the open door of a deep stone-floored kitchen, made them slowly welcome. They lay in an attic beneath a wavy whitewashed ceiling, and, because it rained, a wood fire was made in an iron basket on a brick hearth, and they fell asleep to the chirping of mice and the whimper of flames.</p>
<p>When they woke it was a fair day, full of the noises, of birds, the smell of box lavender, and fried bacon, mixed with an elemental smell they had never met before.</p>
<p>“This,” said Sophie, nearly pushing out the thin casement in an attempt to see round the, corner, “is—what did the hack-cabman say to the railway porter about my trunk—‘quite on the top?’”</p>
<p>“No; ‘a little bit of all right.’ I feel farther away from anywhere than I’ve ever felt in my life. We must find out where the telegraph office is.”</p>
<p>“Who cares?” said Sophie, wandering about, hairbrush in hand, to admire the illustrated weekly pictures pasted on door and cupboard.</p>
<p>But there was no rest for the alien soul till he had made sure of the telegraph office. He asked the Clokes’ daughter, laying breakfast, while Sophie plunged her face in the lavender bush outside the low window.</p>
<p>“Go to the stile a-top o’ the Barn field,” said Mary, “and look across Pardons to the next spire. It’s directly under. You can’t miss it—not if you keep to the footpath. My sister’s the telegraphist there. But you’re in the three-mile radius, sir. The boy delivers telegrams directly to this door from Pardons village.”</p>
<p>“One has to take a good deal on trust in this country,” he murmured.</p>
<p>Sophie looked at the close turf, scarred only with last night’s wheels, at two ruts which wound round a rickyard, and at the circle of still orchard about the half-timbered house.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>“What’s the matter with it?” she said. “Telegrams delivered to the Vale of Avalon, of course,” and she beckoned in an earnest-eyed hound of engaging manners and no engagements, who answered, at times, to the name of Rambler. He led them, after breakfast, to the rise behind the house where the stile stood against the skyline, and, “I wonder what we shall find now,” said Sophie, frankly prancing with joy on the grass.</p>
<p>It was a slope of gap-hedged fields possessed to their centres by clumps of brambles. Gates were not, and the rabbit-mined, cattle-rubbed posts leaned out and in. A narrow path doubled among the bushes, scores of white tails twinkled before the racing hound, and a hawk rose, whistling shrilly.</p>
<p>“No roads, no nothing!” said Sophie, her short skirt hooked by briers. “I thought all England was a garden. There’s your spire, George, across the valley. How curious!”</p>
<p>They walked toward it through an all abandoned land. Here they found the ghost of a patch of lucerne that had refused to die: there a harsh fallow surrendered to yard-high thistles; and here a breadth of rampant kelk feigning to be lawful crop. In the ungrazed pastures swaths of dead stuff caught their feet, and the ground beneath glistened with sweat. At the bottom of the valley a little brook had undermined its footbridge, and frothed in the wreckage. But there stood great woods on the slopes beyond—old, tall, and brilliant, like unfaded tapestries against the walls of a ruined house.</p>
<p>“All this within a hundred miles of London,” he said. “Looks as if it had had nervous prostration, too.” The, footpath turned the shoulder of a slope, through a thicket of rank rhododendrons, and crossed what had once been a carriage drive, which ended in the shadow of two gigantic holm-oaks.</p>
<p>“A house!” said Sophie, in a whisper. “A Colonial house!”</p>
<p>Behind the blue-green of the twin trees rose a dark-bluish brick Georgian pile, with a shell-shaped fan-light over its pillared door. The hound had gone off on his own foolish quests. Except for some stir it the branches and the flight of four startled magpies; there was neither life nor sound about the square house, but it looked out of its long windows most friendlily.</p>
<p>“Cha-armed to meet you, I’m sure,” said Sophie, and curtsied to the ground. “George, this is history I can understand. We began here.” She curtsied again.</p>
<p>The June sunshine twinkled on all the lights. It was as though an old lady, wise in three generations’ experience, but for the present sitting out, bent to listen to her flushed and eager grandchild.</p>
<p>“I must look!” Sophie tiptoed to a window, and shaded her eyes with her hand. “Oh, this room’s half-full of cotton-bales—wool, I suppose! But I can see a bit of the mantelpiece. George, do come! Isn’t that some one?”</p>
<p>She fell back behind her husband. The front door opened slowly, to show the hound, his nose white with milk, in charge of an ancient of days clad in a blue linen ephod curiously gathered on breast and shoulders.</p>
<p>“Certainly,” said George, half aloud. “Father Time himself. This is where he lives, Sophie.”</p>
<p>“We came,” said Sophie weakly. “Can we see the house? I’m afraid that’s our dog.”</p>
<p>“No, ’Tis Rambler,” said the old man. “He’s been, at my swill-pail again. Staying at Rocketts, be ye? Come in. Ah! you runagate!”</p>
<p>The hound broke from him, and he tottered after him down the drive. They entered the hall—just such a high light hall as such a house should own. A slim-balustered staircase, wide and shallow and once creamy-white, climbed out of it under a long oval window. On either side delicately moulded doors gave on to wool-lumbered rooms, whose sea-green mantelpieces were adorned with nymphs, scrolls, and Cupids in low relief.</p>
<p>“What’s the firm that makes these things?” cried Sophie, enraptured. “Oh, I forgot! These must be the originals. Adams, is it? I never dreamed of anything like that steel-cut fender. Does he mean us to go everywhere?”</p>
<p>“He’s catching the dog,” said George, looking out. “We don’t count.”</p>
<p>They explored the first or ground floor, delighted as children playing burglars.</p>
<p>“This is like all England,” she said at last. “Wonderful, but no explanation. You’re expected to know it beforehand. Now, let’s try upstairs.”</p>
<p>The stairs never creaked beneath their feet. From the broad landing they entered a long, green-panelled room lighted by three full-length windows, which overlooked the forlorn wreck of a terraced garden, and wooded slopes beyond.</p>
<p>“The drawing-room, of course.” Sophie swam up and down it. “That mantelpiece—Orpheus and Eurydice—is the best of them all. Isn’t it marvellous? Why, the room seems furnished with nothing in it! How’s that, George?”</p>
<p>“It’s the proportions. I’ve noticed it.”</p>
<p>“I saw a Heppelwhite couch once”—Sophie laid her finger to her flushed cheek and considered. “With, two of them—one on each side—you wouldn’t need anything else. Except—there must be one perfect mirror over that mantelpiece.”</p>
<p>“Look at that view. It’s a framed Constable,” her husband cried.</p>
<p>“No; it’s a Morland—a parody of a Morland. But about that couch, George. Don’t you think Empire might be better than Heppelwhite? Dull gold against that pale green? It’s a pity they don’t make spinets nowadays.”</p>
<p>“I believe you can get them. Look at that oak wood behind the pines.”</p>
<p>“‘While you sat and played toccatas stately, at the clavichord,”’ Sophie hummed, and, head on one; side, nodded to where the perfect mirror should hang:</p>
<p>Then they found bedrooms with dressing-rooms and powdering-closets, and steps leading up and down—boxes of rooms, round, square, and octagonal, with enriched ceilings and chased door-locks.</p>
<p>“Now about servants. Oh!” She had darted up the last stairs to the chequered darkness of the top floor, where loose tiles lay among broken laths, and the walls were scrawled with names, sentiments, and hop records. “They’ve been keeping pigeons here,” she cried.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
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<p>“And you could drive a buggy through the roof anywhere,” said George.</p>
<p>“That’s what I say,” the old man cried below them on the stairs. “Not a dry place for my pigeons at all.”</p>
<p>“But why was it allowed to get like this?” said Sophie.</p>
<p>“Tis with housen as teeth,” he replied. “Let ’em go too far, and there’s nothing to be done. Time was they was minded to sell her, but none would buy. She was too far away along from any place. Time was they’d ha’ lived here theyselves, but they took and died.”</p>
<p>“Here?” Sophie moved beneath the light of a hole in the roof.</p>
<p>“Nah—none dies here excep’ falling off ricks and such. In London they died.” He plucked a lock of wool from his blue smock. “They was no staple—neither the Elphicks nor the Moones. Shart and brittle all of ’em. Dead they be seventeen year, for I’ve been here caretakin’ twenty-five.”</p>
<p>“Who does all the wool belong to downstairs?” George asked.</p>
<p>“To the estate. I’ll show you the back parts if ye like. You’re from America, ain’t ye? I’ve had a son there once myself.” They followed him down the main stairway. He paused at the turn and swept one hand toward the wall. “Plenty room, here for your coffin to come down. Seven foot and three men at each end wouldn’t brish the paint. If I die in my bed they’ll ’ave to up-end me like a milk-can. ’Tis all luck, dye see?”</p>
<p>He led them on and on, through a maze of back kitchens, dairies, larders, and sculleries, that melted along covered ways into a farm-house, visibly older than the main building, which again rambled out among barns, byres, pig-pens, stalls and stables to the dead fields behind.</p>
<p>“Somehow,” said Sophie, sitting exhausted on an ancient well-curb—“somehow one wouldn’t insult these lovely old things by filling them with hay.”</p>
<p>George looked at long stone walls upholding reaches of silvery-oak weather-boarding; buttresses of mixed flint and bricks; outside stairs, stone upon arched stone; curves of thatch where grass sprouted; roundels of house-leeked tiles, and a huge paved yard populated by two cows and the repentant Rambler. He had not thought of himself or of the telegraph office for two and a half hours.</p>
<p>“But why,” said Sophie, as they went back through the crater of stricken fields,—“why is one expected to know everything in England? Why do they never tell?”</p>
<p>“You mean about the Elphicks and the Moones?” he answered.</p>
<p>“Yes—and the lawyers and the estate. Who are they? I wonder whether those painted floors in the green room were real oak. Don’t you like us exploring things together—better than Pompeii?”</p>
<p>George turned once more to look at the view. “Eight hundred acres go with the house—the old man told me. Five farms altogether. Rocketts is one of ’em.”</p>
<p>“I like Mrs. Cloke. But what is the old house called?”</p>
<p>George laughed. “That’s one of the things you’re expected to know. He never told me.”</p>
<p>The Clokes were more communicative. That evening and thereafter for a week they gave the Chapins the official history, as one gives it to lodgers, of <i>Friars Pardon</i> the house and its five farms. But Sophie asked so many questions, and George was so humanly interested, that, as confidence in the strangers grew, they launched, with observed and acquired detail, into the lives and deaths and doings of the Elphicks and the Moones and their collaterals, the Haylings and the Torrells. It was a tale told serially by Cloke in the barn, or his wife in the dairy, the last chapters reserved for the kitchen o’ nights by the big fire, when the two had been half the day exploring about the house, where old Iggulden, of the blue smock, cackled and chuckled to see them. The motives that swayed the characters were beyond their comprehension; the fates that shifted them were gods they had never met; the sidelights Mrs. Cloke threw on act and incident were more amazing than anything in the record. Therefore the Chapins listened delightedly, and blessed Mrs. Shonts.</p>
<p>“But why—why—why—did So-and-so do so-and-so?” Sophie would demand from her seat by the pothook; and Mrs. Cloke would answer, smoothing her knees, “For the sake of the place.”</p>
<p>“I give it up,” said George one night in their own room. “People don’t seem to matter in this country compared to the places they live in. The way she tells it, Friars Pardon was a sort of Moloch.”</p>
<p>“Poor old thing!” They had been walking round the farms as usual before tea. “No wonder they loved it. Think of the sacrifices they made for it. Jane Elphick married the younger Torrell to keep it in the family. The octagonal room with the moulded ceiling next to the big bedroom was hers. Now what did he tell you while he was feeding the pigs?” said Sophie.</p>
<p>“About the Torrell cousins and the uncle who died in Java. They lived at Burnt House—behind High Pardons, where that brook is all blocked up.”</p>
<p>“No; Burnt House is under High Pardons Wood, before you come to Gale Anstey,” Sophie corrected.</p>
<p>“Well, old man Cloke said—”</p>
<p>Sophie threw open the door and called down into the kitchen, where the Clokes were covering the fire “Mrs. Cloke, isn’t Burnt House under High Pardons?”</p>
<p>“Yes, my dear, of course,” the soft voice. answered absently. A cough. “I beg your pardon, Madam. What was it you said?”</p>
<p>“Never mind. I prefer it the other way,” Sophie laughed, and George re-told the missing chapter as she sat on the bed.</p>
<p>“Here to-day an’ gone to-morrow,” said Cloke warningly. “They’ve paid their first month, but we’ve only that Mrs. Shonts’s letter for guarantee.”</p>
<p>“None she sent never cheated us yet. It slipped out before I thought. She’s a most humane young lady. They’ll be going away in a little. An’ you’ve talked a lot too, Alfred.”</p>
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<p>“Yes, but the Elphicks are all dead. No one can bring my loose talking home to me. But why do they stay on and stay on so?”</p>
<p>In due time George and Sophie asked each other that question, and put it aside. They argued that the climate—a pearly blend, unlike the hot and cold ferocities of their native land—suited them, as the thick stillness of the nights certainly suited George. He was saved even the sight of a metalled road, which, as presumably leading to business, wakes desire in a man; and the telegraph office at the village of Friars Pardon, where they sold picture post-cards and pegtops, was two walking miles across the fields and woods.</p>
<p>For all that touched his past among his fellows, or their remembrance of him, he might have been in another planet; and Sophie, whose life had been very largely spent among husbandless wives of lofty ideals, had no wish to leave this present of God. The unhurried meals, the foreknowledge of deliciously empty hours to follow, the breadths of soft sky under which they walked together and reckoned time only by their hunger or thirst; the good grass beneath their feet that cheated the miles; their discoveries, always together, amid the farms—Griffons, Rocketts, Burnt House, Gale Anstey, and the Home Farm, where Iggulden of the blue smock-frock would waylay them, and they would ransack the old house once more; the long wet afternoons when, they tucked up their feet on the bedroom’s deep window-sill over against the apple-trees, and talked together as never till then had they found time to talk—these things contented her soul, and her body throve.</p>
<p>“Have you realized,” she asked one morning, “that we’ve been here absolutely alone for the last thirty-four days?”</p>
<p>“Have you counted them?” he asked.</p>
<p>“Did you like them?” she replied.</p>
<p>“I must have. I didn’t think about them. Yes, I have. Six months ago I should have fretted myself sick. Remember at Cairo? I’ve only had two or three bad times. Am I getting better, or is it senile decay?”</p>
<p>“Climate, all climate.” Sophie swung her new-bought English boots, as she sat on the stile overlooking Friars Pardon, behind the Clokes’s barn.</p>
<p>“One must take hold of things though,” he said, “if it’s only to keep one’s hand in.” His eyes did not flicker now as they swept the empty fields. “Mustn’t one?”</p>
<p>“Lay out a Morristown links over Gale Anstey. I dare say you could hire it.”</p>
<p>“No, I’m not as English as that—nor as Morristown. Cloke says all the farms here could be made to pay.”</p>
<p>“Well, I’m Anastasia in the ‘Treasure of Franchard.’ I’m content to be alive and purr. There’s no hurry.”</p>
<p>“No.” He smiled. “All the same, I’m going to see after my mail.”</p>
<p>“You promised you wouldn’t have any.”</p>
<p>“There’s some business coming through that’s amusing me. Honest. It doesn’t get on my nerves at all.”</p>
<p>“Want a secretary?”</p>
<p>“No, thanks, old thing! Isn’t that quite English?”</p>
<p>“Too English! Go away.” But none the less in broad daylight she returned the kiss. “I’m off to Pardons. I haven’t been to the house for nearly a week.”</p>
<p>“How’ve you decided to furnish Jane Elphick’s bedroom?” he laughed, for it had come to be a permanent Castle in Spain between them.</p>
<p>“Black Chinese furniture and yellow silk brocade,” she answered, and ran downhill. She scattered a few cows at a gap with a flourish of a ground-ash that Iggulden had cut for her a week ago, and singing as she passed under the holmoaks, sought the farm-house at the back of Friars Pardon. The old man was not to be found, and she knocked at his half-opened door, for she needed him to fill her idle forenoon. A blue-eyed sheep-dog, a new friend, and Rambler’s old enemy, crawled out and besought her to enter.</p>
<p>Iggulden sat in his chair by the fire, a thistle-spud between his knees, his head drooped. Though she had never seen death before, her heart, that missed a beat, told her that he was dead. She did not speak or cry, but stood outside the door, and the dog licked her hand. When he threw up his nose, she heard herself saying: “Don’t howl! Please don’t begin to howl, Scottie, or I shall run away!”</p>
<p>She held her ground while the shadows in the rickyard moved toward noon; sat after a while on the steps by the door, her arms round the dog’s neck, waiting till some one should come. She watched the smokeless chimneys of Friars Pardon slash its roofs with shadow, and the smoke of Iggulden’s last lighted fire gradually thin and cease. Against her will she fell to wondering how many Moones, Elphicks, and Torrells had been swung round the turn of the broad Mall stairs. Then she remembered the old man’s talk of being “up-ended like a milk-can,” and buried her face on Scottie’s neck. At last a horse’s feet clinked upon flags, rustled in the old grey straw of the rickyard, and she found herself facing the vicar—a figure she had seen at church declaiming impossibilities (Sophie was a Unitarian) in an unnatural voice.</p>
<p>“He’s dead,” she said, without preface.</p>
<p>“Old Iggulden? I was coming for a talk with him.” The vicar passed in uncovered. “Ah!” she heard him say. “Heart-failure! How long have you been here?”</p>
<p>“Since a quarter to eleven.” She looked at her watch earnestly and saw that her hand did not shake.</p>
<p>“I’ll sit with him now till the doctor comes. D’you think you could tell him, and—yes, Mrs. Betts in the cottage with the wistaria next the blacksmith’s? I’m afraid this has been rather a shock to you.”</p>
<p>Sophie nodded, and fled toward the village. Her body failed her for a moment; she dropped beneath a hedge, and looked back at the great house. In some fashion its silence and stolidity steadied her for her errand.</p>
<p>Mrs. Betts, small, black-eyed, and dark, was almost as unconcerned as Friars Pardon.</p>
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<p>“Yiss, yiss, of course. Dear me! Well, Iggulden he had had his day in my father’s time. Muriel, get me my little blue bag, please. Yiss, ma’am. They come down like ellum-branches in still weather. No warnin’ at all. Muriel, my bicycle’s be’ind the fowlhouse. I’ll tell Dr. Dallas, ma’am.”</p>
<p>She trundled off on her wheel like a brown bee, while Sophie—heaven above and earth beneath changed—walked stiffly home, to fall over George at his letters, in a muddle of laughter and tears.</p>
<p>“It’s all quite natural for them,” she gasped. “They come down like ellum-branches in still weather. Yiss, ma’am.’ No, there wasn’t anything in the least horrible, only—only—Oh, George, that poor shiny stick of his between his poor, thin knees! I couldn’t have borne it if Scottie had howled. I didn’t know the vicar was so—so sensitive. He said he was afraid it was ra—rather a shock. Mrs. Betts told me to go home, and I wanted to collapse on her floor. But I didn’t disgrace myself. I—I couldn’t have left him—could I?”</p>
<p>“You’re sure you’ve took no ’arm?” cried Mrs. Cloke, who had heard the news by farm-telegraphy, which is older but swifter than Marconi’s.</p>
<p>“No. I’m perfectly well,” Sophie protested.</p>
<p>“You lay down till tea-time.” Mrs. Cloke patted her shoulder. “<i>They’ll</i> be very pleased, though she ’as ’ad no proper understandin’ for twenty years.”</p>
<p>“They” came before twilight—a black-bearded man in moleskins, and a little palsied old woman, who chirruped like a wren.</p>
<p>“I’m his son,” said the man to Sophie, among the lavender bushes. “We ’ad a difference—twenty year back, and didn’t speak since. But I’m his son all the ’same, and we thank you for the watching.”</p>
<p>“I’m only glad I happened to be there,” she answered, and from the bottom of her heart she meant it.</p>
<p>“We heard he spoke a lot o’ you—one time an’ another since you came. We thank you kindly,” the man added.</p>
<p>“Are you the son that was in America?” she asked.</p>
<p>“Yes, ma’am. On my uncle’s farm, in Connecticut. He was what they call rood-master there.”</p>
<p>“Whereabouts in Connecticut?” asked George over her shoulder.</p>
<p>“Veering Holler was the name. I was there six year with my uncle.”</p>
<p>“How small the world is!” Sophie cried. “Why, all my mother’s people come from Veering Hollow. There must be some there still—the Lashmars. Did you ever hear of them?”</p>
<p>“I remember hearing that name, seems to me,” he answered, but his face was blank as the back of a spade.</p>
<p>A little before dusk a woman in grey, striding like a foot-soldier, and bearing on her arm a long pole, crashed through the orchard calling for food. George, upon whom the unannounced English worked mysteriously, fled to the parlour; but Mrs. Cloke came forward beaming. Sophie could not escape.</p>
<p>“We’ve only just heard of it;” said the stranger, turning on her. “I’ve been out with the otter-hounds all day. It was a splendidly sportin’ thing “</p>
<p>“Did you—er—kill?” said Sophie. She knew from books she could not go far wrong here.</p>
<p>“Yes, a dry bitch—seventeen pounds,” was the answer. “A splendidly sportin’ thing of you to do. Poor old Iggulden—”</p>
<p>“Oh—that!” said Sophie, enlightened.</p>
<p>“If there had been any people at Pardons it would never have happened. He’d have been looked after. But what can you expect from a parcel of London solicitors?”</p>
<p>Mrs. Cloke murmured something.</p>
<p>“No. I’m soaked from the knees down. If I hang about I shall get chilled. A cup of tea, Mrs. Cloke, and I can eat one of your sandwiches as I go.” She wiped her weather-worn face with a green and yellow silk handkerchief.</p>
<p>“Yes, my lady!” Mrs. Cloke ran and returned swiftly.</p>
<p>“Our land marches with Pardons for a mile on the south,” she explained, waving the full cup, “but one has quite enough to do with one’s own people without poachin’. Still, if I’d known, I’d have sent Dora, of course. Have you seen her this afternoon, Mrs. Cloke? No? I wonder whether that girl did sprain her ankle. Thank you.” It was a formidable hunk of bread and bacon that Mrs. Cloke presented. “As I was sayin’, Pardons is a scandal! Lettin’ people die like dogs. There ought to be people there who do their duty. You’ve done yours, though there wasn’t the faintest call upon you. Good night. Tell Dora, if she comes, I’ve gone on.”</p>
<p>She strode away, munching her crust, and Sophie reeled breathless into the parlour, to shake the shaking George.</p>
<p>“Why did you keep catching my eye behind the blind? Why didn’t you come out and do your duty?”</p>
<p>“Because I should have burst. Did you see the mud on its cheek?” he said.</p>
<p>“Once. I daren’t look again. Who is she?”</p>
<p>“God—a local deity then. Anyway, she’s another of the things you’re expected to know by instinct.”</p>
<p>Mrs. Cloke, shocked at their levity, told them that it was Lady Conant, wife of Sir Walter Conant, Baronet, a large landholder in the neighbourhood; and if not God; at least His visible Providence. George made her talk of that family for an hour.</p>
<p>“Laughter,” said Sophie afterward in their own room, “is the mark of the savage. Why couldn’t you control your emotions? It’s all real to her.”</p>
<p>“It’s all real to me. That’s my trouble,” he answered in an altered tone. “Anyway, it’s real enough to mark time with. Don’t you think so?”</p>
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<p>“What d’you mean?” she asked quickly, though she knew his voice.</p>
<p>“That I’m better. I’m well enough to kick.”</p>
<p>“What at?”</p>
<p>“This!” He waved his hand round the one room. “I must have something to play with till I’m fit for work again.”</p>
<p>“Ah!” She sat on the bed and leaned forward, her hands clasped. “I wonder if it’s good for you.”</p>
<p>“We’ve been better here than anywhere,” he went on slowly. “One could always sell it again.”</p>
<p>She nodded gravely, but her eyes sparkled.</p>
<p>“The only thing that worries me is what happened this morning. I want to know how you feel about it. If it’s on your nerves in the least we can have the old farm at the back of the house pulled down, or perhaps it has spoiled the notion for you?”</p>
<p>“Pull it down?” she cried. “You’ve no business faculty. Why, that’s where we could live while we’re putting the big house in order. It’s almost under the same roof. No! What happened this morning seemed to be more of a—of a leading than anything else. There ought to be people at Pardons. Lady Conant’s quite right.”</p>
<p>“I was thinking more of the woods and the roads. I could double the value of the place in six months.”</p>
<p>“What do they want for it?” She shook her head, and her loosened hair fell glowingly about her cheeks.</p>
<p>“Seventy-five thousand dollars. They’ll take sixty-eight.”</p>
<p>“Less than half what we paid for our old yacht when we married. And we didn’t have a good time in her. You were—”</p>
<p>“Well, I discovered I was too much of an American to be content to be a rich man’s son. You aren’t blaming me for that?”</p>
<p>“Oh, no. Only it was a very businesslike honeymoon. How far are you along with the deal, George?”</p>
<p>“I can mail the deposit on the purchase money to-morrow morning, and we can have the thing completed in a fortnight or three weeks—if you say so.”</p>
<p>“Friars Pardon—Friars Pardon!” Sophie chanted rapturously, her dark gray eyes big with delight. “All the farms? Gale Anstey, Burnt House, Rocketts, the Home Farm, and Griffons? Sure you’ve got ’em all?”</p>
<p>“Sure.” He smiled.</p>
<p>“And the woods? High Pardons Wood, Lower Pardons, Suttons, Dutton’s Shaw, Reuben’s Ghyll, Maxey’s Ghyll, and both the Oak Hangers? Sure you’ve got ’em all?”</p>
<p>“Every last stick. Why, you know them as well as I do.” He laughed. “They say there’s five thousand—a thousand pounds’ worth of lumber—timber they call it—in the Hangers alone.”</p>
<p>“Mrs. Cloke’s oven must be mended first thing, and the kitchen roof. I think I’ll have all this whitewashed,” Sophie broke in, pointing to the ceiling. “The whole place is a scandal. Lady Conant is quite right. George, when did you begin to fall in love with the house? In the greenroom that first day? I did.”</p>
<p>“I’m not in love with it. One must do something to mark time till one’s fit for work.”</p>
<p>“Or when we stood under the oaks, and the door opened? Oh! Ought I to go to poor Iggulden’s funeral?” She sighed with utter happiness.</p>
<p>“Wouldn’t they call it a liberty now?” said he.</p>
<p>“But I liked him.”</p>
<p>“But you didn’t own him at the date of his death.”</p>
<p>“That wouldn’t keep me away. Only, they made such a fuss about the watching”—she caught her breath—“it might be ostentatious from that point of view, too. Oh, George”—she reached for his hand—“we’re two little orphans moving in worlds not realized, and we shall make some bad breaks. But we’re going to have the time of our lives.”</p>
<p>“We’ll run up to London to-morrow, and see if we can hurry those English law solicitors. I want to get to work.”</p>
<p>They went. They suffered many things ere they returned across the fields in a fly one Saturday night, nursing a two by two-and-a-half box of deeds and maps—lawful owners of Friars Pardon and the five decayed farms therewith.</p>
<p>“I do most sincerely ’ope and trust you’ll be ’appy, Madam,” Mrs. Cloke gasped, when she was told the news by the kitchen fire.</p>
<p>“Goodness! It isn’t a marriage!” Sophie exclaimed, a little awed; for to them the joke, which to an American means work, was only just beginning.</p>
<p>“If it’s took in a proper spirit”—Mrs. Cloke’s eye turned toward her oven.</p>
<p>“Send and have that mended to-morrow,” Sophie whispered.</p>
<p>“We couldn’t ’elp noticing,” said Cloke slowly, “from the times you walked there, that you an’ your lady was drawn to it, but—but I don’t know as we ever precisely thought—“ His wife’s glance checked him.</p>
<p>“That we were that sort of people,” said George. “We aren’t sure of it ourselves yet.”</p>
<p>“Perhaps,” said Cloke, rubbing his knees, “just for the sake of saying something, perhaps you’ll park it?”</p>
<p>“What’s that?” said George.</p>
<p>“Turn it all into a fine park like Violet Hill”—he jerked a thumb to westward—“that Mr. Sangres bought. It was four farms, and Mr. Sangres made a fine park of them, with a herd of faller deer.”</p>
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<p>“Then it wouldn’t be Friars Pardon,” said Sophie. “Would it?”</p>
<p>“I don’t know as I’ve ever heard Pardons was ever anything but wheat an’ wool. Only some gentlemen say that parks are less trouble than tenants.” He laughed nervously. “But the gentry, o’ course, they keep on pretty much as they was used to.”</p>
<p>“I see,” said Sophie. “How did Mr. Sangres make his money?”</p>
<p>“I never rightly heard. It was pepper an’ spices, or it may ha’ been gloves. No. Gloves was Sir Reginald Liss at Marley End. Spices was Mr. Sangres. He’s a Brazilian gentleman—very sunburnt like.”</p>
<p>“Be sure o’ one thing. You won’t ’ave any trouble,” said Mrs. Cloke, just before they went to bed.</p>
<p>Now the news of the purchase was told to Mr. and Mrs. Cloke alone at 8 p.m. of a Saturday. None left the farm till they set out for church next morning. Yet when they reached the church and were about to slip aside into their usual seats, a little beyond the font, where they could see the red-furred tails of the bellropes waggle and twist at ringing time, they were swept forward irresistibly, a Cloke on either flank (and yet they had not walked with the Clokes), upon the ever-retiring bosom of a black-gowned verger, who ushered them into a room of a pew at the head of the left aisle, under the pulpit.</p>
<p>“This,” he sighed reproachfully, “is the Pardons’ Pew,” and shut them in.</p>
<p>They could see little more than the choir boys in the chancel, but to the roots of the hair of their necks they felt the congregation behind mercilessly devouring them by look.</p>
<p>“When the wicked man turneth away.” The strong, alien voice of the priest vibrated under the hammer-beam roof, and a loneliness unfelt before swamped their hearts, as they searched for places in the unfamiliar Church of England service. The Lord’s Prayer “Our Father, which art”—set the seal on that desolation. Sophie found herself thinking how in other lands their purchase would long ere this have been discussed from every point of view in a dozen prints, forgetting that George for months had not been allowed to glance at those black and bellowing head-lines. Here was nothing but silence—not even hostility! The game was up to them; the other players hid their cards and waited. Suspense, she felt, was in the air, and when her sight cleared, saw, indeed, a mural tablet of a footless bird brooding upon the carven motto, “ <i>Wayte awhyle—wayte awhyle.</i>”</p>
<p>At the Litany George had trouble with an unstable hassock, and drew the slip of carpet under the pewseat. Sophie pushed her end back also, and shut her eyes against a burning that felt like tears. When she opened them she was looking at her mother’s maiden name, fairly carved on a blue flagstone on the pew floor: Ellen Lashmar. ob. 1796. aetat 27.</p>
<p>She nudged George and pointed. Sheltered, as they kneeled, they looked for more knowledge, but the rest of the slab was blank.</p>
<p>“Ever hear of her?” he whispered.</p>
<p>“Never knew any of us came from here.”</p>
<p>“Coincidence?”</p>
<p>“Perhaps. But it makes me feel better,” and she smiled and winked away a tear on her lashes, and took his hand while they prayed for “all women labouring of child”—not “in the perils of childbirth”; and the sparrows who had found their way through the guards behind the glass windows chirped above the faded gilt and alabaster family tree of the Conants.</p>
<p>The baronet’s pew was on the right of the aisle. After service its inhabitants moved forth without haste, but so as to block effectively a dusky person with a large family who champed in their rear.</p>
<p>“Spices, I think,” said Sophie, deeply delighted as the Sangres closed up after the Conants. “Let ’em get away, George.”</p>
<p>But when they came out many folk whose eyes were one still lingered by the lychgate.</p>
<p>“I want to see if any more Lashmars are buried here,” said Sophie.</p>
<p>“Not now. This seems to be show day. Come home quickly,” he replied.</p>
<p>A group of families, the Clokes a little apart, opened to let them through. The men saluted with jerky nods, the women with remnants of a curtsey. Only Iggulden’s son, his mother on his arm, lifted his hat as Sophie passed.</p>
<p>“Your people,” said the clear voice of Lady Conant in her ear.</p>
<p>“I suppose so,” said Sophie, blushing, for they were within two yards of her; but it was not a question.</p>
<p>“Then that child looks as if it were coming down with mumps. You ought to tell the mother she shouldn’t have brought it to church.”</p>
<p>“I can’t leave ’er behind, my lady,” the woman said. “She’d set the ’ouse afire in a minute, she’s that forward with the matches. Ain’t you, Maudie dear?”</p>
<p>“Has Dr. Dallas seen her?”</p>
<p>“Not yet, my lady.”</p>
<p>“He must. You can’t get away, of course. M-m! My idiotic maid is coming in for her teeth to-morrow at twelve. She shall pick her up—at Gale Anstey, isn’t it?—at eleven.”</p>
<p>“Yes. Thank you very much, my lady.”</p>
<p>“I oughtn’t to have done it,” said Lady Conant apologetically, “but there has been no one at Pardons for so long that you’ll forgive my poaching. Now, can’t you lunch with us? The vicar usually comes too. I don’t use the horses on a Sunday”—she glanced at the Brazilian’s silver-plated chariot. “It’s only a mile across the fields.”</p>
<p>“You—you’re very kind,” said Sophie, hating herself because her lip trembled.</p>
<p>“My dear,” the compelling tone dropped to a soothing gurgle, “d’you suppose I don’t know how it feels to come to a strange county—country I should say—away from one’s own people? When I first left the Shires—I’m Shropshire, you know—I cried for a day and a night. But fretting doesn’t make loneliness any better. Oh, here’s Dora. She did sprain her leg that day.”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 8<br />
</strong></p>
<p>“I’m as lame as a tree still,” said the tall maiden frankly. “You ought to go out with the otter-hounds, Mrs. Chapin. I believe they’re drawing your water next week.”</p>
<p>Sir Walter had already led off George, and the vicar came up on the other side of Sophie. There was no escaping the swift procession or the leisurely lunch, where talk came and went in low-voiced eddies that had the village for their centre. Sophie heard the vicar and Sir Walter address her husband lightly as Chapin! (She also remembered many women known in a previous life who habitually addressed their husbands as Mr. Such-an-one.) After lunch Lady Conant talked to her explicitly of maternity as that is achieved in cottages and farm-houses remote from aid, and of the duty thereto of the mistress of Pardons.</p>
<p>A gate in a beech hedge, reached across triple lawns, let them out before tea-time into the unkempt south side of their land.</p>
<p>“I want your hand, please,” said Sophie as soon as they were safe among the beech boles and the lawless hollies. “D’you remember the old maid in ‘Providence and the Guitar’ who heard the Commissary swear, and hardly reckoned herself a maiden lady afterward? Because I’m a relative of hers. Lady Conant is—”</p>
<p>“Did you find out anything about the Lashmars?” he interrupted.</p>
<p>“I didn’t ask. I’m going to write to Aunt Sydney about it first. Oh, Lady Conant said something at lunch about their having bought some land from some Lashmars a few years ago. I found it was at the beginning of last century.”</p>
<p>“What did you say?”</p>
<p>“I said, ‘Really, how interesting!’ Like that. I’m not going to push myself forward. I’ve been hearing about Mr. Sangres’s efforts in that direction. And you? I couldn’t see you behind the flowers. Was it very deep water, dear?”</p>
<p>George mopped a brow already browned by outdoor exposures.</p>
<p>“Oh no—dead easy,” he answered. “I’ve bought Friars Pardon to prevent Sir Walter’s birds straying.”</p>
<p>A cock pheasant scuttered through the dry leaves and exploded almost under their feet. Sophie jumped.</p>
<p>“That’s one of ’em,” said George calmly.</p>
<p>“Well, your nerves are better, at any rate,” said she. “Did you tell ’em you’d bought the thing to play with?”</p>
<p>“No. That was where my nerve broke down. I only made one bad break—I think. I said I couldn’t see why hiring land to men to farm wasn’t as much a business proposition as anything else.”</p>
<p>“And what did they say?”</p>
<p>“They smiled. I shall know what that smile means some day. They don’t waste their smiles. D’you see that track by Gale Anstey?”</p>
<p>They looked down from the edge of the hanger over a cup-like hollow. People by twos and threes in their Sunday best filed slowly along the paths that connected farm to farm.</p>
<p>“I’ve never seen so many on our land before,” said Sophie. “Why is it?”</p>
<p>“To show us we mustn’t shut up their rights of way.”</p>
<p>“Those cow-tracks we’ve been using cross lots?” said Sophie forcibly.</p>
<p>“Yes. Any one of ’em would cost us two thousand pounds each in legal expenses to close.”</p>
<p>“But we don’t want to,” she said.</p>
<p>“The whole community would fight if we did.”</p>
<p>“But it’s our land. We can do what we like.”</p>
<p>“It’s not our land. We’ve only paid for it. We belong to it, and it belongs to the people—our people they call ’em. I’ve been to lunch with the English too.”</p>
<p>They passed slowly from one bracken-dotted field to the next—flushed with pride of ownership, plotting alterations and restorations at each turn; halting in their tracks to argue, spreading apart to embrace two views at once, or closing in to consider one. Couples moved out of their way, but smiling covertly.</p>
<p>“We shall make some bad breaks,” he said at last.</p>
<p>“Together, though. You won’t let anyone else in, will you?”</p>
<p>“Except the contractors. This syndicate handles, this proposition by its little lone.”</p>
<p>“But you might feel the want of some one,” she insisted.</p>
<p>“I shall—but it will be you. It’s business, Sophie, but it’s going to be good fun.”</p>
<p>“Please God,” she answered flushing, and cried to herself as they went back to tea. “It’s worth it. Oh, it’s worth it.”</p>
<p>The repairing and moving into Friars Pardon was business of the most varied and searching, but all done English fashion, without friction. Time and money alone were asked. The rest lay in the hands of beneficent advisers from London, or spirits, male and female, called up by Mr. and Mrs. Cloke from the wastes of the farms. In the centre stood George and Sophie, a little aghast, their interests reaching out on every side.</p>
<p>“I ain’t sayin’ anything against Londoners,” said Cloke, self-appointed clerk of the outer works, consulting engineer, head of the immigration bureau, and superintendent of woods and forests; “but your own people won’t go about to make more than a fair profit out of you.”</p>
<p>“How is one to know?” said George.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 9<br />
</strong></p>
<p>“Five years from now, or so on, maybe, you’ll be lookin’ over your first year’s accounts, and, knowin’ what you’ll know then, you’ll say: ‘Well, Billy Beartup’—or Old Cloke as it might be—‘did me proper when I was new.’ No man likes to have that sort of thing laid up against him.”</p>
<p>“I think I see,” said George. “But five years is a long time to look ahead.”</p>
<p>“I doubt if that oak Billy Beartup throwed in Reuben’s Ghyll will be fit for her drawin-room floor in less than seven,” Cloke drawled.</p>
<p>“Yes, that’s my work,” said Sophie. (Billy Beartup of Griffons, a woodman by training and birth, a tenant farmer by misfortune of marriage, had laid his broad axe at her feet a month before.) “Sorry if I’ve committed you to another eternity.”</p>
<p>“And we shan’t even know where we’ve gone wrong with your new carriage drive before that time either,” said Cloke, ever anxious to keep the balance true with an ounce or two in Sophie’s favour. The past four months had taught George better than to reply. The carriage road winding up the hill was his present keen interest. They set off to look at it, and the imported American scraper which had blighted the none too sunny soul of “Skim” Winsh, the carter.</p>
<p>But young Iggulden was in charge now, and under his guidance, Buller and Roberts, the great horses, moved mountains.</p>
<p>“You lif’ her like that, an’ you tip her like that,” he explained to the gang. “My uncle he was roadmaster in Connecticut.”</p>
<p>“Are they roads yonder?” said Skim, sitting under the laurels.</p>
<p>“No better than accommodation roads. Dirt, they call ’em. They’d suit you, Skim.”</p>
<p>“Why?” said the incautious Skim.</p>
<p>“Cause you’d take no hurt when you fall out of your cart drunk on a Saturday,” was the answer.</p>
<p>“I didn’t last time neither,” Skim roared.</p>
<p>After the loud laugh, old Whybarne of Gale Anstey piped feebly, “Well, dirt or no dirt, there’s no denyin’ Chapin knows a good job when he sees it. ’E don’t build one day and dee-stroy the next, like that nigger Sangres.”</p>
<p>“<i>She’s</i> the one that knows her own mind,” said Pinky, brother to Skim Winsh, and a Napoleon among carters who had helped to bring the grand piano across the fields in the autumn rains.</p>
<p>“She had ought to,” said Iggulden. “Whoa, Buller! She’s a Lashmar. They never was double-thinking.”</p>
<p>“Oh, you found that? Has the answer come from your uncle?” said Skim, doubtful whether so remote a land as America had posts.</p>
<p>The others looked at him scornfully. Skim was always a day behind the fair. Iggulden rested from his labours. “She’s a Lashmar right enough. I started up to write to my uncle—at once—the month after she said her folks came from Veering Holler.”</p>
<p>“Where there ain’t any roads?” Skim interrupted, but none laughed.</p>
<p>“My uncle he married an American woman for his second, and she took it up like a like the coroner. She’s a Lashmar out of the old Lashmar place, ’fore they sold to Conants. She ain’t no Toot Hill Lashmar, nor any o’ the Crayford lot. Her folk come out of the ground here, neither chalk nor forest, but wildishers. They sailed over to America—I’ve got it all writ down by my uncle’s woman—in eighteen hundred an’ nothing. My uncle says they’re all slow begetters like.”</p>
<p>“Would they be gentry yonder now?” Skim asked.</p>
<p>“Nah—there’s no gentry in America, no matter how long you’re there. It’s against their law. There’s only rich and poor allowed. They’ve been lawyers and such like over yonder for a hundred years but she’s a Lashmar for all that.”</p>
<p>“Lord! What’s a hundred years?” said Whybarne, who had seen seventy-eight of them.</p>
<p>“An’ they write too, from yonder—my uncle’s woman writes—that you can still tell ’em by headmark. Their hair’s foxy-red still—an’ they throw out when they walk. He’s in-toed-treads like a gipsy; but you watch, an’ you’ll see ’er throw, out—like a colt.”</p>
<p>“Your trace wants taking up.” Pinky’s large ears had caught the sound of voices, and as the two broke through the laurels the men were hard at work, their eyes on Sophie’s feet.</p>
<p>She had been less fortunate in her inquiries than Iggulden, for her Aunt Sydney of Meriden (a badged and certificated Daughter of the Revolution to boot) answered her inquiries with a two-paged discourse on patriotism, the leaflets of a Village Improvement Society, of which she was president, and a demand for an overdue subscription to a Factory Girls’ Reading Circle. Sophie burned it all in the Orpheus and Eurydice grate, and kept her own counsel.</p>
<p>“What I want to know,” said George, when Spring was coming, and the gardens needed thought. “is who will ever pay me for my labour? I’ve put in at least half a million dollars’ worth already.”</p>
<p>“Sure you’re not taking too much out of yourself?” his wife asked.</p>
<p>“Oh, no; I haven’t been conscious of myself all winter.” He looked at his brown English gaiters and smiled. “It’s all behind me now. I believe I could sit down and think of all that—those months before we sailed.”</p>
<p>“Don’t—ah, don’t!” she cried.</p>
<p>“But I must go back one day. You don’t want to keep me out of business always—or do you?” He ended with a nervous laugh.</p>
<p>Sophie sighed as she drew her own ground-ash (of old Iggulden’s cutting) from the hall rack.</p>
<p>“Aren’t you overdoing it too? You look a little tired,” he said.</p>
<p>“You make me tired. I’m going to Rocketts to see Mrs. Cloke about Mary.” (This was the sister of the telegraphist, promoted to be sewing-maid at Pardons.) “Coming?”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 10<br />
</strong></p>
<p>“I’m due at Burnt House to see about the new well. By the way, there’s a sore throat at Gale Anstey—”</p>
<p>“That’s my province. Don’t interfere. The Whybarne children always have sore throats. They do it for jujubes.”</p>
<p>“Keep away from Gale Anstey till I make sure, honey. Cloke ought to have told me.”</p>
<p>“These people don’t tell. Haven’t you learnt that yet? But I’ll obey, me lord. See you later!”</p>
<p>She set off afoot, for within the three main roads that bounded the blunt triangle of the estate (even by night one could scarcely hear the carts on them), wheels were not used except for farm work. The footpaths served all other purposes. And though at first they had planned improvements, they had soon fallen in with the customs of their hidden kingdom, and moved about the soft-footed ways by woodland, hedgerow, and shaw as freely as the rabbits. Indeed, for the most part Sophie walked bareheaded beneath her helmet of chestnut hair; but she had been plagued of late by vague toothaches, which she explained to Mrs. Cloke, who asked some questions. How it came about Sophie never knew, but after a while behold Mrs. Cloke’s arm was about her waist, and her head was on that deep bosom behind the shut kitchen door.</p>
<p>“My dear! My dear!” the elder woman almost sobbed. “An’ d’you mean to tell me you never suspicioned? Why—why—where was you ever taught anything at all? Of course it is. It’s what we’ve been only waitin’ for, all of us. Time and again I’ve said to Lady—” she checked herself. “An’ now we shall be as we should be.”</p>
<p>“But—but—but—” Sophie whimpered.</p>
<p>“An’ to see you buildin’ your nest so busy—pianos and books—an’ never thinkin’ of a nursery!”</p>
<p>“No more I did.” Sophie sat bolt upright, and began to laugh.</p>
<p>“Time enough yet.” The fingers tapped thoughtfully on the broad knee. “But—they must be strange-minded folk over yonder with you! Have you thought to send for your mother? She dead? My dear, my dear! Never mind! She’ll be happy where she knows. ’Tis God’s work. An’ we was only waitin’ for it, for you’ve never failed in your duty yet. It ain’t your way. What did you say about my Mary’s doings?” Mrs. Cloke’s face hardened as she pressed her chin on Sophie’s forehead. “If any of your girls thinks to be’ave arbitrary now, I’ll—But they won’t, my dear. I’ll see they do their duty too. Be sure you’ll ’ave no trouble.”</p>
<p>When Sophie walked back across the fields heaven and earth changed about her as on the day of old Iggulden’s death. For an instant she thought of the wide turn of the staircase, and the new ivory-white paint that no coffin corner could scar, but presently, the shadow passed in a pure wonder and bewilderment that made her reel. She leaned against one of their new gates and looked over their lands for some other stay.</p>
<p>“Well,” she said resignedly, half aloud, “we must try to make him feel that he isn’t a third in our party,” and turned the corner that looked over Friars Pardon, giddy, sick, and faint.</p>
<p>Of a sudden the house they had bought for a whim stood up as she had never seen it before, low-fronted, broad-winged, ample, prepared by course of generations for all such things. As it had steadied her when it lay desolate, so now that it had meaning from their few months of life within, it soothed and promised good. She went alone and quickly into the hall, and kissed either door-post, whispering: “Be good to me. You know! You’ve never failed in your duty yet.”</p>
<p>When the matter was explained to George, he would have sailed at once to their own land, but this Sophie forbade.</p>
<p>“I don’t want science,” she said. “I just want to be loved, and there isn’t time for that at home. Besides,” she added, looking out of the window, “it would be desertion.”</p>
<p>George was forced to soothe himself with linking Friars Pardon to the telegraph system of Great Britain by telephone—three-quarters of a mile of poles, put in by Whybarne and a few friends. One of these was a foreigner from the next parish. Said he when the line was being run: “There’s an old ellum right in our road. Shall us throw her?”</p>
<p>“Toot Hill parish folk, neither grace nor good luck, God help ’em.” Old Whybarne shouted the local proverb from three poles down the line. “We ain’t goin’ to lay any axe-iron to coffin-wood here not till we know where we are yet awhile. Swing round ’er, swing round!”</p>
<p>To this day, then, that sudden kink in the straight line across the upper pasture remains a mystery to Sophie and George. Nor can they tell why Skim Winsh, who came to his cottage under Dutton Shaw most musically drunk at 10.45 p.m. of every Saturday night, as his father had done before him, sang no more at the bottom of the garden steps, where Sophie always feared he would break his neck. The path was undoubtedly an ancient right of way, and at 10.45 p.m. on Saturdays Skim remembered it was his duty to posterity to keep it open—till Mrs. Cloke spoke to him once. She spoke likewise to her daughter Mary, sewing maid at Pardons, and to Mary’s best new friend, the five-foot-seven imported London house-maid, who taught Mary to trim hats, and found the country dullish.</p>
<p>But there was no noise—at no time was there any noise—and when Sophie walked abroad she met no one in her path unless she had signified a wish that way. Then they appeared to protest that all was well with them and their children, their chickens, their roofs, their water-supply, and their sons in the police or the railway service.</p>
<p>“But don’t you find it dull, dear?” said George, loyally doing his best not to worry as the months went by.</p>
<p>“I’ve been so busy putting my house in order I haven’t had time to think,” said she. “Do you?”</p>
<p>“No—no. If I could only be sure of you.”</p>
<p>She turned on the green drawing-room’s couch (it was Empire, not Heppelwhite after all), and laid aside a list of linen and blankets.</p>
<p>“It has changed everything, hasn’t it?” she whispered.</p>
<p>“Oh, Lord, yes. But I still think if we went back to Baltimore “</p>
<p>“And missed our first real summer together. No thank you, me lord.”</p>
<p>“But we’re absolutely alone.”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 11</strong></p>
<p>“Isn’t that what I’m doing my best to remedy? Don’t you worry. I like it—like it to the marrow of my little bones. You don’t realize what her house means to a woman. We thought we were living in it last year, but we hadn’t begun to. Don’t you rejoice in your study, George?”</p>
<p>“I prefer being here with you.” He sat down on the floor by the couch and took her hand.</p>
<p>“Seven,” she said, as the French clock struck. “Year before last you’d just be coming back from business.”</p>
<p>He winced at the recollection, then laughed. “Business! I’ve been at work ten solid hours to-day.”</p>
<p>“Where did you lunch? With the Conants?”</p>
<p>“No; at Dutton Shaw, sitting on a log, with my feet in a swamp. But we’ve found out where the old spring is, and we’re going to pipe it down to Gale Anstey next year.”</p>
<p>“I’ll come and see to-morrow. Oh, please open the door, dear. I want to look down the passage. Isn’t that corner by the stair-head lovely where the sun strikes in?” She looked through half-closed eyes at the vista of ivory-white and pale green all steeped in liquid gold.</p>
<p>“There’s a step out of Jane Elphick’s bedroom,” she went on—“and his first step in the world ought to be up. I shouldn’t wonder if those people hadn’t put it there on purpose. George, will it make any odds to you if he’s a girl?”</p>
<p>He answered, as he had many times before, that his interest was his wife, not the child.</p>
<p>“Then you’re the only person who thinks so.” She laughed. “Don’t be silly, dear. It’s expected. I know. It’s my duty. I shan’t be able to look our people in the face if I fail.”</p>
<p>“What concern is it of theirs, confound ’em!”</p>
<p>“You’ll see. Luckily the tradition of the house is boys, Mrs. Cloke says, so I’m provided for. Shall you ever begin to understand these people? I shan’t.”</p>
<p>“And we bought it for fun—for fun!” he groaned. “And here we are held up for goodness knows how long!”</p>
<p>“Why? Were you thinking of selling it?” He did not answer. “Do you remember the second Mrs. Chapin?” she demanded.</p>
<p>This was a bold, brazen little black-browed woman—a widow for choice—who on Sophie’s death was guilefully to marry George for his wealth and ruin him in a year. George being busy, Sophie had invented her some two years after her marriage, and conceived she was alone among wives in so doing.</p>
<p>“You aren’t going to bring her up again?” he asked anxiously.</p>
<p>“I only want to say that I should hate any one who bought Pardons ten times worse than I used to hate the second Mrs. Chapin. Think what we’ve put into it of our two selves.”</p>
<p>“At least a couple of million dollars. I know I could have made—” He broke off.</p>
<p>“The beasts!” she went on. “They’d be sure to build a red-brick lodge at the gates, and cut the lawn up for bedding out. You must leave instructions in your will that he’s never to do that, George, won’t you?”</p>
<p>He laughed and took her hand again but said nothing till it was time to dress. Then he muttered “What the devil use is a man’s country to him when he can’t do business in it?”</p>
<p>Friars Pardon stood faithful to its tradition. At the appointed time was born, not that third in their party to whom Sophie meant to be so kind, but a godling; in beauty, it was manifest, excelling Eros, as in wisdom Confucius; an enhancer of delights, a renewer of companionships and an interpreter of Destiny. This last George did not realise till he met Lady Conant striding through Dutton Shaw a few days after the event.</p>
<p>“My dear fellow,” she cried, and slapped him heartily on the back, “I can’t tell you how glad we all are. Oh, she’ll be all right. (There’s never been any trouble over the birth of an heir at Pardons.) Now where the dooce is it?” She felt largely in her leather-boundskirt and drew out a small silver mug. “I sent a note to your wife about it, but my silly ass of a groom forgot to take this. You can save me a tramp. Give her my love.” She marched off amid her guard of grave Airedales.</p>
<p>The mug was worn and dented: above the twined initials, G.L., was the crest of a footless bird and the motto: “<i>Wayte awhyle—wayte awhyle.</i>”</p>
<p>“That’s the other end of the riddle,” Sophie whispered, when he saw her that evening. “Read her note. The English write beautiful notes.”</p>
<table border="0" width="80%" align="center">
<tbody>
<tr>
<td><em>The warmest of welcomes to your little man. I hope he will appreciate his native land now he has come to it. Though you have said nothing we cannot, of course, look on him as a little stranger, and so I am sending him the old Lashmar christening mug. It has been with us since Gregory Lashmar, your great-grandmother’s brother—</em></td>
</tr>
</tbody>
</table>
<p>George stared at his wife.</p>
<p>“Go on,” she twinkled, from the pillows.</p>
<table border="0" width="80%" align="center">
<tbody>
<tr>
<td><em>—mother’s brother, sold his place to Walter’s family. We seem to have acquired some of your household gods at that time, but nothing survives except the mug and the old cradle, which I found in the potting-shed and am having put in order for you. I hope little George—Lashmar, he will be too, won’t he?—will live to see his grandchildren cut their teeth on his mug.    Affectionately yours, Alice Conant.P.S.—How quiet you’ve kept about it all!</em></td>
</tr>
</tbody>
</table>
<p>“Well, I’m—”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 12</strong></p>
<p>“Don’t swear,” said Sophie. “Bad for the infant mind.”</p>
<p>“But how in the world did she get at it? Have you ever said a word about the Lashmars?”</p>
<p>“You know the only time—to young Iggulden at Rocketts—when Iggulden died.”</p>
<p>“Your great-grandmother’s brother! She’s traced the whole connection—more than your Aunt Sydney could do. What does she mean about our keeping quiet?”</p>
<p>Sophie’s eyes sparkled. “I’ve thought that out too. We’ve got back at the English at last. Can’t you see that she thought that we thought my mother’s being a Lashmar was one of those things we’d expect the English to find out for themselves, and that’s impressed her?” She turned the mug in her white hands, and sighed happily. “‘<i>Wayte awhyle—wayte awhyle.</i>’ That’s not a bad motto, George. It’s been worth it.”</p>
<p>“But still I don’t quite see—”</p>
<p>“I shouldn’t wonder if they don’t think our coming here was part of a deep-laid scheme to be near our ancestors. They’d understand that. And look how they’ve accepted us, all of them.”</p>
<p>“Are we so undesirable in ourselves?” George grunted.</p>
<p>“Be just, me lord. That wretched Sangres man has twice our money. Can you see Marm Conant slapping him between the shoulders? Not by a jugful! The poor beast doesn’t exist!”</p>
<p>“Do you think it’s that then?” He looked toward the cot by the fire where the godling snorted.</p>
<p>“The minute I get well I shall find out from Mrs. Cloke what every Lashmar gives in doles (that’s nicer than tips) every time a Lashmite is born. I’ve done my duty thus far, but there’s much expected of me.”</p>
<p>Entered here Mrs. Cloke, and hung worshipping over the cot. They showed her the mug and her face shone. “Oh, now Lady Conant’s sent it, it’ll be all proper, ma’am, won’t it? ‘George’ of course he’d have to be, but seein’ what he is we was hopin’—all your people was hopin’—it ’ud be ‘Lashmar’ too, and that ’ud just round it out. A very ’andsome mug quite unique, I should imagine. ‘<i>Wayte awhyle—wayte awhyle.</i>’ That’s true with the Lashmars, I’ve heard. Very slow to fill their houses, they are. Most like Master George won’t open ’is nursery till he’s thirty.”</p>
<p>“Poor lamb!” cried Sophie. “But how did you know my folk were Lashmars?”</p>
<p>Mrs. Cloke thought deeply. “I’m sure I can’t quite say, ma’am, but I’ve a belief likely that it was something you may have let drop to young Iggulden when you was at Rocketts. That may have been what give us an inkling. An’ so it came out, one thing in the way o’ talk leading to another, and those American people at Veering Holler was very obligin’ with news, I’m told, ma’am.”</p>
<p>“Great Scott!” said George, under his breath. “And this is the simple peasant!”</p>
<p>“Yiss,” Mrs. Cloke went on. “An’ Cloke was only wonderin’ this afternoon—your pillow’s slipped my dear, you mustn’t lie that a-way—just for the sake o’ sayin’ something, whether you wouldn’t think well now of getting the Lashmar farms back, sir. They don’t rightly round off Sir Walter’s estate. They come caterin’ across us more. Cloke, ’e ’ud be glad to show you over any day.”</p>
<p>“But Sir Walter doesn’t want to sell, does he?”</p>
<p>“We can find out from his bailiff, sir, but”—with cold contempt—“I think that trained nurse is just comin’ up from her dinner, so ‘m afraid we’ll ’ave to ask you, sir &#8230; Now, Master George—Ai-ie! Wake a litty minute, lammie!”</p>
<p>A few months later the three of them were down at the brook in the Gale Anstey woods to consider the rebuilding of a footbridge carried away by spring floods. George Lashmar Chapin wanted all the bluebells on God’s earth that day to eat, and—Sophie adored him in a voice like to the cooing of a dove; so business was delayed.</p>
<p>“Here’s the place,” said his father at last among the water forget-me-nots. “But where the deuce are the larch-poles, Cloke? I told you to have them down here ready.”</p>
<p>“We’ll get ’em down if you say so,” Cloke answered, with a thrust of the underlip they both knew.</p>
<p>“But I did say so. What on earth have you brought that timber-tug here for? We aren’t building a railway bridge. Why, in America, half-a-dozen two-by-four bits would be ample.”</p>
<p>“I don’t know nothin’ about that,” said Cloke.</p>
<p>“An’ I’ve nothin’ to say against larch—<i>If</i> you want to make a temp’ry job of it. I ain’t ’ere to tell you what isn’t so, sir; an’ you can’t say I ever come creepin’ up on you, or tryin’ to lead you further in than you set out—”</p>
<p>A year ago George would have danced with impatience. Now he scraped a little mud off his old gaiters with his spud, and waited.</p>
<p>“All I say is that you can put up larch and make a temp’ry job of it; and by the time the young master’s married it’ll have to be done again. Now, I’ve brought down a couple of as sweet six-by-eight oak timbers as we’ve ever drawed. You put ’em in an’ it’s off your mind or good an’ all. T’other way—I don’t say it ain’t right, I’m only just sayin’ what I think—but t’other way, he’ll no sooner be married than we’ll lave it all to do again. You’ve no call to regard my words, but you can’t get out of that.”</p>
<p>“No,” said George after a pause; “I’ve been realising that for some time. Make it oak then; we can’t get out of it.”</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">9299</post-id>	</item>
		<item>
		<title>At the End of the Passage</title>
		<link>https://www.kiplingsociety.co.uk/tale/at-the-end-of-the-passage.htm</link>
		
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		<pubDate>Mon, 19 Apr 2021 21:00:57 +0000</pubDate>
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					<description><![CDATA[<em><strong>page 1 of 7 </strong></em> <b>FOUR</b> men, each entitled to ‘life, liberty, and the pursuit of happiness’, sat at a table playing whist. The thermometer marked—for them—one hundred and one degrees of heat. The room ... <a title="At the End of the Passage" class="read-more" href="https://www.kiplingsociety.co.uk/tale/at-the-end-of-the-passage.htm" aria-label="Read more about At the End of the Passage">Read more</a>]]></description>
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<p style="text-align: center; color: red;"><em><strong>page 1 of 7<br />
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<p><b>FOUR</b> men, each entitled to ‘life, liberty, and the pursuit of happiness’, sat at a table playing whist. The thermometer marked—for them—one hundred and one degrees of heat. The room was darkened till it was only just possible to distinguish the pips of the cards and the very white faces of the players. A tattered, rotten punkah of whitewashed calico was puddling the hot air and whining dolefully at each stroke. Outside lay gloom of a November day in London. There was neither sky, sun, nor horizon—nothing but a brown purple haze of heat. It was as though the earth were dying of apoplexy.</p>
<p>From time to time clouds of tawny dust rose from the ground without wind or warning, flung themselves tablecloth-wise among the tops of the parched trees, and came down again. Then a-whirling dust-devil would scutter across the plain for a couple of miles, break, and fall outward, though there was nothing to check its flight save a long low line of piled railway-sleepers white with the dust, a cluster of huts made of mud, condemned rails, and canvas, and the one squat four-roomed bungalow that belonged to the assistant engineer in charge of a section of the Gaudhari State line then under construction.</p>
<p>The four, stripped to the thinnest of sleeping-suits, played whist crossly, with wranglings as to leads and returns. It was not the best kind of whist, but they had taken some trouble to arrive at it. Mottram of the Indian Survey had ridden thirty and railed one hundred miles from his lonely post in the desert since the night before; Lowndes of the Civil Service, on special duty in the political department, had come as far to escape for an instant the miserable intrigues of an impoverished native State whose king alternately fawned and blustered for more money from the pitiful revenues contributed by hard-wrung peasants and despairing camel-breeders; Spurstow, the doctor of the line, had left a cholera-stricken camp of coolies to look after itself for forty-eight hours while he associated with white men once more. Hummil, the assistant engineer, was the host. He stood fast and received his friends thus every Sunday if they could come in. When one of them failed to appear, he would send a telegram to his last address, in order that he might know whether the defaulter were dead or alive. There are very many places in the East where it is not good or kind to let your acquaintances drop out of sight even for one short week.</p>
<p>The players were not conscious of any special regard for each other. They squabbled whenever they met; but they ardently desired to meet, as men without water desire to drink. They were lonely folk who understood the dread meaning of loneliness. They were all under thirty years of age—which is too soon for any man to possess that knowledge.</p>
<p>‘Pilsener?’ said Spurstow, after the second rubber, mopping his forehead.</p>
<p>‘Beer’s out, I’m sorry to say, and there’s hardly enough soda-water for tonight,’ said Hummil.</p>
<p>‘What filthy bad management!’ Spurstow snarled.</p>
<p>‘Can’t help it. I’ve written and wired; but the trains don’t come through regularly yet. Last week the ice ran out—as Lowndes knows.’</p>
<p>‘Glad I didn’t come. I could ha’ sent you some if I had known, though. Phew! it’s too hot to go on playing bumblepuppy.’ This with a savage scowl at Lowndes, who only laughed. He was a hardened offender.</p>
<p>Mottram rose from the table and looked out of a chink in the shutters.</p>
<p>‘What a sweet day!’ said he.</p>
<p>The company yawned all together and betook themselves to an aimless investigation of all Hummil’s possessions—guns, tattered novels, saddlery, spurs, and the like. They had fingered them a score of times before, but there was really nothing else to do.</p>
<p>‘Got anything fresh?’ said Lowndes.</p>
<p>‘Last week’s Gazette of India, and a cutting from a home paper. My father sent it out. It’s rather amusing.’</p>
<p>‘One of those vestrymen that call ’emselves M.P.s again, is it?’ said Spurstow, who read his newspapers when he could get them.</p>
<p>‘Yes. Listen to this. It’s to your address, Lowndes. The man was making a speech to his constituents, and he piled it on. Here’s a sample, “And I assert unhesitatingly that the Civil Service in India is the preserve—the pet preserve—of the aristocracy of England. What does the democracy—what do the masses—get from that country, which we have step by step fraudulently annexed? I answer, nothing whatever. It is farmed with a single eye to their own interests by the scions of the aristocracy. They take good care to maintain their lavish scale of incomes, to avoid or stifle any inquiries into the nature and conduct of their administration, while they themselves force the unhappy peasant to pay with the sweat of his brow for all the luxuries in which they are lapped.” ’ Hummil waved the cutting above his head. ‘’Ear! ’ear!’ said his audience.</p>
<p>Then Lowndes, meditatively, ‘I’d give—I’d give three months’ pay to have that gentleman spend one month with me and see how the free and independent native prince works things. Old Timbersides’—this was his flippant title for an honoured and decorated feudatory prince—‘has been wearing my life out this week past for money. By Jove, his latest performance was to send me one of his women as a bribe!’</p>
<p>‘Good for you! Did you accept it?’ said Mottram.</p>
<p>‘No. I rather wish I had, now. She was a pretty little person, and she yarned away to me about the horrible destitution among the king’s women-folk. The darlings haven’t had any new clothes for nearly a month, and the old man wants to buy a new drag from Calcutta—solid silver railings and silver lamps, and trifles of that kind. I’ve tried to make him understand that he has played the deuce with the revenues for the last twenty years and must go slow. He can’t see it.’</p>
<p>‘But he has the ancestral treasure-vaults to draw on. There must be three millions at least in jewels and coin under his palace,’ said Hummil.</p>
<p>‘Catch a native king disturbing the family treasure! The priests forbid it except as the last resort. Old Timbersides has added something like a quarter of a million to the deposit in his reign.’</p>
<p>‘Where the mischief does it all come from?’ said Mottram.</p>
<p>‘The country. The state of the people is enough to make you sick. I’ve known the taxmen wait by a milch-camel till the foal was born and then hurry off the mother for arrears. And what can I do? I can’t get the court clerks to give me any accounts; I can’t raise anything more than a fat smile from the commander-in-chief when I find out the troops are three months in arrears; and old Timbersides begins to weep when I speak to him. He has taken to the King’s Peg heavily, liqueur brandy for whisky, and Heidsieck for soda-water.’</p>
<p style="text-align: center; color: red;"><em><strong>page 2<br />
</strong></em></p>
<p>‘That’s what the Rao of Jubela took to. Even a native can’t last long at that,’ said Spurstow. ‘He’ll go out.’</p>
<p>‘And a good thing, too. Then I suppose we’ll have a council of regency, and a tutor for the young prince, and hand him back his kingdom with ten years’ accumulations.’</p>
<p>‘Whereupon that young prince, having been taught all the vices of the English, will play ducks and drakes with the money and undo ten years’ work in eighteen months. I’ve seen that business before,’ said Spurstow. ‘I should tackle the king with a light hand if I were you, Lowndes. They’ll hate you quite enough under any circumstances.</p>
<p>‘That’s all very well. The man who looks on can talk about the light hand; but you can’t clean a pig-sty with a pen dipped in rose-water. I know my risks; but nothing has happened yet. My servant’s an old Pathan, and he cooks for me. They are hardly likely to bribe him, and I don’t accept food from my true friends, as they call themselves. Oh, but it’s weary work! I’d sooner be with you, Spurstow. There’s shooting near your camp.’</p>
<p>‘Would you? I don’t think it. About fifteen deaths a day don’t incite a man to shoot anything but himself. And the worst of it is that the poor devils look at you as though you ought to save them. Lord knows, I’ve tried everything. My last attempt was empirical, but it pulled an old man through. He was brought to me apparently past hope, and I gave him gin and Worcester sauce with cayenne. It cured him; but I don’t recommend it.’</p>
<p>‘How do the cases run generally?’ said Hummil.</p>
<p>‘Very simply indeed. Chlorodyne, opium pill, chlorodyne, collapse, nitre, bricks to the feet, and then—the burning-ghaut. The last seems to be the only thing that stops the trouble. It’s black cholera, you know. Poor devils! But, I will say, little Bunsee Lal, my apothecary, works like a demon. I’ve recommended him for promotion if he comes through it all alive.’</p>
<p>‘And what are your chances, old man?’ said Mottram.</p>
<p>‘Don’t know; don’t care much; but I’ve sent the letter in. What are you doing with yourself generally?’</p>
<p>‘Sitting under a table in the tent and spitting on the sextant to keep it cool,’ said the man of the survey. ‘Washing my eyes to avoid ophthalmia, which I shall certainly get, and trying to make a sub-surveyor understand that an error of five degrees in an angle isn’t quite so small as it looks. I’m altogether alone, y’ know, and shall be till the end of the hot weather.’</p>
<p>‘Hummil’s the lucky man,’ said Lowndes, flinging himself into a long chair. ‘He has an actual roof &#8211; torn as to the ceiling-cloth, but still a roof &#8211; over his head. He sees one train daily. He can get beer and soda-water and ice ’em when God is good. He has books, pictures—they were torn from the Graphic—and the society of the excellent sub-contractor Jevins, besides the pleasure of receiving us weekly.’</p>
<p>Hummil smiled grimly. ‘Yes, I’m the lucky man, I suppose. Jevins is luckier.’</p>
<p>‘How? Not——’</p>
<p>‘Yes. Went out. Last Monday.’</p>
<p>‘By his own hand?’ said Spurstow quickly, hinting the suspicion that was in everybody’s mind. There was no cholera near Hummil’s section. Even fever gives a man at least a week’s grace, and sudden death generally implied self-slaughter.</p>
<p>‘I judge no man this weather,’ said Hummil. ‘He had a touch of the sun, I fancy; for last week, after you fellows had left, he came into the verandah and told me that he was going home to see his wife, in Market Street, Liverpool, that evening.</p>
<p>‘I got the apothecary in to look at him, and we tried to make him lie down. After an hour or two he rubbed his eyes and said he believed he had had a fit, hoped he hadn’t said anything rude. Jevins had a great idea of bettering himself socially. He was very like Chucks in his language.’</p>
<p>‘Well?’</p>
<p>‘Then he went to his own bungalow and began cleaning a rifle. He told the servant that he was going to shoot buck in the morning. Naturally he fumbled with the trigger, and shot himself through the head—accidentally. The apothecary sent in a report to my chief; and Jevins is buried somewhere out there. I’d have wired to you, Spurstow, if you could have done anything.’</p>
<p>‘You’re a queer chap,’ said Mottram. ‘If you’d killed the man yourself you couldn’t have been more quiet about the business.’</p>
<p>‘Good Lord! what does it matter?’ said Hummil calmly. ‘I’ve got to do a lot of his overseeing work in addition to my own. I’m the only person that suffers. Jevins is out of it, by pure accident, of course, but out of it. The apothecary was going to write a long screed on suicide. Trust a babu to drivel when he gets the chance.’</p>
<p>‘Why didn’t you let it go in as suicide?’ said Lowndes.</p>
<p>‘No direct proof. A man hasn’t many privileges in his country, but he might at least be allowed to mishandle his own rifle. Besides, some day I may need a man to smother up an accident to myself. Live and let live. Die and let die.’</p>
<p>‘You take a pill,’ said Spurstow, who had been watching Hummil’s white face narrowly. ‘Take a pill, and don’t be an ass. That sort of talk is skittles. Anyhow, suicide is shirking your work. If I were Job ten times over, I should be so interested in what was going to happen next that I’d stay on and watch.’</p>
<p>‘Ah! I’ve lost that curiosity,’ said Hummil.</p>
<p>‘Liver out of order?’ said Lowndes feelingly.</p>
<p>‘No. Can’t sleep. That’s worse.’</p>
<p>‘By Jove, it is!’ said Mottram. ‘I’m that way every now and then, and the fit has to wear itself out. What do you take for it?’</p>
<p>‘Nothing. What’s the use? I haven’t had ten minutes’ sleep since Friday morning.’</p>
<p>‘Poor chap! Spurstow, you ought to attend to this,’ said Mottram. ‘Now you mention it, your eyes are rather gummy and swollen.’</p>
<p>Spurstow, still watching Hummil, laughed lightly. ‘I’ll patch him up, later on. Is it too hot, do you think, to go for a ride?’</p>
<p style="text-align: center; color: red;"><em><strong>page 3<br />
</strong></em></p>
<p>‘Where to?’ said Lowndes wearily. ‘We shall have to go away at eight, and there’ll be riding enough for us then. I hate a horse when I have to use him as a necessity. Oh, heavens! What is there to do?’</p>
<p>‘Begin whist again, at chick points [‘a chick’ is supposed to be eight shillings] and a gold mohur on the rub,’ said Spurstow promptly.</p>
<p>‘Poker. A month’s pay all round for the pool—no limit—and fifty-rupee raises. Somebody would be broken before we got up,’ said Lowndes.</p>
<p>‘Can’t say that it would give me any pleasure to break any man in this company,’ said Mottram. ‘There isn’t enough excitement in it, and it’s foolish.’ He crossed over to the worn and battered little camp-piano—wreckage of a married household that had once held the bungalow—and opened the case.<br />
<a name="vera"></a></p>
<p>‘It’s used up long ago,’ said Hummil. ‘The servants have picked it to pieces.’</p>
<p><span style="color: #008000;">The piano was indeed hopelessly out of order, but Mottram managed to bring the rebellious notes into a sort of agreement, and there rose from the ragged keyboard something that might once have been the ghost of a popular music-hall song. The men in the long chairs turned with evident interest as Mottram banged the more lustily.</span></p>
<p>‘That’s good!’ said Lowndes. ‘By Jove! the last time I heard that song was in ’79, or thereabouts, just before I came out.’</p>
<p>‘Ah!’ said Spurstow with pride, ‘I was home in ‘80.’ And he mentioned a song of the streets popular at that date.</p>
<p>Mottram executed it roughly. Lowndes criticized and volunteered emendations. Mottram dashed into another ditty, not of the music-hall character, and made as if to rise.</p>
<p>‘Sit down,’ said Hummil. ‘I didn’t know that you had any music in your composition. Go on playing until you can’t think of anything more. I’ll have that piano tuned up before you come again. Play something festive.’</p>
<p>Very simple indeed were the tunes to which Mottram’s art and the limitations of the piano could give effect, but the men listened with pleasure, and in the pauses talked all together of what they had seen or heard when they were last at home. A dense dust-storm sprung up outside, and swept roaring over the house, enveloping it in the choking darkness of midnight, but Mottram continued unheeding, and the crazy tinkle reached the ears of the listeners above the flapping of the tattered ceiling-cloth.</p>
<p>In the silence after the storm he glided from the more directly personal songs of Scotland, half humming them as he played, into the Evening Hymn.</p>
<p>‘Sunday,’ said he, nodding his head.</p>
<p>‘Go on. Don’t apologize for it,’ said Spurstow.</p>
<p>Hummil laughed long and riotously. ‘Play it, by all means. You’re full of surprises today. I didn’t know you had such a gift of finished sarcasm. How does that thing go?’</p>
<p>Mottram took up the tune.</p>
<p>‘Too slow by half. You miss the note of gratitude,’ said Hummil. ‘It ought to go to the “Grasshopper’s Polka”—this way.’ And he chanted, prestissimo,</p>
<p>‘Glory to thee, my God, this night, For all the blessings of the light.—That shows we really feel our blessings. How does it go on?—If in the night I sleepless lie, My soul with sacred thoughts supply; May no ill dreams disturb my rest,—Quicker, Mottram!—Or powers of darkness me molest!’</p>
<p>‘Bah! what an old hypocrite you are!’</p>
<p>‘Don’t be an ass,’ said Lowndes. ‘You are at full liberty to make fun of anything else you like, but leave that hymn alone. It’s associated in my mind with the most sacred recollections——’</p>
<p>‘Summer evenings in the country, stained-glass window, light going out, and you and she jamming your heads together over one hymnbook,’ said Mottram.</p>
<p>‘Yes, and a fat old cockchafer hitting you in the eye when you walked home. Smell of hay, and a moon as big as a bandbox sitting on the top of a haycock; bats, roses, milk and midges,’ said Lowndes.</p>
<p>‘Also mothers. I can just recollect my mother singing me to sleep with that when I was a little chap,’ said Spurstow.</p>
<p>The darkness had fallen on the room. They could hear Hummil squirming in his chair.</p>
<p>‘Consequently,’ said he testily, ‘you sing it when you are seven fathom deep in Hell! It’s an insult to the intelligence of the Deity to pretend we’re anything but tortured rebels.’</p>
<p>‘Take two pills,’ said Spurstow; ‘that’s tortured liver.’</p>
<p>‘The usually placid Hummil is in a vile bad temper. I’m sorry for his coolies tomorrow,’ said Lowndes, as the servants brought in the lights and prepared the table for dinner.</p>
<p>As they were settling into their places about the miserable goat-chops, and the smoked tapioca pudding, Spurstow took occasion to whisper to Mottram, ‘Well done, David!’</p>
<p>‘Look after Saul, then,’ was the reply.</p>
<p>‘What are you two whispering about?’ said Hummil suspiciously.</p>
<p style="text-align: center; color: red;"><em><strong>page 4<br />
</strong></em></p>
<p>‘Only saying that you are a damned poor host. This fowl can’t be cut,’ returned Spurstow with a sweet smile. ‘Call this a dinner?’</p>
<p>‘I can’t help it. You don’t expect a banquet, do you?’</p>
<p>Throughout that meal Hummil contrived laboriously to insult directly and pointedly all his guests in succession, and at each insult Spurstow kicked the aggrieved person under the table; but he dared not exchange a glance of intelligence with either of them. Hummil’s face was white and pinched, while his eyes were unnaturally large. No man dreamed for a moment of resenting his savage personalities, but as soon as the meal was over they made haste to get away.</p>
<p>‘Don’t go. You’re just getting amusing, you fellows. I hope I haven’t said anything that annoyed you. You’re such touchy devils.’ Then, changing the note into one of almost abject entreaty, Hummil added, ‘I say, you surely aren’t going?’</p>
<p>‘In the language of the blessed Jorrocks, where I dines I sleeps,’ said Spurstow. ‘I want to have a look at your coolies tomorrow, if you don’t mind. You can give me a place to lie down in, I suppose?’</p>
<p>The others pleaded the urgency of their several duties next day, and, saddling up, departed together, Hummil begging them to come next Sunday. As they jogged off, Lowndes unbosomed himself to Mottram—</p>
<p>‘. . . And I never felt so like kicking a man at his own table in my life. He said I cheated at whist, and reminded me I was in debt! ’Told you you were as good as a liar to your face! You aren’t half indignant enough over it.’</p>
<p>‘Not I,’ said Mottram. ‘Poor devil! Did you ever know old Hummy behave like that before or within a hundred miles of it?’</p>
<p>‘That’s no excuse. Spurstow was hacking my shin all the time, so I kept a hand on myself. Else I should have—’</p>
<p>‘No, you wouldn’t. You’d have done as Hummy did about Jevins; judge no man this weather. By Jove! the buckle of my bridle is hot in my hand! Trot out a bit, and ‘ware rat-holes.’ Ten minutes’ trotting jerked out of Lowndes one very sage remark when he pulled up, sweating from every pore—</p>
<p>“Good thing Spurstow’s with him tonight.’</p>
<p>‘Ye-es. Good man, Spurstow. Our roads turn here. See you again next Sunday, if the sun doesn’t bowl me over.’</p>
<p>‘S’pose so, unless old Timbersides’ finance minister manages to dress some of my food. Goodnight, and—God bless you!’</p>
<p>‘What’s wrong now?’</p>
<p>‘Oh, nothing.’ Lowndes gathered up his whip, and, as he flicked Mottram’s mare on the flank, added, ‘You’re not a bad little chap, that’s all.’ And the mare bolted half a mile across the sand, on the word.</p>
<p>In the assistant engineer’s bungalow Spurstow and Hummil smoked the pipe of silence together, each narrowly watching the other. The capacity of a bachelor’s establishment is as elastic as its arrangements are simple. A servant cleared away the dining-room table, brought in a couple of rude native bedsteads made of tape strung on a light wood frame, flung a square of cool Calcutta matting over each, set them side by side, pinned two towels to the punkah so that their fringes should just sweep clear of the sleeper’s nose and mouth, and announced that the couches were ready.</p>
<p>The men flung themselves down, ordering the punkah-coolies by all the powers of Hell to pull. Every door and window was shut, for the outside air was that of an oven. The atmosphere within was only 104 degrees, as the thermometer bore witness, and heavy with the foul smell of badly-trimmed kerosene lamps; and this stench, combined with that of native tobacco, baked brick, and dried earth, sends the heart of many a strong man down to his boots, for it is the smell of the Great Indian Empire when she turns herself for six months into a house of torment. Spurstow packed his pillows craftily so that he reclined rather than lay, his head at a safe elevation above his feet. It is not good to sleep on a low pillow in the hot weather if you happen to be of thick-necked build, for you may pass with lively snores and gugglings from natural sleep into the deep slumber of heat-apoplexy.</p>
<p>‘Pack your pillows,’ said the doctor sharply, as he saw Hummil preparing to lie down at full length.</p>
<p>The night-light was trimmed; the shadow of the punkah wavered across the room, and the flick  of the punkah-towel and the soft whine of the rope through the wall-hole followed it. Then the punkah flagged, almost ceased. The sweat poured from Spurstow’s brow. Should he go out and harangue the coolie? It started forward again with a savage jerk, and a pin came out of the towels. When this was replaced, a tomtom in the coolie-lines began to beat with the steady throb of a swollen artery inside some brain-fevered skull. Spurstow turned on his side and swore gently. There was no movement on Hummil’s part. The man had composed himself as rigidly as a corpse, his hands clinched at his sides. The respiration was too hurried for any suspicion of sleep. Spurstow looked at the set face. The jaws were clinched, and there was a pucker round the quivering eyelids.</p>
<p>‘He’s holding himself as tightly as ever he can,’ thought Spurstow. ‘What in the world is the matter with him?—Hummil!’</p>
<p>‘Yes,’ in a thick constrained voice.</p>
<p>‘Can’t you get to sleep?’</p>
<p>‘No.’</p>
<p>‘Head hot? Throat feeling bulgy? or how?’</p>
<p>‘Neither, thanks. I don’t sleep much, you know.’</p>
<p>‘’Feel pretty bad?’</p>
<p>‘Pretty bad, thanks. There is a tomtom outside, isn’t there? I thought it was my head at first&#8230;. Oh, Spurstow, for pity’s sake give me something that will put me asleep, sound asleep, if it’s only for six hours!’ He sprang up, trembling from head to foot. ‘I haven’t been able to sleep naturally for days, and I can’t stand it! I can’t stand it!’</p>
<p>‘Poor old chap!’</p>
<p style="text-align: center; color: red;"><em><strong>page 5<br />
</strong></em></p>
<p>‘That’s no use. Give me something to make me sleep. I tell you I’m nearly mad. I don’t know what I say half my time. For three weeks I’ve had to think and spell out every word that has come through my lips before I dared say it. Isn’t that enough to drive a man mad? I can’t see things correctly now, and I’ve lost my sense of touch. My skin aches—my skin aches! Make me sleep. Oh, Spurstow, for the love of God make me sleep sound. It isn’t enough merely to let me dream. Let me sleep!’</p>
<p>‘All right, old man, all right. Go slow; you aren’t half as bad as you think.’</p>
<p>The flood-gates of reserve once broken, Hummil was clinging to him like a frightened child. ‘You’re pinching my arm to pieces.’</p>
<p>‘I’ll break your neck if you don’t do something for me. No, I didn’t mean that. Don’t be angry, old fellow.’ He wiped the sweat off himself as he fought to regain composure. ‘I’m a bit restless and off my oats, and perhaps you could recommend some sort of sleeping mixture—bromide of potassium.’</p>
<p>‘Bromide of skittles! Why didn’t you tell me this before? Let go of my arm, and I’ll see if there’s anything in my cigarette-case to suit your complaint.’ Spurstow hunted among his day-clothes, turned up the lamp, opened a little silver cigarette-case, and advanced on the expectant Hummil with the daintiest of fairy squirts.</p>
<p>‘The last appeal of civilization,’ said he, ’and a thing I hate to use. Hold out your arm. Well, your sleeplessness hasn’t ruined your muscle; and what a thick hide it is! Might as well inject a buffalo subcutaneously. Now in a few minutes the morphia will begin working. Lie down and wait.’</p>
<p>A smile of unalloyed and idiotic delight began to creep over Hummil’s face. ‘I think,’ he whispered,—‘I think I’m going off now. Gad! it’s positively heavenly! Spurstow, you must give me that case to keep; you——’ The voice ceased as the head fell back.</p>
<p>‘Not for a good deal,’ said Spurstow to the unconscious form. ‘And now, my friend, sleeplessness of your kind being very apt to relax the moral fibre in little matters of life and death, I’ll just take the liberty of spiking your guns.’</p>
<p>He paddled into Hummil’s saddle-room in his bare feet and uncased a twelve-bore rifle, an express, and a revolver. Of the first he unscrewed the nipples and hid them in the bottom of a saddlery-case; of the second he abstracted the lever, kicking it behind a big wardrobe. The third he merely opened, and knocked the doll-head bolt of the grip up with the heel of a riding-boot.</p>
<p>‘That’s settled,’ he said, as he shook the sweat off his hands. ‘These little precautions will at least give you time to turn. You have too much sympathy with gun-room accidents.’</p>
<p>And as he rose from his knees, the thick muffled voice of Hummil cried in the doorway, ‘You fool!’</p>
<p>Such tones they use who speak in the lucid intervals of delirium to their friends a little before they die.</p>
<p>Spurstow started, dropping the pistol. Hummil stood in the doorway, rocking with helpless laughter.</p>
<p>‘That was awf’ly good of you, I’m sure,’ he said, very slowly, feeling for his words. ‘I don’t intend to go out by my own hand at present. I say, Spurstow, that stuff won’t work. What shall I do? What shall I do?’ And panic terror stood in his eyes.</p>
<p>‘Lie down and give it a chance. Lie down at once.’</p>
<p>‘I daren’t. It will only take me half-way again, and I shan’t be able to get away this time. Do you know it was all I could do to come out just now? Generally I am as quick as lightning; but you had clogged my feet. I was nearly caught.’</p>
<p>‘Oh yes, I understand. Go and lie down.’</p>
<p>‘No, it isn’t delirium; but it was an awfully mean trick to play on me. Do you know I might have died?’</p>
<p>As a sponge rubs a slate clean, so some power unknown to Spurstow had wiped out of Hummil’s face all that stamped it for the face of a man, and he stood at the doorway in the expression of his lost innocence. He had slept back into terrified childhood.</p>
<p>‘Is he going to die on the spot?’ thought Spurstow. Then, aloud, ‘All right, my son. Come back to bed, and tell me all about it. You couldn’t sleep; but what was all the rest of the nonsense?’</p>
<p>‘A place, a place down there,’ said Hummil, with simple sincerity. The drug was acting on him by waves, and he was flung from the fear of a strong man to the fright of a child as his nerves gathered sense or were dulled.</p>
<p>‘Good God! I’ve been afraid of it for months past, Spurstow. It has made every night hell to me; and yet I’m not conscious of having done anything wrong.’</p>
<p>‘Be still, and I’ll give you another dose. We’ll stop your nightmares, you unutterable idiot!’</p>
<p>‘Yes, but you must give me so much that I can’t get away. You must make me quite sleepy, not just a little sleepy. It’s so hard to run then.’</p>
<p>‘I know it; I know it. I’ve felt it myself. The symptoms are exactly as you describe.’</p>
<p>‘Oh, don’t laugh at me, confound you! Before this awful sleeplessness came to me I’ve tried to rest on my elbow and put a spur in the bed to sting me when I fell back. Look!’</p>
<p>‘By Jove! the man has been rowelled like a horse! Ridden by the nightmare with a vengeance! And we all thought him sensible enough. Heaven send us understanding! You like to talk, don’t you?’</p>
<p>‘Yes, sometimes. Not when I’m frightened. Then I want to run. Don’t you?’</p>
<p>‘Always. Before I give you your second dose try to tell me exactly what your trouble is.’</p>
<p>Hummil spoke in broken whispers for nearly ten minutes, whilst Spurstow looked into the pupils of his eyes and passed his hand before them once or twice.</p>
<p>At the end of the narrative the silver cigarette-case was produced, and the last words that Hummil said as he fell back for the second time were, ‘Put me quite to sleep; for if I’m caught I die, I die!’</p>
<p style="text-align: center; color: red;"><em><strong>page 6<br />
</strong></em></p>
<p>‘Yes, yes; we all do that sooner or later, thank Heaven who has set a term to our miseries,’ said Spurstow, settling the cushions under the head. ‘It occurs to me that unless I drink something I shall go out before my time. I’ve stopped sweating, and—I wear a seventeen-inch collar.’ He brewed himself scalding hot tea, which is an excellent remedy against heat-apoplexy if you take three or four cups of it in time. Then he watched the sleeper.</p>
<p>‘A blind face that cries and can’t wipe its eyes, a blind face that chases him down corridors! H’m! Decidedly, Hummil ought to go on leave as soon as possible; and, sane or otherwise, he undoubtedly did rowel himself most cruelly. Well, Heaven send us understanding!’</p>
<p>At mid-day Hummil rose, with an evil taste in his mouth, but an unclouded eye and a joyful heart.</p>
<p>‘I was pretty bad last night, wasn’t I?’ said he.</p>
<p>‘I have seen healthier men. You must have had a touch of the sun. Look here: if I write you a swinging medical certificate, will you apply for leave on the spot?’</p>
<p>‘No.’</p>
<p>‘Why not? You want it.’</p>
<p>‘Yes, but I can hold on till the weather’s a little cooler.’</p>
<p>‘Why should you, if you can get relieved on the spot?’</p>
<p>‘Burkett is the only man who could be sent; and he’s a born fool.’</p>
<p>‘Oh, never mind about the line. You aren’t so important as all that. Wire for leave, if necessary.’</p>
<p>Hummil looked very uncomfortable.</p>
<p>‘I can hold on till the Rains,’ he said evasively.</p>
<p>‘You can’t. Wire to headquarters for Burkett.’</p>
<p>‘I won’t. If you want to know why, particularly, Burkett is married, and his wife’s just had a kid, and she’s up at Simla, in the cool, and Burkett has a very nice billet that takes him into Simla from Saturday to Monday. That little woman isn’t at all well. If Burkett was transferred she’d try to follow him. If she left the baby behind she’d fret herself to death. If she came—and Burkett’s one of those selfish little beasts who are always talking about a wife’s place being with her husband—she’d die. It’s murder to bring a woman here just now. Burkett hasn’t the physique of a rat. If he came here he’d go out; and I know she hasn’t any money, and I’m pretty sure she’d go out too. I’m salted in a sort of way, and I’m not married. Wait till the Rains, and then Burkett can get thin down here. It’ll do him heaps of good.’</p>
<p>‘Do you mean to say that you intend to face—what you have faced, till the Rains break?’</p>
<p>‘Oh, it won’t be so bad, now you’ve shown me a way out of it. I can always wire to you. Besides, now I’ve once got into the way of sleeping, it’ll be all right. Anyhow, I shan’t put in for leave. That’s the long and the short of it.’</p>
<p>‘My great Scott! I thought all that sort of thing was dead and done with.’</p>
<p>‘Bosh! You’d do the same yourself. I feel a new man, thanks to that cigarette-case. You’re going over to camp now, aren’t you?’</p>
<p>‘Yes; but I’ll try to look you up every other day, if I can.’</p>
<p>‘I’m not bad enough for that. I don’t want you to bother. Give the coolies gin and ketchup.’</p>
<p>‘Then you feel all right?’</p>
<p>‘Fit to fight for my life, but not to stand out in the sun talking to you. Go along, old man, and bless you!’</p>
<p>Hummil turned on his heel to face the echoing desolation of his bungalow, and the first thing he saw standing in the verandah was the figure of himself. He had met a similar apparition once before, when he was suffering from overwork and the strain of the hot weather.</p>
<p>‘This is bad—already,’ he said, rubbing his eyes. ‘If the thing slides away from me all in one piece, like a ghost, I shall know it is only my eyes and stomach that are out of order. If it walks—my head is going.’</p>
<p>He approached the figure, which naturally kept at an unvarying distance from him, as is the use of all spectres that are born of overwork. It slid through the house and dissolved into swimming specks within the eyeball as soon as it reached the burning light of the garden. Hummil went about his business till even. When he came in to dinner he found himself sitting at the table. The vision rose and walked out hastily. Except that it cast no shadow it was in all respects real.</p>
<p>No living man knows what that week held for Hummil. An increase of the epidemic kept Spurstow in camp among the coolies, and all he could do was to telegraph to Mottram, bidding him go to the bungalow and sleep there. But Mottram was forty miles away from the nearest telegraph, and knew nothing of anything save the needs of the survey till he met, early on Sunday morning, Lowndes and Spurstow heading towards Hummil’s for the weekly gathering.</p>
<p>‘Hope the poor chap’s in a better temper,’ said the former, swinging himself off his horse at the door. ‘I suppose he isn’t up yet.’</p>
<p>‘I’ll just have a look at him,’ said the doctor. ‘If he’s asleep there’s no need to wake him.’</p>
<p>And an instant later, by the tone of Spurstow’s voice calling upon them to enter, the men knew what had happened. There was no need to wake him.</p>
<p>The punkah was still being pulled over the bed, but Hummil had departed this life at least three hours.</p>
<p>The body lay on its back, hands clinched by the side, as Spurstow had seen it lying seven nights previously. In the staring eyes was written terror beyond the expression of any pen.</p>
<p>Mottram, who had entered behind Lowndes, bent over the dead and touched the forehead lightly with his lips. ‘Oh, you lucky, lucky devil!’ he whispered.</p>
<p>But Lowndes had seen the eyes, and withdrew shuddering to the other side of the room.</p>
<p style="text-align: center; color: red;"><em><strong>page 7<br />
</strong></em></p>
<p>‘Poor chap! poor old chap! And the last time I met him I was angry. Spurstow, we should have watched him. Has he——?’</p>
<p>Deftly Spurstow continued his investigations, ending by a search round the room.</p>
<p>‘No, he hasn’t,’ he snapped. ‘There’s no trace of anything. Call the servants.’</p>
<p>They came, eight or ten of them, whispering and peering over each other’s shoulders.</p>
<p>‘When did your Sahib go to bed?’ said Spurstow.</p>
<p>‘At eleven or ten, we think,’ said Hummil’s personal servant.</p>
<p>‘He was well then? But how should you know?’</p>
<p>‘He was not ill, as far as our comprehension extended. But he had slept very little for three nights. This I know, because I saw him walking much, and specially in the heart of the night.’</p>
<p>As Spurstow was arranging the sheet, a big straight-necked hunting-spur tumbled on the ground. The doctor groaned. The personal servant peeped at the body.</p>
<p>‘What do you think, Chuma?’ said Spurstow, catching the look on the dark face.</p>
<p>‘Heaven-born, in my poor opinion, this that was my master has descended into the Dark Places, and there has been caught because he was not able to escape with sufficient speed. We have the spur for evidence that he fought with Fear. Thus have I seen men of my race do with thorns when a spell was laid upon them to overtake them in their sleeping hours and they dared not sleep.’</p>
<p>‘Chuma, you’re a mud-head. Go out and prepare seals to be set on the Sahib’s property.’</p>
<p>‘God has made the Heaven-born. God has made me. Who are we, to enquire into the dispensations of God? I will bid the other servants hold aloof while you are reckoning the tale of the Sahib’s property. They are all thieves, and would steal.’</p>
<p>‘As far as I can make out, he died from—oh, anything; stoppage of the heart’s action, heat-apoplexy, or some other visitation,’ said Spurstow to his companions. ‘We must make an inventory of his effects, and so on.’</p>
<p>‘He was scared to death,’ insisted Lowndes. ‘Look at those eyes! For pity’s sake don’t let him be buried with them open!’</p>
<p>‘Whatever it was, he’s clear of all the trouble now,’ said Mottram softly.</p>
<p>Spurstow was peering into the open eyes.</p>
<p>‘Come here,’ said he. ‘Can you see anything there?’</p>
<p>‘I can’t face it!’ whimpered Lowndes. ‘Cover up the face! Is there any fear on earth that can turn a man into that likeness? It’s ghastly. Oh, Spurstow, cover it up!’</p>
<p>‘No fear—on earth,’ said Spurstow. Mottram leaned over his shoulder and looked intently.</p>
<p>‘I see nothing except some grey blurs in the pupil. There can be nothing there, you know.’</p>
<p>‘Even so. Well, let’s think. It’ll take half a day to knock up any sort of coffin; and he must have died at midnight. Lowndes, old man, go out and tell the coolies to break ground next to Jevins’s grave. Mottram, go round the house with Chuma and see that the seals are put on things. Send a couple of men to me here, and I’ll arrange.’</p>
<p>The strong-armed servants when they returned to their own kind told a strange story of the doctor Sahib vainly trying to call their master back to life by magic arts—to wit, the holding of a little green box that clicked to each of the dead man’s eyes, and of a bewildered muttering on the part of the doctor Sahib, who took the little green box away with him.</p>
<p>The resonant hammering of a coffin-lid is no pleasant thing to hear, but those who have experience maintain that much more terrible is the soft swish of the bed-linen, the reeving and unreeving of the bed-tapes, when he who has fallen by the roadside is apparelled for burial, sinking gradually as the tapes are tied over, till the swaddled shape touches the floor and there is no protest against the indignity of hasty disposal.</p>
<p>At the last moment Lowndes was seized with scruples of conscience. ‘Ought you to read the service, from beginning to end?’ said he to Spurstow.</p>
<p>‘I intend to. You’re my senior as a civilian. You can take it if you like.’</p>
<p>‘I didn’t mean that for a moment. I only thought if we could get a chaplain from somewhere, I’m willing to ride anywhere, and give poor Hummil a better chance. That’s all.’</p>
<p>‘Bosh!’ said Spurstow, as he framed his lips to the tremendous words that stand at the head of the burial service.</p>
<p>After breakfast they smoked a pipe in silence to the memory of the dead. Then Spurstow said absently—</p>
<p>‘Tisn’t medical science.’</p>
<p>‘What?’</p>
<p>‘Things in a dead man’s eye.’</p>
<p>‘For goodness’ sake leave that horror alone!’ said Lowndes. ‘I’ve seen a native die of pure fright when a tiger chivied him. I know what killed Hummil.’</p>
<p>‘The deuce you do! I’m going to try to see.’ And the doctor retreated into the bathroom with a Kodak camera. After a few minutes there was the sound of something being hammered to pieces, and he emerged, very white indeed.</p>
<p>‘Have you got a picture?’ said Mottram. ‘What does the thing look like?’</p>
<p>‘It was impossible, of course. You needn’t look, Mottram. I’ve torn up the films. There was nothing there. It was impossible.’</p>
<p>‘That,’ said Lowndes, very distinctly, watching the shaking hand striving to relight the pipe, ‘is a damned lie.’</p>
<p>Mottram laughed uneasily. ‘Spurstow’s right,’ he said. ‘We’re all in such a state now that we’d believe anything. For pity’s sake let’s try to be rational.’</p>
<p>There was no further speech for a long time. The hot wind whistled without, and the dry trees sobbed. Presently the daily train, winking brass, burnished steel, and spouting steam, pulled up panting in the intense glare. ‘We’d better go on that,’ said Spurstow. ‘Go back to work. I’ve written my certificate. We can’t do any more good here, and work’ll keep our wits together. Come on.’</p>
<p>No one moved. It is not pleasant to face railway journeys at mid-day in June. Spurstow gathered up his hat and whip, and, turning in the doorway, said—</p>
<p>‘There may be Heaven—there must be Hell. Meantime, there is our life here. We-ell?’</p>
<p>Neither Mottram nor Lowndes had any answer to the question.</p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9327</post-id>	</item>
		<item>
		<title>Baa Baa, Black Sheep</title>
		<link>https://www.kiplingsociety.co.uk/tale/baa-baa-black-sheep.htm</link>
		
		<dc:creator><![CDATA[John Radcliffe]]></dc:creator>
		<pubDate>Wed, 21 Jul 2021 08:57:46 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=tale&#038;p=57544</guid>

					<description><![CDATA[Baa Baa, Black Sheep Have you any wool? Yes, Sir, yes, Sir, three bags full. One for the Master, one for the Dame— None for the Little Boy That cries down the lane. <i>Nursery Rhyme</i> ... <a title="Baa Baa, Black Sheep" class="read-more" href="https://www.kiplingsociety.co.uk/tale/baa-baa-black-sheep.htm" aria-label="Read more about Baa Baa, Black Sheep">Read more</a>]]></description>
										<content:encoded><![CDATA[<pre style="text-align: center; font-size: 14px;">Baa Baa, Black Sheep
Have you any wool?
Yes, Sir, yes, Sir, three bags full.
One for the Master, one for the Dame—
None for the Little Boy 
That cries down the lane.
                        <i>Nursery Rhyme</i></pre>
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<p style="text-align: center; color: red;"><em><strong>page 1 of 9<br />
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<div align="center"><span style="text-decoration: underline;">THE FIRST BAG</span></div>
<pre style="text-align: center; font-size: 14px;">When I was in my father’s house, 
I was in a better place.</pre>
<p><b>THEY</b> were putting Punch to bed—the <i>ayah</i> and the <i>hamal</i> and Meeta, the big <i>Surti</i> boy, with the red-and-gold turban. Judy, already tucked inside her mosquito-curtains, was nearly asleep. Punch had been allowed to stay up for dinner. Many privileges had been accorded to Punch within the last ten days, and a greater kindness from the people of his world had encompassed his ways and works, which were mostly obstreperous. He sat on the edge of his bed and swung his bare legs defiantly.</p>
<p>‘Punch-<i>baba</i> going to bye-lo?’ said the <i>ayah</i> suggestively.</p>
<p>‘No,’ said Punch. ‘Punch-<i>baba</i> wants the story about the Ranee that was turned into a tiger. Meeta must tell it, and the <i>hamal</i> shall hide behind the door and make tiger-noises at the proper time.’</p>
<p>‘But Judy-<i>baba</i> will wake up,’ said the <i>ayah</i>.</p>
<p>‘Judy-<i>baba</i> is waked,’ piped a small voice from the mosquito-curtains. ‘There was a Ranee that lived at Delhi. Go on, Meeta,’ and she fell fast asleep again while Meeta began the story.</p>
<p>Never had Punch secured the telling of that tale with so little opposition. He reflected for a long time. The <i>hamal</i> made the tiger-noises in twenty different keys.</p>
<p>‘ ’Top! ’ said Punch authoritatively. ‘Why doesn’t Papa come in and say he is going to give me <i>put-put</i>?’</p>
<p>‘Punch-<i>baba</i> is going away,’ said the <i>ayah</i>. ‘In another week there will be no Punch-<i>baba</i> to pull my hair any more.’ She sighed softly, for the boy of the household was very dear to her heart.</p>
<p>‘Up the Ghauts in a train?’ said Punch, standing on his bed. ‘All the way to Nassick where the Ranee-Tiger lives?’</p>
<p>‘Not to Nassick this year, little Sahib,’ said Meeta, lifting him on his shoulder. ‘Down to the sea where the coconuts are thrown, and across the sea in a big ship. Will you take Meeta with you to <i>Belait</i>?’</p>
<p>‘You shall all come,’ said Punch, from the height of Meeta’s strong arms. ‘Meeta and the <i>ayah</i> and the <i>hamal</i> and Bhini-in-the-Garden, and the salaam-Captain-Sahib-snake-man.’</p>
<p>There was no mockery in Meeta’s voice when he replied: ‘Great is the Sahib’s favour,’ and laid the little man down in the bed, while the <i>ayah</i>, sitting in the moonlight at the doorway, lulled him to sleep with an interminable canticle such as they sing in the Roman Catholic Church at Parel. Punch curled himself into a ball and slept.</p>
<p>Next morning Judy shouted that there was a rat in the nursery, and thus he forgot to tell her the wonderful news. It did not much matter, for Judy was only three and she would not have understood. But Punch was five; and he knew that going to England would be much nicer than a trip to Nassick.</p>
<div align="center">
<h2><b>.     .     .     .     .</b></h2>
</div>
<p>Papa and Mamma sold the brougham and the piano, and stripped the house, and curtailed the allowance of crockery for the daily meals, and took long counsel together over a bundle of letters bearing the Rocklington postmark. ‘The worst of it is that one can’t be certain of anything,’ said Papa, pulling his moustache. ‘The letters in themselves are excellent, and the terms are moderate enough.’ ‘The worst of it is that the children will grow up away from me,’ thought Mamma; but she did not say it aloud. ‘We are only one case among hundreds,’ said Papa bitterly. ‘You shall go Home again in five years, dear.’ ‘Punch will be ten then—and Judy eight. Oh, how long and long and long the time will be! And we have to leave them among strangers.’ ‘Punch is a cheery little chap. He’s sure to make friends wherever he goes.’ ‘And who could help loving my Ju?’ They were standing over the cots in the nursery late at night, and I think that Mamma was crying softly. After Papa had gone away, she knelt down by the side of Judy’s cot. The <i>ayah</i> saw her and put up a prayer that the Memsahib might never find the love of her children taken away from her and given to a stranger. Mamma’s own prayer was a slightly illogical one. Summarised it ran: ‘Let strangers love my children and be as good to them as I should be, but let <i>me</i> preserve their love and their confidence for ever and ever. Amen.’ Punch scratched himself in his sleep, and Judy moaned a little. Next day they all went down to the sea, and there was a scene at the Apollo Bunder when Punch discovered that Meeta could not come too, and Judy learned that the <i>ayah</i> must be left behind. But Punch found a thousand fascinating things in the rope, block, and steam-pipe line on the big P. &amp; 0. steamer long before Meeta and the <i>ayah</i> had dried their tears. ‘Come back, Punch-<i>baba</i>,’ said the <i>ayah</i>. ‘Come back,’ said Meeta, ’and be a Burra Sahib.’ ‘Yes,’ said Punch, lifted up in his father’s arms to wave good-bye. ‘Yes, I will come back, and I will be a Burra Sahib Bahadur!’ At the end of the first day Punch demanded to be set down in England, which he was certain must be close at hand. Next day there was a merry breeze, and Punch was very sick. ‘When I come back to Bombay,’ said Punch on his recovery, ‘I will come by the road—in a broom-<i>gharri</i>. This is a very naughty ship.’ The Swedish boatswain consoled him, and he modified his opinions as the voyage went on. There was so much to see and to handle and ask questions about that Punch nearly forgot the <i>ayah</i> and Meeta and the <i>hamal</i>, and with difficulty remembered a few words of the Hindustani once his second speech. But Judy was much worse. The day before the steamer reached Southampton, Mamma asked her if she would not like to see the <i>ayah</i> again. Judy’s blue eyes turned to the stretch of sea that had swallowed all her tiny past, and she said ‘<i>Ayah</i>! What <i>ayah</i>?’</p>
<p style="text-align: center; color: red;"><em><strong>page 2<br />
</strong></em></p>
<p>Mamma cried over her and Punch marvelled. It was then that he heard for the first time Mamma’s passionate appeal to him never to let Judy forget Mamma. Seeing that Judy was young, ridiculously young, and that Mamma, every evening for four weeks past, had come into the cabin to sing her and Punch to sleep with a mysterious tune that he called ‘Sonny, my soul,’ Punch could not understand what Mamma meant. But he strove to do his duty; for, the moment Mamma left the cabin, he said to Judy: ‘Ju, you bemember Mamma?’ ‘’Torse I do,’ said Judy. ‘Then <i>always</i> bemember Mamma, ’r else I won’t give you the paper ducks that the red-haired Captain Sahib cut out for me.’ So Judy promised always to ‘bemember Mamma.’ Many and many a time was Mamma’s command laid upon Punch, and Papa would say the same thing with an insistence that awed the child. ‘You must make haste and learn to write, Punch,’ said Papa, ‘and then you’ll be able to write letters to us in Bombay.’ ‘I’ll come into your room,’ said Punch, and Papa choked. Papa and Mamma were always choking in those days. If Punch took Judy to task for not ‘bemembering,’ they choked. If Punch sprawled on the sofa in the Southampton lodging-house and sketched his future in purple and gold, they choked; and so they did if Judy put up her mouth for a kiss. Through many days all four were vagabonds on the face of the earth—Punch with no one to give orders to, Judy too young for anything, and Papa and Mamma grave, distracted, and choking. ‘Where,’ demanded Punch, wearied of a loathsome contrivance on four wheels with a mound of luggage atop—‘<i>where</i> is our broom-<i>gharri</i>? This thing talks so much that <i>I</i> can’t talk. Where is our <i>own</i> broom-<i>gharri</i>? When I was at Bandstand before we comed away, I asked Inverarity Sahib why he was sitting in it, and he said it was his own. And I said, “I will give it you”—I like Inverarity Sahib—and I said, “Can you put your legs through the pully-wag loops by the windows?” And Inverarity Sahib said No, and laughed. ‘I can put my legs through the pully-wag loops. I can put my legs through <i>these</i> pully-wag loops. Look! Oh, Mamma’s crying again! I didn’t know I wasn’t not to do <i>so</i>.’ Punch drew his legs out of the loops of the four-wheeler: the door opened and he slid to the earth, in a cascade of parcels, at the door of an austere little villa whose gates bore the legend ‘Downe Lodge.’ Punch gathered himself together and eyed the house with disfavour. It stood on a sandy road, and a cold wind tickled his knickerbockered legs. ‘Let us go away,’ said Punch. ‘This is not a pretty place.’ But Mamma and Papa and Judy had left the cab, and all the luggage was being taken into the house. At the doorstep stood a woman in black, and she smiled largely, with dry chapped lips. Behind her was a man, big, bony, grey, and lame as to one leg—behind him a boy of twelve, blackhaired and oily in appearance. Punch surveyed the trio, and advanced without fear, as he had been accustomed to do in Bombay when callers came and he happened to be playing in the veranda. ‘How do you do?’ said he. ‘I am Punch.’ But they were all looking at the luggage—all except the grey man, who shook hands with Punch, and said he was ‘a smart little fellow.’ There was much running about and banging of boxes, and Punch curled himself up on the sofa in the dining-room and considered things. ‘I don’t like these people,’ said Punch. ‘But never mind. We’ll go away soon. We have always went away soon from everywhere. I wish we was gone back to Bombay <i>soon</i>.’ The wish bore no fruit. For six days Mamma wept at intervals, and showed the woman in black all Punch’s clothes—a liberty which Punch resented. ‘But p’raps she’s a new white <i>ayah</i>,’ he thought. ‘I’m to call her Antirosa, but she doesn’t call <i>me</i> Sahib. She says just Punch,’ he confided to Judy. ‘What is Antirosa?’ Judy didn’t know. Neither she nor Punch had heard anything of an animal called an aunt. Their world had been Papa and Mamma, who knew everything, permitted everything, and loved everybody—even Punch when he used to go into the garden at Bombay and fill his nails with mould after the weekly nail-cutting, because, as he explained between two strokes of the slipper to his sorely-tried father, his fingers ‘felt so new at the ends.’ In an undefined way Punch judged it advisable to keep both parents between himself and the woman in black and the boy with black hair. He did not approve of them. He liked the grey man, who had expressed a wish to be called ‘Uncle-harri.’ They nodded at each other when they met, and the grey man showed him a little ship with rigging that took up and down. ‘She is a model of the <i>Brisk</i>—the little <i>Brisk</i> that was sore exposed that day at Navarino.’ The grey man hummed the last words and fell into a reverie. ‘I’ll tell you about Navarino, Punch, when we go for walks together; and you mustn’t touch the ship, because she’s the <i>Brisk</i>.’ Long before that walk, the first of many, was taken, they roused Punch and Judy in the chill dawn of a February morning to say Good-bye; and of all people in the wide earth to Papa and Mamma—both crying this time. Punch was very sleepy and Judy was cross. ‘Don’t forget us,’ pleaded Mamma. ‘Oh, my little son, don’t forget us, and see that Judy remembers too.’ ‘I’ve told Judy to bemember,’ said Punch, wriggling, for his father’s beard tickled his neck. ‘I’ve told Judy—ten—forty—’leven thousand times. But Ju’s so young—quite a baby—isn’t she?’ ‘Yes,’ said Papa, ‘quite a baby, and you must be good to Judy, and make haste to learn to write and—and—and——’ Punch was back in his bed again. Judy was fast asleep, and there was the rattle of a cab below. Papa and Mamma had gone away. Not to Nassick; that was across the sea. To some place much nearer, of course, and equally of course they would return. They came back after dinner-parties, and Papa had come back after he had been to a place called ‘The Snows,’ and Mamma with him, to Punch and Judy at Mrs. Inverarity’s house in Marine Lines. Assuredly they would come back again. So Punch fell asleep till the true morning, when the black-haired boy met him with the information that Papa and Mamma had gone to Bombay, and that he and Judy were to stay at Downe Lodge ‘for ever.’ Antirosa, tearfully appealed to for a contradiction, said that Harry had spoken the truth, and that it behoved Punch to fold up his clothes neatly on going to bed. Punch went out and wept bitterly with Judy, into whose fair head he had driven some ideas of the meaning of separation.</p>
<p style="text-align: center; color: red;"><em><strong>page 3<br />
</strong></em></p>
<p>When a matured man discovers that he has been deserted by Providence, deprived of his God, and cast without help, comfort, or sympathy, upon a world which is new and strange to him, his despair, which may find expression in evil living, the writing of his experiences, or the more satisfactory diversion of suicide, is generally supposed to be impressive. A child, under exactly similar circumstances as far as its knowledge goes, cannot very well curse God and die. It howls till its nose is red, its eyes are sore, and its head aches. Punch and Judy, through no fault of their own, had lost all their world. They sat in the hall and cried; the black-haired boy looking on from afar. The model of the ship availed nothing, though the grey man assured Punch that he might pull the rigging up and down as much as he pleased; and Judy was promised free entry into the kitchen. They wanted Papa and Mamma, gone to Bombay beyond the seas, and their grief while it lasted was without remedy. When the tears ceased the house was very still. Antirosa had decided that it was better to let the children ‘have their cry out,’ and the boy had gone to school. Punch raised his head from the floor and sniffed mournfully. Judy was nearly asleep. Three short years had not taught her how to bear sorrow with full knowledge. There was a distant, dull boom in the air—a repeated heavy thud. Punch knew that sound in Bombay in the monsoon. It was the sea—the sea that must be traversed before any one could get to Bombay. ‘Quick, Ju!’ he cried. ‘We’re close to the sea. I can hear it! Listen! That’s where they’ve went. P’raps we can catch them if we was in time. They didn’t mean to go without us. They’ve only forgot.’ ‘Iss,’ said Judy. ‘They’ve only forgotted. Less go to the sea.’ The hall-door was open and so was the garden-gate. ‘It’s very, very big, this place,’ he said, looking cautiously down the road, ‘and we will get lost. But I will find a man and order him to take me back to my house—like I did in Bombay.’ He took Judy by the hand, and the two ran hatless in the direction of the sound of the sea. Downe Lodge was almost the last of a range of newly-built houses running out, through a field of brick-mounds, to a heath where gipsies occasionally camped and where the Garrison Artillery of Rocklington practised. There were few people to be seen, and the children might have been taken for those of the soldiery who ranged far. Half an hour the wearied little-legs tramped across heath, potato-patch, and sand-dune. ‘I’se so tired,’ said Judy; ‘and Mamma will be angry.’ ‘Mamma’s <i>never</i> angry. I suppose she is waiting at the sea now while Papa gets tickets. We’ll find them and go along with them. Ju, you mustn’t sit down. Only a little more and we’ll come to the sea. Ju, if you sit down I’ll <i>thmack</i> you!’ said Punch. They climbed another dune, and came upon the great grey sea at low tide. Hundreds of crabs were scuttling about the beach, but there was no trace of Papa and Mamma, not even of a ship upon the waters—nothing but sand and mud for miles and miles. And ‘Uncleharri’ found them by chance—very muddy and very forlorn—Punch dissolved in tears, but trying to divert Judy with an ‘ickle trab,’ and Judy wailing to the pitiless horizon for ‘Mamma, Mamma!’—and again ‘Mamma!’</p>
<div align="center"><span style="text-decoration: underline;">THE SECOND BAG</span></div>
<pre style="text-align: center; font-size: 14px;">Ah, well-a-day, for we are souls bereaved!
Of all the creatures under Heaven’s wide cope
We are most hopeless, who had once most hope,
And most beliefless, who had most believed.
                           <i>(A.H.Clough)</i></pre>
<p><b>ALL</b> this time not a word about Black Sheep. He came later, and Harry, the black-haired boy, was mainly responsible for his coming.</p>
<p>Judy—who could help loving little Judy?—passed, by special permit, into the kitchen and thence straight to Aunty Rosa’s heart. Harry was Aunty Rosa’s one child, and Punch was the extra boy about the house. There was no special place for him or his little affairs, and he was forbidden to sprawl on sofas and explain his ideas about the manufacture of this world and his hopes for his future. Sprawling was lazy and wore out sofas, and little boys were not expected to talk. They were talked to, and the talking-to was intended for the benefit of their morals. As the unquestioned despot of the house at Bombay, Punch could not quite understand how he came to be of no account in this his new life.</p>
<p>Harry might reach across the table and take what he wanted; Judy might point and get what she wanted. Punch was forbidden to do either. The grey man was his great hope and stand-by for many months after Mamma and Papa left, and he had forgotten to tell Judy to ‘bemember Mamma.’</p>
<p>This lapse was excusable, because in the interval he had been introduced by Aunty Rosa to two very impressive things—an abstraction called God, the intimate friend and ally of Aunty Rosa, generally believed to live behind the kitchen-range because it was hot there—and a dirty brown book filled with unintelligible dots and marks. Punch was always anxious to oblige everybody. He therefore welded the story of the Creation on to what he could recollect of his Indian fairy tales, and scandalised Aunty Rosa by repeating the result to Judy. It was a sin, a grievous sin, and Punch was talked to for a quarter of an hour. He could not understand where the iniquity came in, but was careful not to repeat the offence, because Aunty Rosa told him that God had heard every word he had said and was very angry. If this were true why didn’t God come and say so, thought Punch, and dismissed the matter from his mind. Afterwards he learned to know the Lord as the only thing in the world more awful than Aunty Rosa—as a Creature that stood in the background and counted the strokes of the cane.</p>
<p>But the reading was, just then, a much more serious matter than any creed. Aunty Rosa sat him upon a table and told him that A B meant ab.</p>
<p>‘Why?’ said Punch. ‘A is a and B is bee. <i>Why</i> does A B mean ab? ‘</p>
<p style="text-align: center; color: red;"><em><strong>page 4<br />
</strong></em></p>
<p>‘Because I tell you it does,’ said Aunty Rosa, ‘and you’ve got to say it.’</p>
<p>Punch said it accordingly, and for a month, hugely against his will, stumbled through the brown book, not in the least comprehending what it meant. But Uncle Harry, who walked much and generally alone, was wont to come into the nursery and suggest to Aunty Rosa that Punch should walk with him. He seldom spoke, but he showed Punch all Rocklington, from the mud-banks and the sand of the back-bay to the great harbours where ships lay at anchor, and the dockyards where the hammers were never still, and the marine-store shops, and the shiny brass counters in the Offices where Uncle Harry went once every three months with a slip of blue paper and received sovereigns in exchange; for he held a wound-pension. Punch heard, too, from his lips the story of the battle of Navarino, where the sailors of the Fleet, for three days afterwards, were deaf as posts and could only sign to each other. ‘That was because of the noise of the guns,’ said Uncle Harry, ‘and I have got the wadding of a bullet somewhere inside me now.’</p>
<p>Punch regarded him with curiosity. He had not the least idea what wadding was, and his notion of a bullet was a dockyard cannon-ball bigger than his own head. How could Uncle Harry keep a cannon-ball inside him? He was afraid to ask, for fear Uncle Harry might be angry.</p>
<p>Punch had never known what anger—real anger—meant until one terrible day when Harry had taken his paint-box to paint a boat with, and Punch had protested. Then Uncle Harry had appeared on the scene and, muttering something about ‘strangers’ children,’ had with a stick smitten the black-haired boy across the shoulders till he wept and yelled, and Aunty Rosa came in and abused Uncle Harry for cruelty to his own flesh and blood, and Punch shuddered to the tips of his shoes. ‘It wasn’t my fault,’ he explained to the boy, but both Harry and Aunty Rosa said that it was, and that Punch had told tales, and for a week there were no more walks with Uncle Harry.</p>
<p>But that week brought a great joy to Punch.</p>
<p>He had repeated till he was thrice weary the statement that ‘The Cat lay on the Mat and the Rat came in.’</p>
<p>‘Now I can truly read,’ said Punch, ’and now I will never read anything in the world.’</p>
<p>He put the brown book in the cupboard where his school-books lived and accidentally tumbled out a venerable volume, without covers, labelled <i>Sharpe’s Magazine</i>. There was the most portentous picture of a Griffin on the first page, with verses below. The Griffin carried off one sheep a day from a German village, till a man came with a ‘falchion’ and split the Griffin open. Goodness only knew what a falchion was, but there was the Griffin and his history was an improvement upon the eternal Cat.</p>
<p>‘This,’ said Punch, ‘means things, and now I will know all about everything in all the world.’ He read till the light failed, not understanding a tithe of the meaning, but tantalised by glimpses of new worlds hereafter to be revealed.</p>
<p>‘What is a “falchion”? What is a “e-wee lamb”? What is a “base <i>uss</i>urper”? What is a “verdant mead”?’ he demanded, with flushed cheeks, at bedtime, of the astonished Aunty Rosa.</p>
<p>‘Say your prayers and go to sleep,’ she replied, and that was all the help Punch then or afterwards found at her hands in the new and delightful exercise of reading.</p>
<p>‘Aunty Rosa only knows about God and things like that,’ argued Punch. ‘Uncle Harry will tell me.’</p>
<p>The next walk proved that Uncle Harry could not help either; but he allowed Punch to talk, and even sat down on a bench to hear about the Griffin. Other walks brought other stories as Punch ranged farther afield, for the house held a large store of old books that no one ever opened—from <i>Frank Fairlegh</i> in serial numbers, and the earlier poems of Tennyson, contributed anonymously to <i>Sharpe’s Magazine</i>, to ’62 Exhibition Catalogues, gay with colours and delightfully incomprehensible, and odd leaves of <i>Gulliver’s Travels</i>.</p>
<p>As soon as Punch could string a few pot-hooks together he wrote to Bombay, demanding by return of post ‘all the books in all the world’. Papa could not comply with this modest indent, but sent <i>Grimm’s Fairy Tales</i> and a <i>Hans Andersen</i>. That was enough. If he were only left alone Punch could pass, at any hour he chose, into a land of his own, beyond reach of Aunty Rosa and her God, Harry and his teasements, and Judy’s claims to be played with.</p>
<p>‘Don’t disturb me, I’m reading. Go and play in the kitchen,’ grunted Punch. ‘Aunty Rosa lets <i>you</i> go there.’ Judy was cutting her second teeth and was fretful. She appealed to Aunty Rosa, who descended on Punch.</p>
<p>‘I was reading,’ he explained, ‘reading a book. I <i>want</i> to read.’</p>
<p>‘You’re only doing that to show off,’ said Aunty Rosa. ‘But we’ll see. Play with Judy now, and don’t open a book for a week.’</p>
<p>Judy did not pass a very enjoyable playtime with Punch, who was consumed with indignation. There was a pettiness at the bottom of the prohibition which puzzled him.</p>
<p>‘It’s what I like to do,’ he said, ‘and she’s found out that and stopped me. Don’t cry, Ju—it wasn’t your fault—<i>please</i> don’t cry, or she’ll say I made you.’</p>
<p>Ju loyally mopped up her tears, and the two played in their nursery, a room in the basement and half underground, to which they were regularly sent after the mid-day dinner while Aunty Rosa slept. She drank wine—that is to say, something from a bottle in the cellaret—for her stomach’s sake, but if she did not fall asleep she would sometimes come into the nursery to see that the children were really playing. Now bricks, wooden hoops, ninepins, and chinaware cannot amuse for ever, especially when all Fairyland is to be won by the mere opening of a book, and, as often as not, Punch would be discovered reading to Judy or telling her interminable tales. That was an offence in the eyes of the law, and Judy would be whisked off by Aunty Rosa, while Punch was left to play alone, ‘and be sure that I hear you doing it.’</p>
<p>It was not a cheering employ, for he had to make a playful noise. At last, with infinite craft, he devised an arrangement whereby the table could be supported as to three legs on toy bricks, leaving the fourth clear to bring down on the floor. He could work the table with one hand and hold the book with the other. This he did till an evil day when Aunty Rosa pounced upon him unawares and told him that he was ‘acting a lie.’</p>
<p>‘If you’re old enough to do that,’ she said—her temper was always worst after dinner—‘you’re old enough to be beaten.’</p>
<p>‘But—I’m—I’m not a animal!’ said Punch aghast. He remembered Uncle Harry and the stick, and turned white. Aunty Rosa had hidden a light cane behind her, and Punch was beaten then and there over the shoulders. It was a revelation to him. The room-door was shut, and he was left to weep himself into repentance and work out his own gospel of life.</p>
<p style="text-align: center; color: red;"><em><strong>page 5<br />
</strong></em></p>
<p>Aunty Rosa, he argued, had the power to beat him with many stripes. It was unjust and cruel, and Mamma and Papa would never have allowed it. Unless perhaps, as Aunty Rosa seemed to imply, they had sent secret orders. In which case he was abandoned indeed. It would be discreet in the future to propitiate Aunty Rosa, but then again, even in matters in which he was innocent, he had been accused of wishing to ‘show off.’ He had ‘shown off’ before visitors when he had attacked a strange gentleman—Harry’s uncle, not his own—with requests for information about the Griffin and the falchion, and the precise nature of the Tilbury in which Frank Fairlegh rode—all points of paramount interest which he was bursting to understand. Clearly it would not do to pretend to care for Aunty Rosa.</p>
<p>At this point Harry entered and stood afar off, eyeing Punch, a dishevelled heap in the corner of the room, with disgust.</p>
<p>‘You’re a liar—a young liar,’ said Harry, with great unction, ‘and you’re to have tea down here because you’re not fit to speak to us. And you’re not to speak to Judy again till Mother gives you leave. You’ll corrupt her. You’re only fit to associate with the servant. Mother says so.’</p>
<p>Having reduced Punch to a second agony of tears, Harry departed upstairs with the news that Punch was still rebellious.</p>
<p>Uncle Harry sat uneasily in the dining-room. ‘Damn it all, Rosa,’ said he at last, ‘can’t you leave the child alone? He’s a good enough little chap when I meet him.’</p>
<p>‘He puts on his best manners with you, Henry,’ said Aunty Rosa, ‘but I’m afraid, I’m very much afraid, that he is the Black Sheep of the family.’</p>
<p>Harry heard and stored up the name for future use. Judy cried till she was bidden to stop, her brother not being worth tears; and the evening concluded with the return of Punch to the upper regions and a private sitting at which all the blinding horrors of Hell were revealed to Punch with such store of imagery as Aunty Rosa’s narrow mind possessed.</p>
<p>Most grievous of all was Judy’s round-eyed reproach, and Punch went to bed in the depths of the Valley of Humiliation. He shared his room with Harry and knew the torture in store. For an hour and a half he had to answer that young gentleman’s questions as to his motives for telling a lie, and a grievous lie, the precise quantity of punishment inflicted by Aunty Rosa, and had also to profess his deep gratitude for such religious instruction as Harry thought fit to impart.</p>
<p>From that day began the downfall of Punch, now Black Sheep.</p>
<p>‘Untrustworthy in one thing, untrustworthy in all,’ said Aunty Rosa, and Harry felt that Black Sheep was delivered into his hands. He would wake him up in the night to ask him why he was such a liar.</p>
<p>‘I don’t know,’ Punch would reply.</p>
<p>‘Then don’t you think you ought to get up and pray to God for a new heart?’</p>
<p>‘Y-yess.’</p>
<p>‘Get out and pray, then!’ And Punch would get out of bed with raging hate in his heart against all the world, seen and unseen. He was always tumbling into trouble. Harry had a knack of cross-examining him as to his day’s doings, which seldom failed to lead him, sleepy and savage, into half-a-dozen contradictions—all duly reported to Aunty Rosa next morning.</p>
<p>‘But it <i>wasn’t</i> a lie,’ Punch would begin, charging into a laboured explanation that landed him more hopelessly in the mire. ‘I said that I didn’t say my prayers <i>twice</i> over in the day, and <i>that</i> was on Tuesday. <i>Once</i> I did. I <i>know</i> I did, but Harry said I didn’t,’ and so forth, till the tension brought tears, and he was dismissed from the table in disgrace.</p>
<p>‘You usen’t to be as bad as this,’ said Judy, awestricken at the catalogue of Black Sheep’s crimes. ‘Why are you so bad now?’</p>
<p>‘I don’t know,’ Black Sheep would reply. ‘I’m not, if I only wasn’t bothered upside-down. I knew what I <i>did</i>, and I want to say so but Harry always makes it out different somehow, and Aunty Rosa doesn’t believe a word I say. Oh, Ju! Don’t <i>you</i> say I’m bad too.’</p>
<p>‘Aunty Rosa says you are,’ said Judy. ‘She told the Vicar so when he came yesterday.’</p>
<p>‘Why does she tell all the people outside the house about me? It isn’t fair,’ said Black Sheep. ‘When I was in Bombay, and was bad—<i>doing</i> bad, not made-up bad like this—Mamma told Papa, and Papa told me he knew, and that was all. <i>Outside</i> people didn’t know too—even Meeta didn’t know.’</p>
<p>‘I don’t remember,’ said Judy wistfully. ‘I was all little then. Mamma was just as fond of you as she was of me, wasn’t she?’</p>
<p>‘’Course she was. So was Papa. So was everybody.’</p>
<p>‘Aunty Rosa likes me more than she does you. She says that you are a Trial and a Black Sheep, and I’m not to speak to you more than I can help.’</p>
<p>‘Always? Not outside of the times when you mustn’t speak to me at all?’</p>
<p>Judy nodded her head mournfully. Black Sheep turned away in despair, but Judy’s arms were round his neck.</p>
<p>‘Never mind, Punch,’ she whispered. ‘I <i>will</i> speak to you just the same as ever and ever. You’re my own own brother though you are—though Aunty Rosa says you’re bad, and Harry says you are a little coward. He says that if I pulled your hair hard, you’d cry.’</p>
<p>‘Pull, then,’ said Punch.</p>
<p>Judy pulled gingerly.</p>
<p>‘Pull harder—as hard as you can! There! I don’t mind how much you pull it <i>now</i>. If you’ll speak to me same as ever I’ll let you pull it as much as you like—pull it out if you like. But I know if Harry came and stood by and made you do it I’d cry.’</p>
<p>So the two children sealed the compact with a kiss, and Black Sheep’s heart was cheered within him, and by extreme caution and careful avoidance of Harry he acquired virtue, and was allowed to read undisturbed for a week. Uncle Harry took him for walks, and consoled him with rough tenderness, never calling him Black Sheep. ‘It’s good for you, I suppose, Punch,’ he used to say. ‘Let us sit down. I’m getting tired.’ His steps led him now not to the beach, but to the Cemetery of Rocklington, amid the potato-fields. For hours the grey man would sit on a tombstone, while Black Sheep would read epitaphs, and then with a sigh would stump home again.</p>
<p style="text-align: center; color: red;"><em><strong>page 6<br />
</strong></em></p>
<p>‘I shall lie there soon,’ said he to Black Sheep, one winter evening, when his face showed white as a worn silver coin under the light of the lych gate. ‘You needn’t tell Aunty Rosa.’</p>
<p>A month later he turned sharp round, ere half a morning walk was completed, and stumped back to the house. ‘Put me to bed, Rosa,’ he muttered. ‘I’ve walked my last. The wadding has found me out.’</p>
<p>They put him to bed, and for a fortnight the shadow of his sickness lay upon the. house, and Black Sheep went to and fro unobserved. Papa had sent him some new books, and he was told to keep quiet. He retired into his own world, and was perfectly happy. Even at night his felicity was unbroken. He could lie in bed and string himself tales of travel and adventure while Harry was downstairs.</p>
<p>‘Uncle Harry’s going to die,’ said Judy, who now lived almost entirely with Aunty Rosa.</p>
<p>‘I’m very sorry,’ said Black Sheep soberly. ‘He told me that a long time ago.’</p>
<p>Aunty Rosa heard the conversation. ‘Will nothing check your wicked tongue?’ she said angrily. There were blue circles round her eyes.</p>
<p>Black Sheep retreated to the nursery and read <i>Cometh up as a Flower</i> with deep and uncomprehending interest. He had been forbidden to open it on account of its ‘sinfulness,’ but the bonds of the Universe were crumbling, and Aunty Rosa was in great grief.</p>
<p>‘I’m glad,’ said Black Sheep. ‘She’s unhappy now. It wasn’t a lie, though. <i>I</i> knew. He told me not to tell.’</p>
<p>That night Black Sheep woke with a start. Harry was not in the room, and there was a sound of sobbing on the next floor. Then the voice of Uncle Harry, singing the song of the Battle of Navarino, came through the darkness:—</p>
<pre style="text-align: center; font-size: 14px;">‘Our vanship was the <i>Asia</i>—
The <i>Albion</i> and <i>Genoa</i>!’
</pre>
<p>‘He’s getting well,’ thought Black Sheep, who knew the song through all its seventeen verses. But the blood froze at his little heart as he thought. The voice leapt an octave, and ran shrill as a boatswain’s pipe:—</p>
<pre style="text-align: center; font-size: 14px;">‘And next came on the lovely <i>Rose</i>,
The <i>Philomel</i>, her fire-ship, closed,
And the little <i>Brisk</i> was sore exposed
That day at Navarino.’
</pre>
<p>‘That day at Navarino, Uncle Harry!’ shouted Black Sheep, half wild with excitement and fear of he knew not what.</p>
<p>A door opened, and Aunty Rosa screamed up the staircase: ‘Hush! For God’s sake hush, you little devil! Uncle Harry is <i>dead</i>!’</p>
<div align="center"><span style="text-decoration: underline;">THE THIRD BAG</span></div>
<pre style="text-align: center; font-size: 14px;">Journeys end in lovers’ meeting,
Every wise man’s son doth know.</pre>
<p><b>‘I WONDER</b> what will happen to me now,’ thought Black Sheep, when semi-pagan rites peculiar to the burial of the Dead in middle-class houses had been accomplished, and Aunty Rosa, awful in black crape, had returned to this life. ‘I don’t think I’ve done anything bad that she knows of. I suppose I will soon. She will be very cross after Uncle Harry’s dying, and Harry will be cross too. I’ll keep in the nursery.’</p>
<p>Unfortunately for Punch’s plans, it was decided that he should be sent to a day-school which Harry attended. This meant a morning walk with Harry, and perhaps an evening one; but the prospect of freedom in the interval was refreshing. ‘Harry’ll tell everything I do, but I won’t do anything,’ said Black Sheep. Fortified with this virtuous resolution, he went to school only to find that Harry’s version of his character had preceded him, and that life was a burden in consequence. He took stock of his associates. Some of them were unclean, some of them talked in dialect, many dropped their h’s, and there were two Jews and a negro, or some one quite as dark, in the assembly. ‘That’s a <i>hubshi</i>,’ said Black Sheep to himself. ‘Even Meeta used to laugh at a <i>hubshi</i>. I don’t think this is a proper place.’ He was indignant for at least an hour, till he reflected that any expostulation on his part would be by Aunty Rosa construed into ‘showing off,’ and that Harry would tell the boys.</p>
<p>‘How do you like school?’ said Aunty Rosa at the end of the day.</p>
<p>‘I think it is a very nice place,’ said Punch quietly.</p>
<p>‘I suppose you warned the boys of Black Sheep’s character?’ said Aunty Rosa to Harry.</p>
<p>‘Oh yes,’ said the censor of Black Sheep’s morals. ‘They know all about him.’</p>
<p>‘If I was with my father,’ said Black Sheep, stung to the quick, ‘I shouldn’t <i>speak</i> to those boys. He wouldn’t let me. They live in shops. I saw them go into shops—where their fathers live and sell things.’</p>
<p>‘You’re too good for that school, are you?’ said Aunty Rosa, with a bitter smile. ‘You ought to be grateful, Black Sheep, that those boys speak to you at all. It isn’t every school that takes little liars.’</p>
<p>Harry did not fail to make much capital out of Black Sheep’s ill-considered remark; with the result that several boys, including the <i>hubshi</i>, demonstrated to Black Sheep the eternal equality of the human race by smacking his head, and his consolation from Aunty Rosa was that it ‘served him right for being vain.’ He learned, however, to keep his opinions to himself, and by propitiating Harry in carrying books and the like to get a little peace. His existence was not too joyful. From nine till twelve he was at school, and from two to four, except on Saturdays. In the evenings he was sent down into the nursery to prepare his lessons for the next day, and every night came the dreaded cross-questionings at Harry’s hand. Of Judy he saw but little. She was deeply religious—at six years of age Religion is easy to come by—and sorely divided between her natural love for Black Sheep and her love for Aunty Rosa, who could do no wrong.</p>
<p style="text-align: center; color: red;"><em><strong>page 7<br />
</strong></em></p>
<p>The lean woman returned that love with interest, and Judy, when she dared, took advantage of this for the remission of Black Sheep’s penalties. Failures in lessons at school were punished at home by a week without reading other than schoolbooks, and Harry brought the news of such a failure with glee. Further, Black Sheep was then bound to repeat his lessons at bedtime to Harry, who generally succeeded in making him break down, and consoled him by gloomiest forebodings for the morrow. Harry was at once spy, practical joker, inquisitor, and Aunty Rosa’s deputy executioner. He filled his many posts to admiration. From his actions, now that Uncle Harry was dead, there was no appeal. Black Sheep had not been permitted to keep any self-respect at school: at home he was, of course, utterly discredited, and grateful for any pity that the servant-girls—they changed frequently at Downe Lodge because they, too, were liars—might show. ‘You’re just fit to row in the same boat with Black Sheep,’ was a sentiment that each new Jane or Eliza might expect to hear, before a month was over, from Aunty Rosa’s lips; and Black Sheep was used to ask new girls whether they had yet been compared to him. Harry was ‘Master Harry’ in their mouths; Judy was officially ‘Miss Judy’; but Black Sheep was never anything more than Black Sheep <i>tout court</i>.</p>
<p>As time went on and the memory of Papa and Mamma became wholly overlaid by the unpleasant task of writing them letters, under Aunty Rosa’s eye, each Sunday, Black Sheep forgot what manner of life he had led in the beginning of things. Even Judy’s appeals to ‘try and remember about Bombay’ failed to quicken him.</p>
<p>‘I can’t remember,’ he said. ‘I know I used to give orders and Mamma kissed me.’</p>
<p>‘Aunty Rosa will kiss you if you are good,’ pleaded Judy.</p>
<p>‘Ugh! I don’t want to be kissed by Aunty Rosa. She’d say I was doing it to get something more to eat.’</p>
<p>The weeks lengthened into months, and the holidays came; but just before the holidays Black Sheep fell into deadly sin.</p>
<p>Among the many boys whom Harry had incited to ‘punch Black Sheep’s head because he daren’t hit back,’ was one more aggravating than the rest, who, in an unlucky moment, fell upon Black Sheep when Harry was not near. The blows stung, and Black Sheep struck back at random with all the power at his command. The boy dropped and whimpered. Black Sheep was astounded at his own act, but, feeling the unresisting body under him, shook it with both his hands in blind fury and then began to throttle his enemy; meaning honestly to slay him. There was a scuffle, and Black Sheep was torn off the body by Harry and some colleagues, and cuffed home tingling but exultant. Aunty Rosa was out. Pending her arrival, Harry set himself to lecture Black Sheep on the sin of murder—which he described as the offence of Cain.</p>
<p>‘Why didn’t you fight him fair? What did you hit him when he was down for, you little cur?’</p>
<p>Black Sheep looked up at Harry’s throat and then at a knife on the dinner-table.</p>
<p>‘I don’t understand,’ he said wearily. ‘You always set him on me and told me I was a coward when I blubbed. Will you leave me alone until Aunty Rosa comes in? She’ll beat me if you tell her I ought to be beaten; so it’s all right.’</p>
<p>‘It’s all wrong,’ said Harry magisterially. ‘You nearly killed him, and I shouldn’t wonder if he dies.’</p>
<p>‘Will he die?’ said Black Sheep.</p>
<p>‘I daresay,’ said Harry, ‘and then you’ll be hanged, and go to Hell.’</p>
<p>‘All right,’ said Black Sheep, picking up the table-knife. ‘Then I’ll kill <i>you</i> now. You say things and do things and—and I don’t know how things happen, and you never leave me alone—and I don’t care <i>what</i> happens!’</p>
<p>He ran at the boy with the knife, and Harry fled upstairs to his room, promising Black Sheep the finest thrashing in the world when Aunty Rosa returned. Black Sheep sat at the bottom of the stairs, the table-knife in his hand, and wept for that he had not killed Harry. The servant-girl came up from the kitchen, took the knife away, and consoled him. But Black Sheep was beyond consolation. He would be badly beaten by Aunty Rosa; then there would be another beating at Harry’s hands; then Judy would not be allowed to speak to him; then the tale would be told at school, and then——</p>
<p>There was no one to help and no one to care, and the best way out of the business was by death. A knife would hurt, but Aunty Rosa had told him, a year ago, that if he sucked paint he would die. He went into the nursery, unearthed the now disused Noah’s Ark, and sucked the paint off as many animals as remained. It tasted abominably, but he had licked Noah’s Dove clean by the time Aunty Rosa and Judy returned. He went upstairs and greeted them with: ‘Please, Aunty Rosa, I believe I’ve nearly killed a boy at school, and I’ve tried to kill Harry, and when you’ve done all about God and Hell, will you beat me and get it over?’</p>
<p>The tale of the assault as told by Harry could only be explained on the ground of possession by the Devil. Wherefore Black Sheep was not only most excellently beaten, once by Aunty Rosa, and once, when thoroughly cowed down, by Harry, but he was further prayed for at family prayers, together with Jane, who had stolen a cold rissole from the pantry, and snuffled audibly as her sin was brought before the Throne of Grace. Black Sheep was sore and stiff but triumphant. He would die that very night and be rid of them all. No, he would ask for no forgiveness from Harry, and at bed-time would stand no questioning at Harry’s hands, even though addressed as ‘Young Cain.’</p>
<p>‘I’ve been beaten,’ said he, ‘and I’ve done other things. I don’t care what I do. If you speak to me to-night, Harry, I’ll get out and try to kill you. Now you can kill me if you like.’</p>
<p>Harry took his bed into the spare room, and Black Sheep lay down to die.</p>
<p>It may be that the makers of Noah’s Arks know that their animals are likely to find their way into young mouths, and paint them accordingly. Certain it is that the common, weary next morning broke through the windows and found Black Sheep quite well and a good deal ashamed of himself, but richer by the knowledge that he could, in extremity, secure himself against Harry for the future.</p>
<p>When he descended to breakfast on the first day of the holidays, he was greeted with the news that Harry, Aunty Rosa, and Judy were going away to Brighton, while Black Sheep was to stay in the house with the servant. His latest outbreak suited Aunty Rosa’s plans admirably. It gave her good excuse for leaving the extra boy behind. Papa in Bombay, who really seemed to know a young sinner’s wants to the hour, sent, that week, a package of new books. And with these, and the society of Jane on board-wages, Black Sheep was left alone for a month.</p>
<p style="text-align: center; color: red;"><em><strong>page 8<br />
</strong></em></p>
<p>The books lasted for ten days. They were eaten too quickly in long gulps of twelve hours at a time. Then came days of doing absolutely nothing, of dreaming dreams and marching imaginary armies up and down stairs, of counting the number of banisters, and of measuring the length and breadth of every room in handspans—fifty down the side, thirty across, and fifty back again. Jane made many friends, and, after receiving Black Sheep’s assurance that he would not tell of her absences, went out daily for long hours. Black Sheep would follow the rays of the sinking sun from the kitchen to the dining-room and thence upward to his own bedroom until all was grey dark, and he ran down to the kitchen fire and read by its light. He was happy in that he was left alone and could read as much as he pleased. But, later, he grew afraid of the shadows of window curtains and the flapping of doors and the creaking of shutters. He went out into the garden, and the rustling of the laurel-bushes frightened him.</p>
<p>He was glad when they all returned—Aunty Rosa, Harry, and Judy—full of news, and Judy laden with gifts. Who could help loving loyal little Judy? In return for all her merry babblement, Black Sheep confided to her that the distance from the hall-door to the top of the first landing was exactly one-hundred and eighty-four handspans. He had found it out himself!</p>
<p>Then the old life recommenced; but with a difference, and a new sin. To his other iniquities Black Sheep had now added a phenomenal clumsiness—was as unfit to trust in action as he was in word. He himself could not account for spilling everything he touched, upsetting glasses as he put his hand out, and bumping his head against doors that were manifestly shut. There was a grey haze upon all his world, and it narrowed month by month, until at last it left Black Sheep almost alone with the flapping curtains that were so like ghosts, and the nameless terrors of broad daylight that were only coats on pegs after all.</p>
<p>Holidays came and holidays went, and Black Sheep was taken to see many people whose faces were all exactly alike; was beaten when occasion demanded, and tortured by Harry on all possible occasions; but defended by Judy through good and evil report, though she hereby drew upon herself the wrath of Aunty Rosa,</p>
<p>The weeks were interminable and Papa and Mamma were clean forgotten. Harry had left school and was a clerk in a Banking-Office. Freed from his presence, Black Sheep resolved that he should no longer be deprived of his allowance of pleasure-reading. Consequently when he failed at school he reported that all was well, and conceived a large contempt for Aunty Rosa as he saw how easy it was to deceive her. ‘She says I’m a little liar when I don’t tell lies, and now I do, she doesn’t know,’ thought Black Sheep. Aunty Rosa had credited him in the past with petty cunning and stratagem that had never entered into his head. By the light of the sordid knowledge that she had revealed to him he paid her back full tale. In a household where the most innocent of his motives, his natural yearning for a little affection, had been interpreted into a desire for more bread and jam, or to ingratiate himself with strangers and so put Harry into the background, his work was easy. Aunty Rosa could penetrate certain kinds of hypocrisy, but not all. He set his child’s wits against hers and was no more beaten. It grew monthly more and more of a trouble to read the school-books, and even the pages of the open-print story-books danced and were dim. So Black Sheep brooded in the shadows that fell about him and cut him off from the world, inventing horrible punishments for ‘dear Harry,’ or plotting another line of the tangled web of deception that he wrapped round Aunty Rosa.</p>
<p>Then the crash came and the cobwebs were broken. It was impossible to foresee everything. Aunty Rosa made personal inquiries as to Black Sheep’s progress and received information that startled her. Step by step, with a delight as keen as when she convicted an underfed housemaid of the theft of cold meats, she followed the trail of Black Sheep’s delinquencies. For weeks and weeks, in order to escape banishment from the book-shelves, he had made a fool of Aunty Rosa, of Harry, of God, of all the world! Horrible, most horrible, and evidence of an utterly depraved mind.</p>
<p>Black Sheep counted the cost. ‘It will only be one big beating and then she’ll put a card with “Liar” on my back, same as she did before. Harry will whack me and pray for me, and she will pray for me at prayers and tell me I’m a Child of the Devil and give me hymns to learn. But I’ve done all my reading and she never knew. She’ll say she knew all along. She’s an old liar too,’ said he.</p>
<p>For three days Black Sheep was shut in his own bedroom—to prepare his heart. ‘That means two beatings. One at school and one here. <i>That</i> one will hurt most.’ And it fell even as he thought. He was thrashed at school before the Jews and the <i>hubshi</i> for the heinous crime of carrying home false reports of progress. He was thrashed at home by Aunty Rosa on the same count, and then the placard was produced. Aunty Rosa stitched it between his shoulders and bade him go for a walk with it upon him.</p>
<p>‘If you make me do that,’ said Black Sheep very quietly, ‘I shall burn this house down, and perhaps I’ll kill you. I don’t know whether I <i>can</i> kill you—you’re so bony—but I’ll try.’</p>
<p>No punishment followed this blasphemy, though Black Sheep held himself ready to work his way to Aunty Rosa’s withered throat, and grip there till he was beaten off. Perhaps Aunty Rosa was afraid, for Black Sheep, having reached the Nadir of Sin, bore himself with a new recklessness.</p>
<p>In the midst of all the trouble there came a visitor from over the seas to Downe Lodge, who knew Papa and Mamma, and was commissioned to see Punch and Judy. Black Sheep was sent to the drawing-room and charged into a solid tea-table laden with china.</p>
<p>‘Gently, gently, little man,’ said the visitor, turning Black Sheep’s face to the light slowly. ‘What’s that big bird on the palings?’</p>
<p>‘What bird?’ asked Black Sheep.</p>
<p>The visitor looked deep down into Black Sheep’s eyes for half a minute, and then said suddenly: ‘Good God, the little chap’s nearly blind!’</p>
<p>It was a most business-like visitor. He gave orders, on his own responsibility, that Black Sheep was not to go to school or open a book—until Mamma came home. ‘She’ll be here in three weeks, as you know, of course,’ said he, ‘and I’m Inverarity Sahib. I ushered you into this wicked world, young man, and a nice use you seem to have made of your time. You must do nothing whatever. Can you do that?’</p>
<p>‘Yes,’ said Punch in a dazed way. He had known that Mamma was coming. There was a chance, then, of another beating. Thank Heaven, Papa wasn’t coming too. Aunty Rosa had said of late that he ought to be beaten by a man.</p>
<p>For the next three weeks Black Sheep was strictly allowed to do nothing. He spent his time in the old nursery looking at the broken toys, for all of which account must be rendered to Mamma. Aunty Rosa hit him over the hands if even a wooden boat were broken. But that sin was of small importance compared to the other revelations, so darkly hinted at by Aunty Rosa. ‘When your Mother comes, and hears what I have to tell her, she may appreciate you properly,’ she said grimly, and mounted guard over Judy lest that small maiden should attempt to comfort her brother, to the peril of her soul.</p>
<p style="text-align: center; color: red;"><em><strong>page 9<br />
</strong></em></p>
<p>And Mamma came—in a four-wheeler—fluttered with tender excitement. Such a Mamma! She was young, frivolously young, and beautiful, with delicately flushed cheeks, eyes that shone like stars, and a voice that needed no appeal of outstretched arms to draw little ones to her heart. Judy ran straight to her, but Black Sheep hesitated. Could this wonder be ‘showing off’? She would not put out her arms when she knew of his crimes. Meantime was it possible that by fondling she wanted to get anything out of Black Sheep? Only all his love and all his confidence but that Black Sheep did not know. Aunty Rosa withdrew and left Mamma, kneeling between her children, half laughing, half crying, in the very hall where Punch and Judy had wept five years before.</p>
<p>‘Well, chicks, do you remember me?’</p>
<p>‘No,’ said Judy frankly, ‘but I said, “God bless Papa and Mamma” ev’vy night.’</p>
<p>‘A little,’ said Black Sheep. ‘Remember I wrote to you every week, anyhow. That isn’t to show off, but ’cause of what comes afterwards.’</p>
<p>‘What comes after? What should come after, my darling boy?’ And she drew him to her again. He came awkwardly, with many angles. ‘Not used to petting,’ said the quick Mother soul. ‘The girl is.’</p>
<p>‘She’s too little to hurt any one,’ thought Black Sheep, ‘and if I said I’d kill her, she’d be afraid. I wonder what Aunty Rosa will tell.’</p>
<p>There was a constrained late dinner, at the end of which Mamma picked up Judy and put her to bed with endearments manifold. Faithless little Judy had shown her defection from Aunty Rosa already. And that lady resented it bitterly. Black Sheep rose to leave the room.</p>
<p>‘Come and say good-night,’ said Aunty Rosa, offering a withered cheek.</p>
<p>‘Huh!’ said Black Sheep. ‘I never kiss you, and I’m not going to show off. Tell that woman what I’ve done, and see what she says.’</p>
<p>Black Sheep climbed into bed feeling that he had lost Heaven after a glimpse through the gates. In half an hour ‘that woman’ was bending over him. Black Sheep flung up his right arm. It wasn’t fair to come and hit him in the dark. Even Aunty Rosa never tried that. But no blow followed.</p>
<p>‘Are you showing off? I won’t tell you anything more than Aunty Rosa has, and <i>she</i> doesn’t know everything,’ said Black Sheep as clearly as he could for the arms round his neck.</p>
<p>‘Oh, my son—my little, little son! It was my fault—<i>my</i> fault, darling—and yet how could we help it? Forgive me, Punch.’ The voice died out in a broken whisper, and two hot tears fell on Black Sheep’s forehead.</p>
<p>‘Has she been making you cry too?’ he asked. ‘You should see Jane cry. But you’re nice, and Jane is a Born Liar—Aunty Rosa says so.’</p>
<p>‘Hush, Punch, hush! My boy, don’t talk like that. Try to love me a little bit—a little bit. You don’t know how I want it. Punch-<i>baba</i>, come back to me! I am your Mother—your own Mother—and never mind the rest. I know—yes, I know, dear. It doesn’t matter now. Punch, won’t you care for me a little?’</p>
<p>It is astonishing how much petting a big boy of ten can endure when he is quite sure that there is no one to laugh at him. Black Sheep had never been made much of before, and here was this beautiful woman treating him—Black Sheep, the Child of the Devil and the inheritor of undying flame—as though he were a small God.</p>
<p>‘I care for you a great deal, Mother dear,’ he whispered at last, ‘and I’m glad you’ve come back; but are you sure Aunty Rosa told you everything?’</p>
<p>‘Everything. What <i>does</i> it matter? But——’ the voice broke with a sob that was also laughter—‘Punch, my poor, dear, half-blind darling, don’t you think it was a little foolish of you?’</p>
<p>‘<i>No</i>. It saved a lickin’.’</p>
<p>Mamma shuddered and slipped away in the darkness to write a long letter to Papa. Here is an extract:—</p>
<p style="font-size: 16px;"><i>‘. . . Judy is a dear, plump little prig who adores the woman, and wears with as much gravity as her religious opinions—only eight, Jack!—a venerable horse-hair atrocity which she calls her Bustle! I have just burnt it, and the child is asleep in my bed as I write. She will come to me at once. Punch I cannot quite understand. He is well nourished, but seems to have been worried into a system of small deceptions which the woman magnifies into deadly sins. Don’t you recollect our own upbringing, dear, when the Fear of the Lord was so often the beginning of falsehood? I shall win Punch to me before long. I am taking the children away into the country to get them to know me, and, on the whole, I am content, or shall be when you come home, dear boy, and then, thank God, we shall be all under one roof again at last!’</i></p>
<p>Three months later, Punch, no longer Black Sheep, has discovered that he is the veritable owner of a real, live, lovely Mamma, who is also a sister, comforter, and friend, and that he must protect her till the Father comes home. Deception does not suit the part of a protector, and, when one can do anything without question, where is the use of deception?</p>
<p>‘Mother would be awfully cross if you walked through that ditch,’ says Judy, continuing a conversation.</p>
<p>‘Mother’s never angry,’ says Punch. ‘She’d just say, “You’re a little <i>pagal</i>”; and that’s not nice, but I’ll show.’</p>
<p>Punch walks through the ditch and mires himself to the knees. ‘Mother dear,’ he shouts, ‘I’m just as dirty as I can pos-<i>sib</i>-ly be!’</p>
<p>‘Then change your clothes as quickly as you pos-<i>sib</i>-ly can!’ Mother’s clear voice rings out from the house. ‘And don’t be a little pagal!’</p>
<p>‘There! Told you so,’ says Punch. ‘It’s all different now, and we are just as much Mother’s as if she had never gone.’</p>
<p>Not altogether, O Punch, for when young lips have drunk deep of the bitter waters of Hate, Suspicion, and Despair, all the Love in the world will not wholly take away that knowledge; though it may turn darkened eyes for a while to the light, and teach Faith where no Faith was.</p>
<p>&nbsp;</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">57544</post-id>	</item>
		<item>
		<title>Bitters Neat</title>
		<link>https://www.kiplingsociety.co.uk/tale/bitters.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Thu, 15 Apr 2021 12:20:41 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/9393/</guid>

					<description><![CDATA[<strong>(a short tale)</strong> <strong>THE</strong> oldest trouble in the world comes from want of understanding. And it is entirely the fault of the woman. Somehow, she is built incapable of speaking the truth, even to herself. ... <a title="Bitters Neat" class="read-more" href="https://www.kiplingsociety.co.uk/tale/bitters.htm" aria-label="Read more about Bitters Neat">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center; color: red; font-style: italic;"><strong>(a short tale)</strong></p>
<p><strong>THE</strong> oldest trouble in the world comes from want of understanding. And it is entirely the fault of the woman. Somehow, she is built incapable of speaking the truth, even to herself. She only finds it out about four months later, when the man is dead, or has been transferred. Then she says she never was so happy in her life, and marries some one else, who again touched some woman&#8217;s heart elsewhere, and did not know it, but was mixed up with another man&#8217;s wife, who only used him to pique a third man. And so round again &#8211; all criss-cross.</p>
<p>Out here, where life goes quicker than at Home, things are more obviously tangled, and therefore more pitiful to look at. Men speak the truth as they understand it, and women as they think men would like to understand it; and then they all act lies which would deceive Solomon, and the result is a heartrending muddle that half a dozen open words would put straight. This particular muddle did not differ from any other muddle you may see, if you are not busy playing cross-purposes yourself, going on in a big Station any cold season. Its only merit was that it did not come all right in the end; as muddles are made to do in the third volume.</p>
<p>I&#8217;ve forgotten what the man was &#8211; he was an ordinary sort of man &#8211; a man you meet any day at the A.D.C.&#8217;s end of the table, and go away and forget about. His name was Surrey; but whether he was in the Army or the P.W.D., on the Commissariat, or the Police, or a factory, I don&#8217;t remember. He wasn&#8217;t a Civilian. He was just an ordinary man, of the light-coloured variety, with a fair moustache and with the average amount of pay that comes between twenty-seven and thirty-two &#8211; from six to nine hundred a month.</p>
<p>He didn&#8217;t dance, and he did what little riding he wanted to do by himself, and was busy in office all day, and never bothered his head about women. No man ever dreamed he would. He was of the type that doesn&#8217;t marry, just because it doesn&#8217;t think about marriage. He was one of the plain cards, whose only use is to make up the pack, and furnish background to put the Court cards against.</p>
<p>Then there was a girl &#8211; ordinary girl, the dark-coloured variety &#8211; daughter of a man in the Army, who played a little, sang a little, talked a little, and furnished the background, exactly as Surrey did. She had been sent out here to get married if she could, because there were many sisters at home, and Colonels&#8217; allowances aren&#8217;t elastic. She lived with an aunt. She was a Miss Tallaght, and men spelt her name &#8216;Tart&#8217; on the programmes when they couldn&#8217;t catch what the introducer said.</p>
<p>Surrey and she were thrown together in the same Station one cold weather; and the particular Devil who looks after muddles prompted Miss Tallaght to fall in love with Surrey. He had spoken to her perhaps twenty times &#8211; certainly not more &#8211; but she fell as unreasoningly in love with him as if she had been Elaine and he Lancelot.</p>
<p>She, of course, kept her own counsel; and, equally of course, her manner to Surrey, who never noticed manner or style or dress any more than he noticed a sunset, was icy, not to say repellent. The deadly dullness of Surrey struck her as a reserve of force, and she grew to believe he was wonderfully clever in some secret and mysterious sort of line. She did not know what line; but she believed, and that was enough. No one suspected anything of any kind, for the simple reason that no one took any deep interest in Miss Tallaght except her Aunt; who wanted to get the girl off her hands.</p>
<p>This went on for some months, till a man suddenly woke up to the fact that Miss Tallaght was the one woman in the world for him, and told her so. She jawabed him &#8211; without rhyme or reason; and that night there followed one of those awful bedroom conferences that men know nothing about. Miss Tallaght&#8217;s Aunt, querulous, indignant, and merciless, with her mouth full of hair-pins, and her hands full of false hair-plaits, set herself to find out by cross-examination what in the name of everything wise, prudent, religious, and dutiful, Miss Tallaght meant by jawabing her suitor. The conference lasted for an hour and a half, with question on question, insult and reminders of poverty &#8211; appeals to Providence, then a fresh mouthful of hair-pins &#8211; then all the questions over again, beginning with:- &#8216;But what do you see to dislike in Mr. __?&#8217; then, a vicious tug at what was left of the mane; then impressive warnings and more appeals to Heaven; and then the collapse of poor Miss Tallaght, a rumpled, crumpled, tear-stained arrangement in white on the couch at the foot of the bed, and, between sobs and gasps, the whole absurd little story of her love for Surrey.</p>
<p>Now, in all the forty-five years&#8217; experience of Miss Tallaght&#8217;s Aunt, she had never heard of a girl throwing over a real genuine lover with an appointment, for a problematical, hypothetical lover to whom she had spoken merely in the course of the ordinary social visiting rounds. So Miss Tallaght&#8217;s Aunt was struck dumb, and, merely praying that Heaven might direct Miss Tallaght into a better frame of mind, dismissed the ayah, and went to bed; leaving Miss Tallaght to sob and moan herself to sleep.</p>
<p>Understand clearly, I don&#8217;t for a moment defend Miss Tallaght. She was wrong &#8211; absurdly wrong &#8211; but attachments like hers must sprout by the law of averages, just to remind people that Love is as nakedly unreasoning as when Venus first gave him his kit and told him to run away and play.</p>
<p>Surrey must be held innocent &#8211; innocent as his own pony. Could he guess that, when Miss Tallaght was as curt and as unpleasing as she knew how, she would have risen up and followed him from Colombo to Dakar at a word? He didn&#8217;t know anything, or care anything about Miss Tallaght. He had his work to do.</p>
<p>Miss Tallaght&#8217;s Aunt might have respected her niece&#8217;s secret. But she didn&#8217;t. What we call &#8216;talking rank scandal,&#8217; she called &#8216;seeking advice&#8217;; and she sought advice, on the case of Miss Tallaght, from the Judge&#8217;s wife &#8216;in strict confidence, my dear,&#8217; who told the Commissioner&#8217;s wife, &#8216;of course you won&#8217;t repeat it, my dear,&#8217; who told the Deputy Commissioner&#8217;s wife, &#8216;you understand it is to go no further, my dear,&#8217; who told the newest bride, who was so delighted at being in possession of a secret concerning real grown-up men and women, that she told any one and every one who called on her. So the tale went all over the Station, and from being no one in particular, Miss Tallaght came to take precedence of the last interesting squabble between the Judge&#8217;s wife and the Civil Engineer&#8217;s wife. Then began a really interesting system of persecution worked by women &#8211; soft and sympathetic and intangible, but calculated to drive a girl off her head. They were all so sorry for Miss Tallaght, and they cooed together and were exaggeratedly kind and sweet in their manner to her, as those who said: &#8216;You may confide in us, my stricken deer!&#8217;</p>
<p>Miss Tallaght was a woman, and sensitive. It took her less than one evening at the Band Stand to find that her poor little, precious little secret, that had been wrenched from her on the rack, was known as widely as if it had been written on her hat. I don&#8217;t know what she went through. Women don&#8217;t speak of these things, and men ought not to guess; but it must have been some specially refined torture, for she told her Aunt she would go Home and die as a Governess sooner than stay in this hateful &#8211; hateful &#8211; place. Her Aunt said she was a rebellious girl, and sent her Home to her people after a couple of months; and said no one knew what the pains of a chaperone&#8217;s life were.</p>
<p>Poor Miss Tallaght had one pleasure just at the last. Halfway down the line, she caught a glimpse of Surrey, who had gone down on duty, and was then in the up-train. And he took off his hat to her. She went Home, and if she is not dead by this time must be living still.</p>
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		<title>Fairy-Kist</title>
		<link>https://www.kiplingsociety.co.uk/tale/fairy-kist.htm</link>
		
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		<pubDate>Mon, 26 Apr 2021 18:49:55 +0000</pubDate>
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					<description><![CDATA[<strong>page 1 of 5 </strong> <b>THE</b> only important society in existence to-day is the E.C.F.—the Eclectic <i>but</i> Comprehensive Fraternity for the Perpetuation of Gratitude towards Lesser Lights. Its founders were William Lemming, of Lemming and ... <a title="Fairy-Kist" class="read-more" href="https://www.kiplingsociety.co.uk/tale/fairy-kist.htm" aria-label="Read more about Fairy-Kist">Read more</a>]]></description>
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<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 5<br />
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<p><b>THE</b> only important society in existence to-day is the E.C.F.—the Eclectic <i>but</i> Comprehensive Fraternity for the Perpetuation of Gratitude towards Lesser Lights. Its founders were William Lemming, of Lemming and Orton, print-sellers; Alexander Hay McKnight, of Ellis and McKnight, provision-merchants; Robert Keede, M.R.C.P., physician, surgeon, and accoucheur; Lewis Holroyd Burges, tobacconist and cigar importer—all of the South Eastern postal districts—and its zealous, hard-working, but unappreciated Secretary. The meetings are usually at Mr. Lemming’s little place in Berkshire, where he raises pigs.I had been out of England for awhile, missing several dinners, but was able to attend a summer one with none present but ourselves; several red mullets in paper; a few green peas and ducklings; an arrangement of cockscombs with olives, and capers as large as cherries; strawberries and cream; some 1903 Chateau la Tour; and that locked cabinet of cigars to which only Burges has the key.</p>
<p>It was at the hour when men most gracefully curvet abroad on their hobbies, and after McKnight had been complaining of systematic pilfering in his three big shops, that Burges told us how an illustrious English astrologer called Lily had once erected a horoscope to discover the whereabouts of a parcel of stolen fish. The stars led him straight to it and the thief and, incidentally, into a breeze with a lady over ‘seven Portugal onions’ also gone adrift, but not included in the periscope. Then we wondered why detective-story writers so seldom use astrology to help out the local Sherlock Holmes; how many illegitimate children that great original had begotten in magazine form; and so drifted on to murder at large. Keede, whose profession gives him advantages, illustrated the subject.</p>
<p>‘I wish I could do a decent detective story,’ I said at last. ‘I never get further than the corpse.’</p>
<p>‘Corpses are foul things,’ Lemming mused aloud. ‘I wonder what sort of a corpse I shall make.’</p>
<p>‘You’ll never know,’ the gentle, silver-haired Burges replied. ‘You won’t even know you’re dead till you look in the glass and see no reflection. An old woman told me that once at Barnet Horse Fair—and I couldn’t have been more than seven at the time.’</p>
<p>We were quiet for a few minutes, while the Altar of the Lesser Lights, which is also our cigar-lighter, came into use. The single burner atop, representing gratitude towards Lesser Lights in general, was of course lit. Whenever gratitude towards a named Lesser Light is put forward and proven, one or more of the nine burners round the base can be thrown into action by pulling its pretty silver draw-chain.</p>
<p>‘What will you do for me,’ said Keede, puffing, ‘if I give you an absolutely true detective yarn?’</p>
<p>‘If I can make anything of it,’ I replied, ‘I’ll finish the Millar Gift.’</p>
<p>This meant the cataloguing of a mass of Masonic pamphlets (1832-59), bequeathed by a Brother to Lodge Faith and Works 5836 E.C.—a job which Keede and I, being on the Library Committee, had together shirked for months.</p>
<p>‘Promise you won’t doctor it if you use it?’ said Keede.</p>
<p>‘And for goodness’ sake don’t bring <i>me</i> in any more than you can help,’ said Lemming.</p>
<p>No practitioner ever comprehends another practitioner’s methods; but a promise was given, a bargain struck; and the tale runs here substantially as it was told.</p>
<p>That past autumn, Lemming’s pig-man (who had been sitting up with a delicate lady-Berkshire) discovered, on a wet Sunday dawn in October, the body of a village girl called Ellen Marsh lying on the bank of a deep cutting where the road from the village runs into the London Road. Ellen, it seemed, had many friends with whom she used to make evening appointments, and Channet’s Ash, as the cross-roads were called, from the big ash that overhung them, was one of her well-known trysting-places. The body lay face down at the highest point of a sloping footpath which the village children had trodden out up the bank, and just where that path turned the corner under Channet’s Ash and dropped into the London Road. The pig-man roused the village constable, an ex-soldier called Nicol, who picked up, close to the corpse, a narrow-bladed fern-trowel, its handle wrapped with twine. There were no signs of a struggle, but it had been raining all night. The pig-man then went off to wake up Keede, who was spending the week-end with Lemming. Keede did not disturb his host, Mrs. Lemming being ill at the time, but he and the policeman commandeered a builder’s handcart from some half-built shops down the London Road; wheeled the body to the nearest inn—the Cup o’ Grapes—pushed a car out of a lock-up; took the shove-halfpenny board from the Oddfellows’ Room, and laid the body on it till the regular doctor should arrive.</p>
<p>‘He was out,’ Keede said, ‘so I made an examination on my own. There was no question of assault. She had been dropped by one scientific little jab, just at the base of the skull, by someone who knew his anatomy. That was all. Then Nicol, the Bobby, asked me if I’d care to walk over with him to Jimmy Tigner’s house.’</p>
<p>‘Who was Jimmy Tigner?’ I asked.</p>
<p>‘Ellen’s latest young man—a believing soul. He was assistant at the local tinsmith’s, living with his mother in a cottage down the street. It was seven o’clock then, and not a soul about. Jimmy had to be waked up. He stuck his head out of the window, and Nicol stood in the garden among the cabbages—friendly as all sin—and asked him what he’d been doing the night before, because someone had been knocking Ellen about. Well, there wasn’t much doubt what Jimmy had been up to. He was altogether “the morning after.” He began dressing and talking out of the window at the same time, and said he’d kill any man who touched Ellen.’</p>
<p>‘Hadn’t the policeman cautioned him?’ McKnight demanded.</p>
<p>‘What for? They’re all friends in this village. Then Jimmy said that, on general principles, Ellen deserved anything she might have got. He’d done with her. He told us a few details (some girl must have given her away), but the point he kept coming back to was that they had parted in “high dungeon.” He repeated that a dozen times. Nicol let him run on, and when the boy was quite dressed, he said “Well, you may as well come on up-street an’ look at her. She don’t bear you any malice now.” (Oh, I tell you the War has put an edge on things all round!) Jimmy came down, jumpy as a cat, and, when we were going through the Cup o’ Grapes yard, Nicol unlocked the garage and pushed him in. The face hadn’t been covered either.’</p>
<p>‘Drastic,’ said Burges, shivering.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>‘It was. Jimmy went off the handle at once; and Nicol kept patting him on the back and saying: “That’s all right! I’ll go bail <i>you</i> didn’t do it.” Then Jimmy wanted to know why the deuce he’d been dragged into it. Nicol said “Oh, that’s what the French call a confrontation. But you’re all right.” Then Jimmy went for Nicol. So we got him out of the garage, and gave him a drink, and took him back to his mother. But at the inquest he accounted for every minute of his time. He’d left Ellen under Channet’s Ash, telling her what he thought of her over his shoulder for a quarter of a mile down the lane (that’s what “high dungeon” meant in their language). Luckily two or three of the girls and the bloods of the village had heard ’em. After that, he’d gone to the Cup o’ Grapes, filled himself up, and told everybody his grievances against Ellen till closing-time. The interestin’ thing was that he seemed to be about the only decent boy of the lot.’</p>
<p>‘Then,’ Lemming interrupted, ‘the reporters began looking for clues. They—they behaved like nothing <i>I</i>’ve ever imagined! I was afraid we’d be dragged into it. You see, that wretched Ellen had been our scullery-maid a few months before, and—my wife—as ill as she was. . . . But mercifully that didn’t come out at the inquest.’</p>
<p>‘No’ Keede went on. ‘Nicol steered the thing. He’s related to Ellen. And by the time Jimmy had broken down and wept, and the reporters had got their sensation, it was brought in “person or persons unknown.”’</p>
<p>‘What about the trowel?’ said McKnight, who is a notable gardener.</p>
<p>‘It was a most valuable clue, of course, because it explained the <i>modus operandi</i>. The punch—with the handle, the local doctor said—had been delivered through her back hair, with just enough strength to do the job and no more. I couldn’t have operated more neatly myself. The Police took the trowel, but they couldn’t trace it to anyone, somehow. The main point in the village was that no one who knew her wanted to go into Ellen’s character. She was rather popular, you see. Of course the village was a bit disappointed about Jimmy’s getting off; and when he broke down again at her funeral, it revived suspicion. Then the Huish poisoning case happened up in the North; and the reporters had to run off and take charge of it. What did your pig-man say about ’em, Will?’</p>
<p>‘Oh, Griffiths said: “’Twas Gawd’s own Mercy those young gen’elmen didn’t ’ave ’alf of us ’ung before they left. They were that energetic!”’</p>
<p>‘They were,’ said Keede. ‘That’s why I kept back my evidence.’</p>
<p>‘There was the wife to be considered too,’ said Lemming. ‘She’d never have stood being connected with the thing, even remotely.’</p>
<p>‘I took it upon myself to act upon that belief,’ Keede replied gravely. ‘Well—now for <i>my</i> little bit. I’d come down that Saturday night to spend the week-end with Will here; and I couldn’t get here till late. It was raining hard, and the car skidded badly. Just as I turned off the London Road into the lane under Channet’s Ash, my lights picked up a motor-bike lying against the bank where they found Ellen; and I saw a man bending over a woman up the bank. Naturally one don’t interfere with these little things as a rule; but it occurred to me there might have been a smash. So I called out: “Anything wrong? Can I help?” The man said: “No, thanks. We’re all right,” or words to that effect, and I went on. But the bike’s letters happened to be my own initials, and its number was the year I was born in. I wasn’t likely to forget ’em, you see.’</p>
<p>‘You told the Police?’ said McKnight severely.</p>
<p>‘’Took ’em into my confidence at once, Sandy,’ Keede replied. ‘There was a Sergeant, Sydenham way, that I’d been treating for Salonika fever. I told him I was afraid I’d brushed a motor-bike at night coming up into West Wickham, on one of those blind bends—up the hill, and I’d be glad to know I hadn’t hurt him. He gave me what I wanted in twenty-four hours. The bike belonged to one Henry Wollin—of independent means—livin’ near Mitcham.’</p>
<p>‘But West Wickham isn’t in Berkshire—nor is Mitcham,’ McKnight began.</p>
<p>‘Here’s a funny thing,’ Keede went on, without noticing. ‘Most men and nearly all women commit murder single-handed; but no man likes to go man-hunting alone. Primitive instinct, I suppose. That’s why I lugged Will into the Sherlock Holmes business. You hated too.’</p>
<p>‘I hadn’t recovered from those reporters,’ said Lemming.</p>
<p>‘They <i>were</i> rather energetic. But I persuaded Will that we’d call upon Master Wollin and apologise—as penitent motorists—and we went off to Mitcham in my two-seater. Wollin had a very nice little detached villa down there. The old woman—his housekeeper—who let us in, was West Country, talkin’ as broad as a pat o’ butter. She took us through the hall to Wollin, planting things in his back-garden.’</p>
<p>‘A wonderful little garden for that soil,’ said Lemming, who considers himself an even greater gardener than McKnight, although he keeps two men less.</p>
<p>‘He was a big, strong, darkish chap—middle-aged—wide as a bull between the eyes—no beauty, and evidently had been a very sick man. Will and I apologised to him, and he began to lie at once. He said he’d been at West Wickham at the time (on the night of the murder, you know), and he remembered dodging out of the way of a car. He didn’t seem pleased that we should have picked up his number so promptly. Seeing we were helping him to establish an <i>alibi</i>, he ought to have been, oughtn’t he?’</p>
<p>‘Ye mean,’ said McKnight, suddenly enlightened, ‘that he was committing the murder here in Berkshire on the night that he told you he was in West Wickham, which is in Kent.’</p>
<p>‘Which is in Kent. Thank you. It is. And we went on talking about that West Wickham hill till he mentioned he’d been in the War, and that gave me <i>my</i> chance to talk. And he was an enthusiastic gardener, he said, and that let Will in. It struck us both that he was nervous in a carneying way that didn’t match his build and voice at all. Then we had a drink in his study. Then the fun began. There were four pictures on the wall.’</p>
<p>‘Prints—prints,’ Lemming corrected professionally.</p>
<p>‘’Same thing, aren’t they, Will? Anyhow, <i>you</i> got excited enough over them. At first I thought Will was only playing up. But he was genuine.’</p>
<p>‘So were they,’ Lemming said. ‘Sandy, you remember those four “Apostles” I sold you last Christmas?’</p>
<p>‘I have my counterfoil yet,’ was the dry answer.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>‘What sort of prints were they?’ Burges demanded.</p>
<p>The moonlike face of Alexander McKnight, who collects prints along certain lines, lit with devout rapture. He began checking off on his fingers.</p>
<p>‘The firrst,’ said he, ‘was the draped one of Ray—the greatest o’ them all. Next, yon French print o’ Morrison, when he was with the Duke of Orleans at Blois; third, the Leyden print of Grew in his youth; and, fourth, that wreathed Oxford print of Hales. The whole aapostolic succession of them.’</p>
<p>‘I never knew Morrison laid out links in France,’ I said.</p>
<p>‘Morrison? Links? Links? Did you think those four were gowfers then?’</p>
<p>‘Wasn’t old Tom Morrison a great golfer?’ I ventured.</p>
<p>McKnight turned on me with utter scorn. ‘Those prints—’ he began. ‘But ye’d not understand. They were—we’ll say they were just pictures of some garrdeners I happened to be interested in.’</p>
<p>This was rude of McKnight, but I forgave him because of the excellence of his imported groceries. Keede went on.</p>
<p>‘After Will had talked the usual buyer’s talk, Wollin seemed willin’ to part with ’em, and we arranged we’d call again and complete the deal. Will ’ud do business with a criminal on the drop o’ course. He gave Wollin his card, and we left; Wollin carneying and suckin’ up to us right to the front door. We hadn’t gone a couple of miles when Will found he’d given Wollin his personal card—<i>not</i> his business one—with his private address in Berkshire! The murder about ten days old, and the papers still stinkin’ with it! I think I told you at the time you were a fool, Will?’</p>
<p>‘You did. I never saw how I came to make the mistake. These cards are different sizes too,’ poor Lemming said.</p>
<p>‘No, we were not a success as man-hunters,’ Keede laughed. ‘But Will and I had to call again, of course, to settle the sale. That was a week after. And this time, of course, Wollin—not being as big a fool as Will—had hopped it and left no address. The old lady said he was given to going off for weeks at a time. That hung us up; but to do Will justice, which I don’t often, he saved the situation by his damned commercial instincts. He said he wanted to look at the prints again. The old lady was agreeable—rather forth-comin’ in fact. She let us into the study, had the prints down, and asked if we’d like some tea. While she was getting it, and Will was hanging over the prints, I looked round the room. There was a cupboard, half opened, full of tools, and on top of ’em a new—what did you say it was, Will?—fern-trowel. ’Same pattern as the one Nicol found by Ellen’s head. That gave me a bit of a turn. I’d never done any Sherlockin’ outside my own profession. Then the old lady came back and I made up to her. When I was a sixpenny doctor at Lambeth, half my great success——’</p>
<p>‘Ye can hold that over,’ McKnight observed. ‘The murrder’s what’s interestin’ me.’</p>
<p>‘Wait till your next go of gout. <i>I’ll</i> interest you, Sandy. Well, she expanded (they all do with me), and, like patients, she wanted advice gratis. So I gave it. Then she began talking about Wollin. She’d been his nurse, I fancy. Anyhow, she’d known him all his life, and she said he was full of virtue and sickness She said he’d been wounded and gassed and gangrened in the War, and after that—oh, she worked up to it beautifully—he’d been practically off his head. She called it “fairy-kist.”’</p>
<p>‘That’s pretty—very pretty,’ said Burges.</p>
<p>‘Meanin’ he’d been kissed by the fairies?’ McKnight inquired.</p>
<p>‘It would appear so, Sandy. I’d never heard the word before. ’West Country, I suppose. And she had one of those slow, hypnotic voices, like cream from a jug. Everything she said squared with my own theories up to date. Wollin was on the break of life, and, given wounds, gas, and gangrene just at that crisis, why anything—Jack the Ripperism or religious mania—might come uppermost. I knew that, and the old lady was as good as telling it me over again, and putting up a defence for him in advance. ’Wonderful bit of work. Patients’ relatives <i>are</i> like that sometimes—specially wives.’</p>
<p>‘Yes, but what about Wollin?’ I said.</p>
<p>‘Wait a bit. Will and I went away, and we talked over the fern-trowel and so forth, and we both agreed we ought to release our evidence. There, somehow, we stuck. Man-hunting’s a dirty job. So we compromised. I knew a fellow in the C.I.D., who thought he had a floating kidney, and we decided to put the matter before him and let him take charge. He had to go North, however, and he wrote he could not see us before the Tuesday of next week. This would be four or five weeks after the murder. I came down here again that week-end to stay with Will, and on Saturday night Will and I went to his study to put the finishing touches to our evidence. I was trying to keep my own theory out of it as much as I could. Yes, if you want to know, Jack the Ripper <i>was</i> my notion, and my theory was that my car had frightened the brute off before he could do anything in that line. And <i>then</i>, Will’s housemaid shot into the study with Nicol after her, and Jimmy Tigner after him!’</p>
<p>‘Luckily my wife was up in town at the time,’ said Lemming. ‘They all shouted at once too.’</p>
<p>‘They did! ‘ said Keede. ‘Nicol shouted loudest, though. He was plastered with mud, waving what was left of his helmet, and Jimmy was in hysterics. Nicol yelled:—“Look at me Look at this! It’s all right! Look at me! I’ve got it!” He <i>had</i> got it too! It came out, when they quieted down, that he had been walking with Jimmy in the lane by Channet’s Ash. Hearing a lorry behind ’em—you know what a narrow lane it is—they stepped up on to that path on the bank (I told you about it) that the school-children had made. It was a contractor’s lorry—Higbee and Norton, a local firm—with two girders for some new shops on the London Road. They were deliverin’ late on Saturday evening, so’s the men could start on Monday. Well, these girders had been chucked in anyhow on to a brick lorry with a tail-board. Instead of slopin’ forward they cocked up backwards like a pheasant’s tail, sticking up high and overhanging. They were tied together with a few turns of rope at the far ends. Do you see.’</p>
<p>So far we could see nothing. Keede made it plainer.</p>
<p>‘Nicol said he went up the bank first Jimmy behind him—and after a few steps he found his helmet knocked off. If he’d been a foot higher up the bank his head ’ud have gone. The lorry had skidded on the tar of the London Road, as it turned into it left-handed—her tail swung to the right, and the girders swung with it, just missing braining Nicol up on the bank. The lorry was well in the left-hand gutter when he got his breath again. He went for the driver at once. The man said all the lorries always skidded under Channet’s Ash, when it was wet, because of the camber of the road, and they allowed for it as a regular stunt. And he damned the road authorities, and Nicol for being in the light. Then Jimmy Tigner, Nicol told us, caught on to what it meant, and he climbed into the lorry shouting: “<i>You</i> killed Ellen!” It was all Nicol could do to prevent him choking the fellow there and then; but Nicol didn’t pull him off till Jimmy got it out of the driver that he had been delivering girders the night Ellen was killed. Of course, he hadn’t noticed anything.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>‘Then Nicol came over to Lemming and me to talk it over. I gave Jimmy a bromide and sent him off to his mother. He wasn’t any particular use, except as a witness—and no good after. Then Nicol went over the whole thing again several times, to fix it in our minds. Next morning he and I and Will called on old Higbee before he could get to church. We made him take out the particular lorry implicated, with the same driver, and a duplicate load packed the same way, and demonstrate for us. We kept her stunting half Sunday morning in the rain, and the skid delivered her into the left-hand gutter of the London Road every time she took that corner; and every time her tail with the girders swiped along the bank of that lane like a man topping a golf-ball. And when she did that, there were half-a-dozen paces—not more—along that schoolchildren’s path, that meant sure death to anyone on it at the time. Nicol was just climbing into the danger-zone when he stepped up, but he was a foot too low. The girders only brushed through his hair. We got some laths and stuck ’em in along the path (Jimmy Tigner told us Ellen was five foot three) to test our theory. The last lath was as near as could be to where the pig-man had found the body; and that happened to be the extreme end of the lorry’s skid. ’See what happened? <i>We</i> did. At the end of her skid the lorry’s rear wheels ’ud fetch up every time with a bit of a jar against the bank, and the girders ’ud quiver and lash out a few inches—like a golf-club wigglin’. Ellen must have caught just enough of that little sideway flick, at the base of her skull, to drop her like a pithed ox. We worked it all out on the last lath. The rope wrappings on the end of the damned things saved the skin being broken. Hellish, isn’t it? And then Jimmy Tigner realised that if she had only gone two paces further she’d have been round the corner of the bank and safe. Then it came back to him that she’d stopped talkin’ “in dungeon” rather suddenly, and he hadn’t gone back to see! I spent most of the afternoon sitting with him. He’d been tried too high—too high. I had to sign his certificate a few weeks later. No! He won’t get better.’</p>
<p>We commented according to our natures, and then McKnight said:—‘But—if so—why did Wollin disappear?’</p>
<p>‘That comes next on the agenda, Worshipful Sir. Brother Lemming has <i>not</i> the instincts of the real man-hunter. He felt shy. I had to remind him of the prints before he’d call on Wollin again. We’d allowed our prey ten days to get the news, while the papers were busy explainin’ Ellen’s death, and people were writin’ to ’em and saying they’d nearly been killed by lorries in the same way in other places. Then old Higbee gave Ellen’s people a couple of hundred without prejudice (he wanted to get a higher seat in the Synagogue—the Squire’s pew, I think), and everyone felt that her character had been cleared.’</p>
<p>‘But Wollin?’ McKnight insisted.</p>
<p>‘When Will and I went to call on him he’d come home again. I hadn’t seen him for—let’s see, it must have been going on for a month—but I hardly recognised him. He was burned out—all his wrinkles gashes, and his eyes readjustin’ ’emselves after looking into Hell. One gets to know that kind of glare nowadays. But he was immensely relieved to see us. So was the old lady. If he’d been a dog, he’d have been wagging his tall from the nose down. That was rather embarrassing too, because it wasn’t our fault we hadn’t had him tried for his life. And while we were talking over the prints, he said, quite suddenly: “<i>I</i> don’t blame you! I’d have believed it against myself on the evidence!” That broke the ice with a brick. He told us he’d almost stepped on Ellen’s body that night—dead and stiffening. Then I’d come round the corner and hailed him, and that panicked him. He jumped on his bike and fled, forgetting the trowel. So he’d bought another with some crazy notion of putting the Law off the track. That’s what hangs murderers.</p>
<p>‘When Will and I first called on him, with our fairy-tales about West Wickham, he had fancied he might be under observation, and Will’s mixing up the cards clinched it. . . . So he disappeared. He went down into his own cellar, he said, and waited there, with his revolver, ready to blow his brains out when the warrant came. What a month! Think of it! A cellar and a candle, a file of gardening papers, and a loaded revolver for company! Then I asked why. He said no jury on earth would have believed his explanation of his movements. “Look at it from the prosecution’s point of view,” he said. “Here’s a middle-aged man with a medical record that ’ud account for any loss of controls—and that would mean Broadmoor—fifty or sixty miles from his home in a rainstorm, on the top of a fifteen foot cutting, at night. He leaves behind him, with the girl’s body, the very sort of weapon that might have caused her death. I read about the trowel in the papers. Can’t you see how the thing ’ud be handled?” he said.</p>
<p>‘I asked him then what in the world he really was doing that had to be covered up by suicide. He said he was planting things. I asked if he meant stolen goods. After the trouble we’d given him, Will and I wouldn’t have peached on him for that, would we, Will?’</p>
<p>‘No,’ said Lemming. ‘His face was enough. It was like——’ and he named a picture by an artist called Goya.</p>
<p>‘“Stolen goods be damned,” Wollin said to me. “If you <i>must</i> have it, I was planting out plants from my garden.” What did you say to him then, Will?’</p>
<p>‘I asked him what the plants were, of course,’ said Lemming, and turned to McKnight. ‘They were daffodils, and a sort of red honeysuckle, and a special loosestrife—a hybrid.’ McKnight nodded judicially while Lemming talked incomprehensible horticulture for a minute or two.</p>
<p>‘Gardening isn’t my line,’ Keede broke in, ‘but Will’s questions acted on Master Wollin like a charm. He dropped his suicide talk, and began on gardening. After that it was Will’s operation. I hadn’t a look-in for ten minutes. Then I said: “What’s there to make a fuss about in all this?” Then he turned away from Will and spoke to me, carneying again—like patients do. He began with his medical record—one shrapnel peppering, and one gassing, with gangrene. He had put in about fourteen months in various hospitals, and he was full of medical talkee-talkee. Just like <i>you</i>, Sandy, when you’ve been seeing your damned specialists. And he’d been doped for pain and pinched nerves, till the wonder was he’d ever pulled straight again. He told us that the only thing that had helped him through the War was his love of gardening. He’d been mad keen on it all his life—and even in the worst of the Somme he used to get comfort out of plants and bot’ny, and that sort of stuff. <i>I</i> never did. Well, I saw he was speaking the truth; but next minute he began to hedge. I noticed it, and said something, and then he sweated in rivers. He hadn’t turned a hair over his proposed suicide, but now he sweated till he had to wipe it off his forehead.</p>
<p>‘Then I told him I was something else besides a G.P., and Will was too, if that ’ud make things easier for him. And it did. From then on he told the tale on the Square, in grave distress, you know. At his last hospital he’d been particularly doped, and he fancied that that was where his mind had gone. He told me that he was insane, and had been for more than a year. I asked him not to start on his theories till he’d finished with his symptoms. (You patients are all the same.) He said there were Gotha raids round his hospital, which used to upset the wards. And there was a V.A.D.—she must have been something of a woman, too—who used to read to him and tell him stories to keep him quiet. He liked. ’em because, as far as he remembered, they were all about gardening. <i>But</i>, when he grew better, he began to hear Voices—little whispers at first, growing louder and ending in regular uproars—ordering him to do certain things. He used to lie there shaking with horror, because he funked going mad. He wanted to live and be happy again, in his garden—like the rest of us.</p>
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<p>‘When he was discharged, he said, he left hospital with a whole Army Corps shouting into his ears. The sum and substance of their orders was that he must go out and plant roots and things at large up and down the country-side. Naturally, he suffered a bit, but, after a while, he went back to his house at Mitcham and obeyed orders, because, he said, as long as he was carrying ’em out the Voices stopped. If he knocked off even for a week, he said, they helled him on again. Being a methodical bird, he’d bought a motor-bike and a basket lined with oil-cloth, and he used to skirmish out planting his silly stuff by the wayside, and in coppices and on commons. He’d spy out likely spots by day and attend to ’em after dark. He was working round Channet’s Ash that night, and he’d come out of the meadow, and down the school-children’s path, right on to Ellen’s body. That upset him. I wasn’t worryin’ about Ellen for the moment. I headed him back to his own symptoms. The devil of it was that, left to himself, there was nothing he’d have liked better than this planting job; but the Voices ordering him to do it, scared the soul out of him. Then I asked him if the Voices had worried him much when he was in the cellar with his revolver. He said, comin’ to think of it, that they had not; and I reminded him that there was very little seasickness in the boats when submarines were around.’</p>
<p>‘You’ve forgotten,’ said Lemming, ‘that he stopped fawning as soon as he found out we were on the Square.’</p>
<p>‘He did so,’ Keede assented. ‘<i>And</i> he insisted on our staying to supper, so’s he could tell his symptoms properly. (’Might have been you again, Sandy.) The old lady backed him up. She was clinging to us too, as though we’d done her a favour. And Wollin told us that if he’d been in the dock, he <i>knew</i> he’d have come out with his tale of his Voices and night-plantings, just like the Ancient Mariner; and that would have sent him to Broadmoor. It was Broadmoor, not hanging, that he funked. And so he went on and on about his Voices, and I cross-examined. He said they used to begin with noises in his head like rotten walnuts being smashed; but he fancied that must have been due to the bombs in the raid. I reminded him again that I didn’t want his theories. The Voices were sometimes like his V.A.D.’s, but louder, and they were all mixed up with horrible dope-dreams. For instance, he said, there was a smiling dog that ran after him and licked his face, and the dog had something to do with being able to read gardening books, and that gave him the notion, as he lay abed in hospital, that he had water on the brain, and that that ’ud prevent him from root-gatherin’ an’ obeying his orders.’</p>
<p>‘He used the words “root-gathering.” It’s an unusual combination nowadays,’ said Lemming suddenly. ‘That made me take notice, Sandy.’</p>
<p>Keede held up his hand. ‘No, you don’t, Will! I tell this tale much better than you. Well, then Will cut in, and asked Wollin if he could remember exactly what sort of stuff his V.A.D. had read to him during the raids. He couldn’t; except that it was all about gardening, and it made him feel as if he were in Paradise. Yes, Sandy, he used the word “Paradise.” Then Will asked him if he could give us the precise wording of his orders to plant things. He couldn’t do that either. Then Will said, like a barrister: “I put it to you, that the Voices ordered you to plant things by the wayside <i>for such as have no gardens</i>.” And Will went over it slowly twice. “My God!” said Wollin. “That’s the <i>ipsissima verba</i>.” “Good,” said Will. “Now for your dog. I put it to you that the smiling dog was really a secret friend of yours. What was his colour?” “Dunno,” said Wollin. “It was yellow,” says Will. “A big yellow bullterrier.” Wollin thought a bit and agreed. “When he ran after you,” says Will, “did you ever hear anyone trying to call him off, in a very loud voice?” “Sometimes,” said Wollin. “Better still,” says Will. “Now, I put it to you that that yellow bull-terrier came into a library with a Scotch gardener who said it was a great privilege to be able to consult botanical books.” Wollin thought a bit, and said that those were some of the exact words that were mixed up with his Voices, and his trouble about not being able to read. I shan’t forget his face when he said it, either. My word, he sweated.’</p>
<p>Here Sandy McKnight smiled and nodded across to Lemming, who nodded back as mysteriously as a Freemason or a gardener.</p>
<p>‘All this time,’ Keede continued, ‘Will looked more important than ever I’ve seen him outside of his shop; and he said to Wollin: “Now I’ll tell you the story, Mr. Wollin, that your V.A.D. read or told you. Check me where your memory fails, and I’ll refresh it.” That’s what you said, wasn’t it, Will? And Will began to spin him a long nursery-yarn about some children who planted flowers out in a meadow that wasn’t theirs, so that such as had no gardens might enjoy them; and one of the children called himself an Honest Rootgatherer, and one of ’em had something like water on the brain; and there was an old Squire who owned a smiling yellow bull-terrier that was fond of the children, and he kept his walnuts till they were rotten, and then he smashed ’em all. You ought to have heard Will! He can talk—even when there isn’t money in it.’</p>
<p>‘<i>Mary’s Meadow</i>!’ Sandy’s hand banged the table.</p>
<p>‘Hsh!’ said Burges, enthralled. ‘Go on, Robin.’</p>
<p>‘And Wollin checked it all, with the sweat drying on him—remember, Will?—and he put in his own reminiscences—one about a lilac sun-bonnet, I remember.’</p>
<p>‘Not lilac-marigold. One string of it was canary-colour and one was white.’ McKnight corrected as though this were a matter of life and death.</p>
<p>‘Maybe. And there was a nightingale singing to the Man in the Moon, and an old Herbal—not Gerard’s, or I’d have known it—“Paradise” something. Wollin contributed that sort of stuff all the time, with ten years knocked off his shoulders and a voice like the Town Crier’s. Yes, Sandy, the story <i>was</i> called <i>Mary’s Meadow</i>. It all came back to him—<i>via</i> Will.’</p>
<p>‘And that helped?’ I asked.</p>
<p>‘Well, Keede said slowly, ‘a General Practitioner can’t much believe in the remission of sins, can he? But if that’s possible, I know how a redeemed soul looks. The old lady had pretended to get supper, but she stopped when Will began his yarn, and listened all through. Then Wollin put up his hand, as though he were hearing his dam’ Voices. Then he brushed ’em away, and he dropped his head on the table and wept. My God, how he wept! And then she kissed him, <i>and</i> me. Did she kiss you, Will?’</p>
<p>‘She certainly did not,’ said the scandalised Lemming, who has been completely married for a long while.</p>
<p>‘You missed something. She has a seductive old mouth still. And Wollin wouldn’t let us go—hung on to us like a child. So, after supper, we went over the affair in detail, till all hours. The pain and the dope had made that nursery story stick in one corner of his mind till it took charge—it does sometimes—but all mixed up with bombings and nightmares. As soon as he got the explanation it evaporated like ether and didn’t leave a stink. I sent him to bed full of his own beer, and growing a shade dictatorial. He was a not uncommon cross between a brave bully and an old maid; but a man, right enough, when the pressures were off. The old lady let us out—she didn’t kiss me again, worse luck! She was primitive Stone Age—bless her! She looked on us as a couple of magicians who’s broken the spell on him, she said.’</p>
<p>‘Well, you had,’ said Burges. ‘What did he do afterwards?’</p>
<p>‘’Bought a side-car to his bike, to hold more vegetables—he’ll be had up for poaching or trespassing, some day—and he cuts about the Home Counties planting his stuff as happy as—Oh my soul! <i>What</i> wouldn’t I give to be even one fraction as happy as he is! <i>But</i>, mind you, he’d have committed suicide on the nod if Will and I had had him arrested. We aren’t exactly first-class Sherlocks.’</p>
<p>McKnight was grumbling to himself. ‘Juliaana Horratia Ewing,’ said he. ‘The best, the kindest, the sweetest, the most eenocent tale ever the soul of a woman gied birth to. I may sell tapioca for a living in the suburbs, but I know <i>that</i>. An’ as for those prints o’ mine,’ he turned to me, ‘they were not garrdeners. They were the Four Great British Botanists, an’—an’—I ask your pardon.’</p>
<p>He pulled the draw-chains of all the nine burners round the Altar of the Lesser Lights before we had time to put it to the vote.</p>
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		<title>Friendly Brook</title>
		<link>https://www.kiplingsociety.co.uk/tale/friendly-brook.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Tue, 27 Apr 2021 16:46:14 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/friendly-brook/</guid>

					<description><![CDATA[<strong>page 1 of 4 </strong> <b>THE VALLEY</b> was so choked with fog that one could scarcely see a cow’s length across a field. Every blade, twig, bracken-frond, and hoof-print carried water, and the air was ... <a title="Friendly Brook" class="read-more" href="https://www.kiplingsociety.co.uk/tale/friendly-brook.htm" aria-label="Read more about Friendly Brook">Read more</a>]]></description>
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<p><b>THE VALLEY</b> was so choked with fog that one could scarcely see a cow’s length across a field. Every blade, twig, bracken-frond, and hoof-print carried water, and the air was filled with the noise of rushing ditches and field-drains, all delivering to the brook below. A week’s November rain on water-logged land had gorged her to full flood, and she proclaimed it aloud.Two men in sackcloth aprons were considering an untrimmed hedge that ran down the hillside and disappeared into mist beside those roarings. They stood back and took stock of the neglected growth, tapped an elbow of hedge-oak here, a mossed beech-stub there, swayed a stooled ash back and forth, and looked at each other.</p>
<p>‘I reckon she’s about two rod thick,’ said Jabez the younger, ‘an’ she hasn’t felt iron since—when has she, Jesse?’</p>
<p>‘Call it twenty-five year, Jabez, an’ you won’t be far out.’</p>
<p>‘Umm!’ Jabez rubbed his wet handbill on his wetter coat-sleeve. ‘She ain’t a hedge. She’s all manner o’ trees. We’ll just about have to——’ He paused, as professional etiquette required.</p>
<p>‘Just about have to side her up an’ see what she’ll bear. But hadn’t we best——?’ Jesse paused in his turn; both men being artists and equals.</p>
<p>‘Get some kind o’ line to go by.’ Jabez ranged up and down till he found a thinner place, and with clean snicks of the handbill revealed the original face of the fence. Jesse took over the dripping stuff as it fell forward, and, with a grasp and a kick, made it to lie orderly on the bank till it should be faggoted.</p>
<p>By noon a length of unclean jungle had turned itself into a cattle-proof barrier, tufted here and there with little plumes of the sacred holly which no woodman touches without orders.</p>
<p>‘Now we’ve a witness-board to go by! ‘said Jesse at last.</p>
<p>‘She won’t be as easy as this all along,’ Jabez answered. ‘She’ll need plenty stakes and binders when we come to the brook.’</p>
<p>‘Well, ain’t we plenty?’ Jesse pointed to the ragged perspective ahead of them that plunged downhill into the fog. ‘I lay there’s a cord an’ a half o’ firewood, let alone faggots, ’fore we get anywheres anigh the brook.’</p>
<p>‘The brook’s got up a piece since morning,’ said Jabez. ‘Sounds like’s if she was over Wickenden’s door-stones.’</p>
<p>Jesse listened, too. There was a growl in the brook’s roar as though she worried something hard.</p>
<p>‘Yes. She’s over Wickenden’s door-stones,’ he replied. ‘Now she’ll flood acrost Alder Bay an’ that’ll ease her.’</p>
<p>‘She won’t ease Jim Wickenden’s hay none if she do,’ Jabez grunted. ‘I told Jim he’d set that liddle hay-stack o’ his too low down in the medder. I <i>told</i> him so when he was drawin’ the bottom for it.’</p>
<p>‘I told him so, too,’ said Jesse. ‘I told him ’fore ever you did. I told him when the County Council tarred the roads up along.’ He pointed up-hill, where unseen automobiles and road-engines droned past continually. ‘A tarred road, she shoots every drop o’ water into a valley same’s a slate roof. ’Tisn’t as ’twas in the old days, when the waters soaked in and soaked out in the way o’ nature. It rooshes off they tarred roads all of a lump, and naturally every drop is bound to descend into the valley. And there’s tar roads both two sides this valley for ten mile. That’s what I told Jim Wickenden when they tarred the roads last year. But he’s a valley-man. He don’t hardly ever journey up-hill.’</p>
<p>‘What did he say when you told him that?’ Jabez demanded, with a little change of voice.</p>
<p>‘Why? What did he say to you when <i>you</i> told him?’ was the answer.</p>
<p>‘What he said to you, I reckon, Jesse.’</p>
<p>Then, you don’t need me to say it over again, Jabez.,</p>
<p>‘Well, let be how ’twill, what was he gettin’ <i>after</i> when he said what he said to me? ‘Jabez insisted.</p>
<p>‘I dunno; unless you tell me what manner o’ words he said to <i>you</i>.’</p>
<p>Jabez drew back from the hedge—all hedges are nests of treachery and eavesdropping—and moved to an open cattle-lodge in the centre of the field.</p>
<p>‘No need to go ferretin’ around,’ said Jesse. ‘None can’t see us here ’fore we see them.’</p>
<p>‘What was Jim Wickenden gettin’ at when I said he’d set his stack too near anigh the brook?’ Jabez dropped his voice. ‘He was in his mind.’</p>
<p>‘He ain’t never been out of it yet to my knowledge,’ Jesse drawled, and uncorked his tea-bottle.</p>
<p>‘But then Jim says: “I ain’t goin’ to shift my stack a yard,” he says. “The Brook’s been good friends to me, and if she be minded,” he says, “to take a snatch at my hay, <i>I</i> ain’t settin’ out to withstand her.” That’s what Jim Wickenden says to me last—last June-end ’twas,’ said Jabez.</p>
<p>‘Nor he hasn’t shifted his stack, neither,’ Jesse replied. ‘An’ if there’s more rain, the brook she’ll shift it for him.’</p>
<p>‘No need tell <i>me</i>! But I want to know what Jim was gettin’ <i>at</i>?’</p>
<p>Jabez opened his clasp-knife very deliberately; Jesse as carefully opened his. They unfolded the newspapers that wrapped their dinners, coiled away and pocketed the string that bound the packages, and sat down on the edge of the lodge manger. The rain began to fall again through the fog, and the brook’s voice rose.</p>
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<h2><b>.     .     .     .     .</b></h2>
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<p>‘But I always allowed Mary was his lawful child, like,’ said Jabez, after Jesse had spoken for a while.</p>
<p>“Tain’t so. . . . Jim Wickenden’s woman she never made nothing. She come out o’ Lewes with her stockin’s round her heels, an’ she never made nor mended aught till she died. <i>He</i> had to light fire an’ get breakfast every mornin’ except Sundays, while she sowed it abed. Then she took an’ died, sixteen, seventeen, year back; but she never had no childern.’</p>
<p>‘They was valley-folk,’ said Jabez apologetically. ‘I’d no call to go in among ’em, but I always allowed Mary——’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
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<p>‘No. Mary come out o’ one o’ those Lunnon Childern Societies. After his woman died, Jim got his mother back from his sister over to Peasmarsh, which she’d gone to house with when Jim married. His mother kept house for Jim after his woman died. They do say ’twas his mother led him on toward adoptin’ of Mary—to furnish out the house with a child, like, and to keep him off of gettin’ a noo woman. He mostly done what his mother contrived. ’Cardenly, twixt ’em, they asked for a child from one o’ those Lunnon societies—same as it might ha’ been these Barnardo children—an’ Mary was sent down to ’em, in a candle-box, I’ve heard.’</p>
<p>‘Then Mary is chance-born. I never knowed that,’ said Jabez. ‘Yet I must ha’ heard it some time or other . . .’</p>
<p>‘No. She ain’t. ’Twould ha’ been better for some folk if she had been. She come to Jim in a candle-box with all the proper papers—lawful child o’ some couple in Lunnon somewheres—mother dead, father drinkin’. <i>And</i> there was that Lunnon society’s five shillin’s a week for her. Jim’s mother she wouldn’t despise week-end money, but I never heard Jim was much of a muck-grubber. Let be how ’twill, they two mothered up Mary no bounds, till it looked at last like they’d forgot she wasn’t their own flesh an’ blood. Yes, I reckon they forgot Mary wasn’t their’n by rights.’</p>
<p>‘That’s no new thing,’ said Jabez. ‘There’s more’n one or two in this parish wouldn’t surrender back their Bernarders. You ask Mark Copley an’ his woman an’ that Bernarder cripple-babe o’ theirs.’</p>
<p>‘Maybe they need the five shillin’,’ Jesse suggested.</p>
<p>‘It’s handy,’ said Jabez. ‘But the child’s more. “Dada” he says, an’ “Mumma” he says, with his great rollin’ head-piece all hurdled up in that iron collar. <i>He</i> won’t live long—his backbone’s rotten, like. But they Copleys do just about set store by him—five bob or no five bob.’</p>
<p>‘Same way with Jim an’ his mother,’ Jesse went on. ‘There was talk betwixt ’em after a few years o’ not takin’ any more week-end money for Mary; but let alone <i>she</i> never passed a farden in the mire ’thout longin’s, Jim didn’t care, like, to push himself forward into the Society’s remembrance. So naun came of it. The week-end money would ha’ made no odds to Jim—not after his uncle willed him they four cottages at Eastbourne <i>an’</i> money in the bank.’</p>
<p>‘That was true, too, then? I heard something in a scadderin’ word-o’-mouth way,’ said Jabez.</p>
<p>‘I’ll answer for the house property, because Jim he reequested <!-- sp --> my signed name at the foot o’ some papers concernin’ it. Regardin’ the money in the bank, he nature-ally wouldn’t like such things talked about all round the parish, so he took strangers for witnesses.’</p>
<p>‘Then ’twill make Mary worth seekin’ after?’</p>
<p>‘She’ll need it. Her Maker ain’t done much for her outside nor yet in.’</p>
<p>‘That ain’t no odds.’ Jabez shook his head till the water showered off his hat-brim. ‘If Mary has money, she’ll be wed before any likely pore maid. She’s cause to be grateful to Jim.’</p>
<p>‘She hides it middlin’ close, then,’ said Jesse. ‘It don’t sometimes look to me as if Mary has her natural rightful feelin’s. She don’t put on an apron o’ Mondays ’thout being druv to it—in the kitchen <i>or</i> the hen-house. She’s studyin’ to be a school-teacher. She’ll make a beauty! I never knowed her show any sort o’ kindness to nobody—not even when Jim’s mother was took dumb. No! ’Twadn’t no stroke. It stifled the old lady in the throat here. First she couldn’t shape her words no shape; then she clucked, like, an’ lastly she couldn’t more than suck down spoon-meat an’ hold her peace. Jim took her to Doctor Harding, an’ Harding he bundled her off to Brighton Hospital on a ticket, but they couldn’t make no stay to her afflictions there; and she was bundled off to Lunnon, an’ they lit a great old lamp inside her, and Jim told me they couldn’t make out nothing in no sort there; and, along o’ one thing an’ another, an’ all their spyin’s and pryin’s, she come back a hem sight worse than when she started. Jim said he’d have no more hospitalizin’, so he give her a slate, which she tied to her waist-string, and what she was minded to say she writ on it.’</p>
<p>‘Now, I never knowed that! But they’re valley—folk;’ Jabez repeated.</p>
<p>‘’Twadn’t particular noticeable, for she wasn’t a talkin’ woman any time o’ her days. Mary had all three’s tongue . . . . Well, then, two years this summer, come what I’m tellin’ you. Mary’s Lunnon father, which they’d put clean out o’ their minds, arrived down from Lunnon with the law on his side, sayin’ he’d take his daughter back to Lunnon, after all. I was working for Mus’ Dockett at Pounds Farm that summer, but I was obligin’ Jim that evenin’ muckin’ out his pig-pen. I seed a stranger come traipsin’ over the bridge agin’ Wickenden’s door-stones. ’Twadn’t the new County Council bridge with the handrail. They hadn’t given it in for a public right o’ way then. ’Twas just a bit o’ lathy old plank which Jim had throwed acrost the brook for his own conveniences. The man wasn’t drunk—only a little concerned in liquor, like—an’ his back was a mask where he’d slipped in the muck comin’ along. He went up the bricks past Jim’s mother, which was feedin’ the ducks, an’ set himself down at the table inside—Jim was just changin’ his socks—an’ the man let Jim know all his rights and aims regardin’ Mary. Then there just about <i>was</i> a hurly-bulloo? Jim’s fust mind was to pitch him forth, but he’d done that once in his young days, and got six months up to Lewes jail along o’ the man fallin’ on his head. So he swallowed his spittle an’ let him talk. The law about Mary <i>was</i> on the man’s side from fust to last, for he showed us all the papers. Then Mary come downstairs—she’d been studyin’ for an examination—an’ the man tells her who he was, an’ she says he had ought to have took proper care of his own flesh and blood while he had it by him, an’ not to think he could ree-claim it when it suited. He says somethin’ or other, but she looks him up an’ down, front an’ backwent, an’ she just tongues him scadderin’ out o’ doors, and he went away stuffin’ all the papers back into his hat, talkin’ most abusefully. Then she come back an’ freed her mind against Jim an’ his mother for not havin’ warned her of her upbringin’s, which it come out she hadn’t ever been told. They didn’t say naun to her. They never did. <i>I’</i>d ha’ packed her off with any man that would ha’ took her—an’ God’s pity on him!’</p>
<p>‘Umm! ‘said Jabez, and sucked his pipe.</p>
<p>‘So then, that was the beginnin’. The man come back again next week or so, an’ he catched Jim alone, ’thout his mother this time, an’ he fair beazled him with his papers an’ his talk—for the law <i>was</i> on his side—till Jim went down into his money-purse an’ give him ten shillings hush-money—he told me—to withdraw away for a bit an’ leave Mary with ’em.’</p>
<p>‘But that’s no way to get rid o’ man or woman,’ Jabez said.</p>
<p>‘No more ’tis. I told Jim so. “What can I do?” Jim says.—“The law’s <i>with</i> the man. I walk about daytimes thinkin’ o’ it till I sweats my underclothes wringin’, an’ I lie abed nights thinkin’ o’ it till I sweats my sheets all of a sop. ’Tisn’t as if I was a young man,” he says, “nor yet as if I was a pore man. Maybe he’ll drink hisself to death.” I e’en a’most told him outright what foolishness he was enterin’ into, but he knowed it—he knowed it—because he said next time the man come ’twould be fifteen shillin’s. An’ next time ’twas. Just fifteen shillin’s!’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>‘An’ <i>was</i> the man her father?’ asked Jabez.</p>
<p>‘He had the proofs an’ the papers. Jim showed me what that Lunnon Childern’s Society had answered when Mary writ up to ’em an’ taxed ’em with it. I lay she hadn’t been proper polite in her letters to ’em, for they answered middlin’ short. They said the matter was out o’ their hands, but—let’s see if I remember—oh, yes,—they ree-gretted there had been an oversight. I reckon they had sent Mary out in the candle-box as a orphan instead o’ havin’ a father. Terrible awkward! Then, when he’d drinked up the money, the man come again—in his usuals—an’ he kept hammerin’ on and hammerin’ on about his duty to his pore dear wife, an’ what he’d do for his dear daughter in Lunnon, till the tears runnel down his two dirty cheeks an’ he come away with more money. Jim used to slip it into his hand behind the door; but his mother she heard the chink. She didn’t hold with hush-money. She’d write out all her feelin’s on the slate, an’ Jim ’ud be settin’ up half the night answerin’ back an showing that the man had the law with him.’</p>
<p>‘Hadn’t that man no trade nor business, then?’</p>
<p>‘He told me he was a printer. I reckon, though, he lived on the rates like the rest of ’ern up there in Lunnon.’</p>
<p>‘An’ how did Mary take it?’</p>
<p>‘She said she’d sooner go into service than go with the man. I reckon a mistress ’ud be middlin’ put to it for a maid ’fore she put Mary into cap an’ gown. She was studyin’ to be a schoo-ool-teacher. A beauty she’ll make! . . . Well, that was how things went that fall. Mary’s Lunnon father kep’ comin’ an’ comin’ ’carden as he’d drinked out the money Jim gave him; an’ each time he’d put up his price for not takin’ Mary away. Jim’s mother, she didn’t like partin’ with no money, an’ bein’ obliged to write her feelin’s on the slate instead o’ givin’ ’em vent by mouth, she was just about mad. Just about she <i>was</i> mad!’</p>
<p>Come November, I lodged with Jim in the outside room over ‘gainst his hen-house. I paid <i>her</i> my rent. I was workin’ for Dockett at Pounds—gettin’ chestnut-bats out o’ Perry Shaw. Just such weather as this be-rain atop o’ rain after a wet October. (An’ I remember it ended in dry frostes right away up to Christmas.) Dockett he’d sent up to Perry Shaw for me—no, he comes puffin’ up to me himself—because a big cornerpiece o’ the bank had slipped into the brook where she makes that elber at the bottom o’ the Seventeen Acre, an’ all the rubbishy alders an’ sallies which he ought to have cut out when he took the farm, they’d slipped with the slip, an’ the brook was comin’ rooshin’ down atop of ’em, an’ they’d just about back an’ spill the waters over his winter wheat. The water was lyin’ in the flats already. “Gor a-mighty, Jesse!” he bellers out at me, “get that rubbish away all manners you can. Don’t stop for no fagottin’, but give the brook play or my wheat’s past salvation. I can’t lend you no help,” he says, “but work an’ I’ll pay ye.”’</p>
<p>‘You had him there,’ Jabez chuckled.</p>
<p>‘Yes. I reckon I had ought to have drove my bargain, but the brook was backin’ up on good bread-corn. So ’cardenly, I laid into the mess of it, workin’ off the bank where the trees was drownin’ themselves head-down in the roosh—just such weather as this—an’ the brook creepin’ up on me all the time. ’Long toward noon, Jim comes mowchin’ along with his toppin’ axe over his shoulder.</p>
<p>‘“Be you minded for an extra hand at your job?” he says.</p>
<p>‘“Be you minded to turn to?” I ses, an’—no more talk to it—Jim laid in alongside o’ me. He’s no bunger with a toppin’ axe.’</p>
<p>‘Maybe, but I’ve seed him at a job o’ throwin’ in the woods, an’ he didn’t seem to make out no shape,’ said Jabez. ‘He haven’t got the shoulders, nor yet the judgment—<i>my</i> opinion—when he’s dealin’ with full-girt timber. He don’t rightly make up his mind where he’s goin’ to throw her.’</p>
<p>‘We wasn’t throwin’ nothin’. We was cuttin’ out they soft alders, an’ haulin’ ’em up the bank ’fore they could back the waters on the wheat. Jim didn’t say much, ’less it was that he’d had a post-card from Mary’s Lunnon father, night before, sayin’ he was comin’ down that mornin’. Jim, he’d sweated all night, an’ he didn’t reckon hisself equal to the talkin’ an’ the swearin’ an’ the cryin’, an’ his mother blamin’ him afterwards on the slate. “It spiled my day to think of it,” he ses, when we was eatin’ our pieces. “So I’ve fair cried dunghill an’ run. Mother’ll have to tackle him by herself. I lay <i>she</i> won’t give him no hush-money,” he ses. “I lay he’ll be surprised by the time he’s done with <i>her</i>,” he ses. An’ that was e’en a’most all the talk we had concernin’ it. But he’s no bunger with the toppin’ axe.</p>
<p>‘The brook she’d crep’ up an’ up on us, an’ she kep’ creepin’ upon us till we was workin’ knee-deep in the shallers, cuttin’ an’ pookin’ an’ pullin’ what we could get to o’ the rubbish. There was a middlin’ lot comin’ down-stream, too—cattle-bars an’ hop-poles and odds-ends bats, all poltin’ down together; but they rooshed round the elber good shape by the time we’d backed out they drowned trees. Come four o’clock we reckoned we’d done a proper day’s work, an’ she’d take no harm if we left her. We couldn’t puddle about there in the dark an’ wet to no more advantage. Jim he was pourin’ the water out of his boots—no, I was doin’ that. Jim was kneelin’ to unlace his’n. “Damn it all, Jesse,” he ses, standin’ up; “the flood must be over my doorsteps at home, for here comes my old white-top bee-skep!”’</p>
<p>‘Yes. I allus heard he paints his bee-skeps,’ Jabez put in. ‘I dunno paint don’t tarrify bees more’n it keeps ’em dry.’</p>
<p>‘“I’ll have a pook at it,” he ses, an’ he pooks at it as it comes round the elber. The roosh nigh jerked the pooker out of his hand-grips, an’ he calls to me, an’ I come runnin’ barefoot. Then we pulled on the pooker, an’ it reared up on eend in the roosh, an’ we guessed what ’twas. ’Cardenly we pulled it in into a shaller, an’ it rolled a piece, an’ a great old stiff man’s arm nigh hit me in the face. Then we was sure. “’Tis a man,” ses Jim. But the face was all a mask. “I reckon it’s Mary’s Lunnon father,” he ses presently. “Lend me a match and I’ll make sure.” He never used baccy. We lit three matches one by another, well’s we could in the rain, an’ he cleaned off some o’ the slob with a tussick o’ grass. “Yes,” he ses. “It’s Mary’s Lunnon father. He won’t tarrify us no more. D’you want him, Jesse?” he ses.</p>
<p>“No,” I ses. “If this was Eastbourne beach like, he’d be half-a-crown apiece to us ’fore the coroner; but now we’d only lose a day havin’ to ’tend the inquest. I lay he fell into the brook.”</p>
<p>“I lay he did,” ses Jim. “I wonder if he saw mother.” He turns him over, an’ opens his coat and puts his fingers in the waistcoat pocket an’ starts laugbin’. “He’s seen mother, right enough,” he ses. “An’ he’s got the best of her, too. <i>She</i> won’t be able to crow no more over <i>me</i> ’bout givin’ him money. <i>I</i> never give him more than a sovereign. She’s give him two!” an’ he trousers ’em, laughin’ all the time. “An’ now we’ll pook him back again, for I’ve done with him,” he ses.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>‘So we pooked him back into the middle of the brook, an’ we saw he went round the elber ’thout balkin’, an’ we walked quite a piece beside of him to set him on his ways. When we couldn’t see no more, we went home by the high road, because we knowed the brook ’u’d be out acrost the medders, an’ we wasn’t goin’ to hunt for Jim’s little rotten old bridge in that darkan’ rainin’ Heavens’ hard, too. I was middlin’ pleased to see light an’ vittles again when we got home. Jim he pressed me to come insides for a drink. He don’t drink in a generality, but he was rid of all his troubles that evenin’, d’ye see? “Mother,” he ses so soon as the door ope’d, “have you seen him? “She whips out her slate an’ writes down—“No.” “Oh, no,” ses Jim. “You don’t get out of it that way, mother. I lay you <i>have</i> seen him, an’ I lay he’s bested you for all your talk, same as he bested me. Make a clean breast of it, mother,” he ses. “He got round you too.” She was goin’ for the slate again, but he stops her. “It’s all right, mother,” he ses. “I’ve seen him sense you have, an’ he won’t trouble us no more.” The old lady looks up quick as a robin, an’ she writes, “Did he say so?” “No,” ses Jim, laughin’. “He didn’t say so. That’s how I know. But he bested <i>you</i>, mother. You can’t have it in at <i>me</i> for bein’ soft-hearted. You’re twice as tender-hearted as what I be. Look!” he ses, an’ he shows her the two sovereigns. “Put ’em away where they belong,” he ses. “He won’t never come for no more; an’ now we’ll have our drink,” he ses, “for we’ve earned it.”</p>
<p>‘Nature-ally they weren’t goin’ to let me see where they kep’ their monies. She went upstairs with it—for the whisky.’</p>
<p>‘I never knowed Jim was a drinkin’ man—in his own house, like,’ said Jabez.</p>
<p>‘No more he isn’t; but what he takes he likes good. He won’t tech no publican’s hogwash acrost the bar. Four shillin’s he paid for that bottle o’ whisky. I know, because when the old lady brought it down there wasn’t more’n jest a liddle few dreenin’s an’ dregs in it. Nothin’ to set before neighbours, I do assure you.’</p>
<p>“Why, ’twas half full last week, mother,” he ses. “You don’t mean,” he ses, “ you’ve given him all that as well? It’s two shillin’s worth,” he ses. (That’s how I knowed he paid four.) “Well, well, mother, you be too tender-’earted to live. But I don’t grudge it to him,” he ses. “I don’t grudge him nothin’ he can keep.” So, ’cardenly, we drinked up what little sup was left.’</p>
<p>‘An’ what come to Mary’s Lunnon father?’ said Jabez, after a full minute’s silence.</p>
<p>‘I be too tired to go readin’ papers of evenin’s; but Dockett he told me, that very week, I think, that they’d inquested on a man down at Roberts-bridge which had polted and polted up agin’ so many bridges an’ banks, like, they couldn’t make naun out of him.’</p>
<p>‘An’ what did Mary say to all these doin’s?’</p>
<p>‘The old lady bundled her off to the village ’fore her Lunnon father come, to buy week-end stuff (an’ she forgot the half o’ it). When we come in she was upstairs studyin’ to be a schoolteacher. None told her naun about it. ’Twadn’t girls’ affairs.’</p>
<p>‘Reckon <i>she</i> knowed?’ Jabez went on.</p>
<p>‘She? She must have guessed it middlin’ close when she saw her money come back. But she never mentioned it in writing so far’s I know. She were more worritted that night on account of two-three her chickens bein’ drowned, for the flood had skewed their old hen-house round on her postes. I cobbled her up next mornin’ when the brook shrinked.’</p>
<p>‘An’ where did you find the bridge? Some fur down-stream, didn’t ye?’</p>
<p>‘Just where she allus was. She hadn’t shifted but very little. The brook had gulled out the bank a piece under one eend o’ the plank, so’s she was liable to tilt ye sideways if you wasn’t careful. But I pocked three-four bricks under her, an’ she was all plumb again.’</p>
<p>‘Well, I dunno how it <i>looks</i> like, but let be how ’twill,’ said Jabez, ‘he hadn’t no business to come down from Lunnon tarrifyin’ people, an’ threatenin’ to take away children which they’d hobbed up for their lawful own—even if ’twas Mary Wickenden.’</p>
<p>‘He had the business right enough, an’ he had the law with him—no gettin’ over that,’ said Jesse.</p>
<p>‘But he had the drink with him, too, an’ that was where he failed, like.’</p>
<p>‘Well, well! Let be how ’twill, the brook was a good friend to Jim. I see it now. I allus <i>did</i> wonder what he was gettin’ at when he said that, when I talked to him about shiftin’ the stack. “You dunno everythin’,” he ses. “The Brook’s been a good friend to me,” he ses, “an’ if she’s minded to have a snatch at my hay, <i>I</i> ain’t settin’ out to withstand her.”’</p>
<p>‘I reckon she’s about shifted it, too, by now,’ Jesse chuckled. ‘Hark! That ain’t any slip off the bank which she’s got hold of.’</p>
<p>The Brook had changed her note again. It sounded as though she were mumbling something soft.</p>
</div>
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		<post-id xmlns="com-wordpress:feed-additions:1">9312</post-id>	</item>
		<item>
		<title>Haunted Subalterns</title>
		<link>https://www.kiplingsociety.co.uk/tale/haunted.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Sat, 01 May 2021 10:24:12 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/haunted-subalterns/</guid>

					<description><![CDATA[<strong>[a short tale]</strong> <strong>SO</strong> long as the &#8216;Inextinguishables&#8217; confined themselves to running picnics, gymkhanas, flirtations and innocences of that kind, no one said anything. But when they ran ghosts, people put up their eyebrows. &#8216;Man ... <a title="Haunted Subalterns" class="read-more" href="https://www.kiplingsociety.co.uk/tale/haunted.htm" aria-label="Read more about Haunted Subalterns">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center; color: red; font-style: italic;"><strong>[a short tale]</strong></p>
<p><strong>SO</strong> long as the &#8216;Inextinguishables&#8217; confined themselves to running picnics, gymkhanas, flirtations and innocences of that kind, no one said anything. But when they ran ghosts, people put up their eyebrows. &#8216;Man can&#8217;t feel comfy with a regiment that entertains ghosts on its establishment. It is against General Orders. The &#8216;Inextinguishables&#8217; said that the ghosts were private and not Regimental property. They referred you to Tesser for particulars; and Tesser told you to go to the hottest cantonment of all. He said that it was bad enough to have men making hay of his bedding and breaking his banjo-strings when he was out, without being chaffed afterwards; and he would thank you to keep your remarks on ghosts to yourself. This was before the &#8216;Inextinguishables&#8217; had sworn by their several lady-loves that they were innocent of any intrusion into Tesser&#8217;s quarters. Then Horrocks mentioned casually at Mess, that a couple of white figures had been bounding about his room the night before, and he didn&#8217;t approve of it. The &#8216;Inextinguishables&#8217; denied, energetically, that they had had any hand in the manifestations, and advised Horrocks to consult Tesser.</p>
<p>I don&#8217;t suppose that a Subaltern believes in anything except his chances of a Company; but Horrocks and Tesser were exceptions. They came to believe in their ghosts. They had reason.</p>
<p>Horrocks used to find himself, at about three o&#8217;clock in the morning, staring wide-awake, watching two white Things hopping about his room and jumping up to the ceiling. Horrocks was of a placid turn of mind. After a week or so spent in watching his servants, and lying in wait for strangers, and trying to keep awake all night, he came to the conclusion that he was haunted, and that, consequently, he need not bother. He wasn&#8217;t going to encourage these ghosts by being frightened of them. Therefore, when he woke — as usual with a start — and saw these Things jumping like kangaroos, he only murmured: &#8216;Go on! Don&#8217;t mind me!&#8217; and went to sleep again.</p>
<p>Tesser said: &#8216;It&#8217;s all very well for you to make fun of your show. You can see your ghosts. Now I can&#8217;t see mine, and I don&#8217;t half like it.&#8217;</p>
<p>Tesser used to come into his room of nights, and find the whole of his bedding neatly stripped, as if it had been done with one sweep of the hand, from the top right-hand corner of the charpoy to the bottom left-hand corner. Also his lamp used to lie weltering on the floor, and generally his pet screw-head, inlaid, nickel-plated banjo was lying on the charpoy, with all its strings broken. Tesser took away the strings, on the occasion of the third manifestation, and the next night a man complimented him on his playing the best music ever got out of a banjo, for half an hour.</p>
<p>&#8216;Which half hour?&#8217; said Tesser.</p>
<p>&#8216;Between nine and ten,&#8217; said the man. Tesser had gone out to dinner at 7:30, and had returned at midnight.</p>
<p>He talked to his bearer and threatened him with unspeakable things. The bearer was gray with fear: &#8216;I&#8217;m a poor man,&#8217; said he. &#8216;If the Sahib is haunted by a Devil, what can I do?&#8217;</p>
<p>&#8216;Who says I&#8217;m haunted by a Devil?&#8217; howled Tesser, for he was angry.</p>
<p>&#8216;I have seen It,&#8217; said the bearer, &#8216;at night, walking round and round your bed; and that is why everything is <i>ulta-pulta</i> in your room. I am a poor man, but I never go into your room alone. The <i>bhisti</i> comes with me.&#8217;</p>
<p>Tesser was thoroughly savage at this, and he spoke to Horrocks, and the two laid traps to catch that Devil, and threatened their servants with dog-whips if any more&#8217;shaitan-ke-hanky-panky&#8217; took place. But the servants were soaked with fear, and it was no use adding to their tortures. When Tesser went out at night, four of his men, as a rule, slept in the verandah of his quarters, until the banjo without the strings struck up, and then they fled.</p>
<p>One day, Tesser had to put in a month at a Fort with a detachment of &#8216;Inextinguishables.&#8217; The Fort might have been Govindghar, Jumrood, or Phillour; but it wasn&#8217;t. He left Cantonments rejoicing, for his Devil was preying on his mind; and with him went another Subaltern, a junior. But the Devil came too. After Tesser had been in the Fort about ten days he went out to dinner. When he came back he found his Subaltern doing sentry on a banquette across the Fort Ditch, as far removed as might be from the Officers&#8217; Quarters.</p>
<p>&#8216;What&#8217;s wrong?&#8217; said Tesser.</p>
<p>The Subaltern said, &#8216;Listen!&#8217; and the two, standing under the stars, heard from the Officers&#8217; Quarters, high up in the wall of the Fort, the &#8216;strumty tumty tumty&#8217; of the banjo; which seemed to have an oratorio on hand.</p>
<p>&#8216;That performance,&#8217; said the Subaltern, &#8216;has been going on for three mortal hours. I never wished to desert before, but I do now. I say, Tesser, old man, you are the best of good fellows, I&#8217;m sure, but&#8230; I say&#8230; look here, now, you are quite unfit to live with. &#8216;Tisn&#8217;t in my Commission, you know, that I&#8217;m to serve under a&#8230; a&#8230; man with Devils.&#8217;</p>
<p>&#8216;Isn&#8217;t it?&#8217; said Tesser. &#8216;If you make an ass of yourself I&#8217;ll put you under arrest&#8230; and in my room!&#8217;</p>
<p>&#8216;You can put me where you please, but I&#8217;m not going to assist at these infernal concerts. &#8216;Tisn&#8217;t right. &#8216;Tisn&#8217;t natural. Look here, I don&#8217;t want to hurt your feelings, but — try to think now &#8211; haven&#8217;t you done something — committed some murder that has slipped your memory — or forged something&#8230;?&#8217;</p>
<p>&#8216;Well! For an all-round, double-shotted, half-baked fool you are the&#8230;&#8217;</p>
<p>&#8216;I dare say I am,&#8217; said the Subaltern. &#8216;But you don&#8217;t expect me to keep my wits with that row going on, do you?&#8217;</p>
<p>The banjo was rattling away as if it had twenty strings. Tesser sent up a stone, and a shower of broken window-pane fell into the Fort Ditch; but the banjo kept on. Tesser hauled the other Subaltern up to the quarters, and found his room in frightful confusion — lamp upset, bedding all over the floor, chairs overturned, and table tilted sideways. He took stock of the wreck and said despairing: &#8216;Oh, this is lovely!&#8217;</p>
<p>The Subaltern was peeping in at the door.</p>
<p>&#8216;I&#8217;m glad you think so,&#8217; he said. &#8221;Tisn&#8217;t lovely enough for me. I locked up your room directly after you had gone out. See here, I think you had better apply for Horrocks to come out in my place. He&#8217;s troubled with your complaint, and this business will make me a jabbering idiot if it goes on.&#8217;</p>
<p>Tesser went to bed amid the wreckage, very angry, and next morning he rode into Cantonments and asked Horrocks to arrange to relieve &#8216;that fool with me now.&#8217;</p>
<p>&#8216;You&#8217;ve got &#8217;em again, have you?&#8217; said Horrocks. &#8216;So&#8217;ve I. Three white figures this time. We&#8217;ll worry through the entertainment together.&#8217;</p>
<p>So Horrocks and Tesser settled down in the Fort together, and the &#8216;Inextinguishables&#8217; said pleasant things about &#8216;seven other Devils.&#8217; Tesser didn&#8217;t see where the joke came in. His room was thrown upside-down three nights out of seven. Horrocks was not troubled in any way, so his ghosts must have been purely local ones. Tesser, on the other hand, was personally haunted; for his Devil had moved with him from Cantonments to the Fort. Those two boys spent three parts of their time trying to find out who was responsible for the riot in Tesser&#8217;s rooms. At the end of a fortnight they tried to find out what was responsible; and seven days later they gave it up as a bad job. Whatever It was, It refused to be caught; even when Tesser went out of the Fort ostentatiously, and Horrocks lay under Tesser&#8217;s charpoy with a revolver. The servants were afraid — more afraid than ever — and all the evidence showed that they had been playing no tricks. As Tesser said to Horrocks: &#8216;A haunted Subaltern is a joke, but s&#8217;pose this keeps on. Just think what a haunted Colonel would be! And look here — s&#8217;pose I marry! D&#8217;you s&#8217;pose a girl would live a week with me and this Devil?&#8217;</p>
<p>&#8216;I don&#8217;t know,&#8217; said Horrocks. &#8216;I haven&#8217;t married often; but I knew a woman once who lived with her husband when he had D.T. He&#8217;s dead now, and I dare say she would marry you if you asked her. She isn&#8217;t exactly a girl though, but she has a large experience of the other devils — the blue variety. She&#8217;s a Government pensioner now, and you might write, y&#8217;know. Personally, if I hadn&#8217;t suffered from ghosts of my own, I should rather avoid you.&#8217;</p>
<p>&#8216;That&#8217;s just the point,&#8217; said Tesser. &#8216;This Devil thing will end in getting me budnamed, and you know I&#8217;ve lived on lemon-squashes and gone to bed at ten for weeks past.&#8217;</p>
<p>&#8221;Tisn&#8217;t that sort of Devil,&#8217; said Horrocks. &#8216;It&#8217;s either a first-class fraud for which some one ought to be killed, or else you&#8217;ve offended one of these Indian Devils. It stands to reason that such a beastly country should be full of fiends of all sorts.&#8217;</p>
<p>&#8216;But why should the creature fix on me,&#8217; said Tesser, and why won&#8217;t he show himself and have it out like a — like a Devil?&#8217;</p>
<p>They were talking outside the Mess after dark, and, even as they spoke, they heard the banjo begin to play in Tesser&#8217;s room, about twenty yards off.</p>
<p>Horrocks ran to his own quarters for a shot-gun and a revolver, and Tesser and he crept up quietly, the banjo still playing, to Tesser&#8217;s door.</p>
<p>&#8216;Now we&#8217;ve got It!&#8217; said Horrocks, as he threw the door open and let fly with the twelve-bore; Tesser squibbing off all six barrels into the dark, as hard as he could pull trigger.</p>
<p>The furniture was ruined, and the whole Fort was awake; but that was all. No one had been killed, and the banjo was lying on the dishevelled bed-clothes as usual.</p>
<p>Then Tesser sat down in the verandah, and used language that would have qualified him for the companionship of unlimited Devils. Horrocks said things too; but Tesser said the worst.</p>
<p>When the month in the Fort came to an end, both Horrocks and Tesser were glad. They held a final council of war, but came to no conclusion.</p>
<p>&#8221;Seems to me, your best plan would be to make your Devil stretch himself. Go down to Bombay with the &#8216;time-expired men,&#8217; said Horrocks. &#8216;If he really is a Devil, he&#8217;ll come in the train with you.&#8217;</p>
<p>&#8221;Tisn&#8217;t good enough,&#8217; said Tesser. &#8216;Bombay&#8217;s no fit place to live in at this time of the year. But I&#8217;ll put in for Depot duty at the Hills.&#8217; And he did.</p>
<p>Now here the tale rests. The Devil stayed below, and Tesser went up and was free. If I had invented this story, I should have put in a satisfactory ending — explained the manifestations as somebody&#8217;s practical joke. My business being to keep to facts, I can only say what I have said. The Devil may have been a hoax. If so, it was one of the best ever arranged. If it was not a hoax&#8230; but you must settle that for yourselves.</p>
<p>RUDYARD KIPLING.</p>
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		<title>Her Little Responsibility</title>
		<link>https://www.kiplingsociety.co.uk/tale/her-little-responsibility.htm</link>
		
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		<pubDate>Sat, 01 May 2021 10:52:59 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/her-little-responsibility/</guid>

					<description><![CDATA[<strong>[a short tale]</strong> And No Man may answer for the Soul of His Brother <b>IT</b> was two in the morning, and Epstin’s Dive was almost empty, when a Thing staggered down the steps that led ... <a title="Her Little Responsibility" class="read-more" href="https://www.kiplingsociety.co.uk/tale/her-little-responsibility.htm" aria-label="Read more about Her Little Responsibility">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center; color: red; font-style: italic;"><strong>[a short tale]</strong></p>
<p style="text-align: center; font-size: 14px; font-style: italic;">And No Man may answer for the Soul of His Brother</p>
<p><b>IT</b> was two in the morning, and Epstin’s Dive was almost empty, when a Thing staggered down the steps that led to that horrible place and fawned on me disgustingly for the price of a drink. “I’m dying of thirst,” he said, but his tone was not that of a street loafer. There is a freemasonry, the freemasonry of the public schools, stronger than any that the Craft knows. The Thing drank whisky raw, which in itself is not calculated to slake thirst, and I waited at its side because I knew, by virtue of the one sentence above recorded, that it once belonged to my caste. Indeed, so small is the world when one begins to travel round it, that, for aught I knew, I might even have met the Thing in that menagerie of carefully-trained wild beasts, Decent Society. And the Thing drank more whisky ere the flood-gates of its speech were loosed and spoke of the wonderful story of its fall.</p>
<p>Never man, he said, had suffered more than he, or for slighter sin. Whereat I winked beerily into the bottom of my empty glass, having heard that tale before. I think the Thing had been long divided from all social and moral restraint—even longer from the wholesome influence of soap and water.</p>
<p>“What I feel most down here,’’ said It, and by “down here” I presume he meant the Inferno of his own wretchedness, “is the difficulty about getting a bath. A man can always catch a free lunch at any of the bars in the city, if he has money enough to buy a drink with, and you can sleep out for six or eight months of the year without harm, but San Francisco doesn’t run to free baths. It’s not an amusing life any way you look at it. I’m more or less used to things, but it hurts me even now to meet a decent man who knows something of life in the old country. I was raised at Harrow—Harrow, if you please—and I’m not five-and-twenty yet, and I haven’t got a penny, and I haven’t got a friend, and there is nothing in creation that I can command except a drink, and I have to beg for that. Have you ever begged for a drink? It hurts at first, but you get used to it. My father’s a parson. I don’t think he knows I beg drink. He lives near Salisbury. Do you know Salisbury at all? And then there’s my mother, too. But I have not heard from either of them for a couple of years. They think I’m in a real estate office in Washington Territory, coining money hand over fist. If ever you run across them—I suppose you will some day—there’s the address. Tell them that you’ve seen me, and that I am well and fit. Understand?—well and fit. I guess I’ll be dead by the time you see ’em. That’s hard. Men oughtn’t to die at five-and-twenty—of drink. Say, were you ever mashed on a girl? Not one of these you see, girls out here, but an English one—the sort of girl one meets at the Vicarage tennis-party, don’t you know. A girl of our own set. I don’t mean mashed exactly, but dead, clean gone, head over ears; and worse than that I was once, and I fancy I took the thing pretty much as I take liquor now. I didn’t know when to stop. It didn’t seem to me that there was any reason for stopping in affairs of that kind. I’m quite sure there’s no reason for stopping half-way with liquor. Go the whole hog and die. It’s all right, though—I’m not going to get drunk here. Five in the morning will suit me just as well, and I haven’t the chance of talking to one of you fellows often. So you cut about in fine clothes, do you, and take your drinks at the best bars and put up at the Palace? All Englishmen do. Well, here’s luck; you may be what I am one of these days. You’ll find companions quite as well raised as yourself.</p>
<div align="center"><span class="h2"><b>.     .     .     .     .</b></span></div>
<p>“But about this girl. Don’t do what I did. I fell in love with her. She lived near us in Salisbury; that was when I had a clean shirt every day and hired horses to ride. One of the guineas I spent on that amusement would keep me for a week here. But about this girl. I don’t think some men ought to be allowed to fall in love any more than they ought to be allowed to taste whisky. She said she cared for me. Used to say that about a thousand times a day, with a kiss in between. I think about those things now, and they make me nearly as drunk as the whisky does. Do you know anything about that love-making business? I stole a copy of Cleopatra off a bookstall in Kearney Street, and that priest-chap says a very true thing about it. You can’t stop when it’s once started, and when it’s all over you can’t give it up at the word of command. I forget the precise language. That girl cared for me. I’d give something if she could see me now. She doesn’t like men without collars and odd boots and somebody else’s hat; but anyhow she made me what I am, and some day she’ll know it. I came out here two years ago to a real estate office; my father bought me some sort of a place in the firm. We were all Englishmen, but we were about a match for an average Yankee; but I forgot to tell you I was engaged to the girl before I came out. Never you make a woman swear oaths of eternal constancy. She’ll break every one of them as soon as her mind changes, and call you unjust for making her swear them. I worked enough for five men in my first year. I got a little house and lot in Tacoma fit for any woman. I never drank, I hardly ever smoked, I sold real estate all day, and wrote letters at night. She wrote letters, too, about as full of affection as they make ’em. You can tell nothing from a woman’s letter, though. If they want to hide any- thing, they just double the ‘dears’ and ‘darlings,’ and then giggle when the man fancies himself deceived.</p>
<p>“I don’t suppose I was worse off than hundreds of others, but it seems to me that she might have had the grace to let me down easily. She went and got married. I don’t suppose she knew exactly what she was doing, because I got the letters just the same six weeks after she was married! It was an odd copy of an English paper that showed me what had happened. It came in on the same day as one of her letters, telling me she would be true to the gates of death. Sounds like a novel, doesn’t it? But it did not amuse me in the least. I wasn’t constructed to pitch the letters into the fire and pick up with a Yankee girl. I wrote her a letter; I rather wish I could remember what was in that letter. Then I went to a bar in Tacoma and had some whisky, about a gallon, I suppose. If I had anything approaching to a word of honour about me, I would give it you that I did not know what happened until I was told that my partnership with the firm had been dissolved, and that the house and lot did not belong to me any more. I would have left the firm and sold the house, anyhow, but the crash sobered me for about three days. Then I started another jamboree. I might have got back after the first one, and been a prominent citizen, but the second bust settled matters. Then I began to slide on the down-grade straight off, and here I am now. I could write you a book about what I have come through, if I could remember it. The worst of it is I can see that she wasn’t worth losing anything in life for, but I’e lost just everything, and I’m like the priest-chap in Cleopatra—I can’t get over what I remember. If she had let me down easy, and given me warning, I should have been awfully cut up for a time, but I should have pulled through. She didn’t do that, though. She lied to me all along, and married a curate, and I dare say she’ll be a virtuous she-vicar later on; but the little affair broke me dead, and if I had more whisky in me I should be blubbering like a calf all round this Dive. That would have disgusted you, wouldn’t it?”</p>
<p>“Yes,” said I.</p>
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		<title>His Brother’s Keeper</title>
		<link>https://www.kiplingsociety.co.uk/tale/his-brothers-keeper.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Thu, 19 Nov 2020 15:36:08 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/his-brothers-keeper/</guid>

					<description><![CDATA[<strong>page 1 of 3 </strong> <b>“WHIST?”</b> “Can’t make up a four?” “Poker, then?” “Never again with you, Robin. ’Tisn’t good enough, old man.” “Seeking what he may devour,” murmured a third voice from behind a ... <a title="His Brother’s Keeper" class="read-more" href="https://www.kiplingsociety.co.uk/tale/his-brothers-keeper.htm" aria-label="Read more about His Brother’s Keeper">Read more</a>]]></description>
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<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 3<br />
</strong></p>
<p><b>“WHIST?”</b></p>
<p>“Can’t make up a four?”</p>
<p>“Poker, then?”</p>
<p>“Never again with you, Robin. ’Tisn’t good enough, old man.”</p>
<p>“Seeking what he may devour,” murmured a third voice from behind a newspaper. “Stop the punkah, and make him go away.”</p>
<p>“Don’t talk of it on a night like this. It’s enough to give a man fits. You’ve no enterprise. Here I’ve taken the trouble to come over after dinner——”</p>
<p>“On the off-chance of skinning some one. I don’t believe you ever crossed a horse for pleasure.”</p>
<p>“That’s true, I never did—and there are only two Johnnies in the Club.”</p>
<p>“They’ve all gone off to the Gaff.”</p>
<p>“<i>Wah! Wah!</i> They must be pretty hard up for amusement. Help me to a split.”</p>
<p>“Split in this weather! Hi, bearer, <i>do burra — burra</i> whiskey-peg <i>lao</i>, and just put all the <i>barf</i> into them that you can find.”</p>
<p>The newspaper came down with a rustle, as the reader said:</p>
<p>“How the deuce d’you expect a man to improve his mind when you two are <i>bukking</i> about drinks? <i>Qui hai! Mera wasti bhi.</i>”</p>
<p>“Oh! you’re alive, are you? I thought pegs would fetch you out of that. Game for a little poker?”</p>
<p>“Poker—poker—<i>red-hot</i> poker! Saveloy, you’re too generous. Can’t you let a man die in peace?”</p>
<p>“Who’s going to die?”</p>
<p>“I am, please the pigs, if it gets much hotter and that bearer doesn’t bring the peg quickly.”</p>
<p>“All right. Die away, <i>mon ami</i>. Only don’t do it in the Club, that’s all. Can’t have it littered up with dead members. Houligan would object.”</p>
<p>“By Jove! I think I can imagine old Houligan doing it. ‘Member dead in the ante-room? Good Gud! Bless my soul! Impossible to run a Club this way. Call the Babu and see if his last month’s bill is paid. Not paid! Good Gud! Bless my soul! Impossible to run a Club this way. Babu, attach that body till the bill is paid.’ Revel, you might just hurry up your dying once in a way to give us the pleasure of seeing Houligan perform.”</p>
<p>“I’ll die legitimately,” said Revel. “I’m not going to create a fresh scandal in the station. I’ll wait for heat-apoplexy, or whatever is going, to come and fetch me.”</p>
<p>“This is <i>pukka</i> hot-weather talk,” said Saveloy. “I come over for a little honest poker, and find two moderately sensible men, Revel and Dallston, talking tombs. I’m sorry I’ve thrown away my valuable evening.”</p>
<p>“D’you expect us to talk about buttercups and daisies, then?” said Dallston.</p>
<p>“No, but there’s some sort of medium between those and Sudden Death.”</p>
<p>“There isn’t. I haven’t seen a daisy for seven years, and now I want to die,” said Revel, plunging luxuriously into his peg.</p>
<p>“I knew a Johnnie on the Frontier once who <i>did</i>,” began Dallston meditatively.</p>
<p>“Half a minute. Bearer, <i>cherut lao!</i> Tobacco soothes the nerves when a man is expecting to hear a whacker. We know what your Frontier stories are, Martha.”</p>
<p>Dallston had once, in a misguided moment, taken the part of Martha in the burlesque of <i>Faust</i>, and the nickname stuck.</p>
<p>“’Tisn’t a whacker, it’s a fact. He told me so himself.”</p>
<p>“They always do, Martha. I’ve noticed that before. But what did he tell you?”</p>
<p>“He told me that he had died.”</p>
<p>“Was <i>that</i> all? Explain him.”</p>
<p>“It was this way. The man went down with a bad go of fever and was off his head. About the second day it struck him in the middle of the night.”</p>
<p>“Steady the Buffs! Martha, you aren’t an Irishman yet.”</p>
<p>“Never mind. It’s too hot to put it correctly. In the middle of the night he woke up quite calm, and it struck him that it would be a good thing to die—just as it might ha’ struck him that it would be a good thing to put ice on his head. He lay on his bed and thought it over, and the more he thought about it, the better sort of <i>bundobust</i> it seemed to be. He was quite calm, you know, and he said that he could have sworn that he had no fever on him.”</p>
<p>“Well, what happened?”</p>
<p>“Oh, he got up and loaded his revolver—he remembers all this—and let fly, with the muzzle to his temple. The thing didn’t go off, so he turned it up and found he’d forgot to load one chamber.”</p>
<p>“Better stop the tale there. We can guess what’s coming.”</p>
<p>“Hang it! It’s a <i>true</i> yam. Well, he jammed the thing to his head <i>again</i>, and it missed fire, and he said that he felt ready to cry with rage, he was so disgusted. So he took it by the muzzle and hit himself on the head with it.”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>“Good man! Didn’t it go off <i>then?</i>”</p>
<p>“No, but the blow knocked him silly, and he thought he was dead. He was awfully pleased, for he had been fiddling over the show for nearly half an hour. He dropped down and died. When he got his wits again, he was shaking with the fever worse than ever, but he had sense enough to go and knock up the doctor and give himself into his charge as a lunatic. Then he went clean off his head till the fever wore out.”</p>
<p>“That’s a good story,” said Revel critically. “I didn’t think you had it in you at this season of the year.”</p>
<p>“I can believe it,” said the man they called Saveloy. “Fever makes one do all sorts of queer things. I suppose your friend was mad with it when he discovered it would be so healthy to die.”</p>
<p>“S’pose so. The fever must have been so bad that he felt all right—same way that a man who is nearly mad with drink gets to look sober. Well, anyhow, there was a man who died.”</p>
<p>“Did he tell you what it felt like?”</p>
<p>“He said that he was awfully happy until his fever came back and shook him up. Then he was sick with fear. I don’t wonder. He’d had rather a narrow escape.”</p>
<p>“That’s nothing,” said Saveloy. “I know a man who lived.”</p>
<p>“So do I,” said Revel. “Lots of ’em, confound ’em.”</p>
<p>“Now, this takes Martha’s story, and it’s quite true.”</p>
<p>“They always are,” said Martha. “I’ve noticed that before.”</p>
<p>“Never mind, I’ll forgive you. But this happened to me. Since you are talking tombs, I’ll assist at the seance. It was in ’82 or ’88, I have forgotten which. Anyhow, it was when I was on the Utamamula Canal Headworks, and I was chumming with a man called Stovey. You’ve never met him because he belongs to the Bombay side, and if he isn’t really dead by this he ought to be somewhere there now. He was a <i>pukka</i> sweep, and I hated him. We divided the Canal bimgalow between us, and we kept strictly to our own side of the buildings.”</p>
<p>“Hold on! I call. What was Stovey to look at?” said Revel.</p>
<p>“Living picture of the King of Spades—a blackish, greasy sort of ruffian who hadn’t any pretence of manners or form. He used to dine in the kit he had been messing about the Canal in all day, and I don’t believe he ever washed. He had the embankments to look after, and I was in charge of the headworks, but he was always contriving to fall foul of me if he possibly could.”</p>
<p>“I know that sort of man. Mullane of Ghoridasah’s built that way.”</p>
<p>“Don’t know Mullane, but Stovey was a sweep. Canal work isn’t exactly cheering, and it doesn’t take you into <i>much</i> society. We were like a couple of rats in a burrow, grubbing and scooping all day and turning in at night into the barn of a bungalow. Well, this man Stovey didn’t get fever. He was so coated with dirt that I don’t believe the fever could have got at him. He just began to go mad.”</p>
<p>“Cheerful! What were the symptoms?”</p>
<p>“Well, his naturally vile temper grew infamous. It was really unsafe to speak to him, and he always seemed anxious to murder a coolie or two. With me, of course, he restrained himself a little, but he sulked like a bear for days and days together. As he was the only European society within sixty miles, you can imagine how nice it was for me. He’d sit at table and sulk and stare at the opposite wall by the hour—instead of doing his work. When I pointed out that the Government didn’t send us into these cheerful places to twiddle our thimibs, he glared like a beast. Oh, he was a thorough hog! He had a lot of other endearing tricks, but the worst was when he began to pray.”</p>
<p>“Began to—how much?”</p>
<p>“Pray. He’d got hold of an old copy of the <i>War Cry</i> and used to read it at meals; and I suppose that that, on the top of tough goat, disordered his intellect. One night I heard him in his room groaning and talking at a fearful rate. Next morning I asked him if he’d been taken worse. ‘I’ve been engaged in prayer,’ he said, looking as black as thunder. ‘A man’s spiritual concerns are his own property.’ One night—he’d kept up these spiritual exercises for about ten days, growing queerer and queerer every day—he said ‘ Good-night’ after dinner, and got up and shook hands with me.”</p>
<p>“Bad sign, that,” said Revel, sucking industriously at his cheroot.</p>
<p>“At first I couldn’t make out what the man wanted. No fellow shakes hands with a fellow he’s living with—least of all such a beast as Stovey. However, I was civil, but the minute after he’d left the room it struck me what he was going to do. If he hadn’t shaken hands I’d have taken no notice, I suppose. This unusual effusion put me on my guard.”</p>
<p>“Curious thing! You can nearly always tell when a Johnnie means pegging out. He gives himself away by some softening. It’s human nature. What did you do?”</p>
<p>“Called him back, and asked him what the this and that he meant by interfering with my coolies in the day. He was generally hampering my men, but I had never taken any notice of his vagaries till then. In another minute we were arguing away, hammer and tongs. If it had been any other man I’d ’a’ simply thrown the lamp at his head. He was calling me all the mean names under the sum, accusing me of misusing my authority and goodness only knows what all. When he had talked himself down one stretch, I had only to say a few words to start him off again, as fresh as a daisy. On my word, this jabbering went on for nearly three hours.”</p>
<p>“Why didn’t you get coolies and have him tied up, if you thought he was mad?” asked Revel.</p>
<p>“Not a safe business, believe me. Wrongful restraint on your own responsibility of a man nearly your own standing looks ugly. Well, Stovey went on bullying me and complaining about everything I’d ever said or done since I came on the Canal, till—he went fast asleep.”</p>
<p>“Wha-at?”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>“Went off dead asleep, just as if he’d been drugged. I thought the brute had had a fit at first, but there he was, with his head hanging a little on one side and his mouth open. I knocked up his bearer and told him to take the man to bed. We carried him off and shoved him on his charpoy. He was still asleep, and I didn’t think it worth while to undress him. The fit, whatever it was, had worked itself out, and he was limp and used up. But as I was going to leave the room, and went to turn the lamp down, I looked in the glass and saw that he was watching me between his eyelids. When I spun round he seemed asleep. ‘That’s your game, is it?’ I thought, and I stood over him long enough to see that he was shamming. Then I cast an eye roumd the room and saw his Martini in the comer. We were all <i>bullumteers</i> on the Canal works. I couldn’t find the cartridges, so to make all serene I knocked the breech-pin out with the cleaning-rod and went to my own room. I didn’t go to sleep for some time. About one o’clock—our rooms were only divided by a door of sorts, and my bed was close to it—I heard my friend open a chest of drawers. Then he went for the Martini. Of course, the breechblock came out with a rattle. Then he went back to bed again, and I nearly laughed.</p>
<p>“Next morning he was doing the genial, hail-fellow-well-met trick. Said he was afraid he’d lost his temper overnight, and apologised for it. About half way through breakfast—he was talking thickly about everything and anything—he said he’d come to the conclusion that a beard was a beastly nuisance and made one stuffy. He was going to shave his. Would I lend him my razors? ‘Oh, you’re a crafty beast, you are,’ I said to myself. I told him that I was of the other opinion, and finding my razors nearly worn out had chucked them into the Canal only the night before. He gave me one look under his eyebrows and went on with his breakfast. I was in a stew lest the man should cut his throat with one of the breakfast knives, so I kept one eye on him most of the time.</p>
<p>“Before I left the bungalow I caught old Jeewun Singh, one of the <i>mistries</i> on the gates, and gave him strict orders that he was to keep in sight of the Sahib wherever he went and whatever he did; and if he did or tried to do anything foolish, such as jumping down the well, Jeewim Singh was to stop him. The old man tumbled at once, and I was easier in my mind when I saw how he was shadowing Stovey up and down the works. Then I sat down and wrote a letter to old Baggs, the Civil Surgeon at Chemanghath, about sixty miles off, telling him how we stood. The runner left about three o’clock. Jeewun Singh turned up at the end of the day and gave a full, true and particular account of Stovey’s doings. D’you know what the brute had done?”</p>
<p>“Spare us the agony. Kill him straight off, Saveloy!”</p>
<p>“He’d stopped the runner, opened the bag, read my letter and torn it up! There were only two letters in the bag, both of which I’d written. I was pretty <i>average</i> angry, but I lay low. At dinner he said he’d got a touch of dysentery and wanted some chlorodyne. For a man anxious to depart this life he was <i>about</i> as badly equipped as you could wish. Hadn’t even a medicine-chest to play with. He was no more suffering from dysentery than I, but I said I’d give him the chlorodyne, and so I did—fifteen drops, mixed in a wine-glass, and when he asked for the bottle I said that I hadn’t any more.</p>
<p>“That night he began praying again, and I just lay in bed and shuddered. He was invoking the most blasphemous curses on my head—all in a whisper, for fear of waking me up—for frustrating what he called his ‘great and holy purpose.’ You never heard anything like it. But as long as he was praying I knew he was alive, and he ran his praying half through the night.</p>
<p>“Well, for the next ten days he was apparently quite rational; but I watched him and told Jeewun Singh to watch him like a cat. I suppose he wanted to throw me off my guard, but I wasn’t to be thrown. I grew thin watching him. Baggs wrote in to say he had gone on tour and couldn’t be found anywhere in paiticular for another six weeks. It was a ghastly time.</p>
<p>“One day&amp; old Jeewun Singh turned up with a bit of paper that Storey had given to one of the <i>lohars as a naksha</i>. I thought it was mean work spying into another man’s very plans, but when I saw what was on the paper I gave old Jeewun Singh a rupee. It was a be-autiful little breech-pin. The one-idead idiot had gone back to Martini! I never dreamt of such persistence. ‘Tell me when the <i>lohar</i> gives it to the Sahib,’ I said, and I felt more comfy for a few days. Even if Jeewun Singh hadn’t split I would have known when the new breechpin was made. The brute came in to dinner with a dashed confident, triumphant air, as if he’d done me in the eye at last; and all through dinner he was fiddling in his waistcoat pocket. He went to bed early. I went, too, and I put my head against the door and listened like a woman. I must have been shivering in my pyjamas for about two hours before my friend went for the dismantled Martin! He could not get the breech-pin to fit at first. He rummaged about, and then I heard a file go. That seemed to make too much noise to suit his fancy, so he opened the door and went out into the compound, and I heard him, about fifty yards off, filing in the dark at that breech-pin as if he had been possessed. Well, he <i>was</i> you know. Then he came back to the light, cursing me for keeping him out of his rest and the peace of Abraham’s bosom. As soon as I heard him taking up the Martini, I ran round to his door and tried to enter gaily, as the stage directions say. ‘Lend me your gun, old man, if you’re awake,’ I said. ‘There’s a howling big brute of a pariah in my room, and I want to get a shot at it.’ I pretended not to notice that he was standing over the gun, but just pranced up and caught hold of it. He turned round with a jump and said: ‘I’m sick of this. I’ll see that dog, and if it’s another of your lies I’ll ——’ You know I’m not a moral man.”</p>
<p>“Hear! hearl” drowsily from Martha.</p>
<p>“But I simply daren’t repeat what he said. ‘All right!’ I said, still hanging on to the gun.</p>
<p>‘Come along and we’ll bowl him over.’ He followed me into my room with a face like a fiend in torment And, as truly as I’m yarning here, there <i>was</i> a huge brindled beast of a pariah sitting <i>on my bed!</i>”</p>
<p>“Tall, sir, tall. But go on. The audience is now awake.”</p>
<p>“Hang it! Could I have invented that pariah? Stovey dropped of the gun and flopped down in a comer and yowled. I went ‘<i>ee ki ri ki re!</i>’ like a woman in hysterics, pitched the gun forward and loosed off through a window.”</p>
<p>“And the pariah?”</p>
<p>“He quitted for the time being. Stovey was in an awful state. He swore the animal hadn’t been there when I called him. That was true enough. I firmly believe Providence put it there to save me from being killed by the infuriated Stovey.”</p>
<p>“You’ve too lively a belief in Providence altogether. What happened?”</p>
<p>“Stovey tried to recover himself and pass it all over, but he let me keep the gun and went to bed. About two days afterwards old Baggs turned up on tour, and I told him Stovey wanted watching—more than I could give him. I don’t know whether Baggs or the <i>pi</i> did it, but he didn’t throw any more suicidal splints. I was transferred a little while afterwards.”</p>
<p>“Ever meet the man again?”</p>
<p>“Yes; once at Sheik Katan dâk bungalow— trailing the big brindle <i>pi</i> after him.”</p>
<p>“Oh, it was real, then. I thought it was arranged for the occasion.”</p>
<p>“Not a bit. It was a <i>pukka pi</i>. Stovey seemed to remember me in the same way that a horse seems to remember. I fancy his brain was a little cloudy. We tiffined together— <i>after</i> the <i>pi</i> had been fed, if you please—and Stovey said to me: ‘See that dog? He saved my life once. Oh, by the way, I believe you were there, too, weren’t you?’ I shouldn’t care to work with Stovey again.”</p>
<div align="center"><span class="h2"><b>.     .     .     .     .</b></span></div>
<p>There was a holy pause in the smoking-room of the Toopare Club.</p>
<p>“What I like about Saveloy’s play,” said Martha, looking at the ceiling, “is the beautifully artistic way in which he follows up a flush with a full. Go to bed, old man!’</p>
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