<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>London &#8211; The Kipling Society</title>
	<atom:link href="https://www.kiplingsociety.co.uk/theme/settings/london/feed" rel="self" type="application/rss+xml" />
	<link>https://www.kiplingsociety.co.uk</link>
	<description>Promoting the works of Rudyard Kipling</description>
	<lastBuildDate>Wed, 15 Apr 2026 07:50:10 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
<site xmlns="com-wordpress:feed-additions:1">199627863</site>	<item>
		<title>How Shakespeare came to write The Tempest</title>
		<link>https://www.kiplingsociety.co.uk/journalism/how-shakespeare-came-to-write-the-tempest.htm</link>
		
		<dc:creator><![CDATA[Ian Bell]]></dc:creator>
		<pubDate>Thu, 14 Aug 2025 15:54:31 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=journalism&#038;p=89418</guid>

					<description><![CDATA[••<a href="https://en.wikipedia.org/wiki/Portal:Speculative_fiction/Selected_picture/4#/media/File:George_Romney_-_William_Shakespeare_-_The_Tempest_Act_I,_Scene_1.jpg" target="_blank" rel="noopener"></a>THE TEMPEST SIR: Your article on &#8216;Landscape and Literature&#8217; in the <i>Spectator</i> of June 18th has the following, among other suggestive passages: &#8220;But whence came the vision of the enchanted island in ... <a title="How Shakespeare came to write The Tempest" class="read-more" href="https://www.kiplingsociety.co.uk/journalism/how-shakespeare-came-to-write-the-tempest.htm" aria-label="Read more about How Shakespeare came to write The Tempest">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;">••<a href="https://en.wikipedia.org/wiki/Portal:Speculative_fiction/Selected_picture/4#/media/File:George_Romney_-_William_Shakespeare_-_The_Tempest_Act_I,_Scene_1.jpg" target="_blank" rel="noopener"><img decoding="async" class="size-full wp-image-94752 aligncenter" src="https://www.kiplingsociety.co.uk/wp-content/uploads/2026/02/icon-green.jpg" alt="" width="215" height="227" /></a>THE TEMPEST</p>
<p><span style="font-size: 16px;">SIR: Your article on &#8216;Landscape and Literature&#8217; in the <i>Spectator</i> of June 18th has the following, among other suggestive passages: &#8220;But whence came the vision of the enchanted island in the &#8216;Tempest&#8217;? It had no existence in Shakspere&#8217;s world, but was woven out of such stuff as dreams are made of.&#8221; </span></p>
<p><span style="font-size: 16px;">May I cite Malone&#8217;s suggestion connecting the play with the casting away of Sir George Somers on the island of Bermuda in 1609; and further may I be allowed to say how it seems to me possible that the vision was woven from the most prosaic material from nothing more promising in fact, than the chatter of a half-tipsy sailor at a theatre? Thus: </span></p>
<p><span style="font-size: 16px;">A stage-manager, who writes and vamps plays, moving among his audience, overhears a mariner discoursing to his neighbour of a grievous wreck, and of the behaviour of the passengers, for whom all sailors have ever entertained a natural contempt. He describes, with the wealth of detail peculiar to sailors, measures taken to claw the ship off a lee-shore, how helm and sails were workt, what the passengers did and what he said. One pungent phrase to be rendered later into: </span></p>
<p><span style="font-size: 16px;">&#8216;What care these brawlers for the name of King?&#8217; </span></p>
<p><span style="font-size: 16px;">strikes the manager&#8217;s ear, and he stands behind the talkers. Perhaps only one-tenth of the earnestly delivered, hand-on-shoulder sea talk was actually used of all that was automatically and unconsciously stored by the inland man who knew all inland arts and crafts. Nor is it too fanciful to imagine a half-turn to the second listener as the mariner, banning his luck as mariners will, says there are those who would not give a doit to a poor man while they will lay out ten to see a raree-show, a dead Indian. Were he in foreign parts, as he now is in England, he could show people something in the way of strange fish. Is it to consider too curiously to see a drink ensue on this hint (the manager dealt but little in his plays with the sea at first hand, and his instinct for new words would have been waked by what he had already caught), and with the drink a sailor&#8217;s minute description of how he went across the reefs to the island of his calamity, or islands rather, for there were many? Some you could almost carry away in your pocket. They were sown broadcast like like the nutshells on the stage there. </span></p>
<p><span style="font-size: 16px;">&#8220;Many islands, in truth,&#8221; says the manager patiently, and afterwards his Sebastian says to Antonio: </span></p>
<p><span style="font-size: 16px;">I think he will carry the island home in his pocket and give it to his son for an apple. </span></p>
<p><span style="font-size: 16px;">To which Antonio answers: </span></p>
<p><span style="font-size: 16px;">And sowing the kernels of it in the sea, bring forth more islands. </span></p>
<p><span style="font-size: 16px;">&#8220;But what was the island like?&#8221; says the manager. The sailor tries to explain. &#8220;It was green, with yellow in it; a tawny-coloured country&#8221; the colour, that is to say, of the coral-beached, cedar-covered Bermuda of today &#8220;and the air made one sleepy, and the place was full of noises &#8220;the muttering and roaring of the sea among the islands and between the reefs and there was a sou&#8217;-west wind that blistered one all over.&#8221; The Elizabethan mariner would not discriminate finely between blisters and prickly heat; but the Bermudian of today will tell you that the sou&#8217;-west or Lighthouse wind in summer brings that plague and general discomfort. That the coral rock, battered by the sea, rings hollow with strange sounds, answered by the winds in the little cramped valleys, is a matter of common knowledge. </span></p>
<p><span style="font-size: 16px;">The man, refreshed with more drink, then describes the geography of his landing place, the spot where Trinculo makes his first appearance. He insists and reinsists on details which to him at one time meant life or death, and the manager follows attentively. He can give his audience no more than a few hangings and a placard for scenery, but that his lines shall lift them beyond that bare show to the place he would have them, the manager needs for himself the clearest possible understanding, the most ample detail. He must see the scene in the round solid ere he peoples it. Much, doubtless, he discarded, but so closely did he keep to his original informations that those who go today to a certain beach some two miles from Hamilton will find the stage set for Act II, Scene 2 of the &#8216;Tempest,&#8217;a bare beach, with the wind singing through the scrub at the land&#8217;s edge, a gap in the reefs wide enough for the passage of Stephano&#8217;s butt of sack, and (these eyes have seen it) a cave in the coral within easy reach of the tide, whereto such a butt might be conveniently rolled. </span></p>
<p><span style="font-size: 16px;">(My cellar is in a rock by the seaside where my wine is hid). </span></p>
<p><span style="font-size: 16px;">There is no other cave for some two miles. </span></p>
<p><span style="font-size: 16px;">Here&#8217;s neither bush nor shrub; one is exposed to the wrath of &#8220;yond same black cloud,&#8221; and here the currents strand wreckage. It was so well done that, after three hundred years, a stray tripper and no Shakspere scholar, recognized in a flash that old first set of all. </span></p>
<p><span style="font-size: 16px;">So far good. Up to this point the manager has gained little except some suggestions for an opening scene, and some notion of an uncanny island. The mariner (one cannot believe that Shakspere was mean in these little things) is dipping to a deeper drunkenness. Suddenly he launches into a preposterous tale of himself and his fellows, flung ashore, separated from their officers, horribly afraid of the devil-haunted beach of noises, with their heads full of the fumes of broacht liquor. One castaway was found hiding under the ribs of a dead whale which smelt abominably. They hauled him out by the legs — he mistook them for imps — and gave him drink. And now, discipline being melted, they would strike out for themselves, defy their officers, and take possession of the island. The narrator&#8217;s mates in this enterprise were probably described as fools. He was the only sober man in the company. </span></p>
<p><span style="font-size: 16px;">So they went inland, faring badly as they staggered up and down this pestilent country. They were prickt with palmettoes, and the cedar branches raspt their faces. Then they found and stole some of their officers&#8217; clothes which were hanging up to dry. But presently they fell into a swamp, and, what was worse, into the hands of their officers; and the great expedition ended in muck and mire. Truly an island bewicht. Else why their cramps and sickness? Sack never made a man more than reasonably drunk. He was prepared to answer for unlimited sack; but what befell his stomach and head was the purest magic that honest man ever met. </span></p>
<p><span style="font-size: 16px;">A drunken sailor of to-day wandering about Bermuda would probably sympathize with him; and to-day, as then, if one takes the easiest inland road from Trinculo&#8217;s beach, near Hamilton, the path that a drunken man would infallibly follow, it ends abruptly in swamp. The one point that our mariner did not dwell upon was that he and the others were suffering from acute alcoholism combined with the effects of nerve-shattering peril and exposure. Hence the magic. That a wizard should control such an island was demanded by the beliefs of all seafarers of that date. </span></p>
<p><span style="font-size: 16px;">Accept this theory, and you will concede that the &#8216;Tempest&#8217; came to the manager sanely and normally in the course of his daily life. He may have been casting about for a new play; he may have purposed to vamp an old one say — <i>Aurelio and Isabella</i>; or he may have been merely waiting on his demon. But it is all Prospero&#8217;s wealth against Caliban&#8217;s pignuts that to him in a receptive hour, sent by heaven, entered the original Stephano fresh from the seas and half-seas over. To him Stephano told his tale all in one piece, a two hours&#8217; discourse of most glorious absurdities. His profligate abundance of detail at the beginning, when he was more or less sober, supplied and surely establisht the earth-basis of the play in accordance with the great law that a story to be truly miraculous must be ballasted with facts. His maunderings of magic and incomprehensible ambushes, when he was without reservation drunk (and this is just the time when a lesser-minded man than Shakspere would have paid the reckoning and turned him out) suggested to the manager the peculiar note of its supernatural mechanism. </span></p>
<p><span style="font-size: 16px;">Truly it was a dream, but that there may be no doubt of its source or of his obligation, Shakspere has also made the dreamer immortal. </span></p>
<p><span style="font-size: 16px;">RUDYARD KIPLING.</span></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">89418</post-id>	</item>
		<item>
		<title>My First Book</title>
		<link>https://www.kiplingsociety.co.uk/journalism/my-first-book.htm</link>
		
		<dc:creator><![CDATA[Ian Bell]]></dc:creator>
		<pubDate>Fri, 15 Aug 2025 07:35:58 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=journalism&#038;p=89496</guid>

					<description><![CDATA[<em>image • Departmental Ditties 1891 edition (cover) • Thacker, Spink &#38; Co (Calcutta) • Internet Archive</em> AS there is only one man in charge of a steamer, so there is but one man in charge ... <a title="My First Book" class="read-more" href="https://www.kiplingsociety.co.uk/journalism/my-first-book.htm" aria-label="Read more about My First Book">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-family: 'times new roman', times, georgia, serif; font-size: 16px; color: #666699;"><em>image • Departmental Ditties 1891 edition (cover) • Thacker, Spink &amp; Co (Calcutta) • Internet Archive</em></span></p>
<p><span style="font-family: arial, helvetica, sans-serif; font-size: 16px;">AS there is only one man in charge of a steamer, so there is but one man in charge of a newspaper, and he is the Editor. My Chief taught me this on an Indian journal, and he further explained that an order was an order, to be obeyed at a run, not a walk, and that any notion or notions as to the fitness or unfitness of any particular kind of work for the young had better be held over till the last page was locked up to press. He was breaking me into harness, and I owe him a deep debt of gratitude, which I did not discharge at the time. The path of virtue was very steep, whereas the writing of verses allowed a certain play to the mind, and, unlike the filling-in of reading-matter, could be done as the spirit served. Now a sub-editor is not hired to write verses. He is paid to sub-edit. At the time, this discovery shocked me greatly; but, some years later, when, for a few weeks I came to be an editor- in-charge, Providence dealt me for my sub-ordinate one saturated with Elia. He wrote very pretty, Lamb-like essays, but he wrote them when he should have been sub-editing. Then I saw a little what my Chief must have suffered on my account. There is a moral here for the ambitious and aspiring who are oppressed by their superiors.</span></p>
<p>This is a digression, as all my verses were digressions from office work. They came without invitation, unmanneredly, in the nature of things; but they had to come, and the writing out of them kept me healthy and amused. To the best of my remembrance, no one then discovered their grievous cynicism, or their pessimistic tendency, and I was far too busy, and too happy, to take thought about these things.</p>
<p>So they arrived merrily, being born out of the life about me, and they were very bad indeed; but the joy of doing them was pay a thousand times their worth. Some, of course, came and ran away again, and the dear sorrow of going in search of these (out of office hours) and catching them, was almost better than writing them clear. Bad as they were, I burned twice as many as were published, and of the survivors at least two-thirds were cut down at the last moment. Nothing can be wholly beautiful that is not useful, and therefore my verses were made to ease off the perpetual strife between the manager extending his advertisements, and my Chief fighting for his reading-matter. They were born to be sacrificed. Rukn-Din, the foreman of our side, approved of them immensely, for he was a Muslim of culture. He would say: &#8216;Your potery very good, sir; just coming proper length today. You giving more soon? One-third column just proper. Always can take on third page.&#8217;</p>
<p>Mahmoud, who set them up, had an unpleasant way of referring to a new lyric as &#8216;<i>Ek aur chiz </i>&#8216;— &#8216;one more thing &#8216;—which I never liked. The job side, too, were unsympathetic, because I used to raid into their type for private proofs with Old English and Gothic headlines. Even a Hindu does not like to find the serifs of his f&#8217;s cut away to make long s&#8217;s.</p>
<p>And in this manner, week by week, my verses came to be printed in the paper. I was in very good company, for there is always an undercurrent of song, a little bitter for the most part, running through the Indian papers. The bulk of it is much better than mine, being more graceful, and is done by those less than Sir Alfred Lyall — to whom I would apologise for mentioning his name in this gallery — &#8216;Pekin&#8217;, &#8216;Latakia&#8217;, &#8216;Cigarette,&#8217; &#8216; O,&#8217; &#8216; T.W.,&#8217; &#8216; Foresight,&#8217; and others, whose names came up with the stars out of the Indian Ocean going eastward.</p>
<p>Sometimes a man in Bangalore would be moved to song, and a man on the Bombay side would answer him, and a man in Bengal would echo back, till at last we would all be crowing together, like cocks before daybreak, when it is too dark to see your fellow. And, occasionally, some unhappy Chaaszee, away in the China Ports, would lift up his voice among the tea-chests, and the queer-smelling yellow papers of the Far East brought us his sorrows. The newspaper files showed that, forty years ago, the men sang of just the same subjects as we did — of heat, loneliness, love, lack of promotion, poverty, sport, and war. Further back still, at the end of the eighteenth century, <i>Hickey&#8217;s Bengal Gazette</i>, a very wicked little sheet in Calcutta, published the songs of the young factors, ensigns, and writers to the East India Company. They, too, wrote of the same things, but in those days men were strong enough to buy a bullock&#8217;s heart for dinner, cook it with their own hands because they could not afford a servant, and make a rhymed jest of all the squalor and poverty. Lives were not worth two monsoons&#8217; purchase, and perhaps a knowledge of this a little coloured the rhymes when they sang:</p>
<blockquote><p><span style="font-size: 16px; font-family: arial, helvetica, sans-serif;">&#8216;In a very short time you&#8217;re released from all cares — </span><br />
<span style="font-size: 16px; font-family: arial, helvetica, sans-serif;">If the Padre&#8217;s asleep, Mr. Oldham reads prayers!&#8217;</span></p></blockquote>
<p><span style="font-family: Times;"><span style="font-size: xx-small;"><span style="font-size: 16px; font-family: arial, helvetica, sans-serif;">The note of physical discomfort that runs through so much Anglo- Indian poetry had been struck then. You will find it most fully suggested in &#8216; The Long, Long Indian Day&#8217;, a comparatively modern affair; but there is a set of verses called &#8216;Scanty Ninety-five&#8217;, dated about Warren Hastings&#8217;s time, which gives a lively idea of what our seniors in the service had to put up with. One of the most interesting poems I ever found was written at Meerut, three or four days before the Mutiny broke out there. The author complained that he could not get his clothes washed nicely that week, and was very facetious over his worries!</span></span></span></p>
<p><span style="font-size: 16px; font-family: arial, helvetica, sans-serif;">My verses had the good fortune to last a little longer than some others, which were more true to facts, and certainly better workmanship. Men in the Army and the Civil Service and the Railway wrote to me saying that the rhymes might be made into a book. Some of them had been sung to the banjoes round the camp-fires, and some had run as far down coast as Rangoon and Moulmein, and up to Mandalay. A real book was out of the question, but I knew that Rukn-Din and the office plant were at my disposal at a price, if I did not use the office time. Also, I had handled in the previous year a couple of small books, of which I was part owner, and had lost nothing. So there was built a sort of book, a lean oblong docket, wire-stitched, to imitate a D.O. Government envelope, printed on one side only, bound in brown paper, and secured with red tape. It was addressed to all Heads of Departments, and all Government Officials, and among a pile of papers would have deceived a clerk of twenty years&#8217; service. Of these &#8216;books&#8217; we made some hundreds, and as there was no necessity for advertising, my public being to my hand, I took reply &#8211; postcards, printed the news of the birth of the book on one side, the blank order-form on the other, and posted them up and down the Empire from Aden to Singapore and from Quetta to Colombo. There was no trade discount, no reckoning twelves as thirteens, no commission, and no credit of any kind whatever. The money came back in poor but honest rupees, and was transferred from the publisher, my left-hand pocket, direct to the author, my right-hand pocket. Every copy sold in a few weeks, and the ratio of expenses to profits, as I remember it, has since prevented my injuring my health by sympathising with publishers who talk of their risks and advertisements. The down-country papers complained of the form of the thing. The wire-binding cut the pages, and the red tape tore the covers. This was not intentional, but Heaven helps those who help themselves. Consequently, there arose a demand for a new edition, and this time I exchanged the pleasure of taking in money over the counter for that of seeing a real publisher&#8217;s imprint on the title-page. More verses were taken out and put in, and some of that edition travelled as far as Hong Kong on the map, and each edition grew a little fatter, and, at last, the book came to London with a gilt top and a stiff back, and was advertised in a publisher&#8217;s poetry department.</span></p>
<p><span style="font-size: 16px; font-family: arial, helvetica, sans-serif;">But I loved it best when it was a little brown baby, with a pink string round its stomach; a child&#8217;s child ignorant that it was afflicted with all the most modern ailments; and before people had learned beyond doubt how its author lay awake of nights in India, plotting and scheming to write something that should take with the English public.</span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">89496</post-id>	</item>
		<item>
		<title>A Death in the Camp</title>
		<link>https://www.kiplingsociety.co.uk/tale/a-death-in-the-camp.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Thu, 27 May 2021 09:58:37 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/a-death-in-the-camp/</guid>

					<description><![CDATA[<strong>[a short tale]</strong> <b>TWO</b> awful catastrophes have occurred. One Englishman in London is dead, and I have scandalised about twenty of his nearest and dearest friends. He was a man nearly seventy years old, engaged ... <a title="A Death in the Camp" class="read-more" href="https://www.kiplingsociety.co.uk/tale/a-death-in-the-camp.htm" aria-label="Read more about A Death in the Camp">Read more</a>]]></description>
										<content:encoded><![CDATA[<div id="leftmargin">
<p style="text-align: center; color: red; font-style: italic;"><strong>[a short tale]</strong></p>
<p><b>TWO</b> awful catastrophes have occurred. One Englishman in London is dead, and I have scandalised about twenty of his nearest and dearest friends. He was a man nearly seventy years old, engaged in the business of an architect, and immensely respected. That was all I knew about him till I began to circulate among his friends in these parts, trying to cheer them up and make them forget the fog.</p>
<p>“Hush!” said a man and his wife. “Don’t you know he died yesterday of a sudden attack of pneumonia? Isn’t it shocking?”</p>
<p>“Yes,” said I vaguely. “Aw’fly shocking. Has he left his wife provided for?”</p>
<p>“Oh, he’s very well off indeed, and his wife is quite old. But just think—it was only in the next street it happened!” Then I saw that their grief was not for Strangeways, deceased, but for themselves.</p>
<p>“How old was he?” I said.</p>
<p>“Nearly seventy, or maybe a little over.”</p>
<p>“About time for a man to rationally expect such a thing as death,” I thought, and went away to another house, where a young married couple lived.</p>
<p>“Isn’t it perfectly ghastly?” said the wife. “Mr. Strangeways died last night.”</p>
<p>“So I heard,” said I. “Well, he had lived his life.”</p>
<p>“Yes, but it was such a shockingly short illness. Why, only three weeks ago he was walking about the street.” And she looked nervously at her husband, as though she expected him to give up the ghost at any minute.</p>
<p>Then I gathered, with the knowledge of the length of his sickness, that her grief was not for the late Mr. Strangeways, and went away thinking over men and women I had known who would have given a thousand years in Purgatory for even a week wherein to arrange their affairs, and who were anything but well off.</p>
<p>I passed on to a third house full of children, and the shadow of death hung over their heads, for father and mother were talking of Mr. Strangeway’s “end.” “Most shocking,” said they. “It seems that his wife was in the next room when he was dying, and his only son called her, so she just had time to take him in her arms before he died. He was unconscious at the last. Wasn’t it awful?”</p>
<p>When I went away from that house I thought of men and women without a week wherein to arrange their affairs, and without any money, who were anything but unconscious at the last, and who would have given a thousand years in Purgatory for one glimpse at their mothers, their wives or their husbands. I reflected how these people died tended by hirelings and strangers, and I was not in the least ashamed to say that I laughed over Mr. Strangeways’ death as I entered the house of a brother in his craft.</p>
<p>“Heard of Strangeways’ death?” said he. “Most hideous thing. Why, he had only a few days before got news of his designs being accepted by the Burgoyne Cathedral. If he had lived he would have been working out the deails now—with me.” And I saw that this man’s fear also was not on account of Mr. Strangeways. And I thought of men and women who had died in the midst of wrecked work; then I sought a company of young men and heard them talk of the dead. “That’s the second death among people I know within the year,” said one. “Yes, the second death,” said another.</p>
<p>I smiled a very large smile.</p>
<p>“And you know,” said a third, who was the oldest of the party, “they’ve opened the new road by the head of Tresillion Road, and the wind blows straight across that level square from the Parks. Everything is changing about us.”</p>
<p>“He was an old man,” I said.</p>
<p>“Ye-es. More than middle-aged,” said they.</p>
<p>“And he outlived his reputation?”</p>
<p>“Oh, no, or how would he have taken the designs for the Burgoyne Cathedral? Why, the very day he died . . . ”</p>
<p>“Yes,” said I. “He died at the end of a completed work—his design finished, his prize awarded?”</p>
<p>“Yes; but he didn’t live to . . . ”</p>
<p>“And his illness lasted seventeen days, of twenty-four hours each?”</p>
<p>“Yes.”</p>
<p>“And he was tended by his own kith and Mn, dying with his head on his wife’s breast, his hand in his only son’s hand, without any thought of their possible poverty to vex him. Are these things so?”</p>
<p>“Ye-es,” said they. “Wasn’t it shocking?”</p>
<p>“Shocking?” I said. “Get out of this place. Go forth, run about and see what death really means. You have described such dying as a god might envy and a king might pay half his ransom to make certain of. Wait till you have seen men—strong men of thirty-five, with little children, die at two days’ notice, penniless and alone, and seen it not once, but twenty times; wait till you have seen the young girl die within a fortnight of the wedding; or the lover within three days of his marriage; or the mother—sixty little minutes—before her son can come to her side; wait till you hesitate before handling your daily newspaper for fear of reading of the death of some young man that you have dined with, drank with, shot with, lent money to and borrowed money from, and tested to the uttermost—till you dare not hope for the death of an old man, but, when you are strongest, count up the tale of your acquaintances and friends, wondering how many will be alive six months hence. Wait till you have heard men calling in the death hour on kin that cannot come; till you have dined with a man one night and seen him buried on the next. Then you can begin to whimper about loneliness and change and desolation.” Here I foamed at the mouth.</p>
<p>“And do you mean to say,” drawled a young gentleman, “that there is any society in which that sort of holocaust goes on?”</p>
<p>“I do,” said I. “It’s not society; it’s Life,” And they laughed.</p>
<p>But this is the old tale of Pharaoh’s chariot-wheel and flying-fish.</p>
<p>If I tell them yarns, they say: “How true! How true!” If I try to present the truth, they say: “What superb imagination!”</p>
<p>“But you understand, don’t you?’</p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9346</post-id>	</item>
		<item>
		<title>A Really Good Time</title>
		<link>https://www.kiplingsociety.co.uk/tale/a-really-good-time.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Thu, 19 Nov 2020 15:35:57 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/a-really-good-time/</guid>

					<description><![CDATA[<strong>[a short tale]</strong> <b>THERE</b> are times when one wants to get into pyjamas and stretch and loll, and explain things generally. This is one of those times. It is impossible to stand at ease in ... <a title="A Really Good Time" class="read-more" href="https://www.kiplingsociety.co.uk/tale/a-really-good-time.htm" aria-label="Read more about A Really Good Time">Read more</a>]]></description>
										<content:encoded><![CDATA[<div id="leftmargin">
<p style="text-align: center; color: red; font-style: italic;"><strong>[a short tale]</strong></p>
<p><b>THERE</b> are times when one wants to get into pyjamas and stretch and loll, and explain things generally. This is one of those times. It is impossible to stand at ease in London, and the inhabitants are so abominably egotistical that one cannot shout “I, I, I” for two minutes without another man joining in with “Me, too!” Which things are an allegory.</p>
<p>The amusement began with a gentleman of infinite erudition offering to publish my autobiography. I was to write a string of legends—he would publish them; and would I forward a cheque for five guineas “to cover incidental expenses?” To him I explained that I wanted five guinea cheques myself very much indeed, and that, emboldened by his letter, which gave me a very fair insight into his character, I was even then maturing <i>his</i> autobiography, which I hoped to publish before long with illustrations, and would he forward a cheque for five guineas “to cover incidental expenses?” This brought me an eight-page compilation of contumely. He was grieved to find that he had been mistaken in my character, which he had believed was, at least, elevated. He begged me to remember that the first letter had been written in the strictest confidence, and that if I notated one tittle of the said “repository” he would unkennel the bloodhounds of the law and hunt me down. An autobiography on the lines that I had “so flippantly proposed” was libel without benefit of authorship, and I had better lend him two guineas—I.O.U. enclosed—to salve his lacerated feelings. I replied that I had his autobiography by me in manuscript, and would post it to his address, V.P.P., two guineas and one-half. He evidently knew nothing about the V.P.P., and the correspondence stopped. It is really very hard for an Anglo-Indian to get along in London. Besides, my autobiography is not a thing I should care to make public before extensive Bowdlerisation.</p>
<p>These things, however, only led up to much worse. I dare not grin over them unless I step aside Eastward. I wrote stories, all about little pieces of India, carefully arranged and expurgated for the English public. Then various people began to write about them. One gentleman pointed out that I had taken “the well-worn themes of passion, love, despair and fate,” and, thanks to the “singular fascination” of my style had “wrought them into new and glowing fabricks instinct with the eternal vitality of the East.” For three days after this chit I was almost too proud to speak to the housemaid with the fan-teeth (there is a story about her that I will tell another time). On the fourth day another gentleman made clear that that beautiful style was “tortuous, elaborated and inept,” and it was only on account of the “newness of the subjects handled so crabbedly” that I “arrested the attention of the public for a day.” Then I wept before the housemaid, and she called me a “real gentleman” because I gave her a shilling.</p>
<p>Then I tried an all-round cannon—published one thing under one name and another under another, and sat still to watch. A gentleman, who also speaks with authority on Literature and Art, came to me and said: “I don’t deny that there is a great deal of clever and superficial fooling in that last thing of yours in the—I’ve forgotten what it was called—but do you yourself think that you have that curious, subtle grip on and instinct of matters Oriental that that other man shows in his study of native life?” And he mentioned the name of my Other Self. I bowed my head, and my shoulders shook with repentance and grief. “No,” said I. “It’s so true,” said he. “Yes,” said I. “So feeling,” said he. “Indeed it is,” said I. “Such honest work, tool” said he. “Oh, awful!” said I. “Think it over,” said he, “and try to follow his path.” “I will,” said I. And when he left I danced sarabands with the housemaid of the fan-teeth till she wanted to know whether I had bought “spirruts.”</p>
<p>Then another man came along and sat on my sofa and hailed me as a brother. “And I know that we are kindred souls,” said he, “because I feel sure that you have evolved all the dreamy mystery and curious brutality of the British soldier from the pure realm of fancy.” “I did,” I said. “If you went into a barrack-room you would see at once.” “Faugh!” said he. “What have we to do with barrack-rooms? The pure air of fancy feeds us both; keep to that. If you are trammelled by the bitter, <i>bornée</i> truth, you are lost. You die the death of Zola. Invention is the only test of creation.” “Of course,” said I. “Zola’s a bold, bad man. Not a patch on <i>you</i>,” I hadn’t caught his name, but I fancied that would prevent him flinging himself about on my sofa, which is a cheap one. “I don’t say that altogether,” he said. “He has his strong points. But he is deficient in imaginative constructiveness. <i>You</i>, I see from what you have said, will belong to the Neo-Gynekalistic school.” I knew “Gyne” meant something about cow-killing, and was prepared to hedge when he said good-bye, and wrote an article about my ways and works, which brought another man to my door spouting foam.</p>
<p>“Great Landor’s ghost!” he said. “What under the stars has possessed you to join the Gynekalistic lot?” “I haven’t,” I said. “I believe in municipal regulation of slaughterhouses, if there is a strong Deputy Conmiissioner to control the Muhanunadan butchers, especially in the hot weather, but . . . ” “This is madness,” said he. “Your reputation is at stake. You must make it clear to the world that you have nothing whatever to do with the flatulent, imballasted fiction of . . . ” “Do you suppose the world cares a tuppeny dam?” said I.</p>
<p>Then he raged afresh, and left me, pointing out that the Gynewallahs wrote about nothing but women—which seems rather an unlimited subject—and that I would die the death of a French author whose name I have forgotten. But it wasn’t Zola this time.</p>
<p>I asked the housemaid what in the world the Gynekalisthenics were. “La, sir,” said she, “it’s only their way of being rude. That fat gentleman with the long hair tried to kiss me when I opened the door. I slapped his fat chops for him.”</p>
<p>Now the crisis is at its height. All the entire romid world, composed, as far as I can learn, of the Gynekalistic and the anti-Gynekalistic man, and two or three loafers, are trying to find out to what school I rightly belong. They seem to use what they are pleased to call my reputation as a bolster through which to stab at the foe. One gentleman is proving that I am a bit of a blackguard, probably reduced from the ranks, rather an impostor, and a considerable amount of plagiarist. The other man denies the reduction from the ranks, withholds judgment about the plagiarism, but would like, in the interest of the public—who are at present exclusively occupied with Barnum—to prove it true, and is convinced that my style is “hermaphroditic.” I have all the money on the first man. He is on the eve of discovering that I stole a dead Tommy’s diary just before I was drummed out of the service for desertion, and have lived on the proceeds ever since. “Do <i>yew</i> know,” as the Private Secretary said at Simla this year, “it’s remarkably hard for an Anglo-Indian to get along in England.”</p>
<p><i>Shakl hai lekin ukl nahin hai!</i></p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9208</post-id>	</item>
		<item>
		<title>Brugglesmith</title>
		<link>https://www.kiplingsociety.co.uk/tale/brugglesmith.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Sat, 17 Apr 2021 10:34:06 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=tale&#038;p=29310</guid>

					<description><![CDATA[<strong>page 1 of 6 </strong> <strong>THE</strong> first officer of the <i>Breslau</i> asked me to dinner on board, before the ship went round to Southampton to pick up her passengers. The <i>Breslau</i> was lying below London Bridge, her fore-hatches ... <a title="Brugglesmith" class="read-more" href="https://www.kiplingsociety.co.uk/tale/brugglesmith.htm" aria-label="Read more about Brugglesmith">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 6<br />
</strong></p>
<p><strong>THE</strong> first officer of the <i>Breslau</i> asked me to dinner on board, before the ship went round to Southampton to pick up her passengers. The <i>Breslau</i> was lying below London Bridge, her fore-hatches opened for cargo, and her deck littered with nuts and bolts, and screws and chains. The Black M‘Phee had been putting some finishing touches to his adored engines, and M‘Phee is the most tidy of chief engineers. If the leg of a cockroach gets into one of his slide-valves the whole ship knows it, and half the ship has to clean up the mess.</p>
<p>After dinner, which the first officer, M‘Phee, and I ate in one little corner of the empty saloon, M‘Phee returned to the engine-room to attend to some brass-fitters. The first officer and I smoked on the bridge and watched the lights of the crowded shipping till it was time for me to go home. It seemed, in the pauses of our conversation, that I could catch an echo of fearful bellowings from the engine-room, and the voice of M‘Phee singing of home and the domestic affections.</p>
<p>‘M‘Phee has a friend aboard to-night—a man who was a boiler-maker at Greenock when M‘Phee was a ’prentice,’ said the first officer. ‘I didn’t ask him to dine with us because——’</p>
<p>‘I see—I mean I hear,’ I answered. We talked on for a few minutes longer, and M‘Phee came up from the engine-room with his friend on his arm.</p>
<p>‘Let me present ye to this gentleman,’ said M‘Phee. ‘He’s a great admirer o’ your wor-rks. He has just hearrd o’ them.’</p>
<p>M‘Phee could never pay a compliment prettily. The friend sat down suddenly on a bollard, saying that M‘Phee had understated the truth. Personally, he on the bollard considered that Shakespeare was trembling in the balance solely on my account, and if the first officer wished to dispute this he was prepared to fight the first officer then or later, ‘as per invoice.’ ‘Man, if ye only knew,’ said he, wagging his head, ‘the times I’ve lain in my lonely bunk reading <i>Vanity Fair</i> an’ sobbin’—ay, weepin’ bitterly at the pure fascination of it.’</p>
<p>He shed a few tears for guarantee of good faith, and the first officer laughed. M‘Phee resettled the man’s hat, that had tilted over one eyebrow.</p>
<p>‘That’ll wear off in a little. It’s just the smell o’ the engine-room,’ said M‘Phee.</p>
<p>‘I think I’ll wear off myself,’ I whispered to the first officer. ‘Is the dinghy ready?’</p>
<p>The dinghy was at the gangway, which was down, and the first officer went forward to find a man to row me to the bank. He returned with a very sleepy Lascar, who knew the river.</p>
<p>‘Are you going?’ said the man on the bollard. ‘Well, I’ll just see ye home. M‘Phee, help me down the gangway. It has as many ends as a cato’-nine-tails, and—losh!—how innumerable are the dinghies!’</p>
<p>‘You’d better let him come with you,’ said the first officer. ‘Muhammad Jan, put the drunk sahib ashore first. Take the sober sahib to the next stairs.’</p>
<p>I had my foot in the bow of the dinghy, the tide was making up-stream, when the man cannoned against me, pushed the Lascar back on the gangway, cast loose the painter, and the dinghy began to saw, stern-first, along the side of the <i>Breslau</i>.</p>
<p>‘We’ll have no exter-r-raneous races here,’ said the man. ‘I’ve known the Thames for thirty years——’</p>
<p>There was no time for argument. We were drifting under the <i>Breslau’s</i> stern, and I knew that her propeller was half out of water, in the middle of an inky tangle of buoys, low-lying hawsers, and moored ships, with the tide ripping through them.</p>
<p>‘What shall I do?’ I shouted to the first officer.</p>
<p>‘Find the Police Boat as soon as you can, and for God’s sake get some way on the dinghy. Steer with the oar. The rudder’s unshipped and——’</p>
<p>I could hear no more. The dinghy slid away, bumped on a mooring-buoy, swung round and jigged off irresponsibly as I hunted for the oar. The man sat in the bow, his chin on his hands, smiling.</p>
<p>‘Row, you ruffian,’ I said. ‘Get her out into the middle of the river——’</p>
<p>‘It’s a preevilege to gaze on the face o’ genius. Let me go on thinking. There was “Little Barrnaby Dorrit” and “The Mystery o’ the Bleak Druid.” I sailed in a ship called the <i>Druid</i> once—badly found she was. It all comes back to me so sweet. It all comes back to me. Man, ye steer like a genius.’</p>
<p>We bumped round another mooring-buoy and drifted on to the bows of a Norwegian timber-ship—I could see the great square holes on either side of the cut-water. Then we dived into a string of barges and scraped through them by the paint on our planks. It was a consolation to think that the dinghy was being reduced in value at every bump, but the question before me was when she would begin to leak. The man looked ahead into the pitchy darkness and whistled.</p>
<p>‘Yon’s a Castle liner; her ties are black. She’s swinging across stream. Keep her port light on our starboard bow, and go large,’ he said.</p>
<p>‘How can I keep anything anywhere? You’re sitting on the oars. Row, man, if you don’t want to drown.’</p>
<p>He took the sculls, saying sweetly: ‘No harm comes to a drunken man. That’s why I wished to come wi’ <i>you</i>. Man, ye’re not fit to be alone in a boat.’</p>
<p>He flirted the dinghy round the big ship, and for the next ten minutes I enjoyed—positively enjoyed—an exhibition of first-class steering. We threaded in and out of the mercantile marine of Great Britain as a ferret threads a rabbit-hole, and we, he that is to say, sang joyously to each ship till men looked over bulwarks and cursed us. When we came to some moderately clear water he gave the sculls to me, and said:</p>
<p>‘If ye could row as ye write, I’d respect you for all your vices. Yon’s London Bridge. Take her through.’</p>
<p>We shot under the dark ringing arch, and came out the other side, going up swiftly with the tide chanting songs of victory. Except that I wished to get home before morning, I was growing reconciled to the jaunt. There were one or two stars visible, and by keeping into the centre of the stream, we could not come to any very serious danger.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>The man began to sing loudly:</p>
<p style="text-align: center; font-size: 14px;">‘The smartest clipper that you could find,<br />
Yo ho! Oho!<br />
Was the <i>Marg’ret Evans</i> of the Black X Line,<br />
A hundred years ago!</p>
<p>Incorporate that in your next book, which is marvellous.’ Here he stood up in the bows and declaimed:</p>
<p style="text-align: center; font-size: 14px;">‘Ye Towers o’ Julia, London’s lasting wrong,<br />
By mony a foul an’ midnight murder fed—<br />
Sweet Thames run softly till I end my song—<br />
And yon’s the grave as little as my bed.</p>
<p>I’m a poet mysel’ an’ I can feel for others.’</p>
<p>‘Sit down,’ said I. ‘You’ll have the boat over.’</p>
<p>‘Ay, I’m settin’—settin’ like a hen.’ He plumped down heavily, and added, shaking his forefinger at me:—</p>
<p style="text-align: center; font-size: 14px;">‘Lear-rn, prudent, cautious self-control<br />
Is wisdom’s root.</p>
<p>How did a man o’ your parts come to be so drunk? Oh, it’s a sinfu’ thing, an’ ye may thank God on all fours that I’m with you. What’s yon boat?’</p>
<p>We had drifted far up the river, and a boat manned by four men, who rowed with a soothingly regular stroke, was overhauling us.</p>
<p>‘It’s the River Police,’ I said, at the top of my voice.</p>
<p>‘Oh ay! If your sin do not find you out on dry land, it will find you out in the deep waters. Is it like they’ll give us drink?’</p>
<p>‘Exceedingly likely. I’ll hail them.’ I hailed.</p>
<p>‘What are you doing?’ was the answer from the boat.</p>
<p>‘It’s the <i>Breslau’s</i> dinghy broken loose,’ I began.</p>
<p>‘It’s a vara drunken man broke loose,’ roared my companion, ‘and I’m taking him home by water, for he cannot stand on dry land.’ Here he shouted my name twenty times running, and I could feel the blushes racing over my body three deep.</p>
<p>‘You’ll be locked up in ten minutes, my friend,’ I said, ‘and I don’t think you’ll be bailed either.’</p>
<p>‘H’sh, man, h’sh. They think I’m your uncle.’ He caught up a scull and began splashing the boat as it ranged alongside.</p>
<p>‘You’re a nice pair,’ said the sergeant at last.</p>
<p>‘I am anything you please so long as you take this fiend away. Tow us in to the nearest station, and I’ll make it worth your while,’ I said.</p>
<p>‘Corruption—corruption,’ roared the man, throwing himself flat in the bottom of the boat. ‘Like unto the worms that perish, so is man! And all for the sake of a filthy half-crown to be arrested by the river police at my time o’ life!’</p>
<p>‘For pity’s sake, row,’ I shouted. ‘The man’s drunk.’</p>
<p>They rowed us to a flat—a fire or a police-station; it was too dark to see which. I could feel that they regarded me in no better light than the other man. I could not explain, for I was holding the far end of the painter, and feeling cut off from all respectability.</p>
<p>We got out of the boat, my companion falling flat on his wicked face, and the sergeant asked us rude questions about the dinghy. My companion washed his hands of all responsibility. He was an old man; he had been lured into a stolen boat by a young man—probably a thief—he had saved the boat from wreck (this was absolutely true), and now he expected salvage in the shape of hot whisky and water. The sergeant turned to me. Fortunately I was in evening dress, and had a card to show. More fortunately still, the sergeant happened to know the <i>Breslau</i> and M‘Phee. He promised to send the dinghy down next tide, and was not beyond accepting my thanks, in silver.</p>
<p>As this was satisfactorily arranged, I heard my companion say angrily to a constable, ‘If you will not give it to a dry man, ye maun to a drookit.’ Then he walked deliberately off the edge of the flat into the water. Somebody stuck a boathook into his clothes and hauled him out.</p>
<p>‘Now,’ said he triumphantly, ‘under the rules o’ the R-royal Humane Society, ye must give me hot whisky and water. Do not put temptation before the laddie. He’s my nephew an’ a good boy i’ the main. Tho’ why he should masquerade as Mister Thackeray on the high seas is beyond my comprehension. Oh the vanity o’ youth! M‘Phee told me ye were as vain as a peacock. I mind that now.’</p>
<p>‘You had better give him something to drink and wrap him up for the night. I don’t know who he is,’ I said desperately, and when the man had settled down to a drink supplied on my representations, I escaped and found that I was near a bridge.</p>
<p>I went towards Fleet Street, intending to take a hansom and go home. After the first feeling of indignation died out, the absurdity of the experience struck me fully and I began to laugh aloud in the empty streets, to the scandal of a policeman. The more I reflected the more heartily I laughed, till my mirth was quenched by a hand on my shoulder, and turning I saw him who should have been in bed at the river police-station. He was damp all over; his wet silk hat rode far at the back of his head, and round his shoulders hung a striped yellow blanket, evidently the property of the State.</p>
<p>‘The crackling o’ thorns under a pot,’ said he, solemnly. ‘Laddie, have ye not thought o’ the sin of idle laughter? My heart misgave me that ever ye’d get home, an’ I’ve just come to convoy you a piece. They’re sore uneducate down there by the river. They wouldna listen to me when I talked o’ your worrks, so I e’en left them. Cast the blanket about you, laddie. It’s fine and cold.’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>I groaned inwardly. Providence evidently intended that I should frolic through eternity with M‘Phee’s infamous acquaintance.</p>
<p>‘Go away,’ I said; ‘go home, or I’ll give you in charge!’</p>
<p>He leaned against a lamp-post and laid his finger to his nose—his dishonourable, carnelian neb.</p>
<p>‘I mind now that M‘Phee told me ye were vainer than a peacock, an’ your castin’ me adrift in a boat shows ye were drunker than an owl. A good name is as a savoury bakemeat. I ha’ nane.’ He smacked his lips joyously.</p>
<p>‘Well, I know that,’ I said.</p>
<p>‘Ay, but <i>ye</i> have. I mind now that M‘Phee spoke o’ your reputation that you’re so proud of. Laddie, if ye gie me in charge—I’m old enough to be your father—I’ll bla-ast your reputation as far as my voice can carry; for I’ll call you by name till the cows come hame. It’s no jestin’ matter to be a friend to me. If you discard my friendship, ye must come to Vine Street wi’ me for stealin’ the <i>Breslau’s</i> dinghy.’</p>
<p>Then he sang at the top of his voice:—</p>
<p style="text-align: center; font-size: 14px;">‘In the morrnin’<br />
I’ the morrnin’ by the black van—<br />
We’ll toodle up to Vine Street<br />
i’ the morrnin’!</p>
<p>Yon’s my own composeetion, but <i>I’m</i> not vain. We’ll go home together, laddie, we’ll go home together.’ And he sang ‘Auld Lang Syne’ to show that he meant it.</p>
<p>A policeman suggested that we had better move on, and we moved on to the Law Courts near St. Clement Danes. My companion was quieter now, and his speech, which up till that time had been distinct—it was a marvel to hear how in his condition he could talk dialect—began to slur and slide and slummock. He bade me observe the architecture of the Law Courts and linked himself lovingly to my arm. Then he saw a policeman, and before I could shake him off, whirled me up to the man singing:—</p>
<div class="centre-block"><small>‘Every member of the Force,<br />
Has a watch and chain of course—</small></div>
<p>and threw his dripping blanket over the helmet of the Law. In any other country in the world we should have run an exceedingly good chance of being shot, or dirked, or clubbed—and clubbing is worse than being shot. But I reflected in that wet-cloth tangle that this was England, where the police are made to be banged and battered and bruised, that they may the better endure a police-court reprimand next morning. We three fell in a festoon, he calling on me by name—that was the tingling horror of it—to sit on the policeman’s head and cut the traces. I wriggled clear first and shouted to the policeman to kill the blanket-man.</p>
<p>Naturally the policeman answered: ‘You’re as bad as ’im,’ and chased me, as the smaller man, round St. Clement Danes into Holywell Street, where I ran into the arms of another policeman. That flight could not have lasted more than a minute and a half, but it seemed to me as long and as wearisome as the foot-bound flight of a nightmare. I had leisure to think of a thousand things as I ran; but most I thought of the great and god-like man who held a sitting in the north gallery of St. Clement Danes a hundred years ago. I know that he at least would have felt for me. So occupied was I with these considerations, that when the other policeman hugged me to his bosom and said: ‘What are you tryin’ to do?’ I answered with exquisite politeness: ‘Sir, let us take a walk down Fleet Street.’ ‘Bow Street’ll do <i>your</i> business, I think,’ was the answer, and for a moment I thought so too, till it seemed I might scuffle out of it. Then there was a hideous scene, and it was complicated by my companion hurrying up with the blanket and telling me—always by name—that he would rescue me or perish in the attempt.</p>
<p>‘Knock him down,’ I pleaded. ‘Club his head open first and I’ll explain afterwards.’</p>
<p>The first policeman, the one who had been outraged, drew his truncheon and cut at my companion’s head. The high silk hat crackled and the owner dropped like a log.</p>
<p>‘Now you’ve done it,’ I said. ‘You’ve probably killed him.’</p>
<p>Holywell Street never goes to bed. A small crowd gathered on the spot, and some one of German extraction shrieked: ‘You haf killed the man.’</p>
<p>Another cried: ‘Take his bloomin’ number. I saw him strook cruel ’ard. Yah!’</p>
<p>Now the street was empty when the trouble began, and, saving the two policemen and myself, no one had seen the blow. I said, therefore, in a loud and cheerful voice:—</p>
<p>‘The man’s a friend of mine. He’s fallen down in a fit. Bobby, will you bring the ambulance?’ Under my breath I added: ‘It’s five shillings apiece, and the man didn’t hit you.’</p>
<p>‘No, but ‘im and you tried to scrob me,’ said the policeman.</p>
<p>This was not a thing to argue about.</p>
<p>‘Is Dempsey on duty at Charing Cross?’ I said.</p>
<p>‘Wot d’you know of Dempsey, you bloomin’ garrotter?’ said the policeman.</p>
<p>‘If Dempsey’s there, he knows me. Get the ambulance quick, and I’ll take him to Charing Cross.’</p>
<p>‘You’re coming to Bow Street, <i>you</i> are,’ said the policeman crisply.</p>
<p>‘The man’s dying’—he lay groaning on the pavement—‘get the ambulance,’ said I.</p>
<p>There is an ambulance at the back of St. Clement Danes, whereof I know more than most people. The policeman seemed to possess the keys of the box in which it lived. We trundled it out—it was a three-wheeled affair with a hood—and we bundled the body of the man upon it.</p>
<p>A body in an ambulance looks very extremely dead. The policemen softened at the sight of the stiff boot-heels.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>‘Now then,’ said they, and I fancied that they still meant Bow Street.</p>
<p>‘Let me see Dempsey for three minutes if he’s on duty,’ I answered.</p>
<p>‘Very good. He is.’</p>
<p>Then I knew that all would be well, but before we started I put my head under the ambulance-hood to see if the man were alive. A guarded whisper came to my ear.</p>
<p>‘Laddie, you maun pay me for a new hat. They’ve broken it. Dinna desert me now, laddie. I’m o’er old to go to Bow Street in my gray hairs for a fault of yours. Laddie, dinna desert me.’</p>
<p>‘You’ll be lucky if you get off under seven years,’ I said to the policeman.</p>
<p>Moved by a very lively fear of having exceeded their duty, the two policemen left their beats, and the mournful procession wound down the empty Strand. Once west of the Adelphi, I knew I should be in my own country; and the policemen had reason to know that too, for as I was pacing proudly a little ahead of the catafalque, another policeman said ‘Good-night, sir,’ to me as he passed.</p>
<p>‘Now, you see,’ I said, with condescension, ‘I wouldn’t be in your shoes for something. On my word, I’ve a great mind to march you two down to Scotland Yard.’</p>
<p>‘If the gentleman’s a friend o’ yours, per’aps—’ said the policeman who had given the blow, and was reflecting on the consequences.</p>
<p>‘Perhaps you’d like me to go away and say nothing about it,’ I said. Then there hove into view the figure of Constable Dempsey, glittering in his oil-skins, and an angel of light to me. I had known him for months; he was an esteemed friend of mine, and we used to talk together in the early mornings. The fool seeks to ingratiate himself with Princes and Ministers; and courts and cabinets leave him to perish miserably. The wise man makes allies among the police and the hansoms, so that his friends spring up from the round-house and the cab-rank, and even his offences become triumphal processions.</p>
<p>‘Dempsey,’ said I, ‘have the police been on strike again? They’ve put some things on duty at St. Clement Danes that want to take me to Bow Street for garrotting.’</p>
<p>‘Lor, sir!’ said Dempsey indignantly.</p>
<p>‘Tell them I’m not a garrotter, nor a thief. It’s simply disgraceful that a gentleman can’t walk down the Strand without being man-handled by these roughs. One of them has done his best to kill my friend here; and I’m taking the body home. Speak for me, Dempsey.’</p>
<p>There was no time for the much misrepresented policemen to say a word. Dempsey spoke to them in language calculated to frighten. They tried to explain, but Dempsey launched into a glowing catalogue of my virtues, as noted by gas in the early hours. ‘And,’ he concluded vehemently; ‘’e writes for the papers, too. How’d <i>you</i> like to be written for in the papers—in verse, too, which is ’is ’abit. You leave ’im alone. I’m an’ me have been friends for months.’</p>
<p>‘What about the dead man?’ said the policeman who had not given the blow.</p>
<p>‘I’ll tell you,’ I said relenting, and to the three policemen under the lights of Charing Cross assembled, I recounted faithfully and at length the adventures of the night, beginning with the <i>Breslau</i> and ending at St. Clement Danes. I described the sinful old ruffian in the ambulance in words that made him wriggle where he lay, and never since the Metropolitan Police was founded did three policemen laugh as those three laughed. The Strand echoed to it, and the unclean birds of the night stood and wondered.</p>
<p>‘Oh lor’!’ said Dempsey, wiping his eyes, ‘I’d ha’ given anything to see that old man runnin’ about with a wet blanket an’ all! Excuse me, sir, but you ought to get took up every night for to make us ’appy.’ He dissolved into fresh guffaws.</p>
<p>There was a clinking of silver and the two policemen of St. Clement Danes hurried back to their beats, laughing as they ran.</p>
<p>‘Take ’im to Charing Cross,’ said Dempsey between shouts. ‘They’ll send the ambulance back in the morning.’</p>
<p>‘Laddie, ye’ve misca’ed me shameful names, but I’m o’er old to go to a hospital. Dinna desert me, laddie. Tak me home to my wife,’ said the voice in the ambulance.</p>
<p>‘He’s none so bad. ’Is wife’ll comb ’is hair for ’im proper,’ said Dempsey, who was a married man.</p>
<p>‘Where d’you live?’ I demanded.</p>
<p>‘Brugglesmith,’ was the answer.</p>
<p>‘What’s that?’ I said to Dempsey, more skilled than I in portmanteau-words.</p>
<p>‘Brook Green, ’Ammersmith,’ Dempsey translated promptly.</p>
<p>‘Of course,’ I said. ‘That’s just the sort of place he would choose to live in. I only wonder that it was not Kew.’</p>
<p>‘Are you going to wheel him ’ome, sir,’ said Dempsey.</p>
<p>‘I’d wheel him home if he lived in——Paradise. He’s not going to get out of this ambulance while I’m here. He’d drag me into a murder for tuppence.’</p>
<p>‘Then strap ’im up an’ make sure,’ said Dempsey, and he deftly buckled two straps that hung by the side of the ambulance over the man’s body. Brugglesmith—I know not his other name—was sleeping deeply. He even smiled in his sleep.</p>
<p>‘That’s all right,’ said Dempsey, and I moved off, wheeling my devil’s perambulator before me. Trafalgar Square was empty except for the few that slept in the open. One of these wretches ranged alongside and begged for money, asserting that he had been a gentleman once.</p>
<p>‘So have I,’ I said. ‘That was long ago. I’ll give you a shilling if you’ll help me to push this thing.’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 5<br />
</strong></p>
<p>‘Is it a murder?’ said the vagabond, shrinking back. ‘I’ve not got to <i>that</i> yet:’</p>
<p>‘No, it’s going to be one,’ I answered. ‘I have.’</p>
<p>The man slunk back into the darkness and I pressed on, through Cockspur Street, and up to Piccadilly Circus, wondering what I should do with my treasure. All London was asleep, and I had only this drunken carcase to bear me company. It was silent—silent as chaste Piccadilly. A young man of my acquaintance came out of a pink brick club as I passed. A faded carnation drooped from his button-hole; he had been playing cards, and was walking home before the dawn, when he overtook me.</p>
<p>‘What are you doing?’ he said.</p>
<p>I was far beyond any feeling of shame. ‘It’s for a bet,’ said I. ‘Come and help.’</p>
<p>‘Laddie, who’s yon?’ said the voice beneath the hood.</p>
<p>‘Good Lord!’ said the young man, leaping across the pavement. Perhaps card-losses had told on his nerves. Mine were steel that night.</p>
<p>‘The Lord, The Lord?’ the passionless, incurious voice went on. ‘Dinna be profane, laddie. He’ll come in His ain good time.’</p>
<p>The young man looked at me with horror.</p>
<p>‘It’s all part of the bet,’ I answered. ‘Do come and push!’</p>
<p>‘W—where are you going to?’ said he.</p>
<p>‘Brugglesmith,’ said the voice within. ‘Laddie, d’ye ken my wife?’</p>
<p>‘No,’ said I.</p>
<p>‘Well, she’s just a tremenjus wumman. Laddie, I want a drink. Knock at one o’ those braw houses, laddie, an’—an’—ye may kiss the girrl for your pains.’</p>
<p>‘Lie still, or I’ll gag you,’ I said, savagely.</p>
<p>The young man with the carnation crossed to the other side of Piccadilly, and hailed the only hansom visible for miles. What he thought I cannot tell.</p>
<p>I pressed on—wheeling, eternally wheeling—to Brook Green, Hammersmith. There I would abandon Brugglesmith to the gods of that desolate land. We had been through so much together that I could not leave him bound in the street. Besides, he would call after me, and oh! it is a shameful thing to hear one’s name ringing down the emptiness of London in the dawn.</p>
<p>So I went on, past Apsley House, even to the coffee-stall, but there was no coffee for Brugglesmith. And into Knightsbridge—respectable Knightsbridge—I wheeled my burden, the body of Brugglesmith.</p>
<p>‘Laddie, what are ye going to do wi’ me?’ he said when opposite the barracks.</p>
<p>‘Kill you,’ I said briefly, ‘or hand you over to your wife. Be quiet.’</p>
<p>He would not obey. He talked incessantly—sliding in one sentence from clear cut dialect to wild and drunken jumble. At the Albert Hall he said that I was the ‘Hattle Gardle buggle,’ which I apprehend is the Hatton Garden burglar. At Kensington High Street he loved me as a son, but when my weary legs came to the Addison Road Bridge he implored me with tears to unloose the straps and to fight against the sin of vanity. No man molested us. It was as though a bar had been set between myself and all humanity till I had cleared my account with Brugglesmith. The glimmering of light grew in the sky; the cloudy brown of the wood pavement turned to heather-purple; I made no doubt that I should be allowed vengeance on Brugglesmith ere the evening.</p>
<p>At Hammersmith the heavens were steel-gray, and the day came weeping. All the tides of the sadness of an unprofitable dawning poured into the soul of Brugglesmith. He wept bitterly, because the puddles looked cold and houseless. I entered a half-waked public-house—in evening dress and an ulster, I marched to the bar—and got him whisky on condition that he should cease kicking at the canvas of the ambulance. Then he wept more bitterly, for that he had ever been associated with me, and so seduced into stealing the <i>Breslau’s</i> dinghy.</p>
<p>The day was white and wan when I reached my long journey’s end, and, putting back the hood, bade Brugglesmith declare where he lived. His eyes wandered disconsolately round the red and gray houses till they fell on a villa in whose garden stood a staggering board with the legend ‘To Let.’ It needed only this to break him down utterly, and with the breakage fled his fine fluency in his guttural northern tongue; for liquor levels all.</p>
<p>‘Olely lil while,’ he sobbed. ‘Olely lil while. Home—falmy—besht of falmies—wife too—<i>you</i> dole know my wife! Left them all a lill while ago. Now everything’s sold—all sold. Wife—falmy—all sold. Lemmegellup!’</p>
<p>I unbuckled the straps cautiously. Brugglesmith rolled off his resting-place and staggered to the house.</p>
<p>‘Wattle I do?’ he said.</p>
<p>Then I understood the baser depths in the mind of Mephistopheles.</p>
<p>‘Ring,’ I said; ‘perhaps they are in the attic or the cellar.’</p>
<p>‘You do’ know my wife, She shleeps on soful in the dorlin’ room, waiting meculhome. <i>You</i> do’ know my wife.’</p>
<p>He took off his boots, covered them with his tall hat, and craftily as a Red Indian picked his way up the garden path and smote the bell marked ‘Visitors’ a severe blow with the clenched fist.</p>
<p>‘Bell sole too. Sole electick bell! Wassor bell this? I can’t riggle bell,’ he moaned despairingly.</p>
<p>‘You pull it—pull it hard,’ I repeated, keeping a wary eye down the road. Vengeance was coming and I desired no witnesses.</p>
<p>‘Yes, I’ll pull it hard.’ He slapped his forehead with inspiration. ‘I’ll pull it out.’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 6<br />
</strong></p>
<p>Leaning back he grasped the knob with both hands and pulled. A wild ringing in the kitchen was his answer. Spitting on his hands he pulled with renewed strength, and shouted for his wife. Then he bent his ear to the knob, shook his head, drew out an enormous yellow and red handkerchief, tied it round the knob, turned his back to the door, and pulled over his shoulder.</p>
<p>Either the handkerchief or the wire, it seemed to me, was bound to give way. But I had forgotten the bell. Something cracked in the kitchen, and Brugglesmith moved slowly down the doorsteps, pulling valiantly. Three feet of wire followed him.</p>
<p>‘Pull, oh pull!’ I cried. ‘It’s coming now.’</p>
<p>‘Qui’ ri’,’ he said. ‘<i>I’ll</i> riggle bell.’</p>
<p>He bowed forward, the wire creaking and straining behind him, the bell-knob clasped to his bosom, and from the noises within I fancied the bell was taking away with it half the woodwork of the kitchen and all the basement banisters.</p>
<p>‘Get a purchase on her,’ I shouted, and he spun round, lapping that good copper wire about him. I opened the garden gate politely, and he passed out, spinning his own cocoon. Still the bell came up, hand over hand, and still the wire held fast. He was in the middle of the road now, whirling like an impaled cockchafer, and shouting madly for his wife and family. There he met with the ambulance, the bell within the house gave one last peal, and bounded from the far end of the hall to the inner side of the hall-door, where it stayed fast. So did not my friend Brugglesmith. He fell upon his face, embracing the ambulance as he did so, and the two turned over together in the toils of the never-sufficiently-to-be-advertised copper wire.</p>
<p>‘Laddie,’ he gasped, his speech returning, ‘have I a legal remedy?’</p>
<p>‘I will go and look for one,’ I said, and, departing, found two policemen. These I told that daylight had surprised a burglar in Brook Green while he was engaged in stealing lead from an empty house. Perhaps they had better take care of that bootless thief. He seemed to be in difficulties.</p>
<p>I led the way to the spot, and behold! in the splendour of the dawning, the ambulance, wheels uppermost, was walking down the muddy road on two stockinged feet—was shufing to and fro in a quarter of a circle whose radius was copper wire, and whose centre was the bell-plate of the empty house.</p>
<p>Next to the amazing ingenuity with which Brugglesmith had contrived to lash himself under the ambulance, the thing that appeared to impress the constables most was the fact of the St. Clement Danes ambulance being at Brook Green, Hammersmith.</p>
<p>They even asked me, of all people in the world, whether I knew anything about it!</p>
<div align="center">
<p><b>*     *     *     *     *</b></p>
</div>
<p>They extricated him; not without pain and dirt. He explained that he was repelling boarding-attacks by a ‘Hattle Gardle buggle’ who had sold his house, wife, and family. As to the bell-wire, he offered no explanation, and was borne off shoulder-high between the two policemen. Though his feet were not within six inches of the ground, they paddled swiftly, and I saw that in his magnificent mind he was running—furiously running.</p>
<p>Sometimes I have wondered whether he wished to find me.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">29310</post-id>	</item>
		<item>
		<title>For One Night Only</title>
		<link>https://www.kiplingsociety.co.uk/tale/for-one-night-only.htm</link>
		
		<dc:creator><![CDATA[John Radcliffe]]></dc:creator>
		<pubDate>Wed, 28 Apr 2021 15:53:06 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=tale&#038;p=29852</guid>

					<description><![CDATA[••<a href="https://www.vam.ac.uk/articles/the-story-of-theatre" target="_blank" rel="noopener"></a>THE STORY OF THEATRE <strong>page 1 of 3 </strong> <strong>AND</strong> Mrs. Skittleworth told the tale at a place called the Arts and Crafts, which, when you think of it, was unnecessary; Mrs. ... <a title="For One Night Only" class="read-more" href="https://www.kiplingsociety.co.uk/tale/for-one-night-only.htm" aria-label="Read more about For One Night Only">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;">••<a href="https://www.vam.ac.uk/articles/the-story-of-theatre" target="_blank" rel="noopener"><img loading="lazy" decoding="async" class="size-full wp-image-94751 aligncenter" src="https://www.kiplingsociety.co.uk/wp-content/uploads/2026/02/icon-brown.jpg" alt="" width="215" height="227" /></a>THE STORY OF THEATRE</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 3<br />
</strong></p>
<p><strong>AND</strong> Mrs. Skittleworth told the tale at a place called the Arts and Crafts, which, when you think of it, was unnecessary; Mrs. Skittleworth herself being all the arts and most of the crafts known to civilization.</p>
<p>She was then practising a few of them on the center divan opposite the entrance, where the fountain plays and the unhappy little pot-palms live. In the first place it was her sworn duty to keep an evasive eye upon a Miss Dormil, who was to be most strictly deprived of the comfort and society of a gentleman called Evans &#8212; Richard Evans &#8212; who had specially come to the Arts and Crafts to meet the young lady, who was under the chaperonage of Mrs. Skittleworth, according to the manners and customs of the British, who are barbarians. Now since Mrs. Skittleworth had conveyed Miss Dormil wholly and solely to meet Mr. Evans, and since she had to pretend that she saw neither him nor the girl, nor both together, or something equally logical, and since she uneasily suspected that Mrs. Dormil might at any moment arrive and drive the daughter home, and particularly since neither man nor maid seemed to have any idea of the lapse of time, you will understand that Mrs. Skittleworth&#8217;s attention was distracted from the door whereat she expected Skittleworth every minute to appear in the company of a man whom she most urgently desired to avoid.</p>
<p>I believe that I had the honor to supply the Missing Link, for on my wandering appearance her face brightened as a general&#8217;s when reinforcements pour past to battle.</p>
<p>&#8220;There is a man,&#8221; she said, &#8220;an Unutterable Man. He will arrive with Tom in ten minutes. I shall immediately introduce you to him with smirks and grins. You will more immediately talk. Talk about anything you understand least, but overwhelm him with your conversation as you value my friendship. Then I shall escape with Tom, catch Miss Dormil, drive the Evans boy into the stained-glass alcove &#8212; Good gracious! I hope he hasn&#8217;t taken the girl there already! &#8212; and return to meet, under Providence, the very respectable Mrs. Dormil, who will ask the Unutterable Man to dinner. He is always hungry and &#8230; he has dined there before. Then you must transfer yourself to the Evans boy, and while we are all eating our artful afternoon tea and the craftful crumpet in the lunch-place you must escape with him secretly. There ought to be two ways out of every place of appointment.&#8221; She poised for breath.</p>
<p>She was used to delivering orders with much clearness, and I gathered from the pucker between her eyebrows that she was in anxiety. Her theory that men do not marry their mothers-in-law, though many mothers-in-law think otherwise, was perpetually leading her into secondhand Comédie-Française embarrassments. All earth and Skittleworth &#8212; who at heart is just as bad &#8212; could not restrain her from helping forward the most undesirable match ever lighted among her circle of acquaintance. On the Other Side of the World, where I first had the honor of meeting her, this weakness did not alarm; in England &#8212; which, it must always be remembered, is the habitation of heathen the worse for being imperfectly converted &#8212; she was misunderstood. But all young maidens loved her.</p>
<p>And I said: &#8220;I hear and obey &#8212; on one condition.&#8221;</p>
<p>&#8220;On no conditions. You want me to tell you something. I refuse beforehand.&#8221;</p>
<p>&#8220;Very well, I shall begin to walk. I shall walk down Regent Street for hours and hours, and into the Mile End Road and when Mrs. Dormil comes to thank you for giving her dear Clara, who is so artistic, such a delightful afternoon, the Evans boy will hang in the background pulling pieces out of his gloves and Mrs. Dormil will not love you any more. Seriously, you went to the Theater of the Patent Deviltries &#8212;&#8221;</p>
<p>&#8220;No! Inner Sepulcher. Inner Sepulcher!&#8221; said Mrs. Skittleworth, with a shudder. &#8220;So glad we didn&#8217;t invite you.&#8221;</p>
<p>&#8220;So am I,&#8221; I said icily. &#8220;You made a box party, and by all accounts you all behaved abominably. You dropped opera-glasses on the heads of the bald, you conducted yourselves in such a manner that the entire house stopped to look at you, and you, overcome by shame, left at the end of the first act &#8212; weeping.&#8221;</p>
<p>&#8220;This,&#8221; said Mrs. Skittleworth pensively, &#8220;is the hand of Mrs. Bletchley. She told you that at tea. What else did you learn?&#8221;</p>
<p>&#8220;The trouble is that I could learn no more. Not one of your guests would speak. Geissler, who can babble about founders&#8217; shares by the hour, was dumb. Skittleworth told me that I had better refer to you. I haven&#8217;t seen Miss Dormil to speak to, and the Evans boy declares that it was a most enjoyable evening, but that you all left because the play was dull. The <em>Professor&#8217;s Zoetrope</em> is not dull. It&#8217;s the best play in London. What was the catastrophe? Everybody is wanting to talk about it, and no one knows anything. Six people have kept a secret for ten days &#8212; surely that&#8217;s long enough. Tell, and I&#8217;ll carry the Evans boy off through the roof if I can&#8217;t smuggle him out any other way.&#8221;</p>
<p>&#8216;Did anyone tell you it was Tom&#8217;s fault?&#8217; began Mrs. Skittleworth cautiously, one eye on the door and another on the ironwork exhibits.</p>
<p>&#8220;They said Singleton gave the party &#8212; and so &#8212;&#8221;</p>
<p>&#8220;He did <em>not</em>. It was that man Geissler &#8212; the Chicago Jew. Ugh! Tom and he cluck like new laid hens over their offensive founders&#8217; shares, whatever those may be. Things that grow up in a night out of nothing and are sold by telegraph.  I hate Geissler. I could never send him anything at dinner without hoping that the fat, or the drumstick, or the stuffing would choke him, and then I would never send for the doctor. Geissler found a box in the Inner Sepulcher. I know the shameful story now, but it almost reconciled me to the man for the moment. The very best box in the Inner Sepulcher &#8212; a five-guinea box that could have seated hordes &#8212; positive hordes. Do you know that he got it for twenty-five shillings? That was his ineffable meanness.&#8221;</p>
<p>&#8220;But a Chicago Jew is not always mean,&#8221; I adventured.</p>
<p>&#8220;Then he was a Levantine dragoman. I thank you for that. His father hauled Cook&#8217;s tourists up and down the Pyramids for pence. And the worst of it is that he doesn&#8217;t look like a Jew, and he ought to. We provided the dinner &#8212; he the box.&#8221;</p>
<p>&#8220;Who came?&#8221;</p>
<p>&#8220;Mrs. Eva van Agnew and Geissler, both in one cab &#8212; two; Tom and I &#8212; four; and Miss Dormil and the Evans boy &#8212; six. That was all. I never allow a fortuitous concourse of atoms at my table; and, besides, we have no extra leaf in it. I had immense trouble in cajoling Mrs. Dormil to let her daughter go alone. She wished to assist. Heaven knows, I despise her as honorably as I despise most women; but when she strips for festivities, I always think that she should be &#8216;hidden from the wise and prudent and&#8217; &#8212; how does it go? She makes <em>me</em> feel very undressed with draughts blowing all over me. And, you know, you can&#8217;t say: &#8216;Won&#8217;t you put a counterpane over your shoulders, you dear fat thing?&#8217; So they dined, and I was glad, because I knew neither of the young people would remember what they ate &#8212; they were in that stage; and Geissler was talking founders&#8217; shares to Tom, and Eva van Agnew was trying to talk to me and watch Geissler at the same time. Geissler wouldn&#8217;t throw a word to her. There must have been a quarrel in the cab.&#8221;</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>&#8220;But why were you so concerned about Miss Dormil and the Evans boy?&#8221;</p>
<p>&#8220;Because he had inflicted himself upon me four twilights out of the seven. He would arrive at half-past four and stay till half-past six, telling me that Miss Dormil was an angel and he was a ruffian, and did I think Mrs. Dormil could be brought to overlook his unworthiness? I liked it &#8212; I own I liked it immensely, even when he repeated himself for the twentieth time, and used to smash my drawing-room ornaments trying to make clear the intensity of his feelings. Oh, it&#8217;s a relief to catch a young man devoid of nerves, and the less honorable emotions, who does not talk cheap French novels, and knows exactly what he wants, and is humble about it. He confessed all his little sins in the past to me, and I know exactly how his future is going to be arranged, and therefore I assist him in the present. And so we dined, and then we bundled off &#8212; Tom and I and the children in the brougham, and Eva and the Israelite, whom I will never forgive, in a hansom; and we saw the play and came away early. Isn&#8217;t that enough for you?&#8221;</p>
<p>&#8220;You went in the brougham and the hansom &#8212; yes. And what happened after that?&#8221; I continued, unregarding.</p>
<p>&#8220;You won&#8217;t believe what I tell you.&#8221;</p>
<p>&#8220;<em>You</em> are speaking.&#8221;</p>
<p>&#8220;But even I &#8212; consider dear Mother Dormil, and <em>do</em> watch the entrance, please &#8212; may tell a fib.&#8221;</p>
<p>&#8220;Never without a motive.&#8221;</p>
<p>&#8220;Yes &#8212; that was the horror of it. It was so &#8212; without motive. So purposeless &#8212; so cruel; and yet there was a brassy vulgarity about it all that I can&#8217;t explain. Try to understand that I am telling you what happened as accurately as I can. We were late for the farce, of course, and the overture was beginning. Of all horrors, it was the <em>Bronze Horse</em> overture.&#8221;</p>
<p>&#8220;That&#8217;s only tinny &#8212; not terrifying, surely.&#8221;</p>
<p>&#8220;Wait! I had arranged things beautifully. Tom and I and Eva and Geissler were to sit in front, and the children at the back, because they were tall and wanted to talk. You know when you are absolutely certain of seeing a thing, you carry the outline of it in your mind&#8217;s eye so that it looks real, don&#8217;t you? When we trooped in, I was quite certain that I saw the stage, and so on, because a stage is naturally what you expect to see from the best box in the theatre. We banged the chairs about &#8212; they were horribly dusty &#8212; and then I heard the Evans boy saying &#8216;Good God!&#8217; under his breath. Tom put his hand on my wrist, and drove my pet bracelet into the bone. &#8216;Don&#8217;t jump or scream,&#8217; he said. &#8216;Look!&#8221;&#8217;</p>
<p>&#8220;A headless woman in a vacant chair, or a red dog, or something nice and magaziny. Mrs. Skittleworth, <em>please</em> don&#8217;t,&#8221; I whimpered, because Mrs. Skittleworth is much above that sort of entertainment.</p>
<p>&#8220;I knew you would,&#8221; she answered. &#8220;And now I&#8217;m sorry that I didn&#8217;t invite you. We looked out of the box at the stage, and at the house, and there was nothing whatever to be seen! Do you understand that? &#8212; Nothing whatever to be seen.&#8221;</p>
<p>&#8220;And what was it like?&#8221; I said with intense interest.</p>
<p>&#8220;It was awful. It was unspeakable. It was Chaos &#8212; raving, mad, howling Chaos! Have you ever been under chloroform, and do you know that die-away-and-away darkness when a train goes into a tunnel, through your head, and all the doors are being slammed, just before you lose consciousness? It was most like that feeling. But it wasn&#8217;t. The darkness &#8212; the absolute blankness was in your head and your eyes, and yet you were staring into it &#8212; staring with your soul as well as your eyes. And then, through it all, we heard the rustle of the house, and the music of the <em>Bronze Horse</em>. That tune is the most diabolical one in the world.&#8221;</p>
<p>&#8220;Then you could hear?&#8221;</p>
<p>&#8220;We could hear everything. That was a further horror. We could hear the people getting into their places below, and the crickle of the fans. You know what a hot house the Inner Sepulcher is. We could hear the rumble of traffic outside sometimes, but we could not see any single thing except ourselves in heaven above, or the earth beneath, or the waters under the earth.&#8221;</p>
<p>&#8220;And what happened?&#8221;</p>
<p>&#8220;I don&#8217;t quite remember. I think we must have all waited &#8212; I know I did &#8212; for the darkness to clear away. I felt as though I had been hit on the head, but would be all right presently if people took no notice and stood off from me, and, above all things, gave me air &#8212; plenty of air. Tom&#8217;s hand on mine prevented me from making an absolute exhibition of myself. You know how Ashdown frizzes my hair for functions &#8212; I was frizzed all over my head very prettily, and I friz through my frizzes; and while I was staring and feeling, oh! so deathly sick, I was distinctly conscious that my hair was tightening &#8212; Ashdown had frizzed it too well for it to stand on end &#8212; tightening and dragging my eyebrows up and up, so that I must have looked like an Aunt Sally at a fair.&#8221;</p>
<p>Mrs. Skittleworth laughed hysterically, and fluttered her very small hands.</p>
<p>A lean, unshorn, toadstool-colored young gentleman in a blue cloak which would have been useless on horseback or in a high wind, a dead-leaf silk throat-wrap, and a sort of football jersey that was doing duty as a shirt, threw himself down on the divan and curled his legs into esoteric attitudes. Mrs. Skittleworth shook the quaver out of her voice, jumped three notes on the piano, and began as one in the middle of things generally.</p>
<p>&#8220;And so, you know, they invented a sort of combination garment for the lower classes &#8212; to save washing. It&#8217;s very effective if it isn&#8217;t worn too long, especially at the wristbands and round the neck, but then they provide a clout called a belcher to wear there, and you can get them for one and sevenpence halfpenny in Westbourne Grove. And they come here and do a lot of good, and they are called Socialists. Of course the uniform confuses the sexes. If it&#8217;s a he, for instance, it&#8217;s wearing its petticoats where it shouldn&#8217;t, you know, and if it&#8217;s a she it wouldn&#8217;t wear a silk hat. But perhaps it&#8217;s an exhibit, and if we ask it&#8230;&#8221;</p>
<p>The young gentleman rose and regarded us with unholy eyes from the lunch balcony.</p>
<p>&#8220;A woman who cannot be vulgar on occasions does not know the meaning of True Deportment,&#8221; said Mrs. Skittleworth. &#8220;You should hear Mrs. Dormil bullying her governess. And where were we? Oh, yes, in that darkness of terror. I think we must have been there for years and years before we heard the rustle of the curtain and the servants&#8217; opening dialogue in the <em>Zoetrope</em>. I wanted to scream at the top of my voice, but it occurred to me that I had been standing up for untold ages in the face of the house. So I sat down and Tom began patting my hand in an absent-minded way and saying: &#8216;Poor little woman!&#8217; I remembered then that when I was fearfully ill and delirious on the Other Side of the World &#8212; no, I won&#8217;t say how many years ago &#8212; Tom used to sit by my bed for days and weeks doing exactly the same thing; and whenever I would half come to life I was conscious of one hand being patted and &#8216;poored.&#8217; I knew endearment of that sort was not in place on the box-edge; but I couldn&#8217;t take my hand away for all the world. I wanted Tom as I have never wanted him in my life &#8212; not even when they all thought I was dying. And the dear boy patted my hand &#8212; bless him! He was as white as a sheet. Then I began to think of mother, exactly as a Frenchwoman would. I wondered where she was, and if this hideous darkness was her portion in the other world, and I wanted to step into it and find out and drag her in across the edge of the box. I reflected that I should fall on somebody&#8217;s head in the attempt, and I laughed aloud horribly in the one pathetic scene in the <em>Zoetrope</em>, where the Professor tells the little lodging-house servant the story of his life and his broken love-tale, and she cries and mops her face with the duster. And then I jumped, for I knew all the house was looking at me, and that upset the opera-glass, and I heard it fall and hit somebody below, and there was a scuffle, and every eye in everybody&#8217;s head, I knew, was fixed on our unhappy, unhappy box. That was the incident of laughing and throwing glasses about that Mrs. Bletchley makes so much of.  The thing dropped into the dark as a stone into water.&#8221;</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3</strong></p>
<p>&#8220;But why in the world didn&#8217;t you all get up and run out, or complain or &#8212; or do something?&#8221;</p>
<p>&#8220;After the affair of the opera-glass? Mrs. Skittleworth&#8217;s party romping in a box, dropping glasses, laughing, and then running out like children in a country church when they&#8217;ve tipped hymn-books from the gallery? <em>Never!</em> I may be introduced to the other world against my will, but I know my duty to this, as long as I am in it. I was praying for the first act to end, for I was afraid I could not stand the tension!&#8221;</p>
<p>&#8220;And the others?&#8221;</p>
<p>&#8220;You may well ask. I looked round when my own feelings were a little under control. What a blessed thing is a British education! All the Jew that ever cheated in Israel came out in Geissler&#8217;s face. He was on the right of the box, half standing up in his chair and gripping the edge with both hands till the plush plumped up in red gores between his fingers. He was not looking at the stage, but into the darkness, and I was more than conscious that he must be staring fiendishly at the opposite box. Staring like a maniac. I felt that those stares were returned. Oh, I felt pins and needles all over, so sure I was that we were being watched while we were smitten with blindness! Complain? How could we complain? Can you go to an attendant at a theater and say, &#8216;We can&#8217;t see out of this box&#8217; &#8212; a five-guinea box on the grand tier &#8212; the best in the house? If there is one place whence you ought to see all that is to be seen&#8221; &#8212; Mrs. Skittleworth nearly broke down at this point &#8211; &#8220;it&#8217;s a box. I&#8217;ll never take a box again. Give me stalls, or the gallery, where you are in touch with your neighbor and all see ghosts together.&#8221;</p>
<p>&#8220;Was there a ghost, then?&#8221;</p>
<p>&#8220;No, no, no &#8212; only their country: the room they had just left. Geissler may have seen some. He looked hideous &#8212; as though he were being burned alive. His shoulders were cramped up to the back of his head; but I don&#8217;t think he was afraid. He seemed to be in pain. Thinking of founders&#8217; shares possibly. Eva made the most painful exhibition of us all. Promise you won&#8217;t tell, of course. Her place was empty, and she was down on the floor of the box &#8212; mercifully out of sight &#8212; her face hidden in a coat thrown over a chair. She had pressed herself into one corner like a frightened rabbit, and was praying. A box isn&#8217;t a place to pray in. At least, not when the house is full. You know Eva&#8217;s High Church &#8212; extremely so; and even in her agony she was intoning. I stooped down and tried to take one of her hands, and said: &#8216;Hush, dear, hush! think of your dress!&#8217; but she only went on bleating, &#8216;Almighty and most merciful Father, we have erred and strayed from they ways I &#8211; I &#8211; like lost sheep,&#8217; over and over again. She was kneeling on that little cheap silk of hers, and nothing in the wide world will ever get the dust out of it again; and she had bundled my heavy white &#8216;cloud&#8217; over her head to shut out the dark, and she looked just like a lost sheep. I might as well have spoken to one. I am very sorry for Eva.&#8221;</p>
<p>&#8220;And the others?&#8221;</p>
<p>&#8220;They had arrived at a most complete understanding, and that nearly made me scream. I felt that I was responsible for everything &#8212; Chaos included. Clara was in the Evans boy&#8217;s arms, totally and completely, at the back of the box to the left; and to this day I cannot tell why all the house didn&#8217;t see them. They must have fancied it was the Day of Judgement. They were murmuring things that you very seldom hear from dress coats and evening frocks, and I honestly believe they never saw the darkness after they had explained themselves.&#8221;</p>
<p>&#8220;Poor Mrs. Dormil!&#8221;</p>
<p>&#8220;It wasn&#8217;t my fault. I only wished them to improve their acquaintance with each other. Am I responsible if the Powers of Darkness are leagued against me to precipitate matters? Yes, they were in each other&#8217;s arms expecting immediate translation. What I saw and said passed in a flash, though I have been so long telling it. The rest was interminable waiting for the first act to end, Eva praying on the floor, and the house rocking with laughter at the jokes, Geissler glaring into Tophet, Tom patting my hand, the children in another world &#8212; bless them! &#8212; and I playing propriety for them all. Taking an interest in the play in order to prove that I saw it all, and was as much amused as anybody, clapping when the unseen hosts clapped, and smirking when I felt it was time to smirk. I was almost obsequiously attentive to the <em>Zoetrope</em>, and I flatter myself that even the Bletchley woman will admit that I behaved perfectly.&#8221;</p>
<p>&#8220;Mrs. Skittleworth,&#8221; I said, in a voice broken with emotion, &#8220;I have long admired and respected you beyond any human being alive. I now worship you with fear and trembling. Men have won the Victoria Cross for less than that.&#8221;</p>
<p>Mrs. Skittleworth was graciously pleased to bow her head, always with one eye on the door. She continued:</p>
<p>&#8220;Then the curtain went down, and we fled. I have a dim recollection of flying into the cloak-room screaming like a peacock: &#8216;My things! My things! My things!&#8217; Eva was close behind me. We fell together into the tire-woman&#8217;s arms. Luckily she was big, and ready with her blandishments at once. She said: &#8216;There! there! there! Never mind. &#8216;Ere&#8217;s your cloak, mum&#8217;; and I answered, thickly: &#8216;Yes, yes, yes. Of course &#8212; of course. Too hot, too cold; very fine weather indeed.&#8217; She gave us both the best thing available and on the spot. It proved the existence of a conspiracy. It was brandy-and-soda-strong! You should have seen Eva and me gulping it down like washerwomen, while that dear tall Clara drifted about like a saint in a holy dream, conscious that there might have been something wrong somewhere, but more conscious that things were right. &#8216;We skipped down the passages. We dared not run, but we skipped; and Geissler and Eva went off in separate cabs. I know he volunteered to see her home, for I caught one gesture of hers that would have made the fortune of a tragedy actress. Villain as I am convinced he is, I admire that man for his nerve. Now comes the proof of the conspiracy. Our brougham was on hand when we came out. Generally Jobbins retires to a public-house, and Tom has to prance through the puddles and drag him out personally. But he was waiting, which was a greater miracle than anything else. I spoke to him about it the next day, complimenting him on his virtue.</p>
<p>&#8221;&#8217;Well, mum,&#8217; he said, &#8216;I wouldn&#8217;t ha&#8217; kep&#8217; the pore &#8216;orses &#8216;cept that every man of &#8217;em in the theatre, an&#8217; the policemen, an&#8217; all the lot sez to me that you&#8217;d be out at the end of the fust act. And so you was, mum, an&#8217; it was a good job I waited &#8216;stead o&#8217; savin&#8217; the pore &#8216;orses.&#8217;</p>
<p>&#8220;That is the only approach to an explanation that I have been able to arrive at &#8212; that, and the fact that Geissler got the box for twenty-five shillings. The entire theater staff of the Inner Sepulcher must know all about it, and yet . . . Can you believe? Do you believe? Try to speak the truth. Geissler has never given any sign of his existence to me since that night. Eva has gone out of town, and Clara and the Evans boy . . . you see. Somehow I feel as though I were responsible for everything. You do believe, don&#8217;t you?&#8221;</p>
<p>&#8220;Implicitly,&#8221; I replied. &#8216;If <em>you</em> cannot see a thing which is in front of you, who am I to dissent? Of course I believe. You intend to take no further steps?&#8221;</p>
<p>&#8220;None whatever. I&#8217;ll never set foot in that theater again. That&#8217;s all; and Tom doesn&#8217;t like me to talk about it. Clara won&#8217;t speak either, I&#8217;m certain. She imagines it was sent from heaven to assist the Evans boy to propose to her.&#8221;</p>
<p>&#8220;Poor Mrs. Dormil!&#8221;</p>
<p>&#8220;Yes, and here, for my many sins, she comes, without Tom or the other man. Fly! Catch Miss Dormil and walk ostentatiously with her while I lure the old lady to the food-troughs. The Evans boy can escape unseen if he has any sense.&#8221;</p>
<p>But at that crisis he had not, and they both glowered at me when I found them in the stained-glass alcove; and I had to explain matters apart to the Evans boy, and he left with the air of a baffled conspirator; and though I was dying to ask Miss Dormil twenty thousand questions, she being wrapped up in her own vain imaginings, I could never get any further than:</p>
<p>&#8220;What do you think of the Arts and Crafts?&#8221;</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">29852</post-id>	</item>
		<item>
		<title>In the Presence</title>
		<link>https://www.kiplingsociety.co.uk/tale/in-the-presence.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Mon, 03 May 2021 14:37:58 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/in-the-presence/</guid>

					<description><![CDATA[<strong>page 1 of 5 </strong> <b>‘SO</b> the matter,’ the Regimental Chaplain concluded, ‘was correct; in every way correct. I am well pleased with Rutton Singh and Attar Singh. They have gathered the fruit of their ... <a title="In the Presence" class="read-more" href="https://www.kiplingsociety.co.uk/tale/in-the-presence.htm" aria-label="Read more about In the Presence">Read more</a>]]></description>
										<content:encoded><![CDATA[<div id="leftmargin">
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 5<br />
</strong></p>
<p><b>‘SO</b> the matter,’ the Regimental Chaplain concluded, ‘was correct; in every way correct. I am well pleased with Rutton Singh and Attar Singh. They have gathered the fruit of their lives.’He folded his arms and sat down on the verandah. The hot day had ended, and there was a pleasant smell of cooking along the regimental lines, where half-clad men went back and forth with leaf platters and water-goglets. The Subadar-Major, in extreme undress, sat on a chair, as befitted his rank; the Havildar-Major, his nephew, leaning respectfully against the wall. The Regiment was at home and at ease in its own quarters in its own district which takes its name from the great Muhammadan saint Mian Mir, revered by Jehangir and beloved by Guru Har Gobind, sixth of the great Sikh Gurus.</p>
<p>‘Quite correct,’ the Regimental Chaplain repeated.</p>
<p>No Sikh contradicts his Regimental Chaplain who expounds to him the Holy Book of the Grunth Sahib and who knows the lives and legends of all the Gurus.</p>
<p>The Subadar-Major bowed his grey head. The Havildar-Major coughed respectfully to attract attention and to ask leave to speak. Though he was the Subadar-Major’s nephew, and though his father held twice as much land as his uncle, he knew his place in the scheme of things. The Subadar-Major shifted one hand with an iron bracelet on the wrist.</p>
<p>‘Was there by any chance any woman at the back of it?’ the Havildar-Major murmured. ‘I was not here when the thing happened.’</p>
<p>‘Yes! Yes! Yes! We all know that thou wast in England eating and drinking with the Sahibs. We are all surprised that thou canst still speak Punjabi.’ The Subadar-Major’s carefully-tended beard bristled.</p>
<p>‘There was no woman,’ the Regimental Chaplain growled. ‘It was land. Hear, you! Rutton Singh and Attar Singh were the elder of four brothers. These four held land in—what was the village’s name?—oh, Pishapur, near Thori, in the Banalu Tehsil of Patiala State, where men can still recognise right behaviour when they see it. The two younger brothers tilled the land, while Rutton Singh and Attar Singh took service with the Regiment, according to the custom of the family.’</p>
<p>‘True, true,’ said the Havildar-Major. ‘There is the same arrangement in all good families.’</p>
<p>‘Then, listen again,’ the Regimental Chaplain went on. ‘Their kin on their mother’s side put great oppression and injustice upon the two younger brothers who stayed with the land in Patiala State. Their mother’s kin loosened beasts into the four brothers’ crops when the crops were green; they cut the corn by force when it was ripe; they broke down the water-courses; they defiled the wells; and they brought false charges in the law-courts against all four brothers. They did not spare even the cotton-seed, as the saying is.</p>
<p>‘Their mother’s kin trusted that the young men would thus be forced by weight of trouble, and further trouble and perpetual trouble, to quit their lands in Pishapur village in Banalu Tehsil in Patiala State. If the young men ran away, the land would come whole to their mother’s kin. I am not a regimental schoolmaster, but is it understood, child?’</p>
<p>‘Understood,’ said the Havildar-Major grimly. ‘Pishapur is not the only place where the fence eats the field instead of protecting it. But perhaps there was a woman among their mother’s kin?’</p>
<p>‘God knows!’ said the Regimental Chaplain. ‘Woman, or man, or law-courts, the young men would <i>not</i> be driven off the land which was their own by inheritance. They made appeal to Rutton Singh and Attar Singh, their brethren who had taken service with us in the Regiment, and so knew the world, to help them in their long war against their mother’s kin in Pishapur. For that reason, because their own land and the honour of their house was dear to them, Rutton Singh and Attar Singh needs must very often ask for leave to go to Patiala and attend to the lawsuits and cattle-poundings there.</p>
<p>‘It was not, look you, as though they went back to their own village and sat, garlanded with jasmine, in honour, upon chairs before the elders under the trees. They went back always to perpetual trouble, either of lawsuits, or theft, or strayed cattle; and they sat on thorns.’</p>
<p>‘I knew it,’ said the Subadar-Major. ‘Life was bitter for them both. But they were well-conducted men. It was not hard to get them their leave from the Colonel Sahib.’</p>
<p>‘They spoke to me also,’ said the Chaplain. “<i>Let him who desires the four great gifts apply himself to the words of holy men</i>.” That is written. Often they showed me the papers of the false lawsuits brought against them. Often they wept on account of the persecution put upon them by their mother’s kin. Men thought it was drugs when their eyes showed red.’</p>
<p>‘They wept in my presence too,’ said the Subadar-Major. ‘Well-conducted men of nine years’ service apiece. Rutton Singh was drill-Naik, too.’</p>
<p>‘They did all things correctly as Sikhs should,’ said the Regimental Chaplain. ‘When the persecution had endured seven years, Attar Singh took leave to Pishapur once again (that was the fourth time in that year only) and he called his persecutors together before the village elders, and he cast his turban at their feet and besought them by his mother’s blood to cease from their persecutions. For he told them earnestly that he had marched to the boundaries of his patience, and that there could be but one end to the matter.</p>
<p>‘They gave him abuse. They mocked him and his tears, which was the same as though they had mocked the Regiment. Then Attar Singh returned to the Regiment, and laid this last trouble before Rutton Singh, the eldest brother. But Rutton Singh could not get leave all at once.’</p>
<p>‘Because he was drill-Naik and the recruits were to be drilled. I myself told him so,’ said the Subadar-Major. ‘He was a well-conducted man. He said he could wait.’</p>
<p>‘But when permission was granted, those two took four days’ leave,’ the Chaplain went on.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>‘I do not think Attar Singh should have taken Baynes Sahib’s revolver. He was Baynes Sahib’s orderly, and all that Sahib’s things were open to him. It was, therefore, as I count it, shame to Attar Singh,’ said the Subadar-Major.</p>
<p>‘All the words had been said. There was need of arms, and how could soldiers use Government rifles upon mere cultivators in the fields?’ the Regimental Chaplain replied. ‘Moreover, the revolver was sent back, together with a money-order for the cartridges expended. “<i>Borrow not; but if thou borrowest, pay back soon!</i>” That is written in the Hymns. Rutton Singh took a sword, and he and Attar Singh went to Pishapur and, after word given, the four brethren fell upon their persecutors in Pishapur village and slew seventeen, wounding ten. A revolver is better than a lawsuit. I say that these four brethren, the two with <i>us</i>, and the two mere cultivators, slew and wounded twenty-seven—all their mother’s kin, male and female.</p>
<p>‘Then the four mounted to their housetop, and Attar Singh, who was always one of the impetuous, said “My work is done,” and he made <i>shinan</i> (purification) in all men’s sight, and he lent Rutton Singh Baynes Sahib’s revolver, and Rutton Singh shot him in the head.</p>
<p>‘So Attar Singh abandoned his body, as an insect abandons a blade of grass. But Rutton Singh, having more work to do, went down from the housetop and sought an enemy whom he had forgotten—a Patiala man of this regiment who had sided with the persecutors. When he overtook the man, Rutton Singh hit him twice with bullets and once with the sword.’</p>
<p>‘But the man escaped and is now in the hospital here,’ said the Subadar-Major. ‘The doctor says he will live in spite of all.’</p>
<p>‘Not Rutton Singh’s fault. Rutton Singh left him for dead. Then Rutton Singh returned to the housetop, and the three brothers together, Attar Singh being dead, sent word by a lad to the police station for an army to be dispatched against them that they might die with honours. But none came. And yet Patiala State is not under English law and they should know virtue there when they see it!</p>
<p>‘So, on the third day, Rutton Singh also made <i>shinan</i>, and the youngest of the brethren shot him also in the head, and he abandoned his body.</p>
<p>‘Thus was all correct. There was neither heat, nor haste, nor abuse in the matter from end to end. There remained alive not one man or woman of their mother’s kin which had oppressed them. Of the other villagers of Pishapur, who had taken no part in the persecutions, not one was slain. Indeed, the villagers sent them food on the housetop for those three days while they waited for the police who would not dispatch that army.</p>
<p>‘Listen again! I know that Attar Singh and Rutton Singh omitted no ceremony of the purifications, and when all was done Baynes Sahib’s revolver was thrown down from the housetop, together with three rupees twelve annas; and order was given for its return by post.’</p>
<p>‘And what befell the two younger brethren who were not in the services’ the Havildar-Major asked.</p>
<p>‘Doubtless they too are dead, but since they were not in the Regiment their honour concerns themselves only. So far as <i>we</i> were touched, see how correctlv we came out of the matter! I think the King should be told; for where could you match such a tale except among us Sikhs? <i>Sri wah guru ji ki Khalsa! Sri wah guru ji ki futteh!</i>’ said the Regimental Chaplain.</p>
<p>‘Would three rupees twelve annas pay for the used cartridges?’ said the Havildar-Major.</p>
<p>‘Attar Singh knew the just price. All Baynes Sahib’s gear was in his charge. They expended one tin box of fifty cartouches, lacking two which were returned. As I said—as I say—the arrangement was made not with heat nor blasphemies as a Mussulman would have made it; not with cries nor caperings as an idolater would have made it; but conformably to the ritual and doctrine of the Sikhs. Hear you! “<i>Though hundreds of amusements are offered to a child it cannot live without milk. If a man be divorced from his soul and his soul’s desire he certainly will not stop to play upon the road, but he will make haste with his pilgrimage.</i>” That is written. I rejoice in my disciples.’</p>
<p>‘True! True! Correct! Correct!’ said the Subadar-Major. There was a long, easy silence. One heard a water-wheel creaking somewhere and the nearer sound of meal being ground in a quern.</p>
<p>‘But he—’ the Chaplain pointed a scornful chin at the Havildar-Major.—‘<i>he</i> has been so long in England that——’</p>
<p>‘Let the lad alone,’ said his uncle. ‘He was but two months there, and he was chosen for good cause.’</p>
<p>Theoretically, all Sikhs are equal. Practically, there are differences, as none know better than well-born, land-owning folk, or long-descended chaplains from Amritsar.</p>
<p>‘Hast thou heard anything in England to match my tale? ‘the Chaplain sneered.</p>
<p>‘I saw more than I could understand, so I have locked up my stories in my own mouth,’ the Havildar-Major replied meekly.</p>
<p>‘Stories? What stories? I know all the stories about England,’ said the Chaplain. ‘I know that <i>terains</i> run underneath their bazaars there, and as for their streets stinking with <i>mota-kahars</i>, only this morning I was nearly killed by Duggan Sahib’s <i>mota-kahar</i>. That young man is a devil.”</p>
<p>‘I expect Grunthi-jee,’ said the Subadar-Major, ‘you and I grow too old to care for the Kahar-ki-nautch—the Bearer’s dance.’ He named one of the sauciest of the old-time nautches, and smiled at his own pun. Then he turned to his nephew. ‘When I was a lad and came back to my village on leave, I waited the convenient hour, and, the elders giving permission, I spoke of what I had seen elsewhere.’</p>
<p>‘Ay, my father,’ said the Havildar-Major, softly and affectionately. He sat himself down with respect, as behoved a mere lad of thirty with a bare half-dozen campaigns to his credit.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>‘There were four men in this affair also,’ he began, ’and it was an affair that touched the honour, not of one regiment, nor two, but of all the Army in Hind. Some part of it I saw; some I heard; but <i>all</i> the tale is true. My father’s brother knows, and my priest knows, that I was in England on business with my Colonel, when the King—the Great Queen’s son—completed his life.</p>
<p>‘First, there was a rumour that sickness was upon him. Next, we knew that he lay sick in the Palace. A very great multitude stood outside the Palace by night and by day, in the rain as well as the sun, waiting for news.</p>
<p>‘Then came out one with a written paper, and set it upon a gate-side—the word of the King’s death—and they read, and groaned. This I saw with my own eyes, because the office where my Colonel Sahib went daily to talk with Colonel Forsyth Sahib was at the east end of the very gardens where the Palace stood. They are larger gardens than Shalimar here’—he pointed with his chin up the lines—‘or Shahdera across the river.</p>
<p>‘Next day there was a darkness in the streets, because all the city’s multitude were clad in black garments, and they spoke as a man speaks in the presence of his dead—all those multitudes. In the eyes, in the air, and in the heart, there was blackness. I saw it. But that is not my tale.</p>
<p>‘After ceremonies had been accomplished, and word had gone out to the Kings of the Earth that they should come and mourn, the new King—the dead King’s son—gave commandment that his father’s body should be laid, coffined, in a certain Temple which is near the river. There are no idols in that Temple; neither any carvings, nor paintings, nor gildings. It is all grey stone, of one colour as though it were cut out of the live rock. It is larger than—yes, than the Durbar Sahib at Amritsar, even though the Akal Bunga and the Baba-Atal were added. How old it may be God knows. It is the Sahibs’ most sacred Temple.</p>
<p>‘In that place, by the new King’s commandment, they made, as it were, a shrine for a saint, with lighted candles at the head and the feet of the Dead, and duly appointed watchers for every hour of the day and the night, until the dead King should be taken to the place of his fathers, which is at Wanidza.</p>
<p>‘When all was in order, the new King said, “Give entrance to all people,” and the doors were opened, and O my uncle! O my teacher! all the world entered, walking through that Temple to take farewell of the Dead. There was neither distinction, nor price, nor ranking in the host, except an order that they should walk by fours.</p>
<p>‘As they gathered in the streets without—very, very far off—so they entered the Temple, walking by fours: the child, the old man; mother, virgin, harlot, trader, priest; of all colours and faiths and customs under the firmament of God, from dawn till late at night. I saw it. My Colonel gave me leave to go. I stood in the line, many hours, one <i>koss</i>, two <i>koss</i>, distant from the temple.’</p>
<p>‘Then why did the multitude not sit down under the trees?’ asked the priest.</p>
<p>‘Because we were still between houses. The city is many <i>koss</i> wide,’ the Havildar-Major resumed. ‘I submitted myself to that slow-moving river and thus—thus—a pace at a time—I made pilgrimage. There were in my rank a woman, a cripple, and a lascar from the ships.</p>
<p>‘When we entered the Temple, the coffin itself was as a shoal in the Ravi River, splitting the stream into two branches, one on either side of the Dead; and the watchers of the Dead, who were soldiers, stood about It, moving no more than the still flame of the candles. Their heads were bowed; their hands were clasped; their eyes were cast upon the ground—thus. They were not men, but images, and the multitude went past them in fours by day, and, except for a little while, by night also.</p>
<p>‘No, there was no order that the people should come to pay respect. It was a free-will pilgrimage. Eight kings had been commanded to come—who obeyed—but upon his own Sahibs the new King laid no commandment. Of themselves they came.</p>
<p>‘I made pilgrimage twice: once for my Salt’s sake, and once again for wonder and terror and worship. But my mouth cannot declare one thing of a hundred thousand things in this matter. There were <i>lakhs</i> of <i>lakhs</i>, <i>crores</i> of <i>crores</i> of people. I saw them.’</p>
<p>‘More than at our great pilgrimages?’ the Regimental Chaplain demanded.</p>
<p>‘Yes. Those are only cities and districts coming out to pray. This was the world walking in grief. And now, hear you! It is the King’s custom that four swords of Our Armies in Hind should stand always before the Presence in case of need.’</p>
<p>‘The King’s custom, our right,’ said the Subadar-Major curtly.</p>
<p>‘Also our right. These honoured ones are changed after certain months or years, that the honour may be fairly spread. Now it chanced that when the old King—the Queen’s son—completed his days, the four that stood in the Presence were Goorkhas. Neither Sikhs alas, nor Pathans, IZajputs, nor Jats. Goorkhas, my father.’</p>
<p>‘Idolaters,’ said the Chaplain.</p>
<p>‘But soldiers; for I remember in the Tirah’ the Havildar-Major began.</p>
<p>‘<i>But</i> soldiers, for I remember fifteen campaigns. Go on,’ said the Subadar-Major.</p>
<p>‘And it was their honour and right to furnish one who should stand in the Presence by day and by night till It went out to burial. There were no more than four all told—four old men to furnish that guard.’</p>
<p>‘Old? Old? What talk is this of old men?’ said the Subadar-Major.</p>
<p>‘Nay. My fault! Your pardon!’ The Havildar-Major spread a deprecating hand. ‘They were strong, hot, valiant men, and the youngest was a lad of forty-five.’</p>
<p>‘That is better,’ the Subadar-Major laughed.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>‘But for all their strength and heat they could not eat strange food from the Sahibs’ hands. There was no cooking place in the Temple; but a certain Colonel Forsyth Sahib, who had understanding, made arrangement whereby they should receive at least a little caste-clean parched grain; also cold rice maybe, and water which was pure. Yet, at best, this was no more than a hen’s mouthful, snatched as each came off his guard. They lived on grain and were thankful, as the saying is.</p>
<p>‘One hour’s guard in every four was each man’s burden, for, as I have shown, they were but four all told; and the honour of Our Armies in Hind was on their heads. The Sahibs could draw upon all the armies in England for the other watchers—thousands upon thousands of fresh men—if they needed; but these four were but four.</p>
<p>‘The Sahibs drew upon the Granadeers for the other watchers. Granadeers be very tall men under very tall bearskins, such as Fusilier regiments wear in cold weather. Thus, when a Granadeer bowed his head but a very little over his stock, the bearskin sloped and showed as though he grieved exceedingly. Now the Goorkhas wear flat, green caps——’</p>
<p>‘I see, I see,’ said the Subadar-Major impatiently.</p>
<p>‘They are bull-necked, too; and their stocks are hard, and when they bend deeply—deeply—to match the Granadeers—they come nigh to choking themselves. That was a handicap against them, when it came to the observance of ritual.</p>
<p>‘Yet even with their tall, grief-declaring bearskins, the Granadeers could not endure the full hour’s guard in the Presence. There was good cause, as I will show, why no man could endure that terrible hour. So for them the hour’s guard was cut to one-half. What did it matter to the Sahibs? They could draw on ten thousand Granadeers. Forsyth Sahib, who had comprehension, put this choice also before the four, and they said, “No, ours is the Honour of the Armies of Hind. Whatever the Sahibs do, we will suffer the full hour.”</p>
<p>‘Forsyth Sahib, seeing that they were—knowing that they could neither sleep long nor eat much, said, “Is it great suffering?” They said, “It is great honour. We will endure.”</p>
<p>‘Forsyth Sahib, who loves us, said then to the eldest, “Ho, father, tell me truly what manner of burden it is; for the full hour’s watch breaks up our men like water.”</p>
<p>‘The eldest answered, “Sahib, the burden is the feet of the multitude that pass us on either side. Our eyes being lowered and fixed, we see those feet only from the knee down—a river of feet, Sahib, that never—never—never stops. It is not the standing without any motion; it is not hunger; nor is it the dead part before the dawn when maybe a single one comes here to weep. It is the burden of the unendurable procession of feet from the knee down, that never—never—never stops!”</p>
<p>‘Forsyth Sahib said, “By God, I had not considered that! Now I know why our men come trembling and twitching off that guard. But at least, my father, ease the stock a little beneath the bent chin for that one hour.”</p>
<p>‘The eldest said, “We are in the Presence. Moreover <i>He</i> knew every button and braid and hook of every uniform in all His armies.”</p>
<p>‘Then Forsyth Sahib said no more, except to speak about their parched grain, but indeed they could not eat much after their hour, nor could they sleep much because of eye-twitchings and the renewed procession of the feet before the eyes. Yet they endured each his full hour—not half an hour—his one full hour in each four hours.’</p>
<p>‘Correct! correct!’ said the Subadar-Major and the Chaplain together. ‘We come well out of this affair.’</p>
<p>‘But seeing that they were old men,’ said the Subadar-Major reflectively, ‘very old men, worn out by lack of food and sleep, could not arrangements have been made, or influence have been secured, or a petition presented, whereby a well-born Sikh might have eased them of some portion of their great burden, even though his substantive rank——’</p>
<p>‘Then they would most certainly have slain me,’ said the ftavildar-Major with a smile.</p>
<p>‘And they would have done correctly,’ said the Chaplain. ‘What befell the honourable ones later?’</p>
<p>‘This. The Kings of the earth and all the Armies sent flowers and such-like to the dead King’s palace at Wanidza, where the funeral offerings were accepted. There was no order given, but all the world made oblation. So the four took counsel—three at a time—and either they asked Forsyth Sahib to choose flowers, or themselves they went forth and bought flowers—I do not know; but, however it was arranged, the flowers were bought and made in the shape of a great drum-like circle weighing half a <i>maund</i>.</p>
<p>‘Forsyth Sahib had said, “Let the flowers be sent to Wanidza with the other flowers which all the world is sending.” But they said among themselves, “It is not fit that these flowers, which are the offerings of His Armies in Hind, should come to the Palace of the Presence by the hands of hirelings or messengers, or of any man not in His service.”</p>
<p>‘Hearing this, Forsyth Sahib, though he was much occupied with office-work, said, “Give me the flowers, and I will steal a time and myself take them to Wanidza.”</p>
<p>The eldest said, “Since when has Forsyth Sahib worn sword?”</p>
<p>‘Forsyth Sahib said, “But always. And I wear it in the Presence when I put on uniform. I am a Colonel in the Armies of Hind.” The eldest said, “Of what regiment? “And Forsyth Sahib looked on the carpet and pulled the hair of his lip. He saw the trap.’</p>
<p>‘Forsyth Sahib’s regiment was once the old Forty-sixth Pathans which was called——’ the Subadar-Major gave the almost forgotten title, adding that he had met them in such and such campaigns, when Forsyth Sahib was a young captain.</p>
<p>The Havildar-Major took up the tale, saying, ‘The eldest knew that also, my father. He laughed, and presently Forsyth Sahib laughed.</p>
<p>‘“It is true,” said Forsyth Sahib. “I have no regiment. For twenty years I have been a clerk tied to a thick pen. Therefore I am the more fit to be your orderly and messenger in this business.”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 5<br />
</strong></p>
<p>‘The eldest then said, “If it were a matter of my life or the honour of <i>any</i> of my household, it would be easy.” And Forsyth Sahib joined his hands together, half laughing, though he was ready to weep, and he said, “Enough! I ask pardon. Which one of you goes with the offering?”</p>
<p>‘The eldest said, feigning not to have heard, “Nor must they be delivered by a single sword—as though we were pressed for men in His service,” and they saluted and went out.’</p>
<p>‘Were these things seen, or were they told thee?’ said the Subadar-Major.</p>
<p>‘I both saw and heard in the office full of books and papers where my Colonel Sahib consulted Forsyth Sahib upon the business that had brought my Colonel Sahib to England.’</p>
<p>‘And what was that business?’ the Regimental Chaplain asked of a sudden, looking full at the Havildar-Major, who returned the look without a quiver.</p>
<p>‘That was not revealed to me,’ said the Havildar-Major.</p>
<p>‘I heard it might have been some matter touching the integrity of certain regiments,’ the Chaplain insisted.</p>
<p>‘The matter was not in any way open to my ears,’ said the Havildar-Major.</p>
<p>‘Humph!’ The Chaplain drew his hard road-worn feet under his robe. ‘Let us hear the tale that it is permitted thee to tell,’ he said, and the Havildar-Major went on</p>
<p>‘So then the three, having returned to the Temple, called the fourth, who had only forty-five years, when he came off guard, and said, “We go to the Palace at Wanidza with the offerings. Remain thou in the Presence, and take all our guards, one after the other, till we return.”</p>
<p>‘Within that next hour they hired a large and strong <i>mota-kahar</i> for the journey from the Temple to Wanidza, which is twenty <i>koss</i> or more, and they promised expedition. But he who took their guards said, “It is not seemly that we should for any cause appear to be in haste. There are eighteen medals with eleven clasps and three Orders to consider. Go at leisure. I can endure.”</p>
<p>‘So the three with the offerings were absent three hours and a half, and having delivered the offering at Wanidza in the correct manner they returned and found the lad on guard, and they did not break his guard till his full hour was ended. So <i>he</i> endured four hours in the Presence, not stirring one hair, his eyes abased, and the river of feet, from the knee down, passing continually before his eyes. When he was relieved, it was seen that his eyeballs worked like weavers’ shuttles.</p>
<p>‘And so it was done—not in hot blood, not for a little while, nor yet with the smell of slaughter and the noise of shouting to sustain, but in silence, for a very long time, rooted to one place before the Presence among the most terrible feet of the multitude.’</p>
<p>‘Correct!’ the Chaplain chuckled.</p>
<p>‘But the Goorkhas had the honour,’ said the Subadar-Major sadly.</p>
<p>‘Theirs was the Honour of His Armies in Hind, and that was Our Honour,’ the nephew replied.</p>
<p>‘Yet I would one Sikh had been concerned in it—even one low-caste Sikh. And after?’</p>
<p>‘They endured the burden until the end—until It went out of the Temple to be laid among the older kings at Wanidza. When all was accomplished and It was withdrawn under the earth, Forsyth Sahib said to the four, “The King gives command that you be fed here on meat cooked by your own cooks. Eat and take ease, my fathers.”</p>
<p>‘So they loosed their belts and ate. They had not eaten food except by snatches for some long time; and when the meat had given them strength they slept for very many hours; and it was told me that the procession of the unendurable feet ceased to pass before their eyes any more.’</p>
<p>He threw out one hand palm upward to show that the tale was ended.</p>
<p>‘We came well and cleanly out of it,’ said the Subadar-Major.</p>
<p>‘Correct! Correct! Correct!’ said the Regimental Chaplain. ‘In an evil age it is good to hear such things, and there is certainly no doubt that this is a very evil age.’</p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9283</post-id>	</item>
		<item>
		<title>Letters on Leave</title>
		<link>https://www.kiplingsociety.co.uk/tale/letters-on-leave.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Tue, 15 Jun 2021 16:15:49 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/letters-on-leave/</guid>

					<description><![CDATA[<em>(The Kipling Society presents here Kipling’s work as he</em> <em>wrote it, but wishes to alert readers that the text below</em> <em>contains some derogatory and/or offensive language)</em> <strong>page 1 of 4 </strong> <strong>TO</strong> Lieutenant John McHail, ... <a title="Letters on Leave" class="read-more" href="https://www.kiplingsociety.co.uk/tale/letters-on-leave.htm" aria-label="Read more about Letters on Leave">Read more</a>]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><em><span style="font-size: 14px; font-family: times new roman, times, georgia, serif;">(The Kipling Society presents here Kipling’s work as he</span></em><br />
<em><span style="font-size: 14px; font-family: times new roman, times, georgia, serif;">wrote it, but wishes to alert readers that the text below</span></em><br />
<em><span style="font-size: 14px; font-family: times new roman, times, georgia, serif;">contains some derogatory and/or offensive language)</span></em></p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 4<br />
</strong></p>
<p><strong>TO</strong> Lieutenant John McHail,<br />
151st (Kumharsen) P.N.I.,<br />
Hakaiti via Tharanda,<br />
Assam.</p>
<p>D<span class="font-1">EAR</span> O<span class="font-1">LD</span> M<span class="font-1">AN</span>: Your handwriting is worse than ever, but as far as I can see among the loops and fish-hooks, you are lonesome and want to be comforted with a letter. I knew you wouldn’t write to me unless you needed something. You don’t tell me that you have left your regiment, but from what you say about “my battalion,” “my men,” and so forth, it seems as if you were raising military police for the benefit of the Chins. If that’s the case, I congratulate you. The pay is good. Ouless writes to me from some new fort something or other, saying that he has struggled into a billet of Rs. 700 (Military Police), and instead of being chased by writters as he used to be, is ravaging the country round Shillong in search of a wife. I am very sorry for the Mrs. Ouless of the future.</p>
<p>That doesn’t matter. You probably know more about the boys yonder than I do. If you’ll only send me from time to time some record of their movements I’ll try to tell you of things on this side of the water. You say “You don’t know what it is to hear from town.” I say “You don’t know what it is to hear from the <i>dehat</i>,” Now and again men drift in with news, but I don’t like hot-weather <i>khubber</i>. It’s all of the domestic occurrence kind. Old “Hat” Constable came to see me the other day. You remember the click in his throat before he begins to speak. He sat still, clicking at quarter-hour intervals, and after each click he’d say: “D’ye remember Mistress So-an’-So? Well, she’s dead o’ typhoid at Naogong.” When it wasn’t “Mistress So-an’-So” it was a man. I stood four clicks and four deaths, and then I asked him to spare me the rest. You seem to have had a bad season, taking it all round, and the women seem to have suffered most. Is that so?</p>
<p>We don’t die in London. We go out of town, and we make as much fuss about it as if we were going to the Neva. Now I understand why the transport is the first thing to break down when our army takes the field. The Englishman is cumbrous in his movements and very particular about his baskets and hampers and trunks—not less than seven of each—for a fifty-mile journey. Leave season began some weeks ago, and there is a <i>burra-choop</i> along the streets that you could shovel with a spade. All the people that say they are everybody have gone—quite two hundred miles away. Some of ’em are even on the Continent—and the clubs are full of strange folk. I found a Reform man at the Savage a week ago. He didn’t say what his business was, but he was dusty and looked hungry. I suppose he had come in for food and shelter.</p>
<p>Like the rest I’m on leave too. I converted myself into a Government Secretary, awarded myself one month on full pay with the chance of an extension, and went off. Then it rained and hailed, and rained again, and I ran up and down this tiny country in trains trying to find a dry place. After ten days I came back to town, having been stopped by the sea four times. I was rather like a kitten at the bottom of a bucke chasing its own tail. So I’m sitting here under a grey, muggy sky wondering what sort of time they are having at Simla. It’s August now. The rains would be nearly over, all the theatricals would be in full swing, and Jakko Hill would be just Paradise. You’re probably pink with prickly heat. Sit down quietly under the punkah and think of Umballa station, hot as an oven at four in the morning. Think of the dak-gharry slobbering in the wet, and the first little cold wind that comes round the first comer after the tonga is clear of Kalka. There’s a wind you and I know well. It’s blowing over the grass at Dugshai this very moment, and there’s a smell of hot fir trees all along and along from Solon to Simla, and some happy man is flying up that road with fragments of a tonga-bar in his eye, his pet terrier mider his arm, his thick clothes on the back-seat and the certainty of a month’s pure joy in front of him. Instead of which you’re being stewed at Hakaiti and I’m sitting in a second-hand atmosphere above a sausage-shop, watching three sparrows playing in a dirty-green tree and pretending that it’s summer, I have a view of very many streets.and a river. Except the advertisements on the walls, there isn’t one speck of colour as far as my eye can reach. The very cat, who is an amiable beast, comes off black under my hand, and I daren’t open the window for fear of smuts. And this is better than a soaked and sobbled country, with the corn-shocks standing like plover’s eggs in green moss and the oats lying flat in moist limips. We haven’t had any summer, and yesterday I smelt the raw touch of the winter. Just one little whiff to show that the year had turned. “Oh, what a happy land is England!”</p>
<p>I cannot understand the white man at home. You remember when we went out together and landed at the Apollo Bunder with all our sorrows before us, and went to Watson’s Hotel and saw the snake-charmers? You said: “It’ll take me all my lifetime to distinguish one nigger from another.” That was eight years ago. Now you don’t call them niggers any more, and you’re supposed—quite wrongly—to have an insight into native character, or else you would never have been allowed to recruit for the Kumharsens. I feel as I felt at Watson’s. They are so deathlily alike, especially the more educated. They all seem to read the same books, and the same newspapers telling ’em what to admire in the same books, and they all quote the same passages from the same books, and they write books on books about somebody else’s books, and they are penetrated to their boot-heels with a sense of the awful seriousness of their own views of the moment. Above that they seem to be, most curiously and beyond the right of ordinary people, divorced from the knowledge or fear of death. Of course, every man conceives that every man except himself is bound to die (you remember how Hallatt spoke the night before he went out) , but these men appear to be like children in that respect.</p>
<p>I can’t explain exactly, but it gives an air of unreality to their most earnest earnestnesses; and when a young man of views and culture and aspirations is in earnest, the trumpets of Jericho are silent beside him. Because they have everything done for them they know how everything ought to be done; and they are perfectly certain that wood pavements, policemen, shops and gaslight come in the regular course of nature. You can guess with these convictions how thoroughly and cocksurely they handle little trifles like colonial administration, the wants of the army, municipal sewage, housing of the poor, and so forth. Every third common need of average men is, in their mouths, a tendency or a movement or a federation affecting the world. It never seems to occur to ’em that the human instinct of getting as much as possible for money paid, or, failing money, for threats and fawnings, is about as old as Cain; and the burden of their <i>bat</i> is: “Me an’ a few mates o’ mine are going to make a new world.”</p>
<p>As long as men only write and talk they must think that way, I suppose. It’s compensation for playing with little things. And that reminds me. Do you know the University smile? You don’t by that name, but sometimes young civilians wear it for a very short time when they first come out. Something—I wonder if it’s our brutal chaff, or a billiard-cue, or which?—takes it out of their faces, and when they next differ with you they do so without smiling. But that smile flourishes in London. I’ve met it again and again. It expresses tempered grief, sorrow at your complete inability to march with the march of progress at the Universities, and a chastened contempt. There is one man who wears it as a garment. He is frivolously young—not more than thirty-five or forty—and all these years no one has removed that smile. He knows everything about everything on this earth, and above all he knows all about men under any and every condition of life. He knows all about the aggressive militarism of you and your friends; he isn’t quite sure of the necessity of an army; he is certain that colonial expansion is nonsense; and he is more than certain that the whole step of all our Empire must be regulated by the knowledge and foresight of the workingman. Then he smiles—smiles like a seraph with an M.A. degree. What can you do with a man like that? He has never seen an unmade road in his life; I think he believes that wheat grows on a tree and that beef is dug from a mine. He has never been forty miles from a railway, and he has never been called upon to issue an order to anybody except his well-fed servants. Isn’t it wondrous? And there are battalions and brigades of these men in town removed from the fear of want, living until they are seventy or eighty, sheltered, fed, drained and administered, expending their vast leisure in talking and writing.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>But the real fun begins much lower down the line. I’ve been associating generally and very particularly with the men who say that they are the only men in the world who work—and they call themselves the workingman. Now the workingman in America is a nice person. He says he is a man and behaves accordingly. That is to say, he has some notion that he is part and parcel of a great country. At least, he talks that way. But in this town you can see thousands of men meeting publicly on Sundays to cry aloud that everybody may hear that they are poor, downtrodden helots—in fact, “the pore workin’man.” At their clubs and pubs the talk is the same. It’s the utter want of self-respect that revolts. My friend the tobacconist has a cousin, who is, apparently, sound in mind and limb, aged twenty-three, clear-eyed and upstanding. He is a “skibbo” by trade—a painter of sorts. He married at twenty, and he has two children. He can spend three-quarters of an hour talking about his downtrodden condition. He works under another <i>Raj-mistri</i>, who has saved money and started a little shop of his own. He hates that <i>Raj-mistri</i>; he loathes the police; and his views on the lives and customs of the aristocracy are strange. He approves of every form of lawlessness, and he knows that everybody who holds authority is sure to be making a good thing out of it. Of himself as a citizen he never thinks. Of himself as an Ishmael he thinks a good deal. He is entitled to eight hours’ work a day and some time off—said time to be paid for; he is entitled to free education for his children—and he doesn’t want no bloomin’ clergyman to teach ’em; he is entitled to houses especially built for himself because he pays the bulk of the taxes of the country. He is not going to emigrate, not he; he reserves to himself the right of multiplying as much as he pleases; the streets must be policed for him while he demonstrates, immediately under my window, by the way, for ten consecutive hours, and <i>I</i> am probably a thief because my dothes are better than his. The proposition is a very simple one. He has no duties to the State, no personal responsibility of any kind, and he’d sooner see his children dead than soldiers of the Queen. The Government owes him everything because he is a pore workin’man. When the Guards tried their Board-school mutiny at the Wellington Barracks my friend was jubilant. “What did I tell your he said. “You see the very soldiers won’t stand it.”</p>
<p>“What’s it?”</p>
<p>“Bein’ treated like machines instead of flesh and blood. ’Course they won’t.”</p>
<p>The popular evening paper wrote that the Guards, with perfect justice, had rebelled against being treated like machines instead of flesh and blood. Then I thought of a certain regiment that lay in Mian Mir for three years and dropped four hundred men out of a thousand. It died of fever and cholera. There were no pretty nursemaids to work with it in the streets, because there were no streets. I saw how the Guards amused themselves and how their sergeants smoked in uniform. I pitied the Guards with their cruel sentry-goes, their three nights out of bed, and their unlimited supply of love and liquor.</p>
<p>Another man, not a workman, told me that the Guards’ riot—it’s impossible, as you know, to call this kick-up of the fatted flunkies of the army a mutiny—was only “a schoolboy’s prank”; and he could not see that if it was what he said it was, the Guards were no regiment and should have been wiped out decently and quietly. There again the futility of a sheltered people cropped up. You mustn’t treat a man like a machine in this country, but you can’t get any work out of a man till he has learned to work like a machine. D—— has just come home for a few months from the charge of a mountain battery on the frontier. He used to begin work at eight, and he was thankful if he got off at six; most of the time on his feet. When he went to the Black Mountain he was extensively engaged for nearly sixteen hours a day; and that on food at which the “pore workin’man” would have turned up his state-lifted nose. D—— on the subject of labour as understood by the white man in his own home is worth hearing. Though coarse—considerably coarse! But D—— doesn’t know all the hopeless misery of the business. When the small pig, oyster, furniture, carpet, builder or general shopman works his way out of the ruck he turns round and makes his old friends and employes sweat. He knows how near he can go to flaying ’em alive before they kick; and in this matter he is neither better nor worse than a <i>bunnia</i> or a <i>havildar</i> of our own blessed country. It’s the small employer of labour that skins his servant, exactly as the forty-pound householder works her one white servant to the bone and goes to drop pennies into the plate to convert the heathen in the East.</p>
<p>Just at present, as you have read, the person who calls himself the pore workin’man—the man I saw kicking fallen men in the mud by the docks last winter—has discovered a real, fine, new original notion; and he is workhlg it for all he is worth. He calls it the solidarity of labour <i>bundobast</i>; but it’s caste—four thousand years old, caste of Menu—with old <i>shetts</i>, <i>mahajuns</i>, guildtolls, excommunication and all the rest of it. All things considered, there isn’t anything much older than caste—it began with the second generation of man on earth—but to read the “advance” papers on the subject you’d imagine it was a revelation from Heaven. The real fun will begin—as it has begun and ended many times before—when the caste of skilled labour—that’s the pore workin’man—are pushed up and knocked about by the lower and unrecognised castes, who will form castes of their own and outcaste on the decision of their own <i>punchayats</i>. How these castes will scuffle and fight among themselves, and how astonished the Englishman will be!</p>
<p>He is naturally lawless because he is a fighting animal; and his amazingly sheltered condition has made him inconsequent. I don’t like inconsequent lawlessness. I’ve seen it down at Bow Street, at the docks, by the G.P.O., and elsewhere. Its chief home, of course, is in that queer place called the House of Commons, but no one goes there who isn’t forced by business. It’s shut up at present, and the persons who belong to it are loose all over the face of the country, I don’t think—but I won’t swear—that any of them are spitting at policemen. One man appears to have been poaching, others are advocating various forms of murder and outrage—and nobody seems to care. The residue talk—just heavens, how they talk, and what wonderful fictions they tell! And they firmly believe, being ignorant of the mechanism of Government, that they administer the country. In addition, certain of their newspapers have elaborately worked up a famine in Ireland that could be engineered by two Deputy Commissioners and four average Stunts into a “woe” and a “calamity” that is going to overshadow the peace of the nation—even the Empire. I suppose they have their own sense of proportion, but they manage to keep it to themselves very successfully. What do you, who have seen half a countryside in deadly fear of its life, suppose that this people would do if they were <i>chukkered</i> and <i>gabraowed</i>? If they really knew what the fear of death and the dread of injury implied? If they died very swiftly, indeed, and could not count their futile lives enduring beyond next sundown? Some of the men from your—I mean our—part of the world say that they would be afraid and break and scatter and run. But there is no room in the island to run. The sea catches you, midwaist, at the third step. I am curious to see if the cholera, of which these people stand in most lively dread, gets a firm foothold in London. In that case I have a notion that there will be scenes and panics. They live too well here, and have too much to make life worth clinging to—clubs, and shop fronts, and gas, and theatres, and so forth—things that they affect to despise, and whereon and whereby they live like leeches. But I have written enough. It doesn’t exhaust the subject; but you won’t be grateful for other epistles. De Vitre of the Poona Irregular Moguls will have it that they are a tiddy-iddy people. He says that all their visible use is to produce loans for the colonies and men to be used up in developing India. I honestly believe that the average Englishman would faint if you told him it was lawful to use up human life for any purpose whatever. He believes that it has to be developed and made beautiful for the possessor, and in that belief talkatively perpetrates cruelties that would make Torquemada jump in his grave. Go to Alipur if you want to see. I am off to foreign parts—forty miles away—to catch fish for my friend the char-cat; also to shoot a little bird if I have luck.</p>
<p align="right"><em>Yours,  RUDYARD KIPLING</em></p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p><strong>TO</strong> Lieutenant John McHail,<br />
151st (Kumharsen) N.I.,<br />
<i>Hakaiti via Tharanda.</i></p>
<p>Captain Sahib Bahadur! The last <i>Pi</i> gives me news of your step, and I’m more pleased about it than many. You’ve been “cavalry quick” in your promotion. Eight years and your company! Allahu! But it must have been that long, lean horse-head of yours that looks so wise and says so little that has imposed upon the authorities. My best congratulations. Let out your belt two holes, and be happy, as I am not.</p>
<p>Did I tell you in my last about going to Woking in search of a grave? The dust and the grime and the grey and the sausage-shop told on my spirits to such an extent that I solemnly took a train and went grave-hunting through the Necropolis—locally called the Necrapolis. I wanted an eligible, entirely detached site in a commanding position—six by three and bricked throughout. I found it, but the only drawback was that I must go back to town to the head office to buy it. One doesn’t go to town to haggle for tomb-space, so I deferred the matter and went fishing. All the same, there are very nice graves at Woking, and I shall keep my eye on one of ’em.</p>
<p>Since that date I seem to have been in four or five places, because there are labels on the bag. One of the places was Plymouth, where I found half a regiment at field exercises on the Hoe. They were practising the attack in three lines with the mixed rush at the end, even as it is laid down in the drill-book, and they charged subduedly across the Hoe. The people laughed. I was much more inclined to cry. Except the Major, there didn’t seem to be anything more than twenty years old in the regiment; and oh! but it was pink and white and chubby and undersized—just made to die succulently of disease. I fancied that some of our battalions out with you were more or less young and exposed, but a home battalion is a <i>crêche</i>, and it scares one to watch it. Eminent and distinguished Generals get up after dinner—I’ve listened to two of ’em—and explain that though the home battalion can only be regarded as a feeder to the foreign, yet all our battalions can be regarded as efficient; and if they aren’t efficient we shall find in our military reserve the nucleus—how I loath that lying word!—of the Lord knows what, but the speeches always end with allusions to the spirit of the English, their glorious past, and the certainty that when the hour of need comes the nation will “emerge victorious.” If (<i>sic</i>) the Engineer of the Hungerford Bridge told the Southeastern Railway that because a main girder had stood for thirty years without need of renewal it was therefore sure to stand for another fifty, he would probably get the sack. Our military authorities don’t get the sack. They are allowed to make speeches in public. Some day, if we live long enough, we shall see the glories of the past and the “sublime instinct of an ancient people” without one complete army corps, pitted against a few unsentimental long-range guns and some efficiently organised troops. Then the band will begin to play, and it will not play <i>Rule Britannia</i> until it has played some funny tunes first.</p>
<p>Do you remember Tighe? He was in the Deccan Lancers and retired because he got married. He is in Ireland now, and I met him the other day, idle, unhappy and dying for some work to do. Mrs. Tighe is equally miserable. She wants to go back to Poona instead of administering a big barrack of a house somewhere at the back of a bog. I quote Tighe here. He has, you may remember, a pretty tongue about him, and he was describing to me at length how a home regiment behaves when it is solemnly turned out for a week or a month training under canvas:</p>
<p>“About four in the mornin’, me dear boy, they begin pitchin’ their tents for the next day—four hours to pitch it, and the tent ropes a howlin’ tangle when all’s said and sworn. Then they tie their horses with strings to their big toes and go to bed in hollows and caves in the earth till the rain falls and the tents are flooded, and then, me dear boy, the men and the horses and the ropes and the vegetation of the country cuddle each other till the morning for the company’s sake. And next day it all begins again. Just when they are beginning to understand how to camp they are all put back into their boxes, and half of ’em have lung disease.”</p>
<p>But what is the use of snarling and grumbling? The matter will adjust itself later on, and the one nation on earth that talks and thinks most of the sanctity of human life will be a little astonished at the waste of life for which it will be responsible. In those days, my captain, the man who can command seasoned troops and have made the best use of those troops will be sought after and petted and will rise to honour. Remember the Hakaiti when next you measure the naked recruit.</p>
<p>Let us revisit calmer scenes. I’ve been down for three perfect days to the seaside. Don’t you remember what a really fine day means? A milk-white sea, as smooth as glass, with blue-white heat haze hanging over it, one little wave talking to itself on the sand, warm shingle, four bathing machines, cliff in the background, and half the babies in Christendom paddling and yelling. It was a queer little place, just near enough to the main line of traffic to be overlooked from morning till night. There was a baby—an Ollendorfian baby—with whom I fell madly in love. She lived down at the bottom of a great white sunbonnet; talked French and English in a clear, bell-like voice, and of such I fervently hope will the Kingdom of Heaven be. When she found that my French wasn’t equal to hers she condescendingly talked English and bade me build her houses of stones and draw cats for her through half the day. After I had done everything that she ordered she went off to talk to some one else. The beach belonged to that baby, and every soul on it was her servant, for I know that we rose with shouts when she paddled into three inches of water and sat down, gasping: “<i>Mon Dieu! Je suis mort!</i>” I know you like the little ones, so I don’t apologise for yarning about them. She had a sister aged seven and one-half—a lovely child, without a scrap of self-consciousness, and enormous eyes. Here comes a real tragedy. The girl—and her name was Violet—had fallen wildly in love with a little fellow of nine. They used to walk up the single street of the village with their arms round each other’s necks. Naturally, she did all the little wooings, and Hugh submitted quietly. Then devotion began to pall, and he didn’t care to paddle with Violet. Hereupon, as far as I can gather, she smote him on the head and threw him against a wall. Anyhow, it was very sweet and natural, and Hugh told me about it when I came down. “She’s so unrulable,” he said. “I didn’t hit her back, but I was very angry.” Of course, Violet repented, but Hugh grew suspicious, and at the psychological moment there came down from town a destroyer of delights and a separator of companions in the shape of a tricycle. Also there were many little boys on the beach—rude, shouting, romping little chaps—who said: “Come along!” “Hullo!” and used the wicked word “beastly!” Among these Hugh became a person of importance and began to realise that he was a man who could say “beastly,” and “Come on!” with the best of ’em. He preferred to run about with the little boys on wars and expeditions, and he wriggled away when Violet put her arm round his waist. Violet was hurt and angry, and I think she slapped Hugh. Relations were strained when I arrived because one morning Violet, after asking permission, invited Hugh to come to lunch. And that bad, Spanish-eyed boy deliberately filled his bucket with the cold seawater and dashed it over Violet’s pink ankles. (Joking apart, this seems to be about the best way of refusing an invitation that civilisation can invent. Try it on your Colonel.) She was madly angry for a moment, and then she said: “Let me carry you up the beach, ’cause of the shingles in your toes.” This was divine, but it didn’t move Hugh, and Violet went off to her mother. She sat down with her chin in her hand, looking out at the sea for a long time very sorrowfully. Then she said, and it was her first experience: “I know that Hugh cares more for his horrid bicycle than he does for me, and if he said he didn’t I wouldn’t believe him.”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>Up to date Hugh has said nothing. He is running about playing with the bold, bad little boys, and Violet is sitting on a breakwater, trying to find out why things are as they are. It’s a nice tale, and tales are scarce these days. Have you noticed how small and elemental is the stock of them at the world’s disposal? Men foregathered at that little seaside place, and, manlike, exchanged stories. They were all the same stories. One had heard ’em in the East with Eastern variations, and in the West with Western extravagances tacked on. Only one thing seemed new, and it was merely a phrase used by a groom in speaking of an ill-conditioned horse: “No, sir; he’s not ill in a manner o’ speaking, but he’s so to speak generally unfriendly with his innards as a usual thing.”</p>
<p>I entrust this to you as a sacred gift. See that it takes root in the land. “Unfriendly with his innards as a usual thing.” Remember. It’s better than laboured explanations in the rains. And I fancy it’s raw.</p>
<p>And now. But I had nearly forgotten. We’re a nation of grumblers, and that’s why other people call Anglo-Indians bores. I write feelingly because M——, just home on long leave, has for the second time sat on my devoted head for two hours simply and solely for the purpose of swearing at the Accountant-General. He has given me the whole history of his pay, prospects and promotion twice over, and in case I should misunderstand wants me to dine with him and hear it all for the third time. If M—— would leave the A.-G. alone he is a delightful man, as we all know; but he’s loose in London now, button-holing English friends and quoting leave and paycodes to them. He wants to see a Member of Parliament about something or other, and I believe he spends his nights rolled up in a <i>rezai</i> on the stairs of the India Office waiting to catch a secretary. I like the India Office. They are so beautifully casual and lazy, and their rooms look out over the Green Park, and they are never tired of admiring the view. Now and then a man comes in to report himself, and the secretaries and the under-secretaries and the <i>chaprassies</i> play battledore and shuttlecock with him until they are tired.</p>
<p>Some time since, when I was better, more serious and earnest than I am now, I preached a <i>jehad</i> up and down those echoing corridors, and suggested the abolition of the India Office and the purchase of a four-pound-ten American revolving bookcase to hold all the documents on India that were of public value or could be comprehended by the public. Now I am more frivolous because I am dropping gently into that grave at Woking; and yet I believe in the bookcase. India is bowed down with too much <i>duftar</i> as it is, and the House of Correction, Revision, Division and Supervision cannot do her much good. I saw a committee or a council file in the other day. Only one desirable tale came to me out of that office. If you’ve heard it before stop me. It began with a cutting from an obscure Welsh paper, I think, A man—a gardener—went mad, announced that Lord Cross was the Messiah and burned himself alive on a pile of garden refuse. That’s the first part. I never could get at the second, but I am credibly informed that the work of the India Office stood still for three weeks, while the entire staff took council how to break the news to the Secretary of State. I believe it still remains unbroken.</p>
<div align="center"><span class="h2"><b>.     .     .     .     .</b></span></div>
<p>Decidedly, leave in England is a disappointing thing. I’ve wandered into two stations since I wrote the last. Nothing but the labels on the bag remain—oh, and a memory of a weighing-in at an East End fishing club. That was an experience. I foregathered with a man on the top of a ’bus, and we became great friends because we both agreed that gorgetackle for pike was only permissible in very weedy streams. He repeated his views, which were my views, nearly ten times, and in the evening invited me to this weighing-in, at, we’ll say, rooms of the Lea and Chertsey Piscatorial Anglers’ Benevolent Brotherhood. We assembled in a room at the top of a publichouse, the walls ornamented with stuffed fish and water-birds, and the anglers came in by twos and threes, and I was introduced to all of ’em as “the gen’elman I met just now.” This seemed to be good enough for all practical purposes. There were ten and five shilling prizes, and the affable and energetic clerk of the scales behaved as though he were weighing-in for the Lucknow races. The take of the day was one pound fifteen ounces of dace and roach, about twenty fingerlings, and the winner, who is in charge of a railway bookstall, described minutely how he had caught each fish. As a matter of fact, roach-fishing in the Lea and Thames is a fine art. Then there were drinks—modest little drinks—and they called upon me for a sentiment. You know how things go at the sergeants’ messes and some of the lodges. In a moment of brilliant inspiration I gave “free fishing in the parks” and brought down the whole house. Sah! free fishing for coarse fish in the Serpentine and the Green Park water would hurt nobody and do a great deal of good to many. The stocking of the water—but what does this interest you? The Englishman moves slowly. He is just beginning to understand that it is not sufiicient to set apart a certain amount of land for a lung of London and to turn people into it with “There, get along and play,” unless he gives ’em something to play with. Thirty years hence he will almost allow <i>cafés</i> and hired bands in Hyde Park.</p>
<p>To return for a moment to the fish club. I got away at eleven, and in darkness and despair had to make my way west for leagues and leagues across London. I was on the Mile End Road at midnight and there lost myself, and learned something more about the policeman. He is haughty in the East and always afraid that he is being chaffed. I honestly only wanted sailing directions to get homeward. One policeman said: “Get along. You know your way as well as I do.” And yet another: “You go back to the country where you comed from. You ain’t doin’ no good ’ere!” It was so deadly true that I couldn’t answer back, and there wasn’t an expensive cab handy to prove my virtue and respectability. Next time I visit the Lea and Chertsey Affabilities I’ll find out something about trains. Meantime I keep holiday dolefully. There is not anybody to play with me. They have all gone away to their own places. Even the Infant, who is generally the idlest man in the world, writes me that he is helping to steer a ten-ton yacht in Scottish seas. When she heels over too much the Infant is driven to the O.P. side and she rights herself. The Infant’s host says: “Isn’t this bracing? Isn’t this delightful?” And the Infant, who lives in dread of a chill bringing back his Indian fever, has to say “Ye-es,” and pretend to despise overcoats. Wallah! This is a cheerful worid.</p>
<p align="right"><em>R<span class="font-1">UDYARD</span> K<span class="font-1">IPLING</span></em></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9255</post-id>	</item>
		<item>
		<title>Mrs. Bathurst</title>
		<link>https://www.kiplingsociety.co.uk/tale/mrs-bathurst.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Fri, 28 May 2021 11:20:41 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/mrs-bathurst/</guid>

					<description><![CDATA[<strong>page 1 of 7 </strong> <b>THE</b> day that I chose to visit H.M.S. <i>Peridot</i> in Simon’s Bay was the day that the Admiral had chosen to send her up the coast. She was just steaming ... <a title="Mrs. Bathurst" class="read-more" href="https://www.kiplingsociety.co.uk/tale/mrs-bathurst.htm" aria-label="Read more about Mrs. Bathurst">Read more</a>]]></description>
										<content:encoded><![CDATA[<div id="leftmargin">
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 7<br />
</strong></p>
<p><b>THE</b> day that I chose to visit H.M.S. <i>Peridot</i> in Simon’s Bay was the day that the Admiral had chosen to send her up the coast. She was just steaming out to sea as my train came in, and since the rest of the Fleet were either coaling or busy at the rifle-ranges a thousand feet up the hill, I found myself stranded, lunchless, on the sea-front with no hope of return to Cape Town before 5 p.m. At this crisis I had the luck to come across my friend Inspector Hooper, Cape Government Railways, in command of an engine and a brake-van chalked for repair.‘If you get something to eat,’ he said, ‘I’ll run you down to Glengaritf siding till the goods comes along. It’s cooler there than here, you see.’</p>
<p>I got food and drink from the Greeks who sell all things at a price, and the engine trotted us a couple of miles up the line to a bay of drifted sand and a plank-platform half buried in sand not a hundred yards from the edge of the surf. Moulded dunes, whiter than any snow, rolled far inland up a brown and purple valley of splintered rocks and dry scrub. A crowd of Malays hauled at a net beside two blue and green boats on the beach; a picnic party danced and shouted barefoot where a tiny river trickled across the flat, and a circle of dry hills, whose feet were set in sands of silver, locked us in against a seven-coloured sea. At either horn of the bay the railway line, cut just above highwater mark, ran round a shoulder of piled rocks, and disappeared.</p>
<p>‘You see, there’s always a breeze here,’ said Hooper, opening the door as the engine left us in the siding on the sand, and the strong south-easter buffeting under Elsie’s Peak dusted sand into our tickey beer. Presently he sat down to a file full of spiked documents. He had returned from a long trip up-country, where he had been reporting on damaged rolling-stock, as far away as Rhodesia. The weight of the bland wind on my eyelids; the song of it under the car-roof, and high up among the rocks; the drift of fine grains chasing each other musically ashore; the tramp of the surf; the voices of the picnickers; the rustle of Hooper’s file, and the presence of the assured sun, joined with the beer to cast me into magical slumber. The hills of False Bay were just dissolving into those of fairyland when I heard footsteps on the sand outside, and the clink of our couplings.</p>
<p>‘Stop that!’ snapped Hooper, without raising his head from his work. ‘It’s those dirty little Malay boys, you see: they’re always playing with the trucks . . . .’</p>
<p>‘Don’t be hard on ’em. The railway’s a general refuge in Africa,’ I replied.</p>
<p>‘’Tis—up-country at any rate. That reminds me,’ he felt in his waistcoat-pocket, ‘I’ve got a curiosity for you from Wankies—beyond Bulawayo. It’s more of a souvenir perhaps than——’</p>
<p>‘The old hotel’s inhabited,’ cried a voice. ‘White men, from the language. Marines to the front! Come on, Pritch. Here’s your Belmont. Wha—i—i!’</p>
<p>The last word dragged like a rope as Mr. Pyecroft ran round to the open door, and stood looking up into my face. Behind him an enormous Sergeant of Marines trailed a stalk of dried seaweed, and dusted the sand nervously from his fingers.</p>
<p>‘What are you doing here?’ I asked. ‘I thought the <i>Hierophant</i> was down the coast?’</p>
<p>‘We came in last Tuesday—from Tristan d’Acunha—for overhaul, and we shall be in dockyard ’ands for two months, with boiler-seatings.’</p>
<p>‘Come and sit down.’ Hooper put away the file.</p>
<p>‘This is Mr. Hooper of the Railway,’ I explained, as Pyecroft turned to haul up the black-moustached sergeant.</p>
<p>‘This is Sergeant Pritchard, of the <i>Agaric</i>, an old shipmate,’ said he. ‘We were strollin’ on the beach.’ The monster blushed and nodded. He filled up one side of the van when he sat down.</p>
<p>‘And this is my friend, Mr. Pyecroft,’ I added to Hooper, already busy with the extra beer which my prophetic soul had bought from the Greeks.</p>
<p>‘<i>Moi aussi</i>,’ quoth Pyecroft, and drew out beneath his coat a labelled quart bottle.</p>
<p>‘Why, it’s Bass!’ cried Hooper.</p>
<p>‘It was Pritchard,’ said Pyecroft. ‘They can’t resist him.’</p>
<p>‘That’s not so,’ said Pritchard mildly.</p>
<p>‘Not <i>verbatim</i> per’aps, but the look in the eye came to the same thing.’</p>
<p>‘Where was it?’ I demanded.</p>
<p>‘Just on beyond here—at Kalk Bay. She was slappin’ a rug in a back verandah. Pritch ’adn’t more than brought his batteries to bear, before she stepped indoors an’ sent it flyin’ over the wall.’</p>
<p>Pyecroft patted the warm bottle.</p>
<p>‘It was all a mistake,’ said Pritchard. ‘I shouldn’t wonder if she mistook me for Maclean. We’re about of a size.’</p>
<p>I had heard householders of Muizenberg, St. James, and Kalk Bay complain of the difficulty of keeping beer or good servants at the seaside, and I began to see the reason. None the less, it was excellent Bass, and I too drank to the health of that large-minded maid.</p>
<p>‘It’s the uniform that fetches ’em, an’ they fetch it,’ said Pyecroft. ‘My simple navy blue is respectable, but not fascinatin’. Now Pritch in ’is Number One rig is always “purr Mary, on the terrace”—<i>ex officio</i> as you might say.’</p>
<p>‘She took me for Maclean, I tell you,’ Pritchard insisted. ‘Why—why—to listen to him you wouldn’t think that only yesterday——’</p>
<p>‘Pritch,’ said Pyecroft, ‘be warned in time. If we begin tellin’ what we know about each other we’ll be turned out of the pub. Not to mention aggravated desertion on several occasions——’</p>
<p>‘Never anything more than absence without leaf—I defy you to prove it,’ said the Sergeant hotly. ‘An’ if it comes to that, how about Vancouver in ’87?’</p>
<p>‘How about it? Who pulled bow in the gig going ashore? Who told Boy Niven . . .?’</p>
<p>‘Surely you were court-martialled for that?’ I said. The story of Boy Niven who lured seven or eight able-bodied seamen and marines into the woods of British Columbia used to be a legend of the Fleet.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2</strong></p>
<p>‘Yes, we were court-martialled to rights,’ said Pritchard, ‘but we should have been tried for murder if Boy Niven ’adn’t been unusually tough. He told us he had an uncle ’oo’d give us land to farm. ’E said he was born at the back o’ Vancouver Island, and <i>all</i> the time the beggar was a balmy Barnado Orphan!’</p>
<p>‘<i>But</i> we believed him, said Pyecroft. ‘I did—you did—Paterson did—an’ ’oo was the Marine that married the cocoanut-woman afterwards—him with the mouth?’</p>
<p>‘Oh, Jones, Spit-Kid Jones. I ’aven’t thought of ’im in years,’ said Pritchard. ‘Yes, Spit-Kid believed it, an’ George Anstey and Moon. We were very young an’ very curious.’</p>
<p>‘<i>But</i> lovin’ an’ trustful to a degree,’ said Pyecroft.</p>
<p>‘’Remember when ’e told us to walk in single file for fear o’ bears? ’Remember, Pye, when ’e ’opped about in that bog full o’ ferns an’ sniffed an’ said ’e could smell the smoke of ’is uncle’s farm ? An’ <i>all</i> the time it was a dirty little outlyin’ uninhabited island. We walked round it in a day, an’ come back to our boat lyin’ on the beach. A whole day Boy Niven kept us walkin’ in circles lookin’ for ’is uncle’s farm! He said his uncle was compelled by the law of the land to give us a farm!’</p>
<p>‘Don’t get hot, Pritch. We believed,’ said Pyecroft.</p>
<p>‘He’d been readin’ books. He only did it to get a run ashore an’ have himself talked of. A day an’ a night—eight of us—followin’ Boy Niven round an uninhabited island in the Vancouver archipelago! Then the picket came for us an’ a nice pack o’ idiots we looked!’</p>
<p>‘What did you get for it?’ Hooper asked.</p>
<p>‘Heavy thunder with continuous lightning for two hours. Thereafter sleet-squalls, a confused sea, and cold, unfriendly weather till conclusion o’cruise,’ said Pyecroft. ‘It was only what we expected, but what we felt—an’ I assure you, Mr. Hooper, even a sailor-man has a heart to break—was bein’ told that we able seamen an’ promisin’ marines ’ad misled Boy Niven. Yes, we poor back-to-the-landers was supposed to ’ave misled him! He rounded on us, o’ course, an’ got off easy.’</p>
<p>‘Excep’ for what we gave him in the steerin’-flat when we came out o’ cells. ’Eard anything of ’im lately, Pye?’</p>
<p>‘Signal Boatswain in the Channel Fleet, I believe—Mr. L. L. Niven is.’</p>
<p>‘An’ Anstey died o’ fever in Benin,’ Pritchard mused. ‘What come to Moon? Spit-Kid we know about.’</p>
<p>‘Moon—Moon! Now where did I last . . .? Oh yes, when I was in the <i>Palladium</i>. I met Quigley at Buncrana Station. He told me Moon ’ad run when the <i>Astrild</i> sloop was cruising among the South Seas three years back. He always showed signs o’ bein’ a Mormonastic beggar. Yes, he slipped off quietly an’ they ’adn’t time to chase ’im round the islands even if the navigatin’ officer ’ad been equal to the job.’</p>
<p>‘Wasn’t he?’ said Hooper.</p>
<p>‘Not so. Accordin’ to Quigley the <i>Astrild</i> spent half her commission rompin’ up the beach like a she-turtle, an’ the other half hatching turtles’ eggs on the top o’ numerous reefs. When she was docked at Sydney her copper looked like Aunt Maria’s washing on the line—an’ her ’midship frames was sprung. The commander swore the dockyard ’ad done it haulin’ the pore thing on to the slips. They <i>do</i> do strange things at sea, Mr. Hooper.’</p>
<p>‘Ah! I’m not a taxpayer,’ said Hooper, and opened a fresh bottle. The Sergeant seemed to be one who had a difficulty in dropping subjects.</p>
<p>‘How it all comes back, don’t it?’ he said. ‘Why, Moon must ’ave ’ad sixteen years’ service before he ran.’</p>
<p>‘It takes ’em at all ages. Look at—you know,’ said Pyecroft.</p>
<p>‘Who?’ I asked.</p>
<p>‘A service man within eighteen months of his pension is the party you’re thinkin’ of,’ said Pritchard. ‘A warrant ’oo’s name begins with a V., isn’t it?’</p>
<p>‘But, in a way o’ puttin’ it, we can’t say that he actually did desert,’ Pyecroft suggested.</p>
<p>‘Oh no,’ said Pritchard. ‘It was only permanent absence up-country without leaf. That was all.’</p>
<p>‘Up-country?’ said Hooper. ‘Did they circulate his description?’</p>
<p>‘What for?’ said Pritchard, most impolitely.</p>
<p>‘Because deserters are like columns in the war. They don’t move away from the line, you see. I’ve known a chap caught at Salisbury that way tryin’ to get to Nyassa. They tell me, but o’ course I don’t know, that they don’t ask questions on the Nyassa Lake Flotilla up there. I’ve heard of a P. and O. quartermaster in full command of an armed launch there.’</p>
<p>‘Do you think Click ’ud ha’ gone up that way?’ Pritchard asked.</p>
<p>‘There’s no saying. He was sent up to Bloemfontein to take over some Navy ammunition left in the fort. We know he took it over and saw it into the trucks. Then there was no more Click—then or thereafter. Four months ago it transpired, and thus the <i>casus belli</i> stands at present,’ said Pyecroft.</p>
<p>‘What were his marks?’ said Hooper again.</p>
<p>‘Does the Railway get a reward for returnin’ ’em, then?’ said Pritchard.</p>
<p>‘If I did d’you suppose I’d talk about it?’ Hooper retorted angrily.</p>
<p>‘You seemed so very interested,’ said Pritchard with equal crispness.</p>
<p>‘Why was he called Click?’ I asked, to tide over an uneasy little break in the conversation. The two men were staring at each other very fixedly.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>‘Because of an ammunition hoist carryin’ away,’ said Pyecroft. ‘And it carried away four of ’is teeth-on the lower port side, wasn’t it, Pritch? The substitutes which he bought weren’t screwed home, in a manner o’ sayin’. When he talked fast they used to lift a little on the bedplate. ’Ence, “Click.” They called ’im a superior man, which is what we’d call a long, black-’aired, genteelly-speakin’,’alf-bred beggar on the lower deck.’</p>
<p>‘Four false teeth in the lower left jaw,’ said Hooper, his hand in his waistcoat-pocket. ‘What tattoo marks?’</p>
<p>‘Look here,’ began Pritchard, half rising. ‘I’m sure we’re very grateful to you as a gentleman for your ’orspitality, but per’aps we may ’ave made an error in——’</p>
<p>I looked at Pyecroft for aid—Hooper was crimsoning rapidly.</p>
<p>‘If the fat marine now occupying the foc’sle will kindly bring ’is <i>status quo</i> to an anchor yet once more, we may be able to talk like gentlemen—not to say friends,’ said Pyecroft. ‘He regards you, Mr. Hooper, as a emissary of the Law.’</p>
<p>‘I only wish to observe that when a gentleman exhibits such a peculiar, or I should rather say, such a <i>bloomin’</i> curiosity in identification marks as our friend here——’</p>
<p>‘Mr. Pritchard,’ I interposed, ‘I’ll take all the responsibility for Mr. Hooper.’</p>
<p>‘An’ <i>you</i>’ll apologise all round,’ said Pyecroft. ‘You’re a rude little man, Pritch.’</p>
<p>‘But how was I——’ he began, wavering.</p>
<p>‘I don’t know an’ I don’t care. Apologise!’</p>
<p>The giant looked round bewildered and took our little hands into his vast grip, one by one.</p>
<p>‘I was wrong,’ he said meekly as a sheep. ‘My suspicions was unfounded. Mr. Hooper, I apologise.’</p>
<p>‘You did quite right to look out for your own end o’ the line,’ said Hooper. ‘I’d ha’ done the same with a gentleman I didn’t know, you see. If you don’t mind I’d like to hear a little more o’ your Mr. Vickery. It’s safe with me, you see.’</p>
<p>‘Why did Vickery run?’ I began, but Pyecroft’s smile made me turn my question to ‘Who was she?’</p>
<p>‘She kep’ a little hotel at Hauraki—near Auckland,’ said Pyecroft.</p>
<p>‘By Gawd!’ roared Pritchard, slapping his hand on his leg. ‘Not Mrs. Bathurst!’</p>
<p>Pyecroft nodded slowly, and the Sergeant called all the powers of darkness to witness his bewilderment.</p>
<p>‘So far as I could get at it, Mrs. B. was the lady in question.’</p>
<p>‘But Click was married,’ cried Pritchard.</p>
<p>‘An’ ’ad a fifteen-year-old daughter. ’E’s shown me her photograph. Settin’ that aside, so to say, ’ave you ever found these little things make much difference? Because I haven’t.’</p>
<p>‘Good Lord Alive an’ Watchin’! . . . Mrs. Bathurst. . . .’ Then with another roar: ‘You can say what you please, Pye, but you don’t make me believe it was any of ’er fault. She wasn’t <i>that</i>!’</p>
<p>‘If I was going to say what I please, I’d begin by callin’ you a silly ox an’ work up to the higher pressures at leisure. I’m trying to say solely what transpired. M’rover, for once you’re right. It wasn’t her fault.’</p>
<p>‘You couldn’t ’aven’t made me believe it if it ’ad been,’ was the answer.</p>
<p>Such faith in a Sergeant of Marines interested me greatly. ‘Never mind about that,’ I cried. ‘Tell me what she was like.’</p>
<p>‘She was a widow,’ said Pyecroft. ‘Left so very young and never re-spliced. She kep’ a little hotel for warrants and noncoms close to Auckland, an’ she always wore black silk, and ’er neck——’</p>
<p>‘You ask what she was like,’ Pritchard broke in. ‘Let me give you an instance. I was at Auckland first in ’97, at the end o’ the <i>Marroquin’s</i> commission, an’ as I’d been promoted I went up with the others. She used to look after us all, an’ she never lost by it—not a penny! “Pay me now,” she’d say, “or settle later. I know you won’t let me suffer. Send the money from home if you like.” Why, gentlemen all, I tell you I’ve seen that lady take her own gold watch an’ chain off her neck in the bar an’ pass it to a bosun ’oo’d come ashore without ’is ticker an’ ’ad to catch the last boat. “I don’t know your name,” she said, “but when you’ve done with it, you’ll find plenty that know me on the front. Send it back by one o’ them.” And it was worth thirty pounds if it was worth ’arf-a-crown. The little gold watch, Pye, with the blue monogram at the back. But, as I was sayin’, in those days she kep’ a beer that agreed with me—Slits it was called. One way an’ another I must ’ave punished a good few bottles of it while we was in the bay—comin’ ashore every night or so. Chaffin’ across the bar like, once when we were alone, “Mrs. B.,” I said, “when next I call I want you to remember that this is my particular just as you’re my particular.” (She’d let you go <i>that</i> far!) “Just as you’re my particular,” I said. “Oh, thank you, Sergeant Pritchard,” she says, an’ put ’er hand up to the curl be’ind ’er ear. Remember that way she had, Pye?’</p>
<p>‘I think so,’ said the sailor.</p>
<p>‘Yes, “Thank you, Sergeant Pritchard,” she says. “The least I can do is to mark it for you in case you change your mind. There’s no great demand for it in the Fleet,” she says, “but to make sure I’ll put it at the back o’ the shelf,” an’ she snipped off apiece of her hair ribbon with that old dolphin cigar-cutter on the bar &#8211; remember it, Pye?—an’ she tied a bow round what was left just four bottles. That was ’97-no, ’96. In ’98 I was in the <i>Resilient</i>—China station—full commission. In Nineteen One, mark you, I was in the <i>Carthusian</i>, back in Auckland Bay again. Of course I went up to Mrs. B.’s with the rest of us to see how things were goin’. They were the same as ever. (Remember the big tree on the pavement by the side-bar, Pye?) I never said anythin’ in special (there was too many of us talkin’ to her), but she saw me at once.’</p>
<p>‘That wasn’t difficult?’ I ventured.</p>
<p>‘Ah, but wait. I was comin’ up to the bar, when, “Ada,” she says to her niece, “get me Sergeant Pritchard’s particular,” and, gentlemen all, I tell you before I could shake ’ands with the lady, there were those four bottles o’ Slits, with ’er ’air-ribbon in a bow round each o’ their necks, set down in front o’ me, an’ as she drew the cork she looked at me under her eyebrows in that blindish way she had o’ lookin’, an’, “Sergeant Pritchard,” she says, “I do ’ope you ’aven’t changed your mind about your particulars.” That’s the kind o’ woman she was—after five years!’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 4<br />
</strong></p>
<p>‘I don’t <i>see</i> her yet somehow,’ said Hooper, but with sympathy.</p>
<p>‘She—she never scrupled to feed a lame duck or set ’er foot on a scorpion at any time of ’er life,’ Pritchard added valiantly.</p>
<p>‘That don’t help me either. My mother’s like that for one.’</p>
<p>The giant heaved inside his uniform and rolled his eyes at the car-roof. Said Pyecroft suddenly:—</p>
<p>‘How many women have you been intimate with all over the world, Pritch?’</p>
<p>Pritchard ’blushed plum-colour to the short hairs of his seventeen-inch neck.</p>
<p>‘’Undreds,’ said Pyecroft. ‘So’ve I. How many of ’em can you remember in your own mind, settin’ aside the first—an’ per’aps the last—<i>and one more</i>?’</p>
<p>‘Few, wonderful few, now I tax myself,’ said Sergeant Pritchard relievedly.</p>
<p>‘An’ how many times might you ’ave been at Auckland?’</p>
<p>‘One—two,’ he began—‘why, I can’t make it more than three times in ten years. But I can remember every time that I ever saw Mrs. B.’</p>
<p>‘So can I—an’ I’ve only been to Auckland twice—how she stood an’ what she was sayin’ an’ what she looked like. That’s the secret. ’Tisn’t beauty, so to speak, nor good talk necessarily. It’s just It. Some women’ll stay in a man’s memory if they once walk down a street, but most of ’em you can live with a month on end, an’ next commission you’d be put to it to certify whether they talked in their sleep or not, as one might say.’</p>
<p>‘Ah!’ said Hooper. ‘That’s more the idea. I’ve known just two women of that nature.’</p>
<p>‘An’ it was no fault o’ theirs ?’ asked Pritchard.</p>
<p>‘None whatever. I know <i>that</i>!’</p>
<p>‘An’ if a man gets struck with that kind o’ woman, Mr. Hooper?’ Pritchard went on.</p>
<p>‘He goes crazy—or just saves himself,’ was the slow answer.</p>
<p>‘You’ve hit it,’ said the Sergeant. ‘You’ve seen an’ known somethin’ in the course o’ your life, Mr. Hooper. I’m lookin’ at you!’ He set down his bottle.</p>
<p>‘And how often had Vickery seen her?’ I asked.</p>
<p>‘That’s the dark an’ bloody mystery,’ Pyecroft answered. ‘I’d never come across him till I come out in the <i>Hierophant</i> just now, an’ there wasn’t any one in the ship who knew much about him. You see, he was what you call a superior man. ’E spoke to me once or twice about Auckland and Mrs. B. on the voyage out. I called that to mind subsequently. There must ’ave been a good deal between ’em, to my way o’ thinkin’. Mind you, I’m only giving you my <i>résumé</i> of it all, because all I know is second-hand so to speak, or rather I should say more than second-’and.’</p>
<p>‘How?’ said Hooper peremptorily. ‘You must have seen it or heard it.’</p>
<p>‘Ye-es,’ said Pyecroft. ‘I used to think seein’ and hearin’ was the only regulation aids to ascertainin’ facts, but as we get older we get more accommodatin’. The cylinders work easier, I suppose . . . . Were you in Cape Town last December when Phyllis’s Circus came?’</p>
<p>‘No—up-country,’ said Hooper, a little nettled at the change of venue.</p>
<p>‘I ask because they had a new turn of a scientific nature called “Home and Friends for a Tickey.” ‘</p>
<p>‘Oh, you mean the cinematograph—the pictures of prize-fights and steamers. I’ve seen ’em upcountry.’</p>
<p>‘Biograph or cinematograph was what I was alludin’ to. London Bridge with the omnibuses—a troopship goin’ to the war—marines on parade at Portsmouth, an’ the Plymouth Express arrivin’ at Paddin’ton.’</p>
<p>‘Seen ’em all. Seen ’em all,’ said Hooper impatiently.</p>
<p>‘We <i>Hierophants</i> came in just before Christmas week an’ leaf was easy.’</p>
<p>‘I think a man gets fed up with Cape Town quicker than anywhere else on the station. Why, even Durban’s more like Nature. We was there for Christmas,’ Pritchard put in.</p>
<p>‘Not bein’ a devotee of Indian <i>peeris</i>, as our Doctor said to the Pusser, I can’t exactly say. Phyllis’s was good enough after musketry practice at Mozambique. I couldn’t get off the first two or three nights on account of what you might call an imbroglio with our Torpedo Lieutenant in the submerged flat, where some pride of the West Country had sugared up a gyroscope; but I remember Vickery went ashore with our Carpenter Rigdon—old Crocus we called him. As a general rule Crocus never left ’is ship unless an’ until he was ’oisted out with a winch, but <i>when</i> ’e went ’e would return noddin’ like a lily gemmed with dew. We smothered him down below that night, but the things ’e said about Vickery as a fittin’ playmate for a Warrant Officer of ’is cubic capacity, before we got him quiet, was what I should call pointed.’</p>
<p>‘I’ve been with Crocus—in the <i>Redoubtable</i>,’ said the Sergeant. ‘He’s a character if there is one.’</p>
<p>‘Next night I went into Cape Town with Dawson and Pratt; but just at the door of the Circus I came across Vickery. “Oh!” he says, “you’re the man I’m looking for. Come and sit next me. This way to the shillin’ places!” I went astern at once, protestin’ because tickey seats better suited my so-called finances. “Come on,” says Vickery, “I’m payin’.” Naturally I abandoned Pratt and Dawson in anticipation o’ drinks to match the seats. “No,” he says, when this was ’inted—“not now. Not now. As many as you please afterwards, but I want you sober for the occasion.” I caught ’is face under a lamp just then, an’ the appearance of it quite cured me of my thirst. Don’t mistake. It didn’t frighten me. It made me anxious. I can’t tell you what it was like, but that was the effect which it ’ad on me. If you want to know, it reminded me of those things in bottles in those herbalistic shops at Plymouth—preserved in spirits of wine. White an’ crumply things—previous to birth as you might say.’</p>
<p>‘You ’ave a beastial mind, Pye,’ said the Sergeant, relighting his pipe.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 5<br />
</strong></p>
<p>‘Perhaps. We were in the front row, an’ “Home an’ Friends” came on early. Vickery touched me on the knee when the number went up. “If you see anything that strikes you,” he says, “drop me a hint”; then he went on clicking. We saw London Bridge an’ so forth an’ so on, an’ it was most interestin’. I’d never seen it before. You ’eard a little dynamo like buzzin’, but the pictures were the real thing—alive an’ movin’.’</p>
<p>‘I’ve seen ’em,’ said Hooper. ‘Of course they are taken from the very thing itself—you see.’</p>
<p>‘Then the Western Mail came in to Paddin’ton on the big magic-lantern sheet. First we saw the platform empty an’ the porters standin’ by. Then the engine come in, head on, an’ the women in the front row jumped: she headed so straight. Then the doors opened and the passengers came out and the porters got the luggage just like life. Only—only when any one came down too far towards us that was watchin’, they walked right out o’ the picture, so to speak. I was ’ighly interested, I can tell you. So were all of us. I watched an old man with a rug ’oo’d dropped a book an’ was tryin’ to pick it up, when quite slowly, from be’ind two porters—carryin’ a little reticule an’ lookin’ from side to side—comes out Mrs. Bathurst. There was no mistakin’ the walk in a hundred thousand. She come forward—right forward—she looked out straight at us with that blindish look which Pritch alluded to. She walked on and on till she melted out of the picture—like—like a shadow jumpin’ over a candle, an’ as she went I ’eard Dawson in the tickey seats be’ind sing out: “Christ! there’s Mrs. B.!”’</p>
<p>Hooper swallowed his spittle and leaned forward intently.</p>
<p>‘Vickery touched me on the knee again. He was clickin’ his four false teeth with his jaw down like an enteric at the last kick. “Are you sure?” says he. “Sure,” I says, “didn’t you ’ear Dawson give tongue? Why, it’s the woman herself.” “I was sure before,” he says, “but I brought you to make sure. Will you come again with me tomorrow?”</p>
<p>‘“Willingly,” I says, “it’s like meetin’ old friends.”</p>
<p>‘“Yes,” he says, openin’ his watch, “very like. It will be four-and-twenty hours less four minutes before I see her again. Come and have a drink,” he says. “It may amuse you, but it’s no sort of earthly use to me.” He went out shaking his head an’ stumblin’ over people’s feet as if he was drunk already. I anticipated a swift drink an’ a speedy return, because I wanted to see the performin’ elephants. Instead o’ which Vickery began to navigate the town at the rate o’ knots, lookin’ in at a bar every three minutes approximate Greenwich time. I’m not a drinkin’ man, though there are those present’;—he cocked his unforgettable eye at me—‘who may have seen me more or less imbued with the fragrant spirit. None the less when I drink I like to do it at anchor an’ not at an average speed of eighteen knots on the measured mile. There’s a tank as you might say at the back o’ that big hotel up the hill—what do they call it?’</p>
<p>‘The Molteno Reservoir,’ I suggested, and Hooper nodded.</p>
<p>‘That was his limit o’ drift. We walked there an’ we come down through the Gardens—there was a South-Easter blowin’—an’ we finished up by the Docks. Then we bore up the road to Salt River, and wherever there was a pub Vickery put in sweatin’. He didn’t look at what he drunk—he didn’t look at the change. He walked an’ he drunk an’ he perspired in rivers. I understood why old Crocus ’ad come back in the condition ’e did, because Vickery an’ I ’ad two an’ a half hours o’ this gipsy manœuvre an’ when we got back to the station there wasn’t a dry atom on or in me.’</p>
<p>‘Did he say anything?’ Pritchard asked.</p>
<p>‘The sum total of ’is conversation from 7.45 p.m. till 11.15 p.m. was “Let’s have another.” Thus the mornin’ an’ the evenin’ were the first day, as Scripture says . . . . To abbreviate a lengthy narrative, I went into Cape Town for five consecutive nights with Master Vickers, and in that time I must ’ave logged about fifty knots over the ground an’ taken in two gallon o’ all the worst spirits south the Equator. The evolution never varied. Two shilling seats for us two; five minutes o’ the pictures, an’ perhaps forty-five seconds o’ Mrs. B. walking down towards us with that blindish look in her eyes an’ the reticule in her hand. Then out-walk—and drink till train time.’</p>
<p>‘What did you think?’ said Hooper, his hand fingering his waistcoat-pocket.</p>
<p>‘Several things,’ said Pyecroft. ‘To tell you the truth, I aren’t quite done thinkin’ about it yet. Mad? The man was a dumb lunatic—must ’ave been for months—years p’raps. I know somethin’ o’ maniacs, as every man in the Service must. I’ve been shipmates with a mad skipper—an’ a lunatic Number One, but never both together, I thank ’Eaven. I could give you the names o’ three captains now ’oo ought to be in an asylum, but you don’t find me interferin’ with the mentally afflicted till they begin to lay about ’em with rammers an’ winch-handles. Only once I crept up a little into the wind towards Master Vickers. “I wonder what she’s doin’ in England,” I says. “Don’t it seem to you she’s lookin’ for somebody?” That was in the Gardens again, with the South-Easter blowin’ as we were makin’ our desperate round. “She’s lookin’ for me,” he says, stoppin’ dead under a lamp an’ clickin’. When he wasn’t drinkin’, in which case all ’is teeth clicked on the glass, ’e was clickin’ ’is four false teeth like a Marconi ticker. “Yes! lookin’ for me,” he said, an’ he went on very softly an’ as you might say affectionately. “<i>But</i>,” he went on, “in future, Mr. Pyecroft, I should take it kindly of you if you’d confine your remarks to the drinks set before you. Otherwise,” he says, “with the best will in the world towards you, I may find myself guilty of murder! Do you understand?” he says. “Perfectly,” I says, “but would it at all soothe you to know that in such a case the chances o’ your being killed are precisely equivalent to the chances o’ me being outed.” “Why, no,” he says, “I’m almost afraid that ’ud be a temptation.” Then I said—we was right under the lamp by that arch at the end o’ the Gardens where the trams come round—“Assumin’ murder was done—or attempted murder—I put it to you that you would still be left so badly crippled, as one might say, that your subsequent capture by the police—to ’oom you would ’ave to explain—would be largely inevitable.” “That’s better,” ’e says, passin’ ’is hands over his forehead. “That’s much better, because,” he says, “do you know, as I am now, Pye, I’m not so sure if I could explain anything much.” Those were the only particular words I had with ’im in our walks as I remember.’</p>
<p>‘What walks!’ said Hooper. ‘Oh my soul, what walks!’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 6<br />
</strong></p>
<p>‘They were chronic,’ said Pyecroft gravely, ‘but I didn’t anticipate any danger till the Circus left. Then I anticipated that, bein’ deprived of ’is stimulant, he might react on me, so to say, with a hatchet. Consequently, after the final performance an’ the ensuin’ wet walk, I kep’ myself aloof from my superior officer on board in the execution of is duty, as you might put it. Consequently, I was interested when the sentry informs me while I was passin’ on my lawful occasions that Click had asked to see the captain. As a general rule warrant-officers don’t dissipate much of the owner’s time, but Click put in an hour and more be’ind that door. My duties kep’ me within eyeshot of it. Vickery came out first, an’ ’e actually nodded at me an’ smiled. This knocked me out o’ the boat, because, havin’ seen ’is face for five consecutive nights, I didn’t anticipate any change there more than a condenser in hell, so to speak. The owner emerged later. His face didn’t read off at all, so I fell back on his cox, ’oo’d been eight years with him and knew him better than boat signals. Lamson—that was the cox’s name—crossed ’is bows once or twice at low speeds an’ dropped down to me visibly concerned. “He’s shipped ’is court-martial face,” says Lamson. “Some one’s goin’ to be ’ung. I’ve never seen that look but once before, when they chucked the gun-sights overboard in the <i>Fantastic</i>.” Throwin’ gun-sights overboard, Mr. Hooper, is the equivalent for mutiny in these degenerate days. It’s done to attract the notice of the authorities an’ the <i>Western Mornin’ News</i>—generally by a stoker. Naturally, word went round the lower deck an’ we had a private over’aul of our little consciences. But, barrin’ a shirt which a second-class stoker said ’ad walked into ’is bag from the marines’ flat by itself, nothin’ vital transpired. The owner went about flyin’ the signal for “attend public execution,” so to say, but there was no corpse at the yard-arm. ’E lunched on the beach an’ ’e returned with ’is regulation harbour-routine face about 3 p.m. Thus Lamson lost prestige for raising false alarms. The only person ’oo might ’ave connected the epicycloidal gears correctly was one Pyecroft, when he was told that Mr. Vickery would go up-country that same evening to take over certain naval ammunition left after the war in Bloemfontein Fort. No details was ordered to accompany Master Vickery. He was told off first person singular—as a unit—by himself.’</p>
<p>The marine whistled penetratingly.</p>
<p>‘That’s what I thought,’ said Pyecroft. ‘I went ashore with him in the cutter an’ ’e asked me to walk through the station. He was clickin’ audibly, but otherwise seemed happy-ish.</p>
<p>‘“You might like to know,” he says, stoppin’ just opposite the Admiral’s front gate, “that Phyllis’s Circus will be performin’ at Worcester to-morrow night. So I shall see ’er yet once again. You’ve been very patient with me,” he says.</p>
<p>‘“Look here, Vickery,” I said, “this thing’s come to be just as much as I can stand. Consume your own smoke. I don’t want to know any more.”</p>
<p>‘“You!” he said. “What have you got to complain of?—you’ve only ’ad to watch. I’m <i>it</i>,” he says, “but that’s neither here nor there,” he says. “I’ve one thing to say before shakin’ ’ands. Remember,” ’e says—we were just by the Admiral’s garden-gate then—“remember that I am <i>not</i> a murderer, because my lawful wife died in childbed six weeks after I came out. That much at least I am clear of,” ’e says.</p>
<p>‘“Then what have you done that signifies?” I said. “What’s the rest of it?”</p>
<p>‘“The rest,” ’e says, “is silence,” an’ he shook ’ands and went clickin’ into Simonstown station.’</p>
<p>‘Did he stop to see Mrs. Bathurst at Worcester?’ I asked.</p>
<p>‘It’s not known. He reported at Bloemfontein, saw the ammunition into the trucks, and then ’e disappeared. Went out—deserted, if you care to put it so—within eighteen months of his pension, an’ if what ’e said about ’is wife was true he was a free man as ’e then stood. How do you read it off?’</p>
<p>‘Poor devil!’ said Hooper. ‘To see her that way every night! I wonder what it was.’</p>
<p>‘I’ve made my ’ead ache in that direction many a long night.’</p>
<p>‘But I’ll swear Mrs. B. ’ad no ’and in it,’ said the Sergeant, unshaken.</p>
<p>‘No. Whatever the wrong or deceit was, he did it, I’m sure o’ that. I ’ad to look at ’is face for five consecutive nights. I’m not so fond o’ navigatin’ about Cape Town with a South-Easter blowin’ these days. I can hear those teeth click, so to say.’</p>
<p>‘Ah, those teeth,’ said Hooper, and his hand went to his waistcoat-pocket once more. ‘Permanent things false teeth are. You read about ’em in all the murder trials.’</p>
<p>‘What d’you suppose the captain knew—or did?’ I asked.</p>
<p>‘I’ve never turned my searchlight that way,’ Pyecroft answered unblushingly.</p>
<p>We all reflected together, and drummed on empty beer bottles as the picnic-party, sunburned, wet, and sandy, passed our door singing ‘The Honeysuckle and the Bee.’</p>
<p>‘Pretty girl under that kapje,’ said Pyecroft.</p>
<p>‘They never circulated his description?’ said Pritchard.</p>
<p>‘I was askin’ you before these gentlemen came,’ said Hooper to me, ‘whether you knew Wankies—on the way to the Zambesi—beyond Bulawayo?’</p>
<p>‘Would he pass there—tryin’ to get to that Lake what’s ’is name?’ said Pritchard.</p>
<p>Hooper shook his head and went on: ‘There’s a curious bit o’ line there, you see. It runs through solid teak forest—a sort o’ mahogany really—seventy-two miles without a curve. I’ve had a train derailed there twenty-three times in forty miles. I was up there a month ago relievin’ a sick inspector, you see. He told me to look out for a couple of tramps in the teak.’</p>
<p>‘Two?’ Pyecroft said. ‘I don’t envy that other man if——’</p>
<p>‘We get heaps of tramps up there since the war. The inspector told me I’d find ’em at M’Bindwe siding waiting to go North. He’d given ’em some grub and quinine, you see. I went up on a construction train. I looked out for ’em. I saw them miles ahead along the straight, waiting in the teak. One of ’em was standin’ up by the dead-end of the siding an’ the other was squattin’ down lookin’ up at ’im, you see.’</p>
<p>‘What did you do for ’em?’ said Pritchard.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 7<br />
</strong></p>
<p>‘There wasn’t much I could do, except bury ’em. There’d been a bit of a thunderstorm in the teak, you see, and they were both stone dead and as black as charcoal. That’s what they really were, you see—charcoal. They fell to bits when we tried to shift ’em. The man who was standin’ up had the false teeth. I saw ’em shinin’ against the black. Fell to bits he did too, like his mate squatting down an’ watchin’ him, both of ’em all wet in the rain. Both burned to charcoal, you see. And—that’s what made me ask about marks just now—the false-toother was tattooed on the arms and chest—a crown and foul anchor with M.V. above.’</p>
<p>‘I’ve seen that,’ said Pyecroft quickly. ‘It was so.’</p>
<p>‘But if he was all charcoal-like?’ said Pritchard, shuddering.</p>
<p>‘You know how writing shows up white on a burned letter? Well, it was like that, you see. We buried ’em in the teak and I kept . . . But he was a friend of you two gentlemen, you see.’</p>
<p>Mr. Hooper brought his hand away from his waistcoat-pocket—empty.</p>
<p>Pritchard covered his face with his hands for a moment, like a child shutting out an ugliness.</p>
<p>‘And to think of her at Hauraki!’ he murmured—‘with ’er ’air-ribbon on my beer. “Ada,” she said to her niece . . . Oh, my Gawd !’ . . .</p>
<p style="text-align: center;"><em>‘On a summer afternoon,</em><br />
<em>when the honeysuckle blooms,</em><br />
<em>And all Nature seems at rest,</em><br />
<em>Underneath the bower,</em><br />
<em>’mid the perfume of the flower,</em><br />
<em>Sat a maiden with the one</em><br />
<em>she loves the best——’</em></p>
<p>sang the picnic-party waiting for their train at Glengariff.</p>
<p>‘Well, I don’t know how you feel about it,’ said Pyecroft, ‘but ’avin’ seen ’is face for five consecutive nights on end, I’m inclined to finish what’s left of the beer an’ thank Gawd he’s dead!’</p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9377</post-id>	</item>
		<item>
		<title>My Great and Only</title>
		<link>https://www.kiplingsociety.co.uk/tale/my-great-and-only.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Fri, 28 May 2021 11:48:16 +0000</pubDate>
				<guid isPermaLink="false">https://ks-demo3.web/tale/my-great-and-only/</guid>

					<description><![CDATA[<strong>[a short tale]</strong> <b>WHETHER</b> Macdougal or Macdoodle be his name, the principle remains the same, as Mrs. Nickleby said. The gentleman appeared to hold authority in London, and by virtue of his position preached or ... <a title="My Great and Only" class="read-more" href="https://www.kiplingsociety.co.uk/tale/my-great-and-only.htm" aria-label="Read more about My Great and Only">Read more</a>]]></description>
										<content:encoded><![CDATA[<div id="leftmargin">
<p style="text-align: center; color: red; font-style: italic;"><strong>[a short tale]</strong></p>
<p><b>WHETHER</b> Macdougal or Macdoodle be his name, the principle remains the same, as Mrs. Nickleby said. The gentleman appeared to hold authority in London, and by virtue of his position preached or ordained that music-halls were vulgar, if not improper. Subsequently, I gathered that the gentleman was inciting his associates to shut up certain music-halls on the ground of the vulgarity afore-said, and I saw with my own eyes that unhappy little managers were putting notices into the corners of their programmes begging the audience to report each and every impropriety. That was pitiful, but it excited my interest.</p>
<p>Now, to the upright and impartial mind—which is mine—all the diversions of Heathendom—which is the British—are of equal ethnological value. And it is true that some human beings can be more vulgar in the act of discussing etchings, editions of luxury, or their own emotions, than other human beings employed in swearing at each other across the street. Therefore, following a chain of thought which does not matter, I visited very many theatres whose licenses had never been interfered with. There I discovered men and women who lived and moved and behaved according to rules which in no sort regulate human life, by tradition dead and done with, and after the customs of the more immoral ancients and Barnum. At one place the lodging-house servant was an angel, and her mother a Madonna; at a second they sounded the loud timbrel o’er a whirl of bloody axes, mobs, and brown-paper castles, and said it was not a pantomime, but Art; at a third everybody grew fabulously rich and fabulously poor every twenty minutes, which was confusing; at a fourth they discussed the Nudities and Lewdities in false-palate voices supposed to belong to the aristocracy and that tasted copper in the mouth; at a fifth they merely climbed up walls and threw furniture at each other, which is notoriously the custom of spinsters and small parsons. Next morning the papers would write about the progress of the modem drama (that was the silver paper pantomime), and “graphic presentment of the realities of our highly complex civilisation.”  That was the angel housemaid. By the way, when an Englishman has been doing anything more than unusually Pagan, he generally consoles himself with “over-civilisation.” It’s the “martyr-to-nerves-dear” note in his equipment.</p>
<p>I went to the music-halls—the less frequented ones—and they were almost as dull as the plays, but they introduced me to several elementary truths. Ladies and gentlemen in eccentric, but not altogether unightly, costumes told me (a) that if I got drunk I should have a head next morning, and perhaps be fined by the magistrate; (b) that if I flirted promiscuously I should probably get into trouble; (c) that I had better tell my wife everything and be good to her, or she would be sure to find out for herself and be very bad to me; (d) that I should never lend money; or (e) fight with a stranger whose form I did not know. My friends (if I may be permitted to so call them) illustrated these facts with personal reminiscences and drove them home with kicks and prancings. At intervals circular ladies in pale pink and white would low to their audience to the effect that there was nothing half so sweet in life as “Love’s Young Dream,” and the billycock hats would look at the four-and-elevenpenny bonnets, and they saw that it was good and clasped hands on the strength of it. Then other ladies with shorter skirts would explain that when their husbands</p>
<pre style="text-align: center;"><em><small>"Stagger home tight about two,
An’ can’t light the candle,
We taik the broom ’andle
An’ show ‘em what women can do.”</small></em></pre>
<p>Naturally, the billycocks, seeing what might befall, thought things over again, and you heard the bonnets murmuring softly under the clink of the lager-glasses: “Not <i>me</i>. Bill. Not <i>me!</i>” Now these things are basic and basaltic truths. Anybody can understand them. They are as old as Time. Perhaps the expression was occasionally what might be called coarse, but beer is beer, and best in a pewter, though you can, if you please, drink it from Venetian glass and call it something else. The halls give wisdom and not too lively entertainment for sixpence—ticket good for four pen’orth of refreshments, chiefly inky porter—and the people who listen are respectable folk living very grey skys who derive all the light side of their life, the food for their imagination and the crystallised expression of their views on Fate and Nemesis, from the affable ladies and gentlemen singers. They require a few green and gold maidens in short skirts to kick before them. Herein they are no better and no worse than folk who require fifty girls very much undressed, and a setting of music, or pictures that won’t let themselves be seen on account of their age and varnish, or statues and coins. All animals like salt, but some prefer rock-salt, red or black in lumps. But this is a digression.</p>
<p>Out of my many visits to the hall—I chose one hall, you understand, and frequented it till I could tell the mood it was in before I had passed the ticket-poll—was bom the Great Idea. I served it as a slave for seven days. Thought was not sufficient; experience was necessary. I patrolled Westminster, Blackfriars, Lambeth, the Old Kent Road, and many, many more miles of pitiless pavement to make sure of my subject. At even I drank my lager among the billycocks, and lost my heart to a bonnet. Goethe and Shakespeare were my precedents. I sympathised with them acutely, but I got my Message. A chance-caught refrain of a song which I understand is protected—to its maker I convey my most grateful acknowledgments—gave me what I sought. The rest was made up of four elementary truths, some humour, and, though I say it who should leave it to the press, pathos deep and genuine. I spent a penny on a paper which introduced me to a Great and Only who “wanted new songs.” The people desired them really. He was their ambassador, and taught me a great deal about the property-right in songs, concluding with a practical illustration, for he said my verses were just the thing and annexed them. It was long before he could hit on the step-dance which exactly elucidated the spirit of the text, and longer before he could jingle a pair of huge brass spurs as a dancing-girl jingles her anklets. That was my notion, and a good one.</p>
<p>The Great and Only possessed a voice like a bull, and nightly roared to the people at the heels of one who was winning triple encores with a priceless ballad beginning deep down in the bass: “We was shopmates—boozin’ shopmates.” I feared that song as Rachel feared Ristori. A greater than I had written it. It was a grim tragedy, lighted with lucid humour, wedded to music that maddened. But my “Great and Only” had faith in me, and I—I clung to the Great Heart of the People—my people—four hundred “when it’s all full, sir.” I had not studied them for nothing. I must reserve the description of my triumph for another “Turnover.”</p>
<p>There was no portent in the sky on the night of my triumph. A barrowful of onions, indeed, upset itself at the door, but that was a coincidence. The hall was crammed with billycocks waiting for “We was shopmates.” The great heart beat healthily. I went to my beer the equal of Shakespeare and Moliere at the wings in a first night. What would my public say? Could anything live after the abandon of “We was shopmates”? What if the redcoats did not muster in their usual strength. O my friends, never in your songs and dramas forget the redcoat. He has sympathy and enormous boots.</p>
<p>I believed in the redcoat; in the great heart of the people: above all in myself. The conductor, who advertised that he “doctored bad songs,” had devised a pleasant little lilting air for my needs, but it struck me as weak and thin after the thunderous surge of the “Shopmates.” I glanced at the gallery—the redcoats were there. The fiddle-bows creaked, and, with a jingle of brazen spurs, a forage-cap over his left eye, my Great and Only began to “chuck it off his chest.” Thus:</p>
<pre style="text-align: center;"><em><small>“At the back o’ the Knightsbridge Barricks,
When the fog was a-gatherin’ dim,
The Lifeguard talked to the Undercook,
An’ the girl she talked to ’im.”</small></em></pre>
<p>“<i>Twiddle &#8211; iddle &#8211; iddle’lum’tum-tum!</i>” said the violins.</p>
<p>“<i>Ling &#8211; a-ling-a-ling-a-ling-ting-ling!</i>” said the spurs of the Great and Only, and through the roar in my ears I fancied I could catch a responsive hoof-beat in the gallery. The next four lines held the house to attention. Then came the chorus and the borrowed refrain. It took—it went home with a crisp click. My Great and Only saw his chance. Superbly waving his hand to embrace the whole audience, he invited them to join him in:</p>
<pre style="text-align: center;"><small><em>“You may make a mistake when you’re mashing a tart.
But you’ll learn to be wise when you’re older,
And don’t try for things that are out of your reach,
And that’s what the girl told the soldier, soldier, soldier.
And that’s what the girl told the soldier.”</em></small></pre>
<p>I thought the gallery would never let go of the long-drawn howl on “soldier.” They clung to it as ringers to the kicking bell-rope. Then I envied no one—not even Shakespeare. I had my house hooked—gaffed under the gills, netted, speared, shot behind the shoulder—anything you please. That was pure joy! With each verse the chorus grew louder, and when my Great and Only had bellowed his way to the fall of the Lifeguard and the happy lot of the Undercook, the gallery rocked again, the reserved stalls shouted, and the pewters twinkled like the legs of the demented ballet-girls. The conductor waved the now frenzied orchestra to softer Lydian strains. My Great and Only warbled piano:</p>
<pre style="text-align: center;"><em><small>“At the back o’ Knightsbridge Barricks,
When the fog’s a-gatherin’ dim.
The Lifeguard waits for the Undercook,
But she won’t wait for ’im.”</small></em></pre>
<p>“<i>Ta-ra-rara-rara-ra-ra-rah!</i>” rang a horn clear and fresh as a sword-cut. ’Twas the apotheosis of virtue.</p>
<pre style="text-align: center;"><em><small>“She’s married a man in the poultry line
That lives at ’Ighgate ’Ill,
An’ the Lifeguard walks with the ’ousemaid now,
An’ (awful pause) she can’t foot the bill!"</small></em></pre>
<p>Who shall tell the springs that move masses? I had builded better than I knew. Followed yells, shrieks and wildest applause. Then, as a wave gathers to the curl-over, singer and sung to fill their chests and heave the chorus through the quivering roof—alto, horns, basses drowned, and lost in the flood—to the beach-like boom of beating feet:</p>
<pre style="text-align: center;"><em><small>“Oh, think o’ my song when you’re gowin’ it strong
An’ your boots is too little to ’old yer;
An’ don’t try for things that is out of your reach.
An’ that’s what the girl told the soldier, soldier, so-holdier!”</small></em></pre>
<p>Ow! Hi! Yi! Wha-hup! Phew! Whew! Pwhit! Bang! Wang! Crr-rash! There was ample time for variations as the horns uplifted themselves and ere the held voices came down in the foam of sound—</p>
<pre style="text-align: center;"><small>“<i>That’s what the girl told the soldier</i>.”</small></pre>
<p>Providence has sent me several joys, and I have helped myself to others, but that night, as I looked across the sea of tossing billycocks and rocking bonnets, my work, as I heard them give tongue, not once, but four times—their eyes sparkling, their mouths twisted with the taste of pleasure—I felt that I had secured Perfect Felicity. I am become greater than Shakespeare. I may even write plays for the Lyceum, but I never can recapture that first fine rapture that followed the Upheaval of the Anglo-Saxon four hundred of him and her. They do not call for authors on these occasions, but I desired no need of public recognition. I was placidly happy. The chorus bubbled up again and again throughout the evening, and a redcoat in the gallery insisted on singing solos about “a swine in the poultry line,” whereas I had written “man,” and the pewters began to fly, and afterwards the long streets were vocal with various versions of what the girl had really told the soldier, and I went to bed murmuring: “I have found my destiny.”</p>
<p>But it needs a more mighty intellect to write the Songs of the People. Some day a man will rise up from Bermondsey, Battersea or Bow, and he will be coarse, but clearsighted, hard but infinitely and tenderly humorous, speaking the people’s tongue, steeped in their lives and telling them in swinging, urging, dinging verse what it is that their inarticulate lips would express. He will make them songs. Such songs! And all the little poets who pretend to sing to the people will scuttle away like rabbits, for the girl (which, as you have seen, of course, is wisdom) will tell that soldier (which is Hercules bowed under his labours) all that she knows of Life and Death and Love.</p>
<p>And the same, they say, is a Vulgarity!</p>
</div>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9301</post-id>	</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Page Caching using Disk: Enhanced 

Served from: www.kiplingsociety.co.uk @ 2026-04-20 09:57:35 by W3 Total Cache
-->