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	<title>Blindness &#8211; The Kipling Society</title>
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	<description>Promoting the works of Rudyard Kipling</description>
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		<title>Baa Baa, Black Sheep</title>
		<link>https://www.kiplingsociety.co.uk/tale/baa-baa-black-sheep.htm</link>
		
		<dc:creator><![CDATA[John Radcliffe]]></dc:creator>
		<pubDate>Wed, 21 Jul 2021 08:57:46 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=tale&#038;p=57544</guid>

					<description><![CDATA[Baa Baa, Black Sheep Have you any wool? Yes, Sir, yes, Sir, three bags full. One for the Master, one for the Dame— None for the Little Boy That cries down the lane. <i>Nursery Rhyme</i> ... <a title="Baa Baa, Black Sheep" class="read-more" href="https://www.kiplingsociety.co.uk/tale/baa-baa-black-sheep.htm" aria-label="Read more about Baa Baa, Black Sheep">Read more</a>]]></description>
										<content:encoded><![CDATA[<pre style="text-align: center; font-size: 14px;">Baa Baa, Black Sheep
Have you any wool?
Yes, Sir, yes, Sir, three bags full.
One for the Master, one for the Dame—
None for the Little Boy 
That cries down the lane.
                        <i>Nursery Rhyme</i></pre>
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<p style="text-align: center; color: red;"><em><strong>page 1 of 9<br />
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<p>&nbsp;</p>
<div align="center"></div>
<div align="center"><span style="text-decoration: underline;">THE FIRST BAG</span></div>
<pre style="text-align: center; font-size: 14px;">When I was in my father’s house, 
I was in a better place.</pre>
<p><b>THEY</b> were putting Punch to bed—the <i>ayah</i> and the <i>hamal</i> and Meeta, the big <i>Surti</i> boy, with the red-and-gold turban. Judy, already tucked inside her mosquito-curtains, was nearly asleep. Punch had been allowed to stay up for dinner. Many privileges had been accorded to Punch within the last ten days, and a greater kindness from the people of his world had encompassed his ways and works, which were mostly obstreperous. He sat on the edge of his bed and swung his bare legs defiantly.</p>
<p>‘Punch-<i>baba</i> going to bye-lo?’ said the <i>ayah</i> suggestively.</p>
<p>‘No,’ said Punch. ‘Punch-<i>baba</i> wants the story about the Ranee that was turned into a tiger. Meeta must tell it, and the <i>hamal</i> shall hide behind the door and make tiger-noises at the proper time.’</p>
<p>‘But Judy-<i>baba</i> will wake up,’ said the <i>ayah</i>.</p>
<p>‘Judy-<i>baba</i> is waked,’ piped a small voice from the mosquito-curtains. ‘There was a Ranee that lived at Delhi. Go on, Meeta,’ and she fell fast asleep again while Meeta began the story.</p>
<p>Never had Punch secured the telling of that tale with so little opposition. He reflected for a long time. The <i>hamal</i> made the tiger-noises in twenty different keys.</p>
<p>‘ ’Top! ’ said Punch authoritatively. ‘Why doesn’t Papa come in and say he is going to give me <i>put-put</i>?’</p>
<p>‘Punch-<i>baba</i> is going away,’ said the <i>ayah</i>. ‘In another week there will be no Punch-<i>baba</i> to pull my hair any more.’ She sighed softly, for the boy of the household was very dear to her heart.</p>
<p>‘Up the Ghauts in a train?’ said Punch, standing on his bed. ‘All the way to Nassick where the Ranee-Tiger lives?’</p>
<p>‘Not to Nassick this year, little Sahib,’ said Meeta, lifting him on his shoulder. ‘Down to the sea where the coconuts are thrown, and across the sea in a big ship. Will you take Meeta with you to <i>Belait</i>?’</p>
<p>‘You shall all come,’ said Punch, from the height of Meeta’s strong arms. ‘Meeta and the <i>ayah</i> and the <i>hamal</i> and Bhini-in-the-Garden, and the salaam-Captain-Sahib-snake-man.’</p>
<p>There was no mockery in Meeta’s voice when he replied: ‘Great is the Sahib’s favour,’ and laid the little man down in the bed, while the <i>ayah</i>, sitting in the moonlight at the doorway, lulled him to sleep with an interminable canticle such as they sing in the Roman Catholic Church at Parel. Punch curled himself into a ball and slept.</p>
<p>Next morning Judy shouted that there was a rat in the nursery, and thus he forgot to tell her the wonderful news. It did not much matter, for Judy was only three and she would not have understood. But Punch was five; and he knew that going to England would be much nicer than a trip to Nassick.</p>
<div align="center">
<h2><b>.     .     .     .     .</b></h2>
</div>
<p>Papa and Mamma sold the brougham and the piano, and stripped the house, and curtailed the allowance of crockery for the daily meals, and took long counsel together over a bundle of letters bearing the Rocklington postmark. ‘The worst of it is that one can’t be certain of anything,’ said Papa, pulling his moustache. ‘The letters in themselves are excellent, and the terms are moderate enough.’ ‘The worst of it is that the children will grow up away from me,’ thought Mamma; but she did not say it aloud. ‘We are only one case among hundreds,’ said Papa bitterly. ‘You shall go Home again in five years, dear.’ ‘Punch will be ten then—and Judy eight. Oh, how long and long and long the time will be! And we have to leave them among strangers.’ ‘Punch is a cheery little chap. He’s sure to make friends wherever he goes.’ ‘And who could help loving my Ju?’ They were standing over the cots in the nursery late at night, and I think that Mamma was crying softly. After Papa had gone away, she knelt down by the side of Judy’s cot. The <i>ayah</i> saw her and put up a prayer that the Memsahib might never find the love of her children taken away from her and given to a stranger. Mamma’s own prayer was a slightly illogical one. Summarised it ran: ‘Let strangers love my children and be as good to them as I should be, but let <i>me</i> preserve their love and their confidence for ever and ever. Amen.’ Punch scratched himself in his sleep, and Judy moaned a little. Next day they all went down to the sea, and there was a scene at the Apollo Bunder when Punch discovered that Meeta could not come too, and Judy learned that the <i>ayah</i> must be left behind. But Punch found a thousand fascinating things in the rope, block, and steam-pipe line on the big P. &amp; 0. steamer long before Meeta and the <i>ayah</i> had dried their tears. ‘Come back, Punch-<i>baba</i>,’ said the <i>ayah</i>. ‘Come back,’ said Meeta, ’and be a Burra Sahib.’ ‘Yes,’ said Punch, lifted up in his father’s arms to wave good-bye. ‘Yes, I will come back, and I will be a Burra Sahib Bahadur!’ At the end of the first day Punch demanded to be set down in England, which he was certain must be close at hand. Next day there was a merry breeze, and Punch was very sick. ‘When I come back to Bombay,’ said Punch on his recovery, ‘I will come by the road—in a broom-<i>gharri</i>. This is a very naughty ship.’ The Swedish boatswain consoled him, and he modified his opinions as the voyage went on. There was so much to see and to handle and ask questions about that Punch nearly forgot the <i>ayah</i> and Meeta and the <i>hamal</i>, and with difficulty remembered a few words of the Hindustani once his second speech. But Judy was much worse. The day before the steamer reached Southampton, Mamma asked her if she would not like to see the <i>ayah</i> again. Judy’s blue eyes turned to the stretch of sea that had swallowed all her tiny past, and she said ‘<i>Ayah</i>! What <i>ayah</i>?’</p>
<p style="text-align: center; color: red;"><em><strong>page 2<br />
</strong></em></p>
<p>Mamma cried over her and Punch marvelled. It was then that he heard for the first time Mamma’s passionate appeal to him never to let Judy forget Mamma. Seeing that Judy was young, ridiculously young, and that Mamma, every evening for four weeks past, had come into the cabin to sing her and Punch to sleep with a mysterious tune that he called ‘Sonny, my soul,’ Punch could not understand what Mamma meant. But he strove to do his duty; for, the moment Mamma left the cabin, he said to Judy: ‘Ju, you bemember Mamma?’ ‘’Torse I do,’ said Judy. ‘Then <i>always</i> bemember Mamma, ’r else I won’t give you the paper ducks that the red-haired Captain Sahib cut out for me.’ So Judy promised always to ‘bemember Mamma.’ Many and many a time was Mamma’s command laid upon Punch, and Papa would say the same thing with an insistence that awed the child. ‘You must make haste and learn to write, Punch,’ said Papa, ‘and then you’ll be able to write letters to us in Bombay.’ ‘I’ll come into your room,’ said Punch, and Papa choked. Papa and Mamma were always choking in those days. If Punch took Judy to task for not ‘bemembering,’ they choked. If Punch sprawled on the sofa in the Southampton lodging-house and sketched his future in purple and gold, they choked; and so they did if Judy put up her mouth for a kiss. Through many days all four were vagabonds on the face of the earth—Punch with no one to give orders to, Judy too young for anything, and Papa and Mamma grave, distracted, and choking. ‘Where,’ demanded Punch, wearied of a loathsome contrivance on four wheels with a mound of luggage atop—‘<i>where</i> is our broom-<i>gharri</i>? This thing talks so much that <i>I</i> can’t talk. Where is our <i>own</i> broom-<i>gharri</i>? When I was at Bandstand before we comed away, I asked Inverarity Sahib why he was sitting in it, and he said it was his own. And I said, “I will give it you”—I like Inverarity Sahib—and I said, “Can you put your legs through the pully-wag loops by the windows?” And Inverarity Sahib said No, and laughed. ‘I can put my legs through the pully-wag loops. I can put my legs through <i>these</i> pully-wag loops. Look! Oh, Mamma’s crying again! I didn’t know I wasn’t not to do <i>so</i>.’ Punch drew his legs out of the loops of the four-wheeler: the door opened and he slid to the earth, in a cascade of parcels, at the door of an austere little villa whose gates bore the legend ‘Downe Lodge.’ Punch gathered himself together and eyed the house with disfavour. It stood on a sandy road, and a cold wind tickled his knickerbockered legs. ‘Let us go away,’ said Punch. ‘This is not a pretty place.’ But Mamma and Papa and Judy had left the cab, and all the luggage was being taken into the house. At the doorstep stood a woman in black, and she smiled largely, with dry chapped lips. Behind her was a man, big, bony, grey, and lame as to one leg—behind him a boy of twelve, blackhaired and oily in appearance. Punch surveyed the trio, and advanced without fear, as he had been accustomed to do in Bombay when callers came and he happened to be playing in the veranda. ‘How do you do?’ said he. ‘I am Punch.’ But they were all looking at the luggage—all except the grey man, who shook hands with Punch, and said he was ‘a smart little fellow.’ There was much running about and banging of boxes, and Punch curled himself up on the sofa in the dining-room and considered things. ‘I don’t like these people,’ said Punch. ‘But never mind. We’ll go away soon. We have always went away soon from everywhere. I wish we was gone back to Bombay <i>soon</i>.’ The wish bore no fruit. For six days Mamma wept at intervals, and showed the woman in black all Punch’s clothes—a liberty which Punch resented. ‘But p’raps she’s a new white <i>ayah</i>,’ he thought. ‘I’m to call her Antirosa, but she doesn’t call <i>me</i> Sahib. She says just Punch,’ he confided to Judy. ‘What is Antirosa?’ Judy didn’t know. Neither she nor Punch had heard anything of an animal called an aunt. Their world had been Papa and Mamma, who knew everything, permitted everything, and loved everybody—even Punch when he used to go into the garden at Bombay and fill his nails with mould after the weekly nail-cutting, because, as he explained between two strokes of the slipper to his sorely-tried father, his fingers ‘felt so new at the ends.’ In an undefined way Punch judged it advisable to keep both parents between himself and the woman in black and the boy with black hair. He did not approve of them. He liked the grey man, who had expressed a wish to be called ‘Uncle-harri.’ They nodded at each other when they met, and the grey man showed him a little ship with rigging that took up and down. ‘She is a model of the <i>Brisk</i>—the little <i>Brisk</i> that was sore exposed that day at Navarino.’ The grey man hummed the last words and fell into a reverie. ‘I’ll tell you about Navarino, Punch, when we go for walks together; and you mustn’t touch the ship, because she’s the <i>Brisk</i>.’ Long before that walk, the first of many, was taken, they roused Punch and Judy in the chill dawn of a February morning to say Good-bye; and of all people in the wide earth to Papa and Mamma—both crying this time. Punch was very sleepy and Judy was cross. ‘Don’t forget us,’ pleaded Mamma. ‘Oh, my little son, don’t forget us, and see that Judy remembers too.’ ‘I’ve told Judy to bemember,’ said Punch, wriggling, for his father’s beard tickled his neck. ‘I’ve told Judy—ten—forty—’leven thousand times. But Ju’s so young—quite a baby—isn’t she?’ ‘Yes,’ said Papa, ‘quite a baby, and you must be good to Judy, and make haste to learn to write and—and—and——’ Punch was back in his bed again. Judy was fast asleep, and there was the rattle of a cab below. Papa and Mamma had gone away. Not to Nassick; that was across the sea. To some place much nearer, of course, and equally of course they would return. They came back after dinner-parties, and Papa had come back after he had been to a place called ‘The Snows,’ and Mamma with him, to Punch and Judy at Mrs. Inverarity’s house in Marine Lines. Assuredly they would come back again. So Punch fell asleep till the true morning, when the black-haired boy met him with the information that Papa and Mamma had gone to Bombay, and that he and Judy were to stay at Downe Lodge ‘for ever.’ Antirosa, tearfully appealed to for a contradiction, said that Harry had spoken the truth, and that it behoved Punch to fold up his clothes neatly on going to bed. Punch went out and wept bitterly with Judy, into whose fair head he had driven some ideas of the meaning of separation.</p>
<p style="text-align: center; color: red;"><em><strong>page 3<br />
</strong></em></p>
<p>When a matured man discovers that he has been deserted by Providence, deprived of his God, and cast without help, comfort, or sympathy, upon a world which is new and strange to him, his despair, which may find expression in evil living, the writing of his experiences, or the more satisfactory diversion of suicide, is generally supposed to be impressive. A child, under exactly similar circumstances as far as its knowledge goes, cannot very well curse God and die. It howls till its nose is red, its eyes are sore, and its head aches. Punch and Judy, through no fault of their own, had lost all their world. They sat in the hall and cried; the black-haired boy looking on from afar. The model of the ship availed nothing, though the grey man assured Punch that he might pull the rigging up and down as much as he pleased; and Judy was promised free entry into the kitchen. They wanted Papa and Mamma, gone to Bombay beyond the seas, and their grief while it lasted was without remedy. When the tears ceased the house was very still. Antirosa had decided that it was better to let the children ‘have their cry out,’ and the boy had gone to school. Punch raised his head from the floor and sniffed mournfully. Judy was nearly asleep. Three short years had not taught her how to bear sorrow with full knowledge. There was a distant, dull boom in the air—a repeated heavy thud. Punch knew that sound in Bombay in the monsoon. It was the sea—the sea that must be traversed before any one could get to Bombay. ‘Quick, Ju!’ he cried. ‘We’re close to the sea. I can hear it! Listen! That’s where they’ve went. P’raps we can catch them if we was in time. They didn’t mean to go without us. They’ve only forgot.’ ‘Iss,’ said Judy. ‘They’ve only forgotted. Less go to the sea.’ The hall-door was open and so was the garden-gate. ‘It’s very, very big, this place,’ he said, looking cautiously down the road, ‘and we will get lost. But I will find a man and order him to take me back to my house—like I did in Bombay.’ He took Judy by the hand, and the two ran hatless in the direction of the sound of the sea. Downe Lodge was almost the last of a range of newly-built houses running out, through a field of brick-mounds, to a heath where gipsies occasionally camped and where the Garrison Artillery of Rocklington practised. There were few people to be seen, and the children might have been taken for those of the soldiery who ranged far. Half an hour the wearied little-legs tramped across heath, potato-patch, and sand-dune. ‘I’se so tired,’ said Judy; ‘and Mamma will be angry.’ ‘Mamma’s <i>never</i> angry. I suppose she is waiting at the sea now while Papa gets tickets. We’ll find them and go along with them. Ju, you mustn’t sit down. Only a little more and we’ll come to the sea. Ju, if you sit down I’ll <i>thmack</i> you!’ said Punch. They climbed another dune, and came upon the great grey sea at low tide. Hundreds of crabs were scuttling about the beach, but there was no trace of Papa and Mamma, not even of a ship upon the waters—nothing but sand and mud for miles and miles. And ‘Uncleharri’ found them by chance—very muddy and very forlorn—Punch dissolved in tears, but trying to divert Judy with an ‘ickle trab,’ and Judy wailing to the pitiless horizon for ‘Mamma, Mamma!’—and again ‘Mamma!’</p>
<div align="center"><span style="text-decoration: underline;">THE SECOND BAG</span></div>
<pre style="text-align: center; font-size: 14px;">Ah, well-a-day, for we are souls bereaved!
Of all the creatures under Heaven’s wide cope
We are most hopeless, who had once most hope,
And most beliefless, who had most believed.
                           <i>(A.H.Clough)</i></pre>
<p><b>ALL</b> this time not a word about Black Sheep. He came later, and Harry, the black-haired boy, was mainly responsible for his coming.</p>
<p>Judy—who could help loving little Judy?—passed, by special permit, into the kitchen and thence straight to Aunty Rosa’s heart. Harry was Aunty Rosa’s one child, and Punch was the extra boy about the house. There was no special place for him or his little affairs, and he was forbidden to sprawl on sofas and explain his ideas about the manufacture of this world and his hopes for his future. Sprawling was lazy and wore out sofas, and little boys were not expected to talk. They were talked to, and the talking-to was intended for the benefit of their morals. As the unquestioned despot of the house at Bombay, Punch could not quite understand how he came to be of no account in this his new life.</p>
<p>Harry might reach across the table and take what he wanted; Judy might point and get what she wanted. Punch was forbidden to do either. The grey man was his great hope and stand-by for many months after Mamma and Papa left, and he had forgotten to tell Judy to ‘bemember Mamma.’</p>
<p>This lapse was excusable, because in the interval he had been introduced by Aunty Rosa to two very impressive things—an abstraction called God, the intimate friend and ally of Aunty Rosa, generally believed to live behind the kitchen-range because it was hot there—and a dirty brown book filled with unintelligible dots and marks. Punch was always anxious to oblige everybody. He therefore welded the story of the Creation on to what he could recollect of his Indian fairy tales, and scandalised Aunty Rosa by repeating the result to Judy. It was a sin, a grievous sin, and Punch was talked to for a quarter of an hour. He could not understand where the iniquity came in, but was careful not to repeat the offence, because Aunty Rosa told him that God had heard every word he had said and was very angry. If this were true why didn’t God come and say so, thought Punch, and dismissed the matter from his mind. Afterwards he learned to know the Lord as the only thing in the world more awful than Aunty Rosa—as a Creature that stood in the background and counted the strokes of the cane.</p>
<p>But the reading was, just then, a much more serious matter than any creed. Aunty Rosa sat him upon a table and told him that A B meant ab.</p>
<p>‘Why?’ said Punch. ‘A is a and B is bee. <i>Why</i> does A B mean ab? ‘</p>
<p style="text-align: center; color: red;"><em><strong>page 4<br />
</strong></em></p>
<p>‘Because I tell you it does,’ said Aunty Rosa, ‘and you’ve got to say it.’</p>
<p>Punch said it accordingly, and for a month, hugely against his will, stumbled through the brown book, not in the least comprehending what it meant. But Uncle Harry, who walked much and generally alone, was wont to come into the nursery and suggest to Aunty Rosa that Punch should walk with him. He seldom spoke, but he showed Punch all Rocklington, from the mud-banks and the sand of the back-bay to the great harbours where ships lay at anchor, and the dockyards where the hammers were never still, and the marine-store shops, and the shiny brass counters in the Offices where Uncle Harry went once every three months with a slip of blue paper and received sovereigns in exchange; for he held a wound-pension. Punch heard, too, from his lips the story of the battle of Navarino, where the sailors of the Fleet, for three days afterwards, were deaf as posts and could only sign to each other. ‘That was because of the noise of the guns,’ said Uncle Harry, ‘and I have got the wadding of a bullet somewhere inside me now.’</p>
<p>Punch regarded him with curiosity. He had not the least idea what wadding was, and his notion of a bullet was a dockyard cannon-ball bigger than his own head. How could Uncle Harry keep a cannon-ball inside him? He was afraid to ask, for fear Uncle Harry might be angry.</p>
<p>Punch had never known what anger—real anger—meant until one terrible day when Harry had taken his paint-box to paint a boat with, and Punch had protested. Then Uncle Harry had appeared on the scene and, muttering something about ‘strangers’ children,’ had with a stick smitten the black-haired boy across the shoulders till he wept and yelled, and Aunty Rosa came in and abused Uncle Harry for cruelty to his own flesh and blood, and Punch shuddered to the tips of his shoes. ‘It wasn’t my fault,’ he explained to the boy, but both Harry and Aunty Rosa said that it was, and that Punch had told tales, and for a week there were no more walks with Uncle Harry.</p>
<p>But that week brought a great joy to Punch.</p>
<p>He had repeated till he was thrice weary the statement that ‘The Cat lay on the Mat and the Rat came in.’</p>
<p>‘Now I can truly read,’ said Punch, ’and now I will never read anything in the world.’</p>
<p>He put the brown book in the cupboard where his school-books lived and accidentally tumbled out a venerable volume, without covers, labelled <i>Sharpe’s Magazine</i>. There was the most portentous picture of a Griffin on the first page, with verses below. The Griffin carried off one sheep a day from a German village, till a man came with a ‘falchion’ and split the Griffin open. Goodness only knew what a falchion was, but there was the Griffin and his history was an improvement upon the eternal Cat.</p>
<p>‘This,’ said Punch, ‘means things, and now I will know all about everything in all the world.’ He read till the light failed, not understanding a tithe of the meaning, but tantalised by glimpses of new worlds hereafter to be revealed.</p>
<p>‘What is a “falchion”? What is a “e-wee lamb”? What is a “base <i>uss</i>urper”? What is a “verdant mead”?’ he demanded, with flushed cheeks, at bedtime, of the astonished Aunty Rosa.</p>
<p>‘Say your prayers and go to sleep,’ she replied, and that was all the help Punch then or afterwards found at her hands in the new and delightful exercise of reading.</p>
<p>‘Aunty Rosa only knows about God and things like that,’ argued Punch. ‘Uncle Harry will tell me.’</p>
<p>The next walk proved that Uncle Harry could not help either; but he allowed Punch to talk, and even sat down on a bench to hear about the Griffin. Other walks brought other stories as Punch ranged farther afield, for the house held a large store of old books that no one ever opened—from <i>Frank Fairlegh</i> in serial numbers, and the earlier poems of Tennyson, contributed anonymously to <i>Sharpe’s Magazine</i>, to ’62 Exhibition Catalogues, gay with colours and delightfully incomprehensible, and odd leaves of <i>Gulliver’s Travels</i>.</p>
<p>As soon as Punch could string a few pot-hooks together he wrote to Bombay, demanding by return of post ‘all the books in all the world’. Papa could not comply with this modest indent, but sent <i>Grimm’s Fairy Tales</i> and a <i>Hans Andersen</i>. That was enough. If he were only left alone Punch could pass, at any hour he chose, into a land of his own, beyond reach of Aunty Rosa and her God, Harry and his teasements, and Judy’s claims to be played with.</p>
<p>‘Don’t disturb me, I’m reading. Go and play in the kitchen,’ grunted Punch. ‘Aunty Rosa lets <i>you</i> go there.’ Judy was cutting her second teeth and was fretful. She appealed to Aunty Rosa, who descended on Punch.</p>
<p>‘I was reading,’ he explained, ‘reading a book. I <i>want</i> to read.’</p>
<p>‘You’re only doing that to show off,’ said Aunty Rosa. ‘But we’ll see. Play with Judy now, and don’t open a book for a week.’</p>
<p>Judy did not pass a very enjoyable playtime with Punch, who was consumed with indignation. There was a pettiness at the bottom of the prohibition which puzzled him.</p>
<p>‘It’s what I like to do,’ he said, ‘and she’s found out that and stopped me. Don’t cry, Ju—it wasn’t your fault—<i>please</i> don’t cry, or she’ll say I made you.’</p>
<p>Ju loyally mopped up her tears, and the two played in their nursery, a room in the basement and half underground, to which they were regularly sent after the mid-day dinner while Aunty Rosa slept. She drank wine—that is to say, something from a bottle in the cellaret—for her stomach’s sake, but if she did not fall asleep she would sometimes come into the nursery to see that the children were really playing. Now bricks, wooden hoops, ninepins, and chinaware cannot amuse for ever, especially when all Fairyland is to be won by the mere opening of a book, and, as often as not, Punch would be discovered reading to Judy or telling her interminable tales. That was an offence in the eyes of the law, and Judy would be whisked off by Aunty Rosa, while Punch was left to play alone, ‘and be sure that I hear you doing it.’</p>
<p>It was not a cheering employ, for he had to make a playful noise. At last, with infinite craft, he devised an arrangement whereby the table could be supported as to three legs on toy bricks, leaving the fourth clear to bring down on the floor. He could work the table with one hand and hold the book with the other. This he did till an evil day when Aunty Rosa pounced upon him unawares and told him that he was ‘acting a lie.’</p>
<p>‘If you’re old enough to do that,’ she said—her temper was always worst after dinner—‘you’re old enough to be beaten.’</p>
<p>‘But—I’m—I’m not a animal!’ said Punch aghast. He remembered Uncle Harry and the stick, and turned white. Aunty Rosa had hidden a light cane behind her, and Punch was beaten then and there over the shoulders. It was a revelation to him. The room-door was shut, and he was left to weep himself into repentance and work out his own gospel of life.</p>
<p style="text-align: center; color: red;"><em><strong>page 5<br />
</strong></em></p>
<p>Aunty Rosa, he argued, had the power to beat him with many stripes. It was unjust and cruel, and Mamma and Papa would never have allowed it. Unless perhaps, as Aunty Rosa seemed to imply, they had sent secret orders. In which case he was abandoned indeed. It would be discreet in the future to propitiate Aunty Rosa, but then again, even in matters in which he was innocent, he had been accused of wishing to ‘show off.’ He had ‘shown off’ before visitors when he had attacked a strange gentleman—Harry’s uncle, not his own—with requests for information about the Griffin and the falchion, and the precise nature of the Tilbury in which Frank Fairlegh rode—all points of paramount interest which he was bursting to understand. Clearly it would not do to pretend to care for Aunty Rosa.</p>
<p>At this point Harry entered and stood afar off, eyeing Punch, a dishevelled heap in the corner of the room, with disgust.</p>
<p>‘You’re a liar—a young liar,’ said Harry, with great unction, ‘and you’re to have tea down here because you’re not fit to speak to us. And you’re not to speak to Judy again till Mother gives you leave. You’ll corrupt her. You’re only fit to associate with the servant. Mother says so.’</p>
<p>Having reduced Punch to a second agony of tears, Harry departed upstairs with the news that Punch was still rebellious.</p>
<p>Uncle Harry sat uneasily in the dining-room. ‘Damn it all, Rosa,’ said he at last, ‘can’t you leave the child alone? He’s a good enough little chap when I meet him.’</p>
<p>‘He puts on his best manners with you, Henry,’ said Aunty Rosa, ‘but I’m afraid, I’m very much afraid, that he is the Black Sheep of the family.’</p>
<p>Harry heard and stored up the name for future use. Judy cried till she was bidden to stop, her brother not being worth tears; and the evening concluded with the return of Punch to the upper regions and a private sitting at which all the blinding horrors of Hell were revealed to Punch with such store of imagery as Aunty Rosa’s narrow mind possessed.</p>
<p>Most grievous of all was Judy’s round-eyed reproach, and Punch went to bed in the depths of the Valley of Humiliation. He shared his room with Harry and knew the torture in store. For an hour and a half he had to answer that young gentleman’s questions as to his motives for telling a lie, and a grievous lie, the precise quantity of punishment inflicted by Aunty Rosa, and had also to profess his deep gratitude for such religious instruction as Harry thought fit to impart.</p>
<p>From that day began the downfall of Punch, now Black Sheep.</p>
<p>‘Untrustworthy in one thing, untrustworthy in all,’ said Aunty Rosa, and Harry felt that Black Sheep was delivered into his hands. He would wake him up in the night to ask him why he was such a liar.</p>
<p>‘I don’t know,’ Punch would reply.</p>
<p>‘Then don’t you think you ought to get up and pray to God for a new heart?’</p>
<p>‘Y-yess.’</p>
<p>‘Get out and pray, then!’ And Punch would get out of bed with raging hate in his heart against all the world, seen and unseen. He was always tumbling into trouble. Harry had a knack of cross-examining him as to his day’s doings, which seldom failed to lead him, sleepy and savage, into half-a-dozen contradictions—all duly reported to Aunty Rosa next morning.</p>
<p>‘But it <i>wasn’t</i> a lie,’ Punch would begin, charging into a laboured explanation that landed him more hopelessly in the mire. ‘I said that I didn’t say my prayers <i>twice</i> over in the day, and <i>that</i> was on Tuesday. <i>Once</i> I did. I <i>know</i> I did, but Harry said I didn’t,’ and so forth, till the tension brought tears, and he was dismissed from the table in disgrace.</p>
<p>‘You usen’t to be as bad as this,’ said Judy, awestricken at the catalogue of Black Sheep’s crimes. ‘Why are you so bad now?’</p>
<p>‘I don’t know,’ Black Sheep would reply. ‘I’m not, if I only wasn’t bothered upside-down. I knew what I <i>did</i>, and I want to say so but Harry always makes it out different somehow, and Aunty Rosa doesn’t believe a word I say. Oh, Ju! Don’t <i>you</i> say I’m bad too.’</p>
<p>‘Aunty Rosa says you are,’ said Judy. ‘She told the Vicar so when he came yesterday.’</p>
<p>‘Why does she tell all the people outside the house about me? It isn’t fair,’ said Black Sheep. ‘When I was in Bombay, and was bad—<i>doing</i> bad, not made-up bad like this—Mamma told Papa, and Papa told me he knew, and that was all. <i>Outside</i> people didn’t know too—even Meeta didn’t know.’</p>
<p>‘I don’t remember,’ said Judy wistfully. ‘I was all little then. Mamma was just as fond of you as she was of me, wasn’t she?’</p>
<p>‘’Course she was. So was Papa. So was everybody.’</p>
<p>‘Aunty Rosa likes me more than she does you. She says that you are a Trial and a Black Sheep, and I’m not to speak to you more than I can help.’</p>
<p>‘Always? Not outside of the times when you mustn’t speak to me at all?’</p>
<p>Judy nodded her head mournfully. Black Sheep turned away in despair, but Judy’s arms were round his neck.</p>
<p>‘Never mind, Punch,’ she whispered. ‘I <i>will</i> speak to you just the same as ever and ever. You’re my own own brother though you are—though Aunty Rosa says you’re bad, and Harry says you are a little coward. He says that if I pulled your hair hard, you’d cry.’</p>
<p>‘Pull, then,’ said Punch.</p>
<p>Judy pulled gingerly.</p>
<p>‘Pull harder—as hard as you can! There! I don’t mind how much you pull it <i>now</i>. If you’ll speak to me same as ever I’ll let you pull it as much as you like—pull it out if you like. But I know if Harry came and stood by and made you do it I’d cry.’</p>
<p>So the two children sealed the compact with a kiss, and Black Sheep’s heart was cheered within him, and by extreme caution and careful avoidance of Harry he acquired virtue, and was allowed to read undisturbed for a week. Uncle Harry took him for walks, and consoled him with rough tenderness, never calling him Black Sheep. ‘It’s good for you, I suppose, Punch,’ he used to say. ‘Let us sit down. I’m getting tired.’ His steps led him now not to the beach, but to the Cemetery of Rocklington, amid the potato-fields. For hours the grey man would sit on a tombstone, while Black Sheep would read epitaphs, and then with a sigh would stump home again.</p>
<p style="text-align: center; color: red;"><em><strong>page 6<br />
</strong></em></p>
<p>‘I shall lie there soon,’ said he to Black Sheep, one winter evening, when his face showed white as a worn silver coin under the light of the lych gate. ‘You needn’t tell Aunty Rosa.’</p>
<p>A month later he turned sharp round, ere half a morning walk was completed, and stumped back to the house. ‘Put me to bed, Rosa,’ he muttered. ‘I’ve walked my last. The wadding has found me out.’</p>
<p>They put him to bed, and for a fortnight the shadow of his sickness lay upon the. house, and Black Sheep went to and fro unobserved. Papa had sent him some new books, and he was told to keep quiet. He retired into his own world, and was perfectly happy. Even at night his felicity was unbroken. He could lie in bed and string himself tales of travel and adventure while Harry was downstairs.</p>
<p>‘Uncle Harry’s going to die,’ said Judy, who now lived almost entirely with Aunty Rosa.</p>
<p>‘I’m very sorry,’ said Black Sheep soberly. ‘He told me that a long time ago.’</p>
<p>Aunty Rosa heard the conversation. ‘Will nothing check your wicked tongue?’ she said angrily. There were blue circles round her eyes.</p>
<p>Black Sheep retreated to the nursery and read <i>Cometh up as a Flower</i> with deep and uncomprehending interest. He had been forbidden to open it on account of its ‘sinfulness,’ but the bonds of the Universe were crumbling, and Aunty Rosa was in great grief.</p>
<p>‘I’m glad,’ said Black Sheep. ‘She’s unhappy now. It wasn’t a lie, though. <i>I</i> knew. He told me not to tell.’</p>
<p>That night Black Sheep woke with a start. Harry was not in the room, and there was a sound of sobbing on the next floor. Then the voice of Uncle Harry, singing the song of the Battle of Navarino, came through the darkness:—</p>
<pre style="text-align: center; font-size: 14px;">‘Our vanship was the <i>Asia</i>—
The <i>Albion</i> and <i>Genoa</i>!’
</pre>
<p>‘He’s getting well,’ thought Black Sheep, who knew the song through all its seventeen verses. But the blood froze at his little heart as he thought. The voice leapt an octave, and ran shrill as a boatswain’s pipe:—</p>
<pre style="text-align: center; font-size: 14px;">‘And next came on the lovely <i>Rose</i>,
The <i>Philomel</i>, her fire-ship, closed,
And the little <i>Brisk</i> was sore exposed
That day at Navarino.’
</pre>
<p>‘That day at Navarino, Uncle Harry!’ shouted Black Sheep, half wild with excitement and fear of he knew not what.</p>
<p>A door opened, and Aunty Rosa screamed up the staircase: ‘Hush! For God’s sake hush, you little devil! Uncle Harry is <i>dead</i>!’</p>
<div align="center"><span style="text-decoration: underline;">THE THIRD BAG</span></div>
<pre style="text-align: center; font-size: 14px;">Journeys end in lovers’ meeting,
Every wise man’s son doth know.</pre>
<p><b>‘I WONDER</b> what will happen to me now,’ thought Black Sheep, when semi-pagan rites peculiar to the burial of the Dead in middle-class houses had been accomplished, and Aunty Rosa, awful in black crape, had returned to this life. ‘I don’t think I’ve done anything bad that she knows of. I suppose I will soon. She will be very cross after Uncle Harry’s dying, and Harry will be cross too. I’ll keep in the nursery.’</p>
<p>Unfortunately for Punch’s plans, it was decided that he should be sent to a day-school which Harry attended. This meant a morning walk with Harry, and perhaps an evening one; but the prospect of freedom in the interval was refreshing. ‘Harry’ll tell everything I do, but I won’t do anything,’ said Black Sheep. Fortified with this virtuous resolution, he went to school only to find that Harry’s version of his character had preceded him, and that life was a burden in consequence. He took stock of his associates. Some of them were unclean, some of them talked in dialect, many dropped their h’s, and there were two Jews and a negro, or some one quite as dark, in the assembly. ‘That’s a <i>hubshi</i>,’ said Black Sheep to himself. ‘Even Meeta used to laugh at a <i>hubshi</i>. I don’t think this is a proper place.’ He was indignant for at least an hour, till he reflected that any expostulation on his part would be by Aunty Rosa construed into ‘showing off,’ and that Harry would tell the boys.</p>
<p>‘How do you like school?’ said Aunty Rosa at the end of the day.</p>
<p>‘I think it is a very nice place,’ said Punch quietly.</p>
<p>‘I suppose you warned the boys of Black Sheep’s character?’ said Aunty Rosa to Harry.</p>
<p>‘Oh yes,’ said the censor of Black Sheep’s morals. ‘They know all about him.’</p>
<p>‘If I was with my father,’ said Black Sheep, stung to the quick, ‘I shouldn’t <i>speak</i> to those boys. He wouldn’t let me. They live in shops. I saw them go into shops—where their fathers live and sell things.’</p>
<p>‘You’re too good for that school, are you?’ said Aunty Rosa, with a bitter smile. ‘You ought to be grateful, Black Sheep, that those boys speak to you at all. It isn’t every school that takes little liars.’</p>
<p>Harry did not fail to make much capital out of Black Sheep’s ill-considered remark; with the result that several boys, including the <i>hubshi</i>, demonstrated to Black Sheep the eternal equality of the human race by smacking his head, and his consolation from Aunty Rosa was that it ‘served him right for being vain.’ He learned, however, to keep his opinions to himself, and by propitiating Harry in carrying books and the like to get a little peace. His existence was not too joyful. From nine till twelve he was at school, and from two to four, except on Saturdays. In the evenings he was sent down into the nursery to prepare his lessons for the next day, and every night came the dreaded cross-questionings at Harry’s hand. Of Judy he saw but little. She was deeply religious—at six years of age Religion is easy to come by—and sorely divided between her natural love for Black Sheep and her love for Aunty Rosa, who could do no wrong.</p>
<p style="text-align: center; color: red;"><em><strong>page 7<br />
</strong></em></p>
<p>The lean woman returned that love with interest, and Judy, when she dared, took advantage of this for the remission of Black Sheep’s penalties. Failures in lessons at school were punished at home by a week without reading other than schoolbooks, and Harry brought the news of such a failure with glee. Further, Black Sheep was then bound to repeat his lessons at bedtime to Harry, who generally succeeded in making him break down, and consoled him by gloomiest forebodings for the morrow. Harry was at once spy, practical joker, inquisitor, and Aunty Rosa’s deputy executioner. He filled his many posts to admiration. From his actions, now that Uncle Harry was dead, there was no appeal. Black Sheep had not been permitted to keep any self-respect at school: at home he was, of course, utterly discredited, and grateful for any pity that the servant-girls—they changed frequently at Downe Lodge because they, too, were liars—might show. ‘You’re just fit to row in the same boat with Black Sheep,’ was a sentiment that each new Jane or Eliza might expect to hear, before a month was over, from Aunty Rosa’s lips; and Black Sheep was used to ask new girls whether they had yet been compared to him. Harry was ‘Master Harry’ in their mouths; Judy was officially ‘Miss Judy’; but Black Sheep was never anything more than Black Sheep <i>tout court</i>.</p>
<p>As time went on and the memory of Papa and Mamma became wholly overlaid by the unpleasant task of writing them letters, under Aunty Rosa’s eye, each Sunday, Black Sheep forgot what manner of life he had led in the beginning of things. Even Judy’s appeals to ‘try and remember about Bombay’ failed to quicken him.</p>
<p>‘I can’t remember,’ he said. ‘I know I used to give orders and Mamma kissed me.’</p>
<p>‘Aunty Rosa will kiss you if you are good,’ pleaded Judy.</p>
<p>‘Ugh! I don’t want to be kissed by Aunty Rosa. She’d say I was doing it to get something more to eat.’</p>
<p>The weeks lengthened into months, and the holidays came; but just before the holidays Black Sheep fell into deadly sin.</p>
<p>Among the many boys whom Harry had incited to ‘punch Black Sheep’s head because he daren’t hit back,’ was one more aggravating than the rest, who, in an unlucky moment, fell upon Black Sheep when Harry was not near. The blows stung, and Black Sheep struck back at random with all the power at his command. The boy dropped and whimpered. Black Sheep was astounded at his own act, but, feeling the unresisting body under him, shook it with both his hands in blind fury and then began to throttle his enemy; meaning honestly to slay him. There was a scuffle, and Black Sheep was torn off the body by Harry and some colleagues, and cuffed home tingling but exultant. Aunty Rosa was out. Pending her arrival, Harry set himself to lecture Black Sheep on the sin of murder—which he described as the offence of Cain.</p>
<p>‘Why didn’t you fight him fair? What did you hit him when he was down for, you little cur?’</p>
<p>Black Sheep looked up at Harry’s throat and then at a knife on the dinner-table.</p>
<p>‘I don’t understand,’ he said wearily. ‘You always set him on me and told me I was a coward when I blubbed. Will you leave me alone until Aunty Rosa comes in? She’ll beat me if you tell her I ought to be beaten; so it’s all right.’</p>
<p>‘It’s all wrong,’ said Harry magisterially. ‘You nearly killed him, and I shouldn’t wonder if he dies.’</p>
<p>‘Will he die?’ said Black Sheep.</p>
<p>‘I daresay,’ said Harry, ‘and then you’ll be hanged, and go to Hell.’</p>
<p>‘All right,’ said Black Sheep, picking up the table-knife. ‘Then I’ll kill <i>you</i> now. You say things and do things and—and I don’t know how things happen, and you never leave me alone—and I don’t care <i>what</i> happens!’</p>
<p>He ran at the boy with the knife, and Harry fled upstairs to his room, promising Black Sheep the finest thrashing in the world when Aunty Rosa returned. Black Sheep sat at the bottom of the stairs, the table-knife in his hand, and wept for that he had not killed Harry. The servant-girl came up from the kitchen, took the knife away, and consoled him. But Black Sheep was beyond consolation. He would be badly beaten by Aunty Rosa; then there would be another beating at Harry’s hands; then Judy would not be allowed to speak to him; then the tale would be told at school, and then——</p>
<p>There was no one to help and no one to care, and the best way out of the business was by death. A knife would hurt, but Aunty Rosa had told him, a year ago, that if he sucked paint he would die. He went into the nursery, unearthed the now disused Noah’s Ark, and sucked the paint off as many animals as remained. It tasted abominably, but he had licked Noah’s Dove clean by the time Aunty Rosa and Judy returned. He went upstairs and greeted them with: ‘Please, Aunty Rosa, I believe I’ve nearly killed a boy at school, and I’ve tried to kill Harry, and when you’ve done all about God and Hell, will you beat me and get it over?’</p>
<p>The tale of the assault as told by Harry could only be explained on the ground of possession by the Devil. Wherefore Black Sheep was not only most excellently beaten, once by Aunty Rosa, and once, when thoroughly cowed down, by Harry, but he was further prayed for at family prayers, together with Jane, who had stolen a cold rissole from the pantry, and snuffled audibly as her sin was brought before the Throne of Grace. Black Sheep was sore and stiff but triumphant. He would die that very night and be rid of them all. No, he would ask for no forgiveness from Harry, and at bed-time would stand no questioning at Harry’s hands, even though addressed as ‘Young Cain.’</p>
<p>‘I’ve been beaten,’ said he, ‘and I’ve done other things. I don’t care what I do. If you speak to me to-night, Harry, I’ll get out and try to kill you. Now you can kill me if you like.’</p>
<p>Harry took his bed into the spare room, and Black Sheep lay down to die.</p>
<p>It may be that the makers of Noah’s Arks know that their animals are likely to find their way into young mouths, and paint them accordingly. Certain it is that the common, weary next morning broke through the windows and found Black Sheep quite well and a good deal ashamed of himself, but richer by the knowledge that he could, in extremity, secure himself against Harry for the future.</p>
<p>When he descended to breakfast on the first day of the holidays, he was greeted with the news that Harry, Aunty Rosa, and Judy were going away to Brighton, while Black Sheep was to stay in the house with the servant. His latest outbreak suited Aunty Rosa’s plans admirably. It gave her good excuse for leaving the extra boy behind. Papa in Bombay, who really seemed to know a young sinner’s wants to the hour, sent, that week, a package of new books. And with these, and the society of Jane on board-wages, Black Sheep was left alone for a month.</p>
<p style="text-align: center; color: red;"><em><strong>page 8<br />
</strong></em></p>
<p>The books lasted for ten days. They were eaten too quickly in long gulps of twelve hours at a time. Then came days of doing absolutely nothing, of dreaming dreams and marching imaginary armies up and down stairs, of counting the number of banisters, and of measuring the length and breadth of every room in handspans—fifty down the side, thirty across, and fifty back again. Jane made many friends, and, after receiving Black Sheep’s assurance that he would not tell of her absences, went out daily for long hours. Black Sheep would follow the rays of the sinking sun from the kitchen to the dining-room and thence upward to his own bedroom until all was grey dark, and he ran down to the kitchen fire and read by its light. He was happy in that he was left alone and could read as much as he pleased. But, later, he grew afraid of the shadows of window curtains and the flapping of doors and the creaking of shutters. He went out into the garden, and the rustling of the laurel-bushes frightened him.</p>
<p>He was glad when they all returned—Aunty Rosa, Harry, and Judy—full of news, and Judy laden with gifts. Who could help loving loyal little Judy? In return for all her merry babblement, Black Sheep confided to her that the distance from the hall-door to the top of the first landing was exactly one-hundred and eighty-four handspans. He had found it out himself!</p>
<p>Then the old life recommenced; but with a difference, and a new sin. To his other iniquities Black Sheep had now added a phenomenal clumsiness—was as unfit to trust in action as he was in word. He himself could not account for spilling everything he touched, upsetting glasses as he put his hand out, and bumping his head against doors that were manifestly shut. There was a grey haze upon all his world, and it narrowed month by month, until at last it left Black Sheep almost alone with the flapping curtains that were so like ghosts, and the nameless terrors of broad daylight that were only coats on pegs after all.</p>
<p>Holidays came and holidays went, and Black Sheep was taken to see many people whose faces were all exactly alike; was beaten when occasion demanded, and tortured by Harry on all possible occasions; but defended by Judy through good and evil report, though she hereby drew upon herself the wrath of Aunty Rosa,</p>
<p>The weeks were interminable and Papa and Mamma were clean forgotten. Harry had left school and was a clerk in a Banking-Office. Freed from his presence, Black Sheep resolved that he should no longer be deprived of his allowance of pleasure-reading. Consequently when he failed at school he reported that all was well, and conceived a large contempt for Aunty Rosa as he saw how easy it was to deceive her. ‘She says I’m a little liar when I don’t tell lies, and now I do, she doesn’t know,’ thought Black Sheep. Aunty Rosa had credited him in the past with petty cunning and stratagem that had never entered into his head. By the light of the sordid knowledge that she had revealed to him he paid her back full tale. In a household where the most innocent of his motives, his natural yearning for a little affection, had been interpreted into a desire for more bread and jam, or to ingratiate himself with strangers and so put Harry into the background, his work was easy. Aunty Rosa could penetrate certain kinds of hypocrisy, but not all. He set his child’s wits against hers and was no more beaten. It grew monthly more and more of a trouble to read the school-books, and even the pages of the open-print story-books danced and were dim. So Black Sheep brooded in the shadows that fell about him and cut him off from the world, inventing horrible punishments for ‘dear Harry,’ or plotting another line of the tangled web of deception that he wrapped round Aunty Rosa.</p>
<p>Then the crash came and the cobwebs were broken. It was impossible to foresee everything. Aunty Rosa made personal inquiries as to Black Sheep’s progress and received information that startled her. Step by step, with a delight as keen as when she convicted an underfed housemaid of the theft of cold meats, she followed the trail of Black Sheep’s delinquencies. For weeks and weeks, in order to escape banishment from the book-shelves, he had made a fool of Aunty Rosa, of Harry, of God, of all the world! Horrible, most horrible, and evidence of an utterly depraved mind.</p>
<p>Black Sheep counted the cost. ‘It will only be one big beating and then she’ll put a card with “Liar” on my back, same as she did before. Harry will whack me and pray for me, and she will pray for me at prayers and tell me I’m a Child of the Devil and give me hymns to learn. But I’ve done all my reading and she never knew. She’ll say she knew all along. She’s an old liar too,’ said he.</p>
<p>For three days Black Sheep was shut in his own bedroom—to prepare his heart. ‘That means two beatings. One at school and one here. <i>That</i> one will hurt most.’ And it fell even as he thought. He was thrashed at school before the Jews and the <i>hubshi</i> for the heinous crime of carrying home false reports of progress. He was thrashed at home by Aunty Rosa on the same count, and then the placard was produced. Aunty Rosa stitched it between his shoulders and bade him go for a walk with it upon him.</p>
<p>‘If you make me do that,’ said Black Sheep very quietly, ‘I shall burn this house down, and perhaps I’ll kill you. I don’t know whether I <i>can</i> kill you—you’re so bony—but I’ll try.’</p>
<p>No punishment followed this blasphemy, though Black Sheep held himself ready to work his way to Aunty Rosa’s withered throat, and grip there till he was beaten off. Perhaps Aunty Rosa was afraid, for Black Sheep, having reached the Nadir of Sin, bore himself with a new recklessness.</p>
<p>In the midst of all the trouble there came a visitor from over the seas to Downe Lodge, who knew Papa and Mamma, and was commissioned to see Punch and Judy. Black Sheep was sent to the drawing-room and charged into a solid tea-table laden with china.</p>
<p>‘Gently, gently, little man,’ said the visitor, turning Black Sheep’s face to the light slowly. ‘What’s that big bird on the palings?’</p>
<p>‘What bird?’ asked Black Sheep.</p>
<p>The visitor looked deep down into Black Sheep’s eyes for half a minute, and then said suddenly: ‘Good God, the little chap’s nearly blind!’</p>
<p>It was a most business-like visitor. He gave orders, on his own responsibility, that Black Sheep was not to go to school or open a book—until Mamma came home. ‘She’ll be here in three weeks, as you know, of course,’ said he, ‘and I’m Inverarity Sahib. I ushered you into this wicked world, young man, and a nice use you seem to have made of your time. You must do nothing whatever. Can you do that?’</p>
<p>‘Yes,’ said Punch in a dazed way. He had known that Mamma was coming. There was a chance, then, of another beating. Thank Heaven, Papa wasn’t coming too. Aunty Rosa had said of late that he ought to be beaten by a man.</p>
<p>For the next three weeks Black Sheep was strictly allowed to do nothing. He spent his time in the old nursery looking at the broken toys, for all of which account must be rendered to Mamma. Aunty Rosa hit him over the hands if even a wooden boat were broken. But that sin was of small importance compared to the other revelations, so darkly hinted at by Aunty Rosa. ‘When your Mother comes, and hears what I have to tell her, she may appreciate you properly,’ she said grimly, and mounted guard over Judy lest that small maiden should attempt to comfort her brother, to the peril of her soul.</p>
<p style="text-align: center; color: red;"><em><strong>page 9<br />
</strong></em></p>
<p>And Mamma came—in a four-wheeler—fluttered with tender excitement. Such a Mamma! She was young, frivolously young, and beautiful, with delicately flushed cheeks, eyes that shone like stars, and a voice that needed no appeal of outstretched arms to draw little ones to her heart. Judy ran straight to her, but Black Sheep hesitated. Could this wonder be ‘showing off’? She would not put out her arms when she knew of his crimes. Meantime was it possible that by fondling she wanted to get anything out of Black Sheep? Only all his love and all his confidence but that Black Sheep did not know. Aunty Rosa withdrew and left Mamma, kneeling between her children, half laughing, half crying, in the very hall where Punch and Judy had wept five years before.</p>
<p>‘Well, chicks, do you remember me?’</p>
<p>‘No,’ said Judy frankly, ‘but I said, “God bless Papa and Mamma” ev’vy night.’</p>
<p>‘A little,’ said Black Sheep. ‘Remember I wrote to you every week, anyhow. That isn’t to show off, but ’cause of what comes afterwards.’</p>
<p>‘What comes after? What should come after, my darling boy?’ And she drew him to her again. He came awkwardly, with many angles. ‘Not used to petting,’ said the quick Mother soul. ‘The girl is.’</p>
<p>‘She’s too little to hurt any one,’ thought Black Sheep, ‘and if I said I’d kill her, she’d be afraid. I wonder what Aunty Rosa will tell.’</p>
<p>There was a constrained late dinner, at the end of which Mamma picked up Judy and put her to bed with endearments manifold. Faithless little Judy had shown her defection from Aunty Rosa already. And that lady resented it bitterly. Black Sheep rose to leave the room.</p>
<p>‘Come and say good-night,’ said Aunty Rosa, offering a withered cheek.</p>
<p>‘Huh!’ said Black Sheep. ‘I never kiss you, and I’m not going to show off. Tell that woman what I’ve done, and see what she says.’</p>
<p>Black Sheep climbed into bed feeling that he had lost Heaven after a glimpse through the gates. In half an hour ‘that woman’ was bending over him. Black Sheep flung up his right arm. It wasn’t fair to come and hit him in the dark. Even Aunty Rosa never tried that. But no blow followed.</p>
<p>‘Are you showing off? I won’t tell you anything more than Aunty Rosa has, and <i>she</i> doesn’t know everything,’ said Black Sheep as clearly as he could for the arms round his neck.</p>
<p>‘Oh, my son—my little, little son! It was my fault—<i>my</i> fault, darling—and yet how could we help it? Forgive me, Punch.’ The voice died out in a broken whisper, and two hot tears fell on Black Sheep’s forehead.</p>
<p>‘Has she been making you cry too?’ he asked. ‘You should see Jane cry. But you’re nice, and Jane is a Born Liar—Aunty Rosa says so.’</p>
<p>‘Hush, Punch, hush! My boy, don’t talk like that. Try to love me a little bit—a little bit. You don’t know how I want it. Punch-<i>baba</i>, come back to me! I am your Mother—your own Mother—and never mind the rest. I know—yes, I know, dear. It doesn’t matter now. Punch, won’t you care for me a little?’</p>
<p>It is astonishing how much petting a big boy of ten can endure when he is quite sure that there is no one to laugh at him. Black Sheep had never been made much of before, and here was this beautiful woman treating him—Black Sheep, the Child of the Devil and the inheritor of undying flame—as though he were a small God.</p>
<p>‘I care for you a great deal, Mother dear,’ he whispered at last, ‘and I’m glad you’ve come back; but are you sure Aunty Rosa told you everything?’</p>
<p>‘Everything. What <i>does</i> it matter? But——’ the voice broke with a sob that was also laughter—‘Punch, my poor, dear, half-blind darling, don’t you think it was a little foolish of you?’</p>
<p>‘<i>No</i>. It saved a lickin’.’</p>
<p>Mamma shuddered and slipped away in the darkness to write a long letter to Papa. Here is an extract:—</p>
<p style="font-size: 16px;"><i>‘. . . Judy is a dear, plump little prig who adores the woman, and wears with as much gravity as her religious opinions—only eight, Jack!—a venerable horse-hair atrocity which she calls her Bustle! I have just burnt it, and the child is asleep in my bed as I write. She will come to me at once. Punch I cannot quite understand. He is well nourished, but seems to have been worried into a system of small deceptions which the woman magnifies into deadly sins. Don’t you recollect our own upbringing, dear, when the Fear of the Lord was so often the beginning of falsehood? I shall win Punch to me before long. I am taking the children away into the country to get them to know me, and, on the whole, I am content, or shall be when you come home, dear boy, and then, thank God, we shall be all under one roof again at last!’</i></p>
<p>Three months later, Punch, no longer Black Sheep, has discovered that he is the veritable owner of a real, live, lovely Mamma, who is also a sister, comforter, and friend, and that he must protect her till the Father comes home. Deception does not suit the part of a protector, and, when one can do anything without question, where is the use of deception?</p>
<p>‘Mother would be awfully cross if you walked through that ditch,’ says Judy, continuing a conversation.</p>
<p>‘Mother’s never angry,’ says Punch. ‘She’d just say, “You’re a little <i>pagal</i>”; and that’s not nice, but I’ll show.’</p>
<p>Punch walks through the ditch and mires himself to the knees. ‘Mother dear,’ he shouts, ‘I’m just as dirty as I can pos-<i>sib</i>-ly be!’</p>
<p>‘Then change your clothes as quickly as you pos-<i>sib</i>-ly can!’ Mother’s clear voice rings out from the house. ‘And don’t be a little pagal!’</p>
<p>‘There! Told you so,’ says Punch. ‘It’s all different now, and we are just as much Mother’s as if she had never gone.’</p>
<p>Not altogether, O Punch, for when young lips have drunk deep of the bitter waters of Hate, Suspicion, and Despair, all the Love in the world will not wholly take away that knowledge; though it may turn darkened eyes for a while to the light, and teach Faith where no Faith was.</p>
<p>&nbsp;</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">57544</post-id>	</item>
		<item>
		<title>The Light that Failed</title>
		<link>https://www.kiplingsociety.co.uk/tale/tltf-1.htm</link>
		
		<dc:creator><![CDATA[wa_admin]]></dc:creator>
		<pubDate>Mon, 24 May 2021 16:54:27 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?p=31760&#038;post_type=tale&#038;preview_id=31760</guid>

					<description><![CDATA[So we settled it all, when the storm was done, As comfy as comfy could be. And I was to wait in the barn, my dears, Because I was only three. And Teddy would run ... <a title="The Light that Failed" class="read-more" href="https://www.kiplingsociety.co.uk/tale/tltf-1.htm" aria-label="Read more about The Light that Failed">Read more</a>]]></description>
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<pre style="text-align: center;"><span style="font-size: 14px;">So we settled it all, when the storm was done,
As comfy as comfy could be.
And I was to wait in the barn, my dears, 
Because I was only three.
And Teddy would run to the rainbow's foot 
Because he was five and a man—
And that's how it all began, my dears, 
And that's how it all began!
<em>(Big Barn Story)</em></span></pre>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 1 of 3<br />
</strong></p>
<p><b>‘WHAT</b> do you think she’d do if she caught us? We oughtn’t to have it, you know,’ said Maisie.</p>
<p>‘Beat me, and lock you up in your bedroom,’ Dick answered, without hesitation. ‘Have you got the cartridges?’</p>
<p>‘Yes; they’re in my pocket, but they are joggling horribly. Do pin-fire cartridges go off of their own accord?’</p>
<p>‘Don’t know. Take the revolver, if you are afraid, and let me carry them.’</p>
<p>‘I’m <i>not</i> afraid.’ Maisie strode forward swiftly, a hand in her pocket and her chin in the air. Dick followed with a small pin-fire revolver.</p>
<p>The children had discovered that their lives would be unendurable without pistol-practice. After much forethought and self-denial, Dick had saved seven shillings and sixpence, the price of a badly-constructed Belgian revolver. Maisie could only contribute half a crown to the syndicate for the purchase of a hundred cartridges. ‘You can save better than I can, Dick,’ she explained; ‘I like nice things to eat, and it doesn’t matter to you. Besides, boys ought to do these things.’</p>
<p>Dick grumbled a little at the arrangement, but went out and made the purchases, which the children were then on their way to test. Revolvers did not lie in the scheme of their daily life as decreed for them by the guardian who was incorrectly supposed to stand in the place of a mother to these two orphans. Dick had been under her care for six years, during which time she had made her profit of the allowances supposed to be expended on his clothes, and, partly through thoughtlessness, partly through a natural desire to pain,—she was a widow of some years anxious to marry again,—had made his days burdensome on his young shoulders. Where he had looked for love, she gave him first aversion and then hate. Where he growing older had sought a little sympathy, she gave him ridicule. The many hours that she could spare from the ordering of her small house she devoted to what she called the home-training of Dick Heldar. Her religion, manufactured in the main by her own intelligence and a keen study of the Scriptures, was an aid to her in this matter. At such times as she herself was not personally displeased with Dick, she left him to understand that he had a heavy account to settle with his Creator; wherefore Dick learned to loathe his God as intensely as he loathed Mrs. Jennett; and this is not a wholesome frame of mind for the young. Since she chose to regard him as a hopeless liar, when dread of pain drove him to his first untruth he naturally developed into a liar, but an economical and self-contained one, never throwing away the least unnecessary fib, and never hesitating at the blackest, were it only plausible, that might make his life a little easier. The treatment taught him at least the power of living alone,—a power that was of service to him when he went to a public school and the boys laughed at his clothes, which were poor in quality and much mended. In the holidays he returned to the teachings of Mrs. Jennett, and, that the chain of discipline might not be weakened by association with the world, was generally beaten, on one count or another, before he had been twelve hours under her roof.</p>
<p>The autumn of one year brought him a companion in bondage, a long-haired, gray-eyed little atom, as self-contained as himself, who moved about the house silently, and for the first few weeks spoke only to the goat that was her chiefest friend on earth and lived in the back-garden. Mrs. Jennett objected to the goat on the grounds that he was un-Christian,—which he certainly was. ‘Then,’ said the atom, choosing her words very deliberately, ‘I shall write to my, lawyer-peoples and tell them that you are a very bad woman. Amomma is mine, mine, mine!’ Mrs. Jennett made a movement to the hall, where certain umbrellas and canes stood in a rack. The atom understood as clearly as Dick what this meant. ‘I have been beaten before,’ she said, still in the same passionless voice; ‘I have been beaten worse than you can ever beat me. If you beat me I shall write to my lawyer-peoples and tell them that you do not give me enough to eat. I am not afraid of you.’ Mrs. Jennett did not go into the hall, and the atom, after a pause to assure herself that all danger of war was past, went out, to weep bitterly on Amomma’s neck.</p>
<p>Dick learned to know her as Maisie, and at first mistrusted her profoundly, for he feared that she might interfere with the small liberty of action left to him. She did not, however; and she volunteered no friendliness until Dick had taken the first steps. Long before the holidays were over, the stress of punishment shared in common drove the children together, if it were only to play into each other’s hands as they prepared lies for Mrs. Jennett’s use. When Dick returned to school, Maisie whispered, ‘Now I shall be all alone to take care of myself; but,’ and she nodded her head bravely, ‘I can do it. You promised to send Amomma a grass collar. Send it soon.’ A week later she asked for that collar by return of post, and was not pleased when she learned that it took time to make. When at last Dick forwarded the gift she forgot to thank him for it.</p>
<p>Many holidays had come and gone since that day, and Dick had grown into a lanky hobbledehoy more than ever conscious of his bad clothes. Not for a moment had Mrs. Jennett relaxed her tender care of him, but the average canings of a public school—Dick fell under punishment about three times a month—filled him with contempt, for her powers. ‘She doesn’t hurt,’ he explained to Maisie, who urged him to rebellion, ‘and she is kinder to you after she has whacked me.’ Dick shambled through the days unkept in body and savage in soul, as the smaller boys of the school learned to know, for when the spirit moved him he would hit them, cunningly and with science. The same spirit made him more than once try to tease Maisie, but the girl refused to be made unhappy. ‘We are both miserable as it is,’ said she. ‘What is the use of trying to make things worse? Let’s find things to do, and forget things.’</p>
<p>The pistol was the outcome of that search. It could only be used on the muddiest foreshore of the beach, far away from bathing-machines and pier-heads, below the grassy slopes of Fort Keeling. The tide ran out nearly two miles on that coast, and the many-coloured mud-banks, touched by the sun, sent up a lamentable smell of dead weed. It was late in the afternoon when Dick and Maisie arrived on their ground, Amomma trotting patiently behind them.</p>
<p>‘Mf!’ said Maisie, sniffing the air. ‘I wonder what makes the sea so smelly. I don’t like it.’</p>
<p>‘You never like anything that isn’t made just for you,’ said Dick bluntly. ‘Give me the cartridges, and I’ll try first shot. How far does one of these little revolvers carry?’</p>
<p>‘Oh, half a mile,’ said Maisie promptly. ‘ At least it makes an awful noise. Be careful with the cartridges; I don’t like those jagged stick-up things on the rim. Dick, do be careful.’</p>
<p>‘All right. I know how to load. I’ll fire at the breakwater out there.’</p>
<p>He fired, and Amomma ran away bleating. The bullet threw up a spurt of mud to the right of the weed-wreathed piles.</p>
<p>‘Throws high and to the right. You try, Maisie. Mind, it’s loaded all round.’</p>
<p>Maisie took the pistol and stepped delicately to the verge of the mud, her hand firmly closed on the butt, her mouth and left eye screwed up. Dick sat down on a tuft of bank and laughed. Amomma returned very cautiously. He was accustomed to strange experiences in his afternoon walks, and, finding the cartridge-box unguarded, made investigations with his nose. Maisie fired, but could not see where the bullet went.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 2<br />
</strong></p>
<p>‘I think it hit the post,’ she said, shading her eyes and looking out across the sailless sea.</p>
<p>‘I know it has gone out to the Marazion Bell Buoy,’ said Dick, with a chuckle. ‘Fire low and to the left; then perhaps you&#8217;’ll get it. Oh, look at Amomma!—he’s eating the cartridges!’</p>
<p>Maisie turned, the revolver in her hand, just in time to see Amomma scampering away from the pebbles Dick threw after him. Nothing is sacred to a billy-goat. Being well fed and the adored of his mistress, Amomma had naturally swallowed two loaded pin-fire cartridges. Maisie hurried up to assure herself that Dick had not miscounted the tale.</p>
<p>‘Yes, he’s eaten two.’</p>
<p>‘Horrid little beast! Then they’ll joggle about inside him and blow up, and serve him right . . . . Oh, Dick! have I killed you?’</p>
<p>Revolvers are tricky things for young hands to deal with. Maisie could not explain how it had happened, but a veil of reeking smoke separated her from Dick, and she was quite certain that the pistol had gone off in his face. Then she heard him sputter, and dropped on her knees beside him, crying, ‘Dick, you aren’t hurt, are you? I didn’t mean it.’</p>
<p>‘Of course you didn’t,’ said Dick, coming out of the smoke and wiping his cheek. ‘But you nearly blinded me. That powder stuff stings awfully.’ A neat little splash of gray lead on a stone showed where the bullet had gone. Maisie began to whimper.</p>
<p>‘Don’t,’ said Dick, jumping to his feet and shaking himself. ‘I’m not a bit hurt.’</p>
<p>‘No, but I might have killed you,’ protested Maisie, the corners of her mouth drooping. ‘What should I have done then?’</p>
<p>‘Gone home and told Mrs. Jennett.’ Dick grinned at the thought; then, softening, ‘Please don’t worry about it. Besides, we are wasting time. We’ve got to get back to tea. I’ll take the revolver for a bit.’</p>
<p>Maisie would have wept on the least encouragement, but Dick’s indifference, albeit his hand was shaking as he picked up the pistol, restrained her. She lay panting on the beach while Dick methodically bombarded the breakwater. ‘Got it at last!’ he exclaimed, as a lock of weed flew from the wood.</p>
<p>‘Let me try,’ said Maisie imperiously. ‘I’m all right now.’</p>
<p>They fired in turns till the rickety little revolver nearly shook itself to pieces, and Amomma the outcast—because he might blow up at any moment—browsed in the background and wondered why stones were thrown at him. Then they found a balk of timber floating in a pool which was commanded by the seaward slope of Fort Keeling, and they sat down together before this new target.</p>
<p>‘Next holidays,’ said Dick, as the now thoroughly fouled revolver kicked wildly in his hand, ‘we’ll get another pistol,—central fire,—that will carry farther.’</p>
<p>‘There won’t be any next holidays for me,’ said Maisie. ‘I’m going away.’</p>
<p>‘Where to?’</p>
<p>‘I don’t know. My lawyers have written to Mrs. Jennett, and I’ve got to be educated somewhere,—in France, perhaps,—I don’t know where; but I shall be glad to go away.’</p>
<p>‘I shan’t like it a bit. I suppose I shall be left. Look here, Maisie, is it really true you’re going? Then these holidays will be the last I shall see anything of you; and I go back to school next week. I wish——’</p>
<p>The young blood turned his cheeks scarlet. Maisie was picking grass-tufts and throwing them down the slope at a yellow sea-poppy nodding all by itself to the illimitable levels of the mud-flats and the milk-white sea beyond.</p>
<p>‘I wish,’ she said, after a pause, ‘that I could see you again some time. You wish that too?’</p>
<p>‘Yes, but it would have been better if—if—you had—shot straight over there—down by the breakwater.’</p>
<p>Maisie looked with large eyes for a moment. And this was the boy who only ten days before had decorated Amomma’s horns with cut-paper ham-frills and turned him out, a bearded derision, among the public ways! Then she dropped her eyes: this was not the boy.</p>
<p>‘Don’t be stupid,’ she said reprovingly, and with swift instinct attacked the side-issue. ‘How selfish you are! Just think what I should have felt if that horrid thing had killed you! I’m quite miserable enough already’</p>
<p>‘Why? Because you’re going away from Mrs. Jennett?’</p>
<p>‘No.’</p>
<p>‘From me, then?’</p>
<p>No answer for a long time. Dick dared not look at her. He felt, though he did not know, all that the past four years had been to him, and this the more acutely since he had no knowledge to put his feelings in words.</p>
<p>‘I don’t know,’ she said. ‘I suppose it is.’</p>
<p>‘Maisie, you must know. <i>I’m</i> not supposing.’</p>
<p>‘Let’s go home,’ said Maisie weakly.</p>
<p>But Dick was not minded to retreat.</p>
<p>‘I can’t say things,’ he pleaded, ‘and I’m awfully sorry for teasing you about Amomma the other day. It’s all different now, Maisie, can’t you see? And you might have told me that you were going, instead of leaving me to find out.’</p>
<p>‘You didn’t. I did tell. Oh, Dick, what’s the use of worrying?’</p>
<p>‘There isn’t any; but we’ve been together years and years, and I didn’t know how much I cared.’</p>
<p>‘I don’t believe you ever did care.’</p>
<p>‘No, I didn’t; but I do,—I care awfully now. Maisie,’ he gulped,—‘Maisie, darling, say you care too, please.’</p>
<p>‘I do; indeed I do; but it won’t be any use.’</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 3<br />
</strong></p>
<p>‘Why?’</p>
<p>‘Because I am going away.’</p>
<p>‘Yes, but if you promise before you go. Only say—will you?’ A second ‘darling’ came to his lips more easily than the first. There were few endearments in Dick’s home or school life; he had to find them by instinct. Dick caught the little hand blackened with the escaped gas of the revolver.</p>
<p>‘I promise,’ she said solemnly; ‘but if I care there is no need for promising.’</p>
<p>‘And you do care?’ For the first time in the past few minutes their eyes met and spoke for them who had no skill in speech . . . .</p>
<p>‘Oh, Dick, don’t! please don’t! It was all right when we said good-morning; but now it’s all different!’ Amomma looked on from afar. He had seen his property quarrel frequently, but he had never seen kisses exchanged before. The yellow sea-poppy was wiser, and nodded its head approvingly. Considered as a kiss, that was a failure, but since it was the first, other than those demanded by duty, in all the world that either had ever given or taken, it opened to them new worlds, and every one of them glorious, so that they were lifted above the consideration of any worlds at all, especially those in which tea is necessary, and sat still, holding each other’s hands and saying not a word.</p>
<p>‘You can’t forget now,’ said Dick at last. There was that on his cheek that stung more than gunpowder.</p>
<p>‘I shouldn’t have forgotten anyhow,’ said Maisie, and they looked at each other and saw that each was changed from the companion of an hour ago to a wonder and a mystery they could not understand. The sun began to set, and a nightwind thrashed along the bents of the foreshore.</p>
<p>‘We shall be awfully late for tea,’ said Maisie. ‘Let’s go home.’</p>
<p>‘Let’s use the rest of the cartridges first,’ said Dick; and he helped Maisie down the slope of the fort to the sea,—a descent that she was quite capable of covering at full speed. Equally gravely Maisie took the grimy hand. Dick bent forward clumsily; Maisie drew the hand away, and Dick blushed.</p>
<p>‘It’s very pretty,’ he said.</p>
<p>‘Pooh!’ said Maisie, with a little laugh of gratified vanity. She stood close to Dick as he loaded the revolver for the last time and fired over the sea, with a vague notion at the back of his head that he was protecting Maisie from all the evils in the world. A puddle far across the mud caught the last rays of the sun and turned into a wrathful red disc. The light held Dick’s attention for a moment, and as he raised his revolver there fell upon him a renewed sense of the miraculous, in that he was standing by Maisie who had promised to care for him for an indefinite length of time till such date as—— A gust of the growing wind drove the girl’s long black hair across his face as she stood with her hand on his shoulder calling Amomma ‘a little beast,’ and for a moment he was in the dark,—a darkness that stung. The bullet went singing out to the empty sea.</p>
<p>‘Spoilt my aim,’ said he, shaking his head. ‘There aren’t any more cartridges; we shall have to run home.’ But they did not run. They walked very slowly, arm in arm. And it was a matter of indifference to them whether the neglected Amomma with two pin-fire cartridges in his inside blew up or trotted beside them; for they had come into a golden heritage and were disposing of it with all the wisdom of all their years.</p>
<p>‘And I shall be——’ quoth Dick valiantly. Then he checked himself: ‘I don’t know what I shall be. I don’t seem to be able to pass any exams., but I can make awful caricatures of the masters. Ho! ho!’</p>
<p>‘Be an artist, then,’ said Maisie. ‘You’re always laughing at my trying to draw; and it will do you good.’</p>
<p>‘I’ll never laugh at anything you do,’ he answered. ‘I’ll be an artist, and I’ll do things.’</p>
<p>‘Artists always want money, don’t they?’</p>
<p>‘I’ve got a hundred and twenty pounds a year of my own. My guardians tell me I’m to have it when I come of age. That will be enough to begin with.’</p>
<p>‘Ah, I’m rich,’ said Maisie. ‘I’ve got three hundred a year all my own when I’m twenty-one. That’s why Mrs. Jennett is kinder to me than she is to you. I wish, though, that I had somebody that belonged to me, just a father or a mother.’</p>
<p>‘You belong to me,’ said Dick, ‘for ever and ever.’</p>
<p>‘Yes, we belong—for ever. It’s very nice.’ She squeezed his arm. The kindly darkness hid them both, and, emboldened because he could only just see the profile of Maisie’s cheek with the long lashes veiling the gray eyes, Dick at the front door delivered himself of the words he had been boggling over for the last two hours.</p>
<p>‘And I—love you, Maisie,’ he said, in a whisper that seemed to him to ring across the world,—the world that he would tomorrow or the next day set out to conquer.</p>
<p>There was a scene, not, for the sake of discipline, to be reported, when Mrs. Jennett would have fallen upon him, first for disgraceful unpunctuality, and secondly, for nearly killing himself with a forbidden weapon.</p>
<p>‘I was playing with it, and it went off by itself,’ said Dick, when the powder-pocked cheek could no longer be hidden, ‘but if you think you’re going to lick me you’re wrong. You are never going to touch me again. Sit down and give me my tea. You can’t cheat us out of that, anyhow.’</p>
<p>Mrs. Jennett gasped and became livid. Maisie said nothing, but encouraged Dick with her eyes, and he behaved abominably all that evening. Mrs. Jennett prophesied an immediate judgment of Providence and a descent into Tophet later, but Dick walked in Paradise and would not hear. Only when he was going to bed Mrs. Jennett recovered and asserted herself. He had bidden Maisie goodnight with down-dropped eyes and from a distance.</p>
<p>‘If you aren’t a gentleman ou might try to behave like one,’ said Mrs. Jennett spitefully. ‘You’ve been quarrelling with Maisie again.’</p>
<p>This meant that the usual good-night kiss had been omitted. Maisie, white to the lips, thrust her cheek forward with a fine air of indifference, and was duly pecked by Dick, who tramped out of the room red as fire. That night he dreamed a wild dream. He had won all the world and brought it to Maisie in a cartridge-box, but she turned it over with her foot, and, instead of saying, ‘Thank you,’ cried—</p>
<p>‘Where is the grass collar you promised for Amomma? Oh, how selfish you are!’</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">31760</post-id>	</item>
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		<title>They</title>
		<link>https://www.kiplingsociety.co.uk/tale/they.htm</link>
		
		<dc:creator><![CDATA[John Radcliffe]]></dc:creator>
		<pubDate>Wed, 19 May 2021 14:29:41 +0000</pubDate>
				<guid isPermaLink="false">https://www.kiplingsociety.co.uk/?post_type=tale&#038;p=31620</guid>

					<description><![CDATA[<em>(The Kipling Society presents here Kipling’s work as he wrote it, but wishes to alert readers that the text below contains some derogatory and/or offensive language)</em> &#160; <strong>page 1 of 8 </strong> <b>ONE</b> view called ... <a title="They" class="read-more" href="https://www.kiplingsociety.co.uk/tale/they.htm" aria-label="Read more about They">Read more</a>]]></description>
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<p style="text-align: center;"><span style="font-family: times new roman, times, georgia, serif; font-size: 14px;"><em>(The Kipling Society presents here Kipling’s work as he<br />
wrote it, but wishes to alert readers that the text below<br />
contains some derogatory and/or offensive language)</em></span></p>
<p>&nbsp;</p>
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<p><b>ONE</b> view called me to another; one hill top to its fellow, half across the county, and since I could answer at no more trouble than the snapping forward of a lever, I let the county flow under my wheels. The orchid-studded flats of the East gave way to the thyme, ilex, and grey grass of the Downs; these again to the rich cornland and fig-trees of the lower coast, where you carry the beat of the tide on your left hand for fifteen level miles; and when at last I turned inland through a huddle of rounded hills and woods I had run myself clean out of my known marks. Beyond that precise hamlet which stands godmother to the capital of the United States, I found hidden villages where bees, the only things awake, boomed in eighty-foot lindens that overhung grey Norman churches; miraculous brooks diving under stone bridges built for heavier traffic than would ever vex them again; tithe-barns larger than their churches, and an old smithy that cried out aloud how it had once been a hall of the Knights of the Temple. Gipsies I found on a common where the gorse, bracken, and heath fought it out together up a mile of Roman road; and a little further on I disturbed a red fox rolling dog-fashion in the naked sunlight.As the wooded hills closed about me I stood up in the car to take the bearings of that great Down whose ringed head is a landmark for fifty miles across the low countries. I judged that the lie of the country would bring me across some westward running road that went to his feet, but I did not allow for the confusing veils of the woods. A quick turn plunged me first into a green cutting brimful of liquid sunshine, next into a gloomy tunnel where last year’s dead leaves whispered and scuffled about my tyres. The strong hazel stuff meeting overhead had not been cut for a couple of generations at least, nor had any axe helped the moss-cankered oak and beech to spring above them. Here the road changed frankly into a carpeted ride on whose brown velvet spent primrose-clumps showed like jade, and a few sickly, white-stalked blue-bells nodded together. As the slope favoured I shut off the power and slid over the whirled leaves, expecting every moment to meet a keeper; but I only heard a jay, far off, arguing against the silence under the twilight of the trees.</p>
<p>Still the track descended. I was on the point of reversing and working my way back on the second speed ere I ended in some swamp, when I saw sunshine through the tangle ahead and lifted the brake.</p>
<p>It was down again at once. As the light beat across my face my fore-wheels took the turf of a great still lawn from which sprang horsemen ten feet high with levelled lances, monstrous peacocks, and sleek round-headed maids of honour—blue, black, and glistening—all of clipped yew. Across the lawn—the marshalled woods besieged it on three sides—stood an ancient house of lichened and weather-worn stone, with mullioned windows and roofs of rose-red tile. It was flanked by semi-circular walls, also rose-red, that closed the lawn on the fourth side, and at their feet a box hedge grew man-high. There were doves on the roof about the slim brick chimneys, and I caught a glimpse of an octagonal dove-house behind the screening wall.</p>
<p>Here, then, I stayed; a horseman’s green spear laid at my breast; held by the exceeding beauty of that jewel in that setting.</p>
<p>“If I am not packed off for a trespasser, or if this knight does not ride a wallop at me,” thought I, “Shakespeare and Queen Elizabeth at least must come out of that half-open garden door and ask me to tea.”</p>
<p>A child appeared at an upper window, and I thought the little thing waved a friendly hand. But it was to call a companion, for presently another bright head showed. Then I heard a laugh among the yew-peacocks, and turning to make sure (till then I had been watching the house only) I saw the silver of a fountain behind a hedge thrown up against the sun. The doves on the roof cooed to the cooing water; but between the two notes I caught the utterly happy chuckle of a child absorbed in some light mischief.</p>
<p>The garden door—heavy oak sunk deep in the thickness of the wall—opened further: a woman in a big garden hat set her foot slowly on the time-hollowed stone step and as slowly walked across the turf. I was forming some apology when she lifted up her head and I saw that she was blind.</p>
<p>“I heard you,” she said. “Isn’t that a motor car?”</p>
<p>“I’m afraid I’ve made a mistake in my road. I should have turned off up above—I never dreamed——” I began.</p>
<p>“But I’m very glad. Fancy a motor car coming into the garden! It will be such a treat——” She turned and made as though looking about her. “You—you haven’t seen any one, have you—perhaps?”</p>
<p>“No one to speak to, but the children seemed interested at a distance.”</p>
<p>“Which?”</p>
<p>“I saw a couple up at the window just now, and I think I heard a little chap in the grounds.”</p>
<p>“Oh, lucky you!” she cried, and her face brightened. “I hear them, of course, but that’s all. You’ve seen them and heard them?”</p>
<p>“Yes,” I answered. “And if I know anything of children one of them’s having a beautiful time by the fountain yonder. Escaped, I should imagine.”</p>
<p>“You’re fond of children?”</p>
<p>I gave her one or two reasons why I did not altogether hate them.</p>
<p>“Of course, of course,” she said. “Then you understand. Then you won’t think it foolish if I ask you to take your car through the gardens, once or twice—quite slowly. I’m sure they’d like to see it. They see so little, poor things. One tries to make their life pleasant, but——” she threw out her hands towards the woods. “We’re so out of the world here.”</p>
<p>“That will be splendid,” I said. “But I can’t cut up your grass.”</p>
<p>She faced to the right. “Wait a minute,” she said. “We’re at the South gate, aren’t we? Behind those peacocks there’s a flagged path. We call it the Peacock’s Walk. You can’t see it from here, they tell me, but if you squeeze along by the edge of the wood you can turn at the first peacock and get on to the flags.”</p>
<p>It was sacrilege to wake that dreaming house-front with the clatter of machinery, but I swung the car to clear the turf, brushed along the edge of the wood and turned in on the broad stone path where the fountain-basin lay like one star-sapphire.</p>
<p>“May I come too?” she cried. “No, please don’t help me. They’ll like it better if they see me.”</p>
<p>She felt her way lightly to the front of the car, and with one foot on the step she called: “Children, oh, children! Look and see what’s going to happen!”</p>
<p>The voice would have drawn lost souls from the Pit, for the yearning that underlay its sweetness, and I was not surprised to hear an answering shout behind the yews. It must have been the child by the fountain, but he fled at our approach, leaving a little toy boat in the water. I saw the glint of his blue blouse among the still horsemen.</p>
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<p>Very disposedly we paraded the length of the walk and at her request backed again. This time the child had got the better of his panic, but stood far off and doubting.</p>
<p>“The little fellow’s watching us,” I said. “I wonder if he’d like a ride.”</p>
<p>“They’re very shy still. Very shy. But, oh, lucky you to be able to see them! Let’s listen.”</p>
<p>I stopped the machine at once, and the humid stillness, heavy with the scent of box, cloaked us deep. Shears I could hear where some gardener was clipping; a mumble of bees and broken voices that might have been the doves.</p>
<p>“Oh, unkind!” she said weariedly.</p>
<p>“Perhaps they’re only shy of the motor. The little maid at the window looks tremendously interested.”</p>
<p>“Yes?” She raised her head. “It was wrong of me to say that. They are really fond of me. It’s the only thing that makes life worth living—when they’re fond of you, isn’t it? I daren’t think what the place would be without them. By the way, is it beautiful?”</p>
<p>“I think it is the most beautiful place I have ever seen.”</p>
<p>“So they all tell me. I can feel it, of course, but that isn’t quite the same thing.”</p>
<p>“Then have you never?——” I began, but stopped abashed.</p>
<p>“Not since I can remember. It happened when I was only a few months old, they tell me. And yet I must remember something, else how could I dream about colours? I see light in my dreams, and colours, but I never see <i>them</i>. I only hear them just as I do when I’m awake.”</p>
<p>“It’s difficult to see faces in dreams. Some people can, but most of us haven’t the gift,” I went on, looking up at the window where the child stood all but hidden.</p>
<p>“I’ve heard that too,” she said. “And they tell me that one never sees a dead person’s face in a dream. Is that true?”</p>
<p>“I believe it is—now I come to think of it.”</p>
<p>“But how is it with yourself—yourself?” The blind eyes turned towards me.</p>
<p>“I have never seen the faces of my dead in any dream,” I answered.</p>
<p>“Then it must be as bad as being blind.”</p>
<p>The sun had dipped behind the woods and the long shades were possessing the insolent horsemen one by one. I saw the light die from off the top of a glossy-leaved lance and all the brave hard green turn to soft black. The house, accepting another day at end, as it had accepted an hundred thousand gone, seemed to settle deeper into its rest among the shadows.</p>
<p>“Have you ever wanted to?” she said after the silence.</p>
<p>“Very much sometimes,” I replied. The child had left the window as the shadows closed upon it.</p>
<p>“Ah! So’ve I, but I don’t suppose it’s allowed. . . . Where d’you live?”</p>
<p>“Quite the other side of the county—sixty miles and more, and I must be going back. I’ve come without my big lamp.”</p>
<p>“But it’s not dark yet. I can feel it.”</p>
<p>“I’m afraid it will be by the time I get home. Could you lend me some one to set me on my road at first? I’ve utterly lost myself.”</p>
<p>“I’ll send Madden with you to the cross-roads. We are so out of the world, I don’t wonder you were lost! I’ll guide you round to the front of the house; but you will go slowly, won’t you, till you’re out of the grounds? It isn’t foolish, do you think?”</p>
<p>“I promise you I’ll go like this,” I said, and let the car start herself down the flagged path.</p>
<p>We skirted the left wing of the house, whose elaborately cast lead guttering alone was worth a day’s journey; passed under a great rose-grown gate in the red wall, and so round to the high front of the house which in beauty and stateliness as much excelled the back as that all others I had seen.</p>
<p>“Is it so very beautiful?” she said wistfully when she heard my raptures. “And you like the lead-figures too? There’s the old azalea garden behind. They say that this place must have been made for children. Will you help me out, please? I should like to come with you as far as the cross-roads, but I mustn’t leave them. Is that you, Madden? I want you to show this gentleman the way to the cross-roads. He has lost his way but—he has seen them.”</p>
<p>A butler appeared noiselessly at the miracle of old oak that must be called the front door, and slipped aside to put on his hat. She stood looking at me with open blue eyes in which no sight lay, and I saw for the first time that she was beautiful.</p>
<p>“Remember,” she said quietly, “if you are fond of them you will come again,” and disappeared within the house.</p>
<p>The butler in the car said nothing till we were nearly at the lodge gates, where, catching a glimpse of a blue blouse in a shrubbery, I swerved amply lest the devil that leads little boys to play should drag me into child-murder.</p>
<p>“Excuse me,” he asked of a sudden, “but why did you do that, Sir?”</p>
<p>“The child yonder.”</p>
<p>“Our young gentleman in blue?”</p>
<p>“Of course.”</p>
<p>“He runs about a good deal. Did you see him by the fountain, Sir?”</p>
<p>“Oh, yes, several times. Do we turn here?”</p>
<p>“Yes, Sir. And did you ’appen to see them upstairs too?”</p>
<p>“At the upper window? Yes.”</p>
<p>“Was that before the mistress come out to speak to you, Sir?”</p>
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<p>“A little before that. Why d’you want to know?”</p>
<p>He paused a little. “Only to make sure that—that they had seen the car, Sir, because with children running about, though I’m sure you’re driving particularly careful, there might be an accident. That was all, Sir. Here are the cross-roads. You can’t miss your way from now on. Thank you, Sir, but that isn’t <i>our</i> custom, not with——”</p>
<p>“I beg your pardon,” I said, and thrust away the British silver.</p>
<p>“Oh, it’s quite right with the rest of ’em as a rule. Good-bye, Sir.”</p>
<p>He retired into the armour-plated conning tower of his caste and walked away. Evidently a butler solicitous for the honour of his house, and interested, probably through a maid, in the nursery.</p>
<p>Once beyond the signposts at the cross-roads I looked back, but the crumpled hills interlaced so jealously that I could not see where the house had lain. When I asked its name at a cottage along the road, the fat woman who sold sweetmeats there gave me to understand that people with motor cars had small right to live—much less to “go about talking like carriage folk.” They were not a pleasant-mannered community.</p>
<p>When I retraced my route on the map that evening I was little wiser. Hawkin’s Old Farm appeared to be the survey title of the place, and the old County Gazetteer, generally so ample, did not allude to it. The big house of those parts was Hodnington Hall, Georgian with early Victorian embellishments, as an atrocious steel engraving attested. I carried my difficulty to a neighbour—a deep-rooted tree of that soil—and he gave me a name of a family which conveyed no meaning.</p>
<p>A month or so later—I went again, or it may have been that my car took the road of her own volition. She over-ran the fruitless Downs, threaded every turn of the maze of lanes below the hills, drew through the high-walled woods, impenetrable in their full leaf, came out at the cross-roads where the butler had left me, and a little further on developed an internal trouble which forced me to turn her in on a grass way-waste that cut into a summer-silent hazel wood. So far as I could make sure by the sun and a six-inch Ordnance map, this should be the road flank of that wood which I had first explored from the heights above. I made a mighty serious business of my repairs and a glittering shop of my repair kit, spanners, pump, and the like, which I spread out orderly upon a rug. It was a trap to catch all childhood, for on such a day, I argued, the children would not be far off. When I paused in my work I listened, but the wood was so full of the noises of summer (though the birds had mated) that I could not at first distinguish these from the tread of small cautious feet stealing across the dead leaves. I rang my bell in an alluring manner, but the feet fled, and I repented, for to a child a sudden noise is very real terror. I must have been at work half an hour when I heard in the wood the voice of the blind woman crying: “Children, oh, children, where are you?” and the stillness made slow to close on the perfection of that cry. She came towards me, half feeling her way between the tree-boles, and though a child, it seemed, clung to her skirt, it swerved into the leafage like a rabbit as she drew nearer.</p>
<p>“Is that you?” she said, “from the other side of the county?”</p>
<p>“Yes, it’s me from the other side of the county.”</p>
<p>“Then why didn’t you come through the upper woods? They were there just now.”</p>
<p>“They were here a few minutes ago. I expect they knew my car had broken down, and came to see the fun.”</p>
<p>“Nothing serious, I hope? How do cars break down?”</p>
<p>“In fifty different ways. Only mine has chosen the fifty-first.”</p>
<p>She laughed merrily at the tiny joke, cooed with delicious laughter, and pushed her hat back.</p>
<p>“Let me hear,” she said.</p>
<p>“Wait a moment,” I cried, “and I’ll get you a cushion.”</p>
<p>She set her foot on the rug all covered with spare parts, and stooped above it eagerly. “What delightful things!” The hands through which she saw glanced in the chequered sunlight. “A box here—another box! Why you’ve arranged them like playing shop!”</p>
<p>“I confess now that I put it out to attract them. I don’t need half those things really.”</p>
<p>“How nice of you! I heard your bell in the upper wood. You say they were here before that?”</p>
<p>“I’m sure of it. Why are they so shy? That little fellow in blue who was with you just now ought to have got over his fright. He’s been watching me like a Red Indian.”</p>
<p>“It must have been your bell,” she said. “I heard one of them go past me in trouble when I was coming down. They’re shy—so shy even with me.” She turned her face over her shoulder and cried again: “Children! Oh, children! Look and see!”</p>
<p>“They must have gone off together on their own affairs,” I suggested, for there was a murmur behind us of lowered voices broken by the sudden squeaking giggles of childhood. I returned to my tinkerings and she leaned forward, her chin on her hand, listening interestedly.</p>
<p>“How many are they?” I said at last. The work was finished, but I saw no reason to go.</p>
<p>Her forehead puckered a little in thought. “I don’t quite know,” she said simply. “Sometimes more—sometimes less. They come and stay with me because I love them, you see.”</p>
<p>“That must be very jolly,” I said, replacing a drawer, and as I spoke I heard the inanity of my answer.</p>
<p>“You—you aren’t laughing at me,” she cried. “I—I haven’t any of my own. I never married. People laugh at me sometimes about them because—because—”</p>
<p>“Because they’re savages,” I returned. “It’s nothing to fret for. That sort laugh at everything that isn’t in their own fat lives.”</p>
<p>“I don’t know. How should I? I only don’t like being laughed at about <i>them</i>. It hurts; and when one can’t see. . . . I don’t want to seem silly,” her chin quivered like a child’s as she spoke, “but we blindies have only one skin, I think. Everything outside hits straight at our souls. It’s different with you. You’ve such good defences in your eyes—looking out—before any one can really pain you in your soul. People forget that with us.”</p>
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<p>I was silent, reviewing that inexhaustible matter—the more than inherited (since it is also carefully taught) brutality of the Christian peoples, beside which the mere heathendom of the West Coast nigger is clean and restrained. It led me a long distance into myself.</p>
<p>“Don’t do that!” she said of a sudden, putting her hands before her eyes.</p>
<p>“What?”</p>
<p>She made a gesture with her hand.</p>
<p>“That! It’s—it’s all purple and black. Don’t! That colour hurts.”</p>
<p>“But how in the world do you know about colours?” I exclaimed, for here was a revelation indeed.</p>
<p>“Colours as colours?” she asked.</p>
<p>“No. <i>Those</i> Colours which you saw just now.”</p>
<p>“You know as well as I do,” she laughed, “else you wouldn’t have asked that question. They aren’t in the world at all. They’re in <i>you</i>—when you went so angry.”</p>
<p>“D’you mean a dull purplish patch, like port-wine mixed with ink?” I said.</p>
<p>“I’ve never seen ink or port-wine, but the colours aren’t mixed. They are separate—all separate.”</p>
<p>“Do you mean black streaks and jags across the purple?”</p>
<p>She nodded. “Yes—if they are like this,” and zigzagged her finger again, “but it’s more red than purple—that bad colour.”</p>
<p>“And what are the colours at the top of the—whatever you see?”</p>
<p>Slowly she leaned forward and traced on the rug the figure of the Egg itself.</p>
<p>“I see them so,” she said, pointing with a grass stem, “white, green, yellow, red, purple, and when people are angry or bad, black across the red—as you were just now.”</p>
<p>“Who told you anything about it—in the beginning?” I demanded.</p>
<p>“About the colours? No one. I used to ask what colours were when I was little—in table-covers and curtains and carpets, you see—because some colours hurt me and some made me happy. People told me; and when I got older that was how I saw people.” Again she traced the outline of the Egg which it is given to very few of us to see.</p>
<p>“All by yourself?” I repeated.</p>
<p>“All by myself. There wasn’t any one else. I only found out afterwards that other people did not see the Colours.”</p>
<p>She leaned against the tree-bole plaiting and unplaiting chance-plucked grass stems. The children in the wood had drawn nearer. I could see them with the tail of my eye frolicking like squirrels.</p>
<p>“Now I am sure you will never laugh at me,” she went on after a long silence. “Nor at <i>them</i>.”</p>
<p>“Goodness! No!” I cried, jolted out of my train of thought. “A man who laughs at a child—unless the child is laughing too—is a heathen!”</p>
<p>“I didn’t mean that of course. You’d never laugh <i>at</i> children, but I thought—I used to think—that perhaps you might laugh about <i>them</i>. So now I beg your pardon. . . . What are you going to laugh at?”</p>
<p>I had made no sound, but she knew.</p>
<p>“At the notion of your begging my pardon. If you had done your duty as a pillar of the state and a landed proprietress you ought to have summoned me for trespass when I barged through your woods the other day. It was disgraceful of me—inexcusable.”</p>
<p>She looked at me, her head against the tree trunk—long and steadfastly—this woman who could see the naked soul.</p>
<p>“How curious,” she half whispered. “How very curious.”</p>
<p>“Why, what have I done?”</p>
<p>“You don’t understand . . . and yet you understood about the Colours. Don’t you understand?”</p>
<p>She spoke with a passion that nothing had justified, and I faced her bewilderedly as she rose. The children had gathered themselves in a roundel behind a bramble bush. One sleek head bent over something smaller, and the set of the little shoulders told me that fingers were on lips. They, too, had some child’s tremendous secret. I alone was hopelessly astray there in the broad sunlight.</p>
<p>“No,” I said, and shook my head as though the dead eyes could note. “Whatever it is, I don’t understand yet. Perhaps I shall later—if you’ll let me come again.”</p>
<p>“You will come again,” she answered. “You will surely come again and walk in the wood.”</p>
<p>“Perhaps the children will know me well enough by that time to let me play with them—as a favour. You know what children are like.”</p>
<p>“It isn’t a matter of favour but of right,” she replied, and while I wondered what she meant, a dishevelled woman plunged round the bend of the road, loose-haired, purple, almost lowing with agony as she ran. It was my rude, fat friend of the sweetmeat shop. The blind woman heard and stepped forward. “What is it, Mrs. Madehurst?” she asked.</p>
<p>The woman flung her apron over her head and literally grovelled in the dust, crying that her grandchild was sick to death, that the local doctor was away fishing, that Jenny the mother was at her wits’ end, and so forth, with repetitions and bellowings.</p>
<p>“Where’s the next nearest doctor?” I asked between paroxysms.</p>
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<p>“Madden will tell you. Go round to the house and take him with you. I’ll attend to this. Be quick!” She half-supported the fat woman into the shade. In two minutes I was blowing all the horns of Jericho under the front of the House Beautiful, and Madden, in the pantry, rose to the crisis like a butler and a man.</p>
<p>A quarter of an hour at illegal speeds caught us a doctor five miles away. Within the half-hour we had decanted him, much interested in motors, at the door of the sweetmeat shop, and drew up the road to await the verdict.</p>
<p>“Useful things cars,” said Madden, all man and no butler. “If I’d had one when mine took sick she wouldn’t have died.”</p>
<p>“How was it?” I asked.</p>
<p>“Croup. Mrs. Madden was away. No one knew what to do. I drove eight miles in a tax cart for the Doctor. She was choked when we came back. This car ’d ha’ saved her. She’d have been close on ten now.”</p>
<p>“I’m sorry,” I said. “I thought you were rather fond of children from what you told me going to the cross-roads the other day.”</p>
<p>“Have you seen ’em again, Sir—this mornin’?”</p>
<p>“Yes, but they’re well broke to cars. I couldn’t get any of them within twenty yards of it.”</p>
<p>He looked at me carefully as a scout considers a stranger—not as a menial should lift his eyes to his divinely appointed superior.</p>
<p>“I wonder why,” he said just above the breath that he drew.</p>
<p>We waited on. A light wind from the sea wandered up and down the long lines of the woods, and the wayside grasses, whitened already with summer dust, rose and bowed in sallow waves.</p>
<p>A woman, wiping the suds off her arms, came out of the cottage next the sweetmeat shop.</p>
<p>“I’ve be’n listenin’ in de back-yard,” she said cheerily. “He says Arthur’s unaccountable bad. Did ye hear him shruck just now? Unaccountable bad. I reckon t’will come Jenny’s turn to walk in de wood nex’ week along, Mr. Madden.”</p>
<p>“Excuse me, Sir, but your lap-robe is slipping,” said Madden deferentially. The woman started, dropped a curtsey, and hurried away.</p>
<p>“What does she mean by ‘walking in the wood’?” I asked.</p>
<p>“It must be some saying they use hereabouts. I’m from Norfolk myself,” said Madden. “They’re an independent lot in this county. She took you for a chauffeur, Sir.”</p>
<p>I saw the Doctor come out of the cottage followed by a draggle-tailed wench who clung to his arm as though he could make treaty for her with Death. “Dat sort,” she wailed—“dey’re just as much to us dat has ’em as if dey was lawful born. Just as much—just as much! An’ God he’d be just as pleased if you saved ’un, Doctor. Don’t take it from me. Miss Florence will tell ye de very same. Don’t leave ’im, Doctor!”</p>
<p>“I know. I know,” said the man, “but he’ll be quiet for a while now. We’ll get the nurse and the medicine as fast as we can.” He signalled me to come forward with the car, and I strove not to be privy to what followed; but I saw the girl’s face, blotched and frozen with grief, and I felt the hand without a ring clutching at my knees when we moved away.</p>
<p>The Doctor was a man of some humour, for I remember he claimed my car under the Oath of Aesculapius, and used it and me without mercy. First we convoyed Mrs. Madehurst and the blind woman to wait by the sick-bed till the nurse should come. Next we invaded a neat county town for prescriptions (the Doctor said the trouble was cerebro-spinal meningitis), and when the County Institute, banked and flanked with scared market cattle, reported itself out of nurses, for the moment we literally flung ourselves loose upon the county. We conferred with the owners of great houses—magnates at the ends of overarching avenues whose big-boned womenfolk strode away from their tea-tables to listen to the imperious Doctor. At last a white-haired lady sitting under a cedar of Lebanon and surrounded by a court of magnificent Borzois—all hostile to motors—gave the Doctor, who received them as from a princess, written orders which we bore many miles at top speed, through a park, to a French nunnery, where we took over in exchange a pallid-faced and trembling Sister. She knelt at the bottom of the tonneau telling her beads without pause till, by short cuts of the Doctor’s invention, we had her to the sweetmeat shop once more. It was a long afternoon crowded with mad episodes that rose and dissolved like the dust of our wheels; cross-sections of remote and incomprehensible lives through which we raced at right angles; and I went home in the dusk, wearied out, to dream of the clashing horns of cattle; round-eyed nuns walking in a garden of graves; pleasant tea-parties beneath shaded trees; the carbolic-scented, grey-painted corridors of the County Institute; the steps of shy children in the wood, and the hands that clung to my knees as the motor began to move.</p>
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<h2><b>.     .     .     .     .</b></h2>
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<p>I had intended to return in a day or two, but it pleased Fate to hold me from that side of the county, on many pretexts, till the elder and the wild rose had fruited. There came at last a brilliant day, swept clear from the south-west, that brought the hills within hand’s reach—a day of unstable airs and high filmy clouds. Through no merit of my own I was free, and set the car for the third time on that known road. As I reached the crest of the Downs I felt the soft air change, saw it glaze under the sun; and, looking down at the sea, in that instant beheld the blue of the Channel turn through polished silver and dulled steel to dingy pewter. A laden collier hugging the coast steered outward for deeper water and, across copper-coloured haze, I saw sails rise one by one on the anchored fishing-fleet. In a deep dene behind me an eddy of sudden wind drummed through sheltered oaks, and spun aloft the first dry sample of autumn leaves. When I reached the beach road the sea-fog fumed over the brickfields, and the tide was telling all the groins of the gale beyond Ushant. In less than an hour summer England vanished in chill grey. We were again the shut island of the North, all the ships of the world bellowing at our perilous gates; and between their outcries ran the piping of bewildered gulls. My cap dripped moisture, the folds of the rug held it in pools or sluiced it away in runnels, and the salt-rime stuck to my lips.</p>
<p>Inland the smell of autumn loaded the thickened fog among the trees, and the drip became a continuous shower. Yet the late flowers—mallow of the wayside, scabious of the field, and dahlia of the garden—showed gay in the mist, and beyond the sea’s breath there was little sign of decay in the leaf. Yet in the villages the house doors were all open, and bare-legged, bare-headed children sat at ease on the damp doorsteps to shout “pip-pip” at the stranger.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 6<br />
</strong></p>
<p>I made bold to call at the sweetmeat shop, where Mrs. Madehurst met me with a fat woman’s hospitable tears. Jenny’s child, she said, had died two days after the nun had come. It was, she felt, best out of the way, even though insurance offices, for reasons which she did not pretend to follow, would not willingly insure such stray lives. “Not but what Jenny didn’t tend to Arthur as though he’d come all proper at de end of de first year—like Jenny herself.” Thanks to Miss Florence, the child had been buried with a pomp which, in Mrs. Madehurst’s opinion, more than covered the small irregularity of its birth. She described the coffin, within and without, the glass hearse, and the evergreen lining of the grave.</p>
<p>“But how’s the mother?” I asked.</p>
<p>“Jenny? Oh, she’ll get over it. I’ve felt dat way with one or two o’ my own. She’ll get over. She’s walkin’ in de wood now.”</p>
<p>“In this weather?”</p>
<p>Mrs. Madehurst looked at me with narrowed eyes across the counter.</p>
<p>“I dunno but it opens de ’eart like. Yes, it opens de ’eart. Dat’s where losin’ and bearin’ comes so alike in de long run, we do say.”</p>
<p>Now the wisdom of the old wives is greater than that of all the Fathers, and this last oracle sent me thinking so extendedly as I went up the road that I nearly ran over a woman and a child at the wooded corner by the lodge gates of the House Beautiful.</p>
<p>“Awful weather!” I cried, as I slowed dead for the turn.</p>
<p>“Not so bad,” she answered placidly out of the fog. “Mine’s used to ’un. You’ll find yours indoors, I reckon.”</p>
<p>Indoors, Madden received me with professional courtesy, and kind inquiries for the health of the motor, which he would put under cover.</p>
<p>I waited in a still, nut-brown hall, pleasant with late flowers and warmed with a delicious wood fire—a place of good influence and great peace. (Men and women may sometimes, after great effort, achieve a creditable lie; but the house, which is their temple, cannot say anything save the truth of those who have lived in it.) A child’s cart and a doll lay on the black-and-white floor, where a rug had been kicked back. I felt that the children had only just hurried away—to hide themselves, most like—in the many turns of the great adzed staircase that climbed statelily out of the hall, or to crouch at gaze behind the lions and roses of the carven gallery above. Then I heard her voice above me, singing as the blind sing—from the soul:—</p>
<pre style="text-align: center;"><span style="font-size: 14px;">In the pleasant orchard-closes...</span></pre>
<p>And all my early summer came back at the call.</p>
<pre style="text-align: center;"><span style="font-size: 14px;">In the pleasant orchard-closes,
God bless all our gains say we—
But may God bless all our losses,
Better suits with our degree.</span></pre>
<p>She dropped the marring fifth line, and repeated—</p>
<pre style="text-align: center;"><span style="font-size: 14px;">Better suits with our degree!</span></pre>
<p>I saw her lean over the gallery, her linked hands white as pearl against the oak.</p>
<p>“Is that you—from the other side of the county?” she called.</p>
<p>“Yes, me from the other side of the county,” I answered, laughing.</p>
<p>“What a long time before you had to come here again.” She ran down the stairs, one hand lightly touching the broad rail. “It’s two months and four days. Summer’s gone!”</p>
<p>“I meant to come before, but Fate prevented.”</p>
<p>“I knew it. Please do something to that fire. They won’t let me play with it, but I can feel it’s behaving badly. Hit it!”</p>
<p>I looked on either side of the deep fireplace, and found but a half-charred hedge-stake with which I punched a black log into flame.</p>
<p>“It never goes out, day or night,” she said, as though explaining. “In case any one comes in with cold toes, you see.”</p>
<p>“It’s even lovelier inside than it was out,” I murmured. The red light poured itself along the age-polished dusky panels till the Tudor roses and lions of the gallery took colour and motion. An old eagle-topped convex mirror gathered the picture into its mysterious heart, distorting afresh the distorted shadows, and curving the gallery lines into the curves of a ship. The day was shutting down in half a gale as the fog turned to stringy scud. Through the uncurtained mullions of the broad window I could see valiant horsemen of the lawn rear and recover against the wind that taunted them with legions of dead leaves.</p>
<p>“Yes, it must be beautiful,” she said. “Would you like to go over it? There’s still light enough upstairs.”</p>
<p>I followed her up the unflinching, wagon-wide staircase to the gallery, whence opened the thin fluted Elizabethan doors.</p>
<p>“Feel how they put the latch low down for the sake of the children.” She swung a light door inward.</p>
<p>“By the way, where are they?” I asked. “I haven’t even heard them to-day.”</p>
<p>She did not answer at once. Then, “I can only hear them,” she replied softly. “This is one of their rooms—everything ready, you see.”</p>
<p>She pointed into a heavily-timbered room. There were little low gate tables and children’s chairs. A doll’s house, it’s hooked front half open, faced a great dappled rocking-horse, from whose padded saddle it was but a child’s scramble to the broad window-seat overlooking the lawn. A toy gun lay in a corner beside a gilt wooden cannon.</p>
<p>“Surely they’ve only just gone,” I whispered. In the failing light a door creaked cautiously. I heard the rustle of a frock and the patter of feet—quick feet through a room beyond.</p>
<p>“I heard that,” she cried triumphantly. “Did you? Children, oh, children, where are you?”</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 7<br />
</strong></p>
<p>The voice filled the walls that held it lovingly to the last perfect note, but there came no answering shout such as I had heard in the garden. We hurried on from room to oak-floored room; up a step here, down three steps there; among a maze of passages; always mocked by our quarry. One might as well have tried to work an unstopped warren with a single ferret. There were bolt-holes innumerable—recesses in walls, embrasures of deep slitten windows now darkened, whence they could start up behind us; and abandoned fireplaces, six feet deep in the masonry, as well as the tangle of communicating doors. Above all, they had the twilight for their helper in our game. I had caught one or two joyous chuckles of evasion, and once or twice had seen the silhouette of a child’s frock against some darkening window at the end of a passage; but we returned empty-handed to the gallery, just as a middle-aged woman was setting a lamp in its niche.</p>
<p>“No, I haven’t seen her either this evening, Miss Florence,” I heard her say, “but that Turpin he says he wants to see you about his shed.”</p>
<p>“Oh, Mr. Turpin must want to see me very badly. Tell him to come to the hall, Mrs. Madden.”</p>
<p>I looked down into the hall whose only light was the dulled fire, and deep in the shadow I saw them at last. They must have slipped down while we were in the passages, and now thought themselves perfectly hidden behind an old gilt leather screen. By child’s law, my fruitless chase was as good as an introduction, but since I had taken so much trouble I resolved to force them to come forward later by the simple trick, which children detest, of pretending not to notice them. They lay close, in a little huddle, no more than shadows except when a quick flame betrayed an outline.</p>
<p>“And now we’ll have some tea,” she said. “I believe I ought to have offered it you at first, but one doesn’t arrive at manners, somehow, when one lives alone and is considered—h’m—peculiar.” Then with very pretty scorn, “would you like a lamp to see to eat by?”</p>
<p>“The firelight’s much pleasanter, I think.” We descended into that delicious gloom and Madden brought tea.</p>
<p>I took my chair in the direction of the screen, ready to surprise or be surprised as the game should go, and at her permission, since a hearth is always sacred, bent forward to play with the fire.</p>
<p>“Where do you get these beautiful short faggots from?” I asked idly. “Why, they are tallies!”</p>
<p>“Of course,” she said. “As I can’t read or write I’m driven back on the early English tally for my accounts. Give me one and I’ll tell you what it meant.”</p>
<p>I passed her an unburnt hazel-tally, about a foot long, and she ran her thumb down the nicks.</p>
<p>“This is the milk-record for the home farm for the month of April last year, in gallons,” said she. “I don’t know what I should have done without tallies. An old forester of mine taught me the system. It’s out of date now for every one else; but my tenants respect it. One of them’s coming now to see me. Oh, it doesn’t matter. He has no business here out of office hours. He’s a greedy, ignorant man—very greedy or—he wouldn’t come here after dark.”</p>
<p>“Have you much land then?”</p>
<p>“Only a couple of hundred acres in hand, thank goodness. The other six hundred are nearly all let to folk who knew my folk before me, but this Turpin is quite a new man—and a highway robber.”</p>
<p>“But are you sure I sha’n’t be——?”</p>
<p>“Certainly not. You have the right. He hasn’t any children.”</p>
<p>“Ah, the children!” I said, and slid my low chair back till it nearly touched the screen that hid them. “I wonder whether they’ll come out for me.”</p>
<p>There was a murmur of voices—Madden’s and a deeper note—at the low, dark side door, and a ginger-headed, canvas-gaitered giant of the unmistakable tenant farmer type stumbled or was pushed in.</p>
<p>“Come to the fire, Mr. Turpin,” she said.</p>
<p>“If—if you please, Miss, I’ll—I’ll be quite as well by the door.” He clung to the latch as he spoke, like a frightened child. Of a sudden I realised that he was in the grip of some almost overpowering fear.</p>
<p>“Well?”</p>
<p>“About that new shed for the young stock—that was all. These first autumn storms settin’ in . . . but I’ll come again, Miss.” His teeth did not chatter much more than the door latch.</p>
<p>“I think not,” she answered levelly. “The new shed—m’m. What did my agent write you on the 15th?”</p>
<p>“I—fancied p’r’aps that if I came to see you—ma—man to man like, Miss—but——”</p>
<p>His eyes rolled into every corner of the room, wide with horror. He half opened the door through which he had entered, but I noticed it shut again—from without and firmly.</p>
<p>“He wrote what I told him,” she went on. “You are overstocked already. Dunnett’s Farm never carried more than fifty bullocks—even in Mr. Wright’s time. And <i>he</i> used cake. You’ve sixty-seven and you don’t cake. You’ve broken the lease in that respect. You’re dragging the heart out of the farm.”</p>
<p>“I’m—I’m getting some minerals—superphosphates—next week. I’ve as good as ordered a truck-load already. I’ll go down to the station to-morrow about ’em. Then I can come and see you man to man like, Miss, in the daylight. . . . That gentleman’s not going away, is he?” He almost shrieked.</p>
<p>I had only slid the chair a little further back, reaching behind me to tap on the leather of the screen, but he jumped like a rat.</p>
<p>“No. Please attend to me, Mr. Turpin.” She turned in her chair and faced him with his back to the door. It was an old and sordid little piece of scheming that she forced from him—his plea for the new cowshed at his landlady’s expense, that he might with the covered manure pay his next year’s rent out of the valuation after, as she made clear, he had bled the enriched pastures to the bone. I could not but admire the intensity of his greed, when I saw him out-facing for its sake whatever terror it was that ran wet on his forehead.</p>
<p style="text-align: center; color: red; font-style: italic;"><strong>page 8<br />
</strong></p>
<p>I ceased to tap the leather—was, indeed, calculating the cost of the shed—when I felt my relaxed hand taken and turned softly between the soft hands of a child. So at last I had triumphed. In a moment I would turn and acquaint myself with those quick-footed wanderers. . . .</p>
<p>The little brushing kiss fell in the centre of my palm—as a gift on which the fingers were, once, expected to close: as the all faithful half-reproachful signal of a waiting child not used to neglect even when grown-ups were busiest—a fragment of the mute code devised very long ago.</p>
<p>Then I knew. And it was as though I had known from the first day when I looked across the lawn at the high window.</p>
<p>I heard the door shut. The woman turned to me in silence, and I felt that she knew.</p>
<p>What time passed after this I cannot say. I was roused by the fall of a log, and mechanically rose to put it back. Then I returned to my place in the chair very close to the screen.</p>
<p>“Now you understand,” she whispered, across the packed shadows.</p>
<p>“Yes, I understand—now. Thank you.”</p>
<p>“I—I only hear them.” She bowed her head in her hands. “I have no right, you know—no other right. I have neither borne nor lost—neither borne nor lost!”</p>
<p>“Be very glad then,” said I, for my soul was torn open within me.</p>
<p>“Forgive me!”</p>
<p>She was still, and I went back to my sorrow and my joy.</p>
<p>“It was because I loved them so,” she said at last, brokenly. “<i>That</i> was why it was, even from the first—even before I knew that they—they were all I should ever have. And I loved them so!”</p>
<p>She stretched out her arms to the shadows and the shadows within the shadow.</p>
<p>“They came because I loved them—because I needed them. I—I must have made them come. Was that wrong, think you?”</p>
<p>“No—no.”</p>
<p>“I—I grant you that the toys and—and all that sort of thing were nonsense, but—but I used to so hate empty rooms myself when I was little.” She pointed to the gallery. “And the passages all empty. . . . And how could I ever bear the garden door shut? Suppose——”</p>
<p>“Don’t! For pity’s sake, don’t!” I cried. The twilight had brought a cold rain with gusty squalls that plucked at the leaded windows.</p>
<p>“And the same thing with keeping the fire in all night. <i>I</i> don’t think it so foolish—do you?”</p>
<p>I looked at the broad brick hearth, saw, through tears I believe, that there was no unpassable iron on or near it, and bowed my head.</p>
<p>“I did all that and lots of other things—just to make believe. Then they came. I heard them, but I didn’t know that they were not mine by right till Mrs. Madden told me——”</p>
<p>“The butler’s wife? What?”</p>
<p>“One of them—I heard—she saw—and knew. Hers! <i>Not</i> for me. I didn’t know at first. Perhaps I was jealous. Afterwards, I began to understand that it was only because I loved them, not because——. . . Oh, you <i>must</i> bear or lose,” she said piteously. “There is no other way—and yet they love me. They must! Don’t they?”</p>
<p>There was no sound in the room except the lapping voices of the fire, but we two listened intently, and she at least took comfort from what she heard. She recovered herself and half rose. I sat still in my chair by the screen.</p>
<p>“Don’t think me a wretch to whine about myself like this, but—but I’m all in the dark, you know, and <i>you</i> can see.”</p>
<p>In truth I could see, and my vision confirmed me in my resolve, though that was like the very parting of spirit and flesh. Yet a little longer I would stay since it was the last time.</p>
<p>“You think it is wrong, then?” she cried sharply, though I had said nothing.</p>
<p>“Not for you. A thousand times no. For you it is right. . . . I am grateful to you beyond words. For me it would be wrong. For me only. . . .”</p>
<p>“Why?” she said, but passed her hand before her face as she had done at our second meeting in the wood. “Oh, I see,” she went on simply as a child. “For you it would be wrong.” Then with a little indrawn laugh, “and, d’you remember, I called you lucky—once—at first. You who must never come here again!”</p>
<p>She left me to sit a little longer by the screen, and I heard the sound of her feet die out along the gallery above.</p>
</div>
<p>&nbsp;</p>
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